Catalogue Police the police

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“Untitled (Ufo)” (2008) 40x60cm, oil on canvas, courtesy of the artist “Untitled (Room simulator)” (2010) 130x110cm, oil on canvas, courtesy of the artist What interests me in my approach are the contemporary myths created in today’s society, the mass way of thinking through stereotypes, the abundance of opportunities – sometimes excessive – that one has nowadays. I am concerned not so much with clichés, but with the way people think through them, and with creating virtual realities. Based on images either of some past – but real – useless inventions, or of objects that we could say have become myths of contemporary society, I dare create virtual-absurd realities, but which might become real in one’s conventional interpretation. I try to shape ambiguous-absurd spaces, through clichés and myths that already exist in society, spaces which define today’s individual, but which are, at the same time, utopias. Maxim Liulca 97
“Serial Guard” (2008) 6 pieces, print on canvas variable dimensions courtesy of the artists 2 M E T A G R O U P 98
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October 8th - November 7th, 2010 Ș
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FOREWORD ROMELO PERVOLOVICI - DIREC
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în mare parte dimensiunii scopice
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vigilant blindness, through this ki
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simultan ambele roluri - el devine
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of his own subjection.” 4 The gaz
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scenarizare a realului şi felul î
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senzorială globală a subiectului.
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eification of watching. watching th
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Deleuze was saying that, considerin
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încercat să le explice vizitatori
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THE SUBVERSIVE PANOPTICON OF THE CO
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“LaBour discipLine”. damaging t
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internet. Fenomenul este corelat cu
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ness of the Orwellian principle of
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“Altogether” (2008) DVD, mini D
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“Miliţia e cu noi!” (1981) C-t
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Decupaj de temporalitate suspendat
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& M AT H I A S j U D “War Room”
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În 2002, Peter Weibel organiza la
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“Broken Threads” (2007) video,
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I S T O B E D O N E ? ) legătura d
Page 48 and 49: cu sfârşitul unei tranziţii impo
Page 50 and 51: At the same time, the very existenc
Page 52 and 53: social recipe to be applied at the
Page 54 and 55: the chance to bring this knowledge
Page 56 and 57: “CCTeVezi” (2008) C-type print,
Page 58 and 59: 25 April 2008 I have arrived in Lon
Page 60 and 61: altui instrument de observaţie la
Page 62 and 63: “Untitled”, 2005 (the former St
Page 64 and 65: V L A D N A N C ă Orice manual ban
Page 66 and 67: “The Pencil Sharpener”, from th
Page 68 and 69: My work deals with the common misus
Page 70 and 71: NEÏL BELOUfA & DORIAN GAUDIN Pe 2
Page 72 and 73: & S Z I L A R D B A N G A 71
Page 74 and 75: Prezentată pentru prima oară la g
Page 76 and 77: “Le charme discret de l’autorit
Page 78 and 79: “Boutique Airports I & II” (200
Page 80 and 81: Alexandra Croitoru’s works presen
Page 82 and 83: “Remake” (2007) animation, 24
Page 84 and 85: „Populist project / Hometown Boys
Page 86 and 87: P A S C U A L S I S T O “Gaze”
Page 88 and 89: S T E f A N O G I U R I A T I Lucra
Page 90 and 91: “Animal Inside” (2009) 4 photo
Page 92 and 93: Ideea că pictura ca gen artistic e
Page 95 and 96: T H E O L I G T H A R T “The Sear
Page 97: M A X I M L I U L C A Demersul meu
Page 101 and 102: N 5 5 “Walking 100 house” house
Page 103 and 104: MIRCEA NICOLAE “Surveillance pane
Page 105 and 106: THE BLUE NOSES GROUP În seria „A
Page 107 and 108: G O R D A N S A V I C I C Aş dori
Page 109 and 110: GHEORGHE RASOVSZKy
Page 111 and 112: LENA VON LAPSCHINA De peste doi ani
Page 113 and 114: S I M O N A Tă N ă S E S C U „B
Page 115 and 116: S U R E K H A Line of Control Este
Page 117 and 118: U B E R M O R G E N . C O M 116 “
Page 119 and 120: S H A D I H A B I B A L L A H “Sc
Page 121 and 122: C A R L A C R U z Carla Cruz a cres
Page 123 and 124: D E S I R E M A C H I N E Colaborar
Page 125 and 126: C H E L S E A K N I G H T Palimpses
Page 127 and 128: GAYLAN ABDULLAH ISMAIL ”Traffic
Page 129 and 130: j I N S H A N Aşa cum observa Walt
Page 131 and 132: M I R K O S M E R D E L “Outside
Page 133 and 134: O L I V E R R E S S L E R ”What i
Page 135 and 136: M A R I E V O I G N I E R În peisa
Page 137 and 138: FILM pROf. UNIV. DR. LAURENŢIU DAM
Page 139 and 140: TUDOR LUCACIU TUDOR PETREMARIN 138
Page 141 and 142: FOTOjURNALISM
Page 143 and 144: 142 ANDREI PUNGOVSCHI IOANA MOLDOVA
Page 145 and 146: ALDO GIANNOTTI Born in Genova, Ital
Page 147 and 148: Slovenia; Tourists Welcome, Ljublja
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VLAD NANCă Born in Bucharest, Roma
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