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issue #02 pdf - Razorcake

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HOW I (DIS)ORGANIZED<br />

SOME ZINE FAIRS<br />

4 years ago, this guy calls me and<br />

asks me if I can help him set up a<br />

zine fair in a Boston suburb - he<br />

would set up the space, it would be<br />

my job to get the zinesters. Well, it<br />

fell through, as DIY plans sometimes<br />

do, and I started thinking,<br />

SOMEONE should do a zine fair.<br />

That made me sound like the people<br />

who tell me I should do stuff<br />

when they could just as easily do it.<br />

So I decided that since nobody put<br />

on a zine fair in Boston, I would<br />

have to do it.<br />

Fresh out of Mass College of Art, I<br />

asked some friends who were still<br />

there if they could get some space<br />

for a zine fair and Beantown<br />

Zinetown was born.<br />

The first was organizing heavy and<br />

organization low. This was also<br />

before I had computer access, so I<br />

had to use the phone. Bad idea to do<br />

anything like this and put your<br />

home phone # on fliers. Some people<br />

think it's fine to call at 2AM.<br />

Some think it's cool to call at 7AM.<br />

When you are getting calls 19 hours<br />

a day, well, it sucks. The fair went<br />

well - 4 rooms and connecting hallway<br />

space full of zines, music and<br />

spoken word during. Not a bad<br />

event for not knowing what I was<br />

doing.<br />

The second year was a big weird<br />

experiment. My Mass Art got a big,<br />

huge room this time, and we decided<br />

to have acts AFTER the fest, so<br />

as not to distract people from interacting<br />

during set fair time. I booked<br />

too many bands, and while it was<br />

awesome, it was grueling. Unless<br />

you are having a festival that is all<br />

about all day bands, you should<br />

never book more than 4 or 5 bands<br />

for anything, especially after a 6hour<br />

zine event. The bands were<br />

almost redundant anyway, since it<br />

seemed like we could draw a huge<br />

crowd based on the zine fair alone.<br />

6<br />

Year 3. Hmm, Let me<br />

The Twisted Balloon<br />

Zine people are all weird fringe people. At a single zine fair, you can get right wing skinheads and<br />

punk anarchists, straight edgers and drug-obsessed fiends, born-again christians and pagans,<br />

vegans and meat eaters decked head to toe in leather<br />

explain a few things by this point. I<br />

personally think that a zine fair -<br />

being an event where those not<br />

directly involved are expected to<br />

BUY stuff, should be free. I dislike<br />

the idea of charging admission for<br />

something that you are expected to<br />

spend money at. So, it is important<br />

for me to have a zine fair that is free<br />

admission, which means I can't pay<br />

any money for the space, so I turn<br />

to places such as colleges that have<br />

lots of space that can be used free<br />

with the right networking. The<br />

unfortunate part of this, is since a<br />

school and/ or school group is<br />

essentially doing you a favor, you<br />

often have to deal with weird <strong>issue</strong>s<br />

that a paying customer would be<br />

able to balk at.<br />

In the case of Beantown Zinetown<br />

3, we had plans for the event to take<br />

place in the hall BZ2 was in, then<br />

the gym, then the cafeteria, and<br />

back again. This made it hard to<br />

promote until almost the week of<br />

the event since you can't give directions<br />

to an event if you don't know<br />

where it will be. Another SNAFU<br />

was a misinterpretation of a rule<br />

involving admission and money.<br />

The actual rule was that money<br />

taken for event admission needed<br />

to be deposited into a group<br />

account and any payments would<br />

need to have checks cut for documentation<br />

purposes. (The idea is<br />

that if $2000 was taken in at a show<br />

and $1000 went to the performers,<br />

there would have to be a paper trail<br />

for official and tax reasons) The<br />

problem is that someone thought<br />

this meant that no cash could be<br />

used to buy or sell zines - which<br />

caused considerable concern that<br />

never needed to exist. It all worked<br />

out fine, but you could imagine the<br />

stress up until that point.<br />

A lesson learned between BZ3 is<br />

that if you aren't a student at a<br />

school and want to use that school,<br />

make sure that you have close contacts<br />

with a student or student<br />

group. I was informed that the student<br />

group that helped with BZ1-3<br />

knew BZ4 would happen. Of<br />

course, all the individual students<br />

involved had graduated or dropped<br />

out by that point, so when I contacted<br />

those I thought were expecting<br />

me, I was sent a form letter<br />

detailing how the group worked<br />

and how they couldn't except any<br />

outside event requests. Luckily, I<br />

found this out early and was able to<br />

turn to Emerson College students I<br />

know who set up a space there - this<br />

space being even nicer.<br />

BZ4 - well, one thing I learned is<br />

that the ideal setup for a zine fair is<br />

a string of small rooms that are connected.<br />

Separate rooms make the<br />

event seem disjointed; One big<br />

room becomes loud and hectic.<br />

Several rooms connected in a string<br />

allows for an easy flow from one to<br />

another, yet keeps the noise and<br />

business levels to tolerable<br />

amounts. It was a nice accident to<br />

stumble upon.<br />

One odd lesson learned is to consider<br />

a college spring break - on a<br />

plus side, if a school is on spring<br />

break - they don't have much use<br />

for a room and are likely to let people<br />

use the space. On a down side,<br />

they might have different rules<br />

about hours of operations. If the<br />

building normally opens at 8AM,<br />

say, it might not open until noon<br />

during spring break. This was the<br />

case I found out the hard way when<br />

I showed up at 11AM to a crowd of<br />

zinesters locked outside (luckily it<br />

was nice out.) I had learned to tell<br />

everyone involved to show up an<br />

hour earlier than the public was<br />

invited to get set up and problem<br />

solving out of the way. Had I<br />

known the building was locked<br />

until noon…<br />

The event itself was great - zine<br />

fairs are best worried about until a<br />

half-hour before they start, and then<br />

left to themselves. The basic point<br />

is that they are gatherings of cool<br />

people - let the cool people interact<br />

and the rest takes care of itself.<br />

Make sure everyone has everything<br />

they might need and is happy, and<br />

keep in mind that no matter what,<br />

SOMEONE will be unhappy, so<br />

don't worry.<br />

Her are some random thoughts for<br />

those who might embark on such a<br />

task…<br />

FOOD! Food is important. Say, if<br />

you are in a city and there are 3<br />

cool cafes on the same block as<br />

your event, maybe not as much.<br />

Say you have a small 3-hour zine<br />

fair, maybe not, but as a whole, if<br />

you want a long social event, have<br />

food. The two best solutions I have<br />

found are 1) Invite the local Food<br />

Not Bombs to cater. This year, all<br />

food was provided by FNB, who<br />

found it to be a great awareness<br />

builder and fundraiser; or 2) DIY

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