Cultural aspects in Christian and Islamic religions - unesdoc - Unesco
Cultural aspects in Christian and Islamic religions - unesdoc - Unesco
Cultural aspects in Christian and Islamic religions - unesdoc - Unesco
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y the Second Ecumenical Council of the Vatican<br />
<br />
Music’ to express its importance <strong>and</strong> its necessity<br />
(Articles 112 to 121): <br />
to be considered the more holy <strong>in</strong> proportion as<br />
it is more closely connected with the liturgical<br />
action, whether it adds delight to prayer, fosters<br />
unity of m<strong>in</strong>ds, or confers greater solemnity upon<br />
the sacred rites… Accord<strong>in</strong>gly, the sacred Council<br />
… hav<strong>in</strong>g regard to the purpose of sacred music,<br />
which is the glory of God <strong>and</strong> the sanctification of<br />
the faithful…’ (Article 112).<br />
There is no religious music <strong>in</strong> the <strong>Christian</strong><br />
religion without a text <strong>and</strong> without an organized<br />
community to s<strong>in</strong>g it. From there on, the st<strong>and</strong> of<br />
the Church as concerns musical <strong>in</strong>struments <strong>and</strong><br />
their use <strong>in</strong> celebrations varies between those<br />
that forbid <strong>in</strong>struments completely – such as <strong>in</strong><br />
<br />
use of <strong>in</strong>struments – such as <strong>in</strong> Lat<strong>in</strong> Church, some<br />
Eastern Churches <strong>and</strong> Protestant Churches.<br />
jayyid’,<br />
mean<strong>in</strong>g good <strong>and</strong> betterment, is a science which<br />
is about the emission po<strong>in</strong>ts of the letters <strong>and</strong> the<br />
characteristics of the latter. The emission po<strong>in</strong>t of a<br />
letter is the sound it emits that dist<strong>in</strong>guishes it from<br />
the rest.<br />
Tajwid is <strong>in</strong> three ranks: tartil is slow <strong>and</strong> measured<br />
recitation of the Koran; Hadr is rapid recitation<br />
tak<strong>in</strong>g <strong>in</strong>to account rules of pronunciation; tadwir<br />
is recitation at a moderate speed.<br />
Tajwid is divided <strong>in</strong>to scientific tajwid <strong>and</strong> practical<br />
tajwid. The former is l<strong>in</strong>ked with the emission<br />
po<strong>in</strong>ts of the letters, their characteristics, <strong>and</strong> the<br />
provisions of madd (i.e. the prolongation <strong>and</strong> the<br />
extension of the sound), waqf, maqtu’, mawsul,<br />
task<strong>in</strong>, tanw<strong>in</strong>, <strong>and</strong> so on.<br />
As to practical tajwid, it is articulat<strong>in</strong>g every letter<br />
from its articulation po<strong>in</strong>t without changes or<br />
distortion, <strong>and</strong> giv<strong>in</strong>g each letter its rights <strong>and</strong><br />
dues of characteristics.<br />
These <strong>in</strong>clude jahr (i.e. hold<strong>in</strong>g of breath when<br />
pronounc<strong>in</strong>g a letter due to strength <strong>in</strong> its<br />
articulation po<strong>in</strong>t); al-shaddah [the stress] (i.e.<br />
hold<strong>in</strong>g of the runn<strong>in</strong>g sound when pronounc<strong>in</strong>g<br />
a letter to complete the stress on the articulation<br />
isti’la’ [elevation] (i.e. direct<strong>in</strong>g pressure<br />
istifal [dropp<strong>in</strong>g or<br />
lower<strong>in</strong>g] (i.e. the tongue dropp<strong>in</strong>g to the bottom<br />
of the mouth when speak<strong>in</strong>g); characteristics that<br />
are constant or characteristics that are occasional<br />
such as tafkhim (the letter pronounced with a<br />
isti’la’ <strong>and</strong> tarqiq which<br />
istifal.<br />
Tajwid is done for the Koran <strong>and</strong> Hadith; it was set<br />
tajwid <strong>and</strong> written down by Imams<br />
of qira’a.(read<strong>in</strong>g)<br />
147