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issue #02 pdf - Razorcake

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iot like The Clash (“kill Bob Seger<br />

tonight.”). If The Briefs don’t break<br />

up or develop nasty drug habits<br />

before they can peak, these guys<br />

have nailed something new so fucking<br />

perfectly, I just saw about fifteen<br />

records in my collection become<br />

irrelevant. It’s bands like The Briefs<br />

that make me want to choke the shit<br />

(only in print, no real threat, back the<br />

lawyer up), every time Exene or<br />

Penelope Spheeris open their yappers<br />

about how punk died when they<br />

ran out of material and their cash<br />

cow could no longer be milked. The<br />

Briefs are the new, better, more<br />

resistant breed and they’re proof<br />

positive that neither you nor I are<br />

wasting our time. Much like<br />

Smogtown’s “Fuhrers of the New<br />

Wave,” The Gain’s “Ready, Steady,<br />

Smash,” Dillinger Four’s<br />

“Midwestern Songs of the<br />

Americas,” and Leatherface’s<br />

“Mush,” sure, there are predecessors<br />

(much like Chuck Berry was the predecessor<br />

to The Damned), but all<br />

five bands were able to pull a completely<br />

new punk bunny out of a hat<br />

that most folks mistook for an empty<br />

toilet paper roll. Not a stinker on the<br />

LP. Buy a couple and prepare to<br />

spazz. -Todd (Dirtnap)<br />

BUNCHOFUCKINGOOFS<br />

“Barrage of Battery and Brutality”<br />

CD<br />

Primal, metal-tinged hardcore similar<br />

in sound to fellow Canadians,<br />

Dayglo Abortions. I hear a dash of<br />

the Mentors in their sound as well,<br />

although I’m not quite sure if that’s<br />

intentional. Not bad. -Jimmy<br />

Alvarado (God)<br />

CAVE IN<br />

“Jupiter” CD<br />

Utter poo. I should have known it<br />

with the planet picture and the<br />

graphic of a satellite on the cover. I<br />

couldn’t even get through the first<br />

track. -Donofthedead (Hydrahead)<br />

COCKROACH<br />

“Stay Angry” 7” EP<br />

Spastic hyper-core with a singer who<br />

sounds plenty pissed. I’m feelin’ it,<br />

gee. -Jimmy Alvarado (Acme)<br />

CROSSED OUT<br />

“1990-1993” CD<br />

A discography for one o’ them influential<br />

“power violence” bands. Like<br />

so many of the bands currently catering<br />

to this particular musical niche,<br />

the songs are intriguing for four or<br />

five songs, then start to blend into<br />

one another and eventually become<br />

one long, boring drone. In small<br />

doses, though, this was pretty good.<br />

-Jimmy Alvarado (Slap A Ham)<br />

CROWD, THE<br />

“Goes Wild” CD-R demo<br />

It’s a damn shame that these guys<br />

have never gotten their due. They’ve<br />

been slogging it out for 20+ years,<br />

creating some tasty punk rock along<br />

the way, and a good chunk of the<br />

punk population has probably never<br />

heard of them. Hopefully this release<br />

will change that. What I’m listening<br />

to right now is a “rough mix” of this<br />

soon-to-be-released gem and, let me<br />

tell you, this has got some mighty<br />

fine tuneage on it. The songs are<br />

tight, taut and packed with hooks. If<br />

this don’t set the world on fire and<br />

earn them their rightful place as the<br />

punk rock demigods they are, I’m<br />

gonna... well, I’m gonna be very<br />

upset. -Jimmy Alvarado (No<br />

address)<br />

CRUMBS, THE<br />

Self-titled LP<br />

The first two Crumbs albums sound<br />

like they’re pretty much just trying<br />

to rip off the Saints. Which is okay.<br />

The Saints were a great band and the<br />

Crumbs were picking up where the<br />

Saints left off. It worked. The singers<br />

had similar voices and the rhythm<br />

guitar just powered both bands. With<br />

this Crumbs album, though, they<br />

seem to have taken that sound an<br />

expanded it in a strange direction. It<br />

sounds like the Crumbs spent the<br />

past year and a half hanging out in<br />

the backwoods somewhere, listening<br />

to old rock’n’roll radio stations.<br />

There’s a lot of Sun studio guitar<br />

sounds, a bit of country twang, and<br />

even some touches of Ritchie<br />

Valens-style ballads. It works in<br />

some places and doesn’t work in<br />

some place. I get the feeling, at<br />

times, like the band really wants to<br />

rock, like the drummer wants to pick<br />

up the pace, like the singer wants to<br />

scream, but for some reason, they’re<br />

holding back. Then, on songs like<br />

“Out of Range,” they don’t hold<br />

back and I see what a good band they<br />

really can be. On the whole, I really<br />

do enjoy this album, and I appreciate<br />

that they’re growing as a band. I just<br />

prefer the times when they rock out.<br />

-Sean Carswell (Recess)<br />

DANKO JONES<br />

“I’m Alive and On Fire” CD<br />

Didn’t know what to expect from the<br />

ordinary cover art. But lo and<br />

behold, there’s some mighty fine<br />

hard rockin’, gettin’ nasty with<br />

someone you just met kind of music<br />

contained on this five inch disc. Who<br />

said size counts? “Dr. Evening” is<br />

that sort of song, with its throbbing<br />

bass line and talking about, you<br />

know, doin’ it. There’s a lot of<br />

fuckin’ goin’ on here! Who’s to complain?<br />

Great music makes you<br />

wanna fuck anyway. I can’t think of<br />

any higher recommendation than<br />

that! -M.Avrg (Bad Taste)<br />

DAVE BROCKIE EXPERIENCE<br />

“Diarrhea of a Madman” CD<br />

Schizophrenic, vaguely poppy rock<br />

music with some pretty stupid lyrics,<br />

from one of the guys responsible for<br />

Gwar, which explains quite a bit. -<br />

Jimmy Alvarado (Metal Blade)

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