TRITON Extreme Operation Guide - Platinum Audiolab

More documents

Recommendations

Info

4 6. Mode keys Use these keys to enter the desired mode. When you press a key, the key will light, and you will enter the mode whose key you pressed ( ☞p.10). [COMBI] key Combination mode will be selected. [PROG] key Program mode will be selected. [SEQ] key Sequencer mode will be selected. [SAMPLING] key Sampling mode will be selected. [S.PLAY] key Song Play mode will be selected. [GLOBAL] key Global mode will be selected. [MEDIA] key Media mode will be selected. 7. [COMPARE] key Use this key when you wish to compare the sound of the program or combination that you are currently editing with the un-edited sound already in memory. You can also use this key to make “before and after” comparisons when recording or editing in Sequencer mode ( ☞p.14). 8. VALUE controllers The following VALUE controllers are used to set the value of the selected parameter ( ☞p.14). [VALUE] slider Use this to modify the value of a parameter. This controller is convenient when you wish to make large changes in the value. This slider can also be used as a modulation source. [ ][ ] keys These are used to increase or decrease the parameter value in steps of one. These keys are convenient for making fine parameter adjustments. [VALUE] dial Use this dial to modify the value of the parameter. Numeric keys [0] – [9], [ENTER] key, [–] key [./10’s HOLD] key Use these keys to numerically input a parameter value. Use numeric keys [0]–[9], the [–] key, and the [./10’s HOLD] key to enter the value, and press the [ENTER] key to confirm it. The [./10’s HOLD] key lets you input a value with a decimal point. The [–] key inverts the sign (+/–) of the parameter value. The [./10’s HOLD] key is also used when you wish to hold the 10’s place while selecting programs or combinations. By holding down the [ENTER] key while you press a numeric key [0]–[9] you can select up to ten page menu commands from the current page. In Program and Combination modes, you can hold down the [ENTER] key and press the SEQUENCER [REC/WRITE] key to turn on the Auto Song Setup function. ( ☞p.58) 9. LCD screen The <strong>TRITON</strong> <strong>Extreme</strong> features our exclusive TouchView graphic interface, based on a touch-panel LCD screen. By touching on objects that are shown in the LCD screen, you can select pages, tabs, and parameters, and set values ( ☞p.8). 10. [EXIT] key When in P (page) 1–9 of each mode, pressing the [EXIT] key will move to P (page) 0 of that mode. When a dialog box is open, this key will cancel the settings made in the dialog box and close the dialog box (corresponds to the Cancel button). If a popup menu or page menu is open, pressing [EXIT] will close the menu. 11. [MENU] key Use this key to move between pages. When you press the [MENU] key, a list of the pages in the mode will appear in the LCD screen. Press the desired page, and you will move to that page. You can also move to a page by holding down the [MENU] key and pressing the corresponding numeric key [0]–[9] (☞p.9, 13). 12. BANK keys These keys are used to switch the program/combination bank. PROG BANK: [A], [B], [C], [D], [E] (SMPL), [F] (MOSS), [G] (GM), [H], [I], [J], [K], [L], [M], [N] COMBI BANK: [A], [B], [C], [D], [E], [H], [I], [J], [K], [L], [M], [N] In Program mode, these keys select the program bank. In Combination mode, these keys select the combination bank. When assigning a program to the various timbres in a combination, then these keys will select the program bank. In this case, the key of the program bank selected for the timbre will light. In Sequencer and Song Play modes when the edit cell (highlighted area) is located on the program name of a track, these keys will select the program bank, just as in Combination mode.
Each time you press the [G] key when selecting a program, the bank selection will step to the next GM(2) bank or GM drum bank in the following order: G, g(1), g(2)– g(8), g(9), g(d), G, g(1) etc ... The F bank can be only be selected in Program mode, and only if the EXB-MOSS option is installed. 13. SEQUENCER [PAUSE] key In Sequencer mode, this key pauses the playback of the song or cue list. In Song Play mode, this key pauses SMF playback. When paused, the key will light. Press [PAUSE] once again to resume playback; the key will turn off. [] key In Sequencer mode, this key will fast-forward the song or cue list. When you press and hold this key, the key will light, and the playback will fast-forward. (This key will not function during recording.) [LOCATE] key In Sequencer mode, this key will advance or rewind the song or cuelist playback to a specified point. In Song Play mode, this key moves to the specified playback location within the SMF data. SEQUENCER [REC/WRITE] key In Sequencer mode, pressing this key will make the key light, and if you then press the SEQUENCER [START/ STOP] key, recording will begin (☞p.43). In Program, Combination and Global modes, pressing this key will open a dialog box, and if you then press the OK button, the edited contents will be written (☞p.114, 116). In Program or Combination mode, you can hold down the [ENTER] key and press this key to turn on the Auto Song Setup function. (☞p.58) SEQUENCER [START/STOP] key This is the start/stop key for song or cue list recording and playback in Sequencer mode, and SMF playback in Song Play mode. During recording and playback, the key will blink at the current tempo. These keys are also used to play an audio CD in the USBconnected CD-R/RW drive. SEQUENCER [START/STOP] key : Play/Stop [FF>>] key : Fast-forward [
Page 1 and 2: E 2
Page 3 and 4: Table of Contents About this manual
Page 5 and 6: Main features The TRITON Extreme is
Page 7: Front and rear panel Front panel 1
Page 11 and 12: Use an optical cable to connect thi
Page 13 and 14: f: Check box Each time you press a
Page 15 and 16: Sequencer mode • Use the 16-track
Page 17 and 18: Basic operation 1. Selecting modes
Page 19 and 20: Connections Connections must be mad
Page 21 and 22: 6. Inserting and removing CF card s
Page 23 and 24: Program structure Playing and editi
Page 25 and 26: 4 When you are satisfied with the s
Page 27 and 28: Note Number Varying amounts of an e
Page 29 and 30: 3 Adjust the “Lvl” (Level) for
Page 31 and 32: Filter settings P3: Edit-Filter The
Page 33 and 34: Amp1 Mod. page Keyboard Track This
Page 35 and 36: Playing and editing combinations Co
Page 37 and 38: Easy arpeggiator editing Arpeggio P
Page 39 and 40: Settings for status, MIDI channel,
Page 41 and 42: You can also enter these values by
Page 43 and 44: Producing songs (Sequencer mode) TR
Page 45 and 46: Sequencer mode page structure Page
Page 47 and 48: Recording methods This section desc
Page 49 and 50: When simultaneously recording multi
Page 51 and 52: Using “Put Effect Setting to Trac
Page 53 and 54: 9 Press the OK button. Now when you
Page 55 and 56: Decide on the number of measures, i
Page 57 and 58: Creating and playing a Cue List A c
Page 59 and 60:
Creating and recording RPPR (Realti
Page 61 and 62:
Set “Gate” and “Velocity” t
Page 63 and 64:
When using the “Copy From Program
Page 65 and 66:
Features of sampling on the TRITON
Page 67 and 68:
Samples and Multisamples Samples Th
Page 69 and 70:
4 For Input1 and Input2, set “BUS
Page 71 and 72:
In Program, Combination, and Sequen
Page 73 and 74:
Creating multisample indexes and sa
Page 75 and 76:
7 In the P8: Insert Effect, Insert
Page 77 and 78:
8 Adjust the recording level. Press
Page 79 and 80:
4 Choose “REC Audio Input.” 5 M
Page 81 and 82:
Sample (waveform data) editing Edit
Page 83 and 84:
5 Press the OK button. The sample w
Page 85 and 86:
4 Connect your guitar to the rear p
Page 87 and 88:
ight of the display) below +0.0 to
Page 89 and 90:
SMF (Standard MIDI File) playback I
Page 91 and 92:
Playback using the Jukebox function
Page 93 and 94:
Settings for the entire TRITON Extr
Page 95 and 96:
pitch change speed, volume, the pan
Page 97 and 98:
6 Use “High Drumsample Bank,”
Page 99 and 100:
4 Adjust the settings of the variou
Page 101 and 102:
Combination D062: Old Vox Organ Alt
Page 103 and 104:
• Tone: At each step, a chord con
Page 105 and 106:
8 Input the open hi-hat (Tone03). S
Page 107 and 108:
Effect and Valve Force settings The
Page 109 and 110:
Master effects The input levels to
Page 111 and 112:
AUDIO INPUT effect settings In Prog
Page 113 and 114:
Valve Force settings Valve Force is
Page 115 and 116:
If you want to route the sound thro
Page 117 and 118:
Loading and saving data, creating a
Page 119 and 120:
Assigning a name (Rename) You can m
Page 121 and 122:
Saving on media Media, Save For det
Page 123 and 124:
Using the TRITON Extreme as a data
Page 125 and 126:
Loading data Media, Load The types
Page 127 and 128:
Loading data by individual item or
Page 129 and 130:
In “Drive,” select your CD-R/RW
Page 131 and 132:
Restoring the factory settings The
Page 133 and 134:
Setting the function of [SW1] and [
Page 135 and 136:
Troubleshooting If you experience p
Page 137 and 138:
Program, Combination Settings for o
Page 139 and 140:
MIDI The TRITON Extreme does not re
Page 141 and 142:
Media that can be used with the TRI
Page 143 and 144:
User interface TouchView graphical
Page 145 and 146:
Index Numerics 10’s Hold 4, 13, 2
Page 147 and 148:
T Tab 9, 13 Tap tempo 7, 74, 90, 13
show all

TRITON Extreme Operation Guide - Platinum Audiolab

Create successful ePaper yourself

Delete template?

Save as template?