Volume 5–2.pdf - U&lc
Volume 5–2.pdf - U&lc
Volume 5–2.pdf - U&lc
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14<br />
THE CIGAR<br />
BOX LABEL<br />
11WW1171"1"0 4=) fl)* 19"eiti<br />
IJ LA- V A L<br />
There is romance in collecting<br />
mementos of a bygone age.<br />
Even the quaint illustration on an<br />
old cigar box label can evoke sentiments<br />
of a time that has long<br />
passed into dust. The labels in my<br />
collection, like beautiful memories<br />
of my own, breathe life into magical<br />
myths. They are illustrated<br />
with circuses and other pleasures;<br />
great adventures starring cowboys,<br />
warriors, Indian chiefs and<br />
dashing heroes ;or, innocent babes,<br />
alluring ladies, handsome youths.<br />
All of the lore that is America.<br />
Sprinkled among these purely fanciful<br />
subjects are some that come<br />
closer to real history-Lindy's Trans-<br />
Atlantic crossing, deeds of presidents,<br />
railroading, shipping, certain<br />
battles and so on. Perhaps the most<br />
common subjects on cigar labels<br />
are portraits. Portraits of generals,<br />
politicians or stars. It sometimes<br />
seems that anyone could have,<br />
and did have, his portrait on a cigar<br />
named in his own dubious honor.<br />
The cigar industry boomed<br />
around the turn of the century<br />
when there were already 350,000<br />
registered brands. Brand-names<br />
were fantastic. My two favorites<br />
are Pee Wee (a boy urinating) and<br />
Nun Nicer (a novitiate of the<br />
church). Typography was equally<br />
fantastic and all labels were lavish<br />
in color-as many as twenty colors<br />
printed separately from lithograph<br />
stones might have been used for<br />
a single label. Most have detailed<br />
embossing, gold embellishment,<br />
CilICA<br />
GO<br />
oF9er<br />
1088110 RANDOLPH-S.<br />
and textured paper which adds par-<br />
ticular elegance, all of which make<br />
them among the most desirable of<br />
collectibles today. While the labels<br />
measure no more than 6" x 8" they<br />
often have the impact of a much<br />
larger poster.<br />
The printing companies which<br />
made labels were specialists who<br />
had pride in their work. The Chroma-<br />
tic Printing Co. of Philadelphia speci-<br />
alizing in"ornamental label printing"<br />
claimed, in 1879, their work was<br />
"unrivalled for cheapness, execution<br />
and despatch ...work in five colors<br />
ready to deliver the same day as<br />
commenced: The making of cigar<br />
labels seems to have challenged<br />
the dedication of a commercial<br />
industry by insisting upon artistic<br />
integrity and that in turn brought<br />
special dignity to the product. Its<br />
effect was apparently so substan-<br />
tial that the same tradition of artis-<br />
tic excellence continues today. Cigar<br />
boxes are still among the most<br />
attractive of advertising displays.<br />
Cigars have inspired not only<br />
artists and advertisers but poets.<br />
These lines are from a poem by Rud-<br />
yard Kipling entitled The Betrothed:<br />
"There's peace in a Larranaga, there's<br />
calm in a Henry Clay;<br />
But the best cigar in an hour is finished<br />
and thrown away-<br />
Maggie has written a letter to give me<br />
my choice between<br />
The wee little whimpering Love and<br />
the great god Nick O'Teen:'<br />
ItHonset.&13rtos. 723 BryaotSt. San Franci scoeal<br />
-.LSole Agent, for the Pacific Coast2e---