AR CH ITEC TU RE 1
AR CH ITEC TU RE 1
AR CH ITEC TU RE 1
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spraChen des futurisMus<br />
literatur, malerei, skulptur, musik, theater,<br />
fotoGrafie<br />
berliner FeStSpiele (ed.)<br />
on February 20, 1909, Filippo tommaso marinetti (1876–1944) published his Futuristic Mani-<br />
festo in the daily newspaper Le Figaro, paris, and thus founded the avant-garde art movement<br />
of Futurism. the words of the young writer triggered a revolution, for his demands met a long-<br />
ing for radical renewal in art.<br />
Futurism declared war on familiar cult objects of the past and demanded comprehensive<br />
changes in all the arts; painting and poetry, literature, and photography, theatre, design and<br />
music. new everyday aesthetics were to be created through the participation of every art<br />
form.<br />
exhibition: berLiner FestspieLe iM MArtin-gopius-bAu berLin<br />
02.10.2009–11.01.2010<br />
WWW.berLinerFestspieLe.De<br />
Sprachen des Futurismus describes the full diversity of artistic expression in Futurism, so offer-<br />
ing an opportunity to find out about those aspects of the movement that are less well known<br />
than painting, such as Carrà, Severini, russolo, and balla.<br />
56<br />
268 Fotografie<br />
Das futuristische Porträt 269<br />
57<br />
6.16<br />
6.17<br />
Tato<br />
Tato<br />
Flugselbstporträt, ca. 1930 Fantastisches Flugporträt<br />
von Mino Somenzi, 1934<br />
166 Malerei<br />
167<br />
2.43<br />
Tullio Crali<br />
Sich in das Wohngebiet<br />
einschneisen, 1939<br />
212 Theater<br />
Szenografie<br />
213<br />
5.3 5.4 5.5<br />
Fortunato Depero<br />
Kostüme für „Le Chant du<br />
Rossignol“, 1917<br />
gerMaN<br />
Art<br />
conteMporAry<br />
harDcover<br />
21,5 X 27 cM<br />
312 pages with<br />
approX. 260 col.<br />
eUr (D) 32,00 sfr 56,50<br />
isBN 978-3-86859-066-1<br />
availaBle