issue #02 pdf - Razorcake
issue #02 pdf - Razorcake
issue #02 pdf - Razorcake
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iot like The Clash (“kill Bob Seger<br />
tonight.”). If The Briefs don’t break<br />
up or develop nasty drug habits<br />
before they can peak, these guys<br />
have nailed something new so fucking<br />
perfectly, I just saw about fifteen<br />
records in my collection become<br />
irrelevant. It’s bands like The Briefs<br />
that make me want to choke the shit<br />
(only in print, no real threat, back the<br />
lawyer up), every time Exene or<br />
Penelope Spheeris open their yappers<br />
about how punk died when they<br />
ran out of material and their cash<br />
cow could no longer be milked. The<br />
Briefs are the new, better, more<br />
resistant breed and they’re proof<br />
positive that neither you nor I are<br />
wasting our time. Much like<br />
Smogtown’s “Fuhrers of the New<br />
Wave,” The Gain’s “Ready, Steady,<br />
Smash,” Dillinger Four’s<br />
“Midwestern Songs of the<br />
Americas,” and Leatherface’s<br />
“Mush,” sure, there are predecessors<br />
(much like Chuck Berry was the predecessor<br />
to The Damned), but all<br />
five bands were able to pull a completely<br />
new punk bunny out of a hat<br />
that most folks mistook for an empty<br />
toilet paper roll. Not a stinker on the<br />
LP. Buy a couple and prepare to<br />
spazz. -Todd (Dirtnap)<br />
BUNCHOFUCKINGOOFS<br />
“Barrage of Battery and Brutality”<br />
CD<br />
Primal, metal-tinged hardcore similar<br />
in sound to fellow Canadians,<br />
Dayglo Abortions. I hear a dash of<br />
the Mentors in their sound as well,<br />
although I’m not quite sure if that’s<br />
intentional. Not bad. -Jimmy<br />
Alvarado (God)<br />
CAVE IN<br />
“Jupiter” CD<br />
Utter poo. I should have known it<br />
with the planet picture and the<br />
graphic of a satellite on the cover. I<br />
couldn’t even get through the first<br />
track. -Donofthedead (Hydrahead)<br />
COCKROACH<br />
“Stay Angry” 7” EP<br />
Spastic hyper-core with a singer who<br />
sounds plenty pissed. I’m feelin’ it,<br />
gee. -Jimmy Alvarado (Acme)<br />
CROSSED OUT<br />
“1990-1993” CD<br />
A discography for one o’ them influential<br />
“power violence” bands. Like<br />
so many of the bands currently catering<br />
to this particular musical niche,<br />
the songs are intriguing for four or<br />
five songs, then start to blend into<br />
one another and eventually become<br />
one long, boring drone. In small<br />
doses, though, this was pretty good.<br />
-Jimmy Alvarado (Slap A Ham)<br />
CROWD, THE<br />
“Goes Wild” CD-R demo<br />
It’s a damn shame that these guys<br />
have never gotten their due. They’ve<br />
been slogging it out for 20+ years,<br />
creating some tasty punk rock along<br />
the way, and a good chunk of the<br />
punk population has probably never<br />
heard of them. Hopefully this release<br />
will change that. What I’m listening<br />
to right now is a “rough mix” of this<br />
soon-to-be-released gem and, let me<br />
tell you, this has got some mighty<br />
fine tuneage on it. The songs are<br />
tight, taut and packed with hooks. If<br />
this don’t set the world on fire and<br />
earn them their rightful place as the<br />
punk rock demigods they are, I’m<br />
gonna... well, I’m gonna be very<br />
upset. -Jimmy Alvarado (No<br />
address)<br />
CRUMBS, THE<br />
Self-titled LP<br />
The first two Crumbs albums sound<br />
like they’re pretty much just trying<br />
to rip off the Saints. Which is okay.<br />
The Saints were a great band and the<br />
Crumbs were picking up where the<br />
Saints left off. It worked. The singers<br />
had similar voices and the rhythm<br />
guitar just powered both bands. With<br />
this Crumbs album, though, they<br />
seem to have taken that sound an<br />
expanded it in a strange direction. It<br />
sounds like the Crumbs spent the<br />
past year and a half hanging out in<br />
the backwoods somewhere, listening<br />
to old rock’n’roll radio stations.<br />
There’s a lot of Sun studio guitar<br />
sounds, a bit of country twang, and<br />
even some touches of Ritchie<br />
Valens-style ballads. It works in<br />
some places and doesn’t work in<br />
some place. I get the feeling, at<br />
times, like the band really wants to<br />
rock, like the drummer wants to pick<br />
up the pace, like the singer wants to<br />
scream, but for some reason, they’re<br />
holding back. Then, on songs like<br />
“Out of Range,” they don’t hold<br />
back and I see what a good band they<br />
really can be. On the whole, I really<br />
do enjoy this album, and I appreciate<br />
that they’re growing as a band. I just<br />
prefer the times when they rock out.<br />
-Sean Carswell (Recess)<br />
DANKO JONES<br />
“I’m Alive and On Fire” CD<br />
Didn’t know what to expect from the<br />
ordinary cover art. But lo and<br />
behold, there’s some mighty fine<br />
hard rockin’, gettin’ nasty with<br />
someone you just met kind of music<br />
contained on this five inch disc. Who<br />
said size counts? “Dr. Evening” is<br />
that sort of song, with its throbbing<br />
bass line and talking about, you<br />
know, doin’ it. There’s a lot of<br />
fuckin’ goin’ on here! Who’s to complain?<br />
Great music makes you<br />
wanna fuck anyway. I can’t think of<br />
any higher recommendation than<br />
that! -M.Avrg (Bad Taste)<br />
DAVE BROCKIE EXPERIENCE<br />
“Diarrhea of a Madman” CD<br />
Schizophrenic, vaguely poppy rock<br />
music with some pretty stupid lyrics,<br />
from one of the guys responsible for<br />
Gwar, which explains quite a bit. -<br />
Jimmy Alvarado (Metal Blade)