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MASTER MECHANICS

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32 MANUFACTURING europa star<br />

Laurent Besse and Manuel Spöde<br />

THE GRAND LEGO OF<br />

LES ARTISANS HORLOGERS<br />

When we enter the ancient 17th century mill<br />

where LesArtisans Horlogers is located, the first<br />

thing we see are three identical wall clocks that<br />

show the same time with a small discrepancy.<br />

Below are not written Paris, New York and<br />

Hong Kong, but rather Neuchâtel, La Chaux-de-<br />

Fonds, and Le Locle. This rather humoristic display<br />

is a reminder of the company’s roots in<br />

Jurassian timekeeping and perhaps also a way<br />

to turn their noses up at globalization.<br />

Laurent Besse, Co-founder and associate of<br />

Manuel Spöde, welcomes us. Together Besse<br />

and Spöde created Les Artisans Horlogers<br />

seven years ago, in 2004. Manuel Spöde is<br />

both experienced in business—having worked<br />

in management and in sales—and in watchmaking<br />

with a diploma from WOSTEP. He has<br />

worked in watch restoration, the creation and<br />

development of products, industrialization,<br />

restructuring of watch companies and commercial<br />

services. His diverse background seems<br />

to correspond perfectly with that of Laurent<br />

Besse, a graduate of the watchmaking school<br />

in Besançon, with experience at Nouvelle<br />

Lémania and Frédéric Piguet. Besse also<br />

worked with Eric Klein, head of the multibrand<br />

research and development department<br />

at Richemont.While there, he met a good part<br />

of the new generation of CEOs in watchmaking<br />

such as Antonio Calce (Corum), Hamdi<br />

Chatti (Louis Vuitton), and Michel Nieto (formerly<br />

at Baume & Mercier). He contributed to<br />

the development of products for Cartier and<br />

Piaget, but the ambiance of a large group with<br />

its decision-making constraints and slowness<br />

did not enchant him. He then moved to the<br />

Conseil Ray office, and developed movements<br />

for Zenith, notably, that he joined some time<br />

later when Thierry Nataf arrived on the scene.<br />

But he didn’t stay there very long. He again<br />

runs into Manuel Spöde, whom he had met<br />

some years earlier. Together, they restructured<br />

STT that would become Dimier when it was<br />

sold to Pascal Raffy from Bovet. At the same<br />

time, they founded Les Artisans Horlogers.<br />

The logic of (luxury) Lego<br />

When they created Les Artisans Horlogers<br />

(LAH), their concept was fully developed and<br />

their approach was clearly defined. They<br />

would take six full years to realize their programme<br />

and make their production totally<br />

reliable. Laurent Besse compares their idea to<br />

the Lego principle: have a repertory of compatible<br />

pieces that, starting with the same<br />

essential components, would let you create<br />

“everything you want”, or nearly. With these<br />

small Lego blocks can be created a chateau, a<br />

speedboat or a pirate ship.With the LAH components<br />

can be built a tourbillon, a regulator,<br />

or an MB&F machine. The central element of<br />

the LAH Lego is a basic calibre that was<br />

totally developed by them, a calibre that is<br />

“well built and simple so that it can be customized<br />

without too much effort,” as explains<br />

Besse in a few words. “We therefore see many<br />

elements from one calibre to another,” he<br />

adds, “but this way of proceeding lets us avoid<br />

having to always reinvent the wheel and<br />

allows us to offer a complete range of products,<br />

totally operational, that can also accept<br />

existing additional modules. For example, I<br />

think of the chronograph modules of Dubois-<br />

Dépraz. Moreover, these calibres are not templates<br />

and have strictly nothing to do with

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