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THE ELIZABETHAN FAIRIES

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100 APPEARANCE AND CHARACTERISTICS<br />

16th century playwrights and pageant writers took pains<br />

to stage their fairies under an oak in Windsor forest; lb4<br />

or against " a dark rock, with trees beyond it, and all<br />

wildness that could be presented "; 15' or enclosed the<br />

company of fairies " in the corner of a field, being de-<br />

fenced with high and thicke bushes."<br />

. . . would I were out of these Woodes, for I shall haue but<br />

wodden lucke, heers nothing but the skreeking of Owles, croking<br />

of Frogs, hissing of Adders, barking of Foxes, walking of<br />

Hagge~,1~~<br />

expressed the usual state of mind of a countryman in a<br />

forest.<br />

. . . goblin, wood-god, fairy, elfe, or fiend,<br />

Satyr, or other power that haunts the grove~,l~~<br />

turned the forest into " Fayry-ground."<br />

They haunted, too, the wells and brooks and streams<br />

and lakes of the countryside. Their love for water<br />

they may have inherited from the nymphs and naiads<br />

with whom they were associated, or from " Pluto, and<br />

his quene, Proserpina, and a1 hir fayerye " who " Dis-<br />

porten hem and maken melodye aboute that welle " of<br />

Januarie,laO or from the fairy ladies of the medieval ro-<br />

mances, or from the elves. Whatever the reason, the<br />

fairies appeared, poetically at least, almost as many<br />

times near water as in a forest.<br />

It is on account of this characteristic that they are in-<br />

voked in The Tempest:<br />

la4 M. W. of W., IV, 6.<br />

Jonson, Oberon, the Fairy Prince, Morley ed., p. 143.<br />

lb5<br />

Nichols, Prog. of Eliz., Vol. 11, p. 2 I I.<br />

157 Lyly, Gallathea, 11, 3, p. 442.<br />

Fletcher, Faith. Shep., I, I .<br />

169 Corbet, Iter Boreale, Chalmers ed., Vol. 5, p. 579.<br />

lso Chaucer, "The Marchantes Tale," Skeat ed., 1894, 11. 794-797.

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