issue #02 pdf - Razorcake
issue #02 pdf - Razorcake
issue #02 pdf - Razorcake
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HOW I (DIS)ORGANIZED<br />
SOME ZINE FAIRS<br />
4 years ago, this guy calls me and<br />
asks me if I can help him set up a<br />
zine fair in a Boston suburb - he<br />
would set up the space, it would be<br />
my job to get the zinesters. Well, it<br />
fell through, as DIY plans sometimes<br />
do, and I started thinking,<br />
SOMEONE should do a zine fair.<br />
That made me sound like the people<br />
who tell me I should do stuff<br />
when they could just as easily do it.<br />
So I decided that since nobody put<br />
on a zine fair in Boston, I would<br />
have to do it.<br />
Fresh out of Mass College of Art, I<br />
asked some friends who were still<br />
there if they could get some space<br />
for a zine fair and Beantown<br />
Zinetown was born.<br />
The first was organizing heavy and<br />
organization low. This was also<br />
before I had computer access, so I<br />
had to use the phone. Bad idea to do<br />
anything like this and put your<br />
home phone # on fliers. Some people<br />
think it's fine to call at 2AM.<br />
Some think it's cool to call at 7AM.<br />
When you are getting calls 19 hours<br />
a day, well, it sucks. The fair went<br />
well - 4 rooms and connecting hallway<br />
space full of zines, music and<br />
spoken word during. Not a bad<br />
event for not knowing what I was<br />
doing.<br />
The second year was a big weird<br />
experiment. My Mass Art got a big,<br />
huge room this time, and we decided<br />
to have acts AFTER the fest, so<br />
as not to distract people from interacting<br />
during set fair time. I booked<br />
too many bands, and while it was<br />
awesome, it was grueling. Unless<br />
you are having a festival that is all<br />
about all day bands, you should<br />
never book more than 4 or 5 bands<br />
for anything, especially after a 6hour<br />
zine event. The bands were<br />
almost redundant anyway, since it<br />
seemed like we could draw a huge<br />
crowd based on the zine fair alone.<br />
6<br />
Year 3. Hmm, Let me<br />
The Twisted Balloon<br />
Zine people are all weird fringe people. At a single zine fair, you can get right wing skinheads and<br />
punk anarchists, straight edgers and drug-obsessed fiends, born-again christians and pagans,<br />
vegans and meat eaters decked head to toe in leather<br />
explain a few things by this point. I<br />
personally think that a zine fair -<br />
being an event where those not<br />
directly involved are expected to<br />
BUY stuff, should be free. I dislike<br />
the idea of charging admission for<br />
something that you are expected to<br />
spend money at. So, it is important<br />
for me to have a zine fair that is free<br />
admission, which means I can't pay<br />
any money for the space, so I turn<br />
to places such as colleges that have<br />
lots of space that can be used free<br />
with the right networking. The<br />
unfortunate part of this, is since a<br />
school and/ or school group is<br />
essentially doing you a favor, you<br />
often have to deal with weird <strong>issue</strong>s<br />
that a paying customer would be<br />
able to balk at.<br />
In the case of Beantown Zinetown<br />
3, we had plans for the event to take<br />
place in the hall BZ2 was in, then<br />
the gym, then the cafeteria, and<br />
back again. This made it hard to<br />
promote until almost the week of<br />
the event since you can't give directions<br />
to an event if you don't know<br />
where it will be. Another SNAFU<br />
was a misinterpretation of a rule<br />
involving admission and money.<br />
The actual rule was that money<br />
taken for event admission needed<br />
to be deposited into a group<br />
account and any payments would<br />
need to have checks cut for documentation<br />
purposes. (The idea is<br />
that if $2000 was taken in at a show<br />
and $1000 went to the performers,<br />
there would have to be a paper trail<br />
for official and tax reasons) The<br />
problem is that someone thought<br />
this meant that no cash could be<br />
used to buy or sell zines - which<br />
caused considerable concern that<br />
never needed to exist. It all worked<br />
out fine, but you could imagine the<br />
stress up until that point.<br />
A lesson learned between BZ3 is<br />
that if you aren't a student at a<br />
school and want to use that school,<br />
make sure that you have close contacts<br />
with a student or student<br />
group. I was informed that the student<br />
group that helped with BZ1-3<br />
knew BZ4 would happen. Of<br />
course, all the individual students<br />
involved had graduated or dropped<br />
out by that point, so when I contacted<br />
those I thought were expecting<br />
me, I was sent a form letter<br />
detailing how the group worked<br />
and how they couldn't except any<br />
outside event requests. Luckily, I<br />
found this out early and was able to<br />
turn to Emerson College students I<br />
know who set up a space there - this<br />
space being even nicer.<br />
BZ4 - well, one thing I learned is<br />
that the ideal setup for a zine fair is<br />
a string of small rooms that are connected.<br />
Separate rooms make the<br />
event seem disjointed; One big<br />
room becomes loud and hectic.<br />
Several rooms connected in a string<br />
allows for an easy flow from one to<br />
another, yet keeps the noise and<br />
business levels to tolerable<br />
amounts. It was a nice accident to<br />
stumble upon.<br />
One odd lesson learned is to consider<br />
a college spring break - on a<br />
plus side, if a school is on spring<br />
break - they don't have much use<br />
for a room and are likely to let people<br />
use the space. On a down side,<br />
they might have different rules<br />
about hours of operations. If the<br />
building normally opens at 8AM,<br />
say, it might not open until noon<br />
during spring break. This was the<br />
case I found out the hard way when<br />
I showed up at 11AM to a crowd of<br />
zinesters locked outside (luckily it<br />
was nice out.) I had learned to tell<br />
everyone involved to show up an<br />
hour earlier than the public was<br />
invited to get set up and problem<br />
solving out of the way. Had I<br />
known the building was locked<br />
until noon…<br />
The event itself was great - zine<br />
fairs are best worried about until a<br />
half-hour before they start, and then<br />
left to themselves. The basic point<br />
is that they are gatherings of cool<br />
people - let the cool people interact<br />
and the rest takes care of itself.<br />
Make sure everyone has everything<br />
they might need and is happy, and<br />
keep in mind that no matter what,<br />
SOMEONE will be unhappy, so<br />
don't worry.<br />
Her are some random thoughts for<br />
those who might embark on such a<br />
task…<br />
FOOD! Food is important. Say, if<br />
you are in a city and there are 3<br />
cool cafes on the same block as<br />
your event, maybe not as much.<br />
Say you have a small 3-hour zine<br />
fair, maybe not, but as a whole, if<br />
you want a long social event, have<br />
food. The two best solutions I have<br />
found are 1) Invite the local Food<br />
Not Bombs to cater. This year, all<br />
food was provided by FNB, who<br />
found it to be a great awareness<br />
builder and fundraiser; or 2) DIY