Film theft in the UK - Future of Copyright

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60 Action plan (continued) Implementation date Medium term Long term The UK Government Implement judicial training exercises to raise awareness as to the nature and impact of physical and Internet piracy Review the extent to which the increasing availability of uncontrolled pirate copies of films to British young people undermines the UK system of content regulation Recognise that initiatives to promote ‘Broadband Britain’ and wider broadband access should be coupled with complementary initiatives and measures to protect and enforce copyright ownership Consider possibilities for facilitating co-operation between content owners and Internet Service Providers Apply pressure for changes in policy on the part of governments of countries that do little or nothing to prevent organised physical piracy from taking place within their borders and those that allow large quantities of pirate product to be exported to the UK
The film industry Government-backed and other film sector stakeholders Develop clear commercial strategies in relation to Internet film distribution Develop a strategy to deal with unauthorised Internet P2P filesharing that fairly balances consumer interests with the entirely legitimate rights of the industry to exert copyright ownership and contain misuse Foster a spirit of co-operation with educational institutions so that they may become allies in pushing through the anti-piracy education message to young people Examine existing film distribution business models with a view to minimising the commercial opportunities left open for exploitation by pirate operators Develop schemes to incentivise the public and industry staff to provide information that may lead to piracy convictions Develop innovative educational schemes to teach young people the social and financial implications of film piracy Facilitate dialogue between educational institutions and film industry in an effort to foster a spirit of co-operation in the fight against piracy Establish new platforms or support existing platforms for communication between the film industry and technology companies, such as broadband ISPs, consumer electronics manufacturers and Internet technology firms Film theft in the UK | 61
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Film theft in the UK Anti-Piracy Ta
Page 3:
Contents 1 Chair’s foreword . . .
Page 6 and 7:
4 1 Chair’s foreword The pirate i
Page 8 and 9:
6 2 Executive summary The ability t
Page 10 and 11:
8 enforcement strategy remains suff
Page 12 and 13: 10 4 Film theft in the UK: the curr
Page 14 and 15: 12 around 80% of total customers),
Page 16 and 17: 14 DVD plants are capable of manufa
Page 18 and 19: 16 12.0 10.0 8.0 6.0 4.0 2.0 0.0 po
Page 20 and 21: 18 calculated. Some sources quote l
Page 22 and 23: 20 argue that, while most music con
Page 24 and 25: 22 more than two weeks before its o
Page 26 and 27: 24 subsequently reduced this activi
Page 28 and 29: 26 Piracy in the UK in a European c
Page 30 and 31: 28 5 Combating film theft There are
Page 32 and 33: 30 Patents Act 1988 (CDPA) (as amen
Page 34 and 35: 32 has made profits from the infrin
Page 36 and 37: 34 measures, special requirements r
Page 38 and 39: 36 a notice is served for infringin
Page 40 and 41: 38 screened in their cinemas. Howev
Page 42 and 43: 40 the local authority order to cea
Page 44 and 45: 42 successfully stop suspects tryin
Page 46 and 47: 44 WARNING FROM THE FEDERATION AGAI
Page 48 and 49: 46 Developing new business models N
Page 50 and 51: 48 6 Consumer issues What some educ
Page 52 and 53: 50 Enforcement Group (IEG) 61 , has
Page 54 and 55: 52 judge would then be able to awar
Page 56 and 57: 54 The film industry In the short t
Page 58 and 59: 56 focusing on the links between pi
Page 60 and 61: 58 Action plan Implementation date
Page 64 and 65: 62 Appendices Appendix i: Lessons f
Page 66 and 67: 64 enable them to jump into any bus
Page 68 and 69: 66 lodged by Test-Achats. Aside fro
Page 70 and 71: 68 against hundreds of large-scale
Page 72 and 73: 70 files for an annual fee. While a
Page 74 and 75: 72 charges in a similar DeCSS case
Page 76 and 77: 74 Appendix iii: Copyright and Rela
Page 78 and 79: 76 technological measures, dealing
Page 80 and 81: 78 Appendix v: Signatories of the M
Page 82 and 83: 80 recording device that stores pro
Page 84 and 85: 82 However, it has endeavoured to m
Page 86 and 87: 84 of Warner Bros. Pictures Inc. Th
Page 88 and 89: 86 13 See http://www.iipa.com/pdf/2
Page 90 and 91: 88 Member States to ensure the conf
Page 94: 10 Little Portland Street London W1
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