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THE ELIZABETHAN FAIRIES

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256 ROBIN GOODFELLOW<br />

tale and in folk belief he was never regarded as a fairy,<br />

and his connection with the fairy kingdom seems to have<br />

been one of association rather than one of blood kinship.<br />

His second classification - that of a lesser devil -<br />

which occurred in the plays concerning Satan and the<br />

proved more detrimental to the preservation of<br />

his personality and his reputation. In them, he is pre-<br />

sented, at least in two cases, in Hell, in subjection to<br />

Satan and to Beelzebub, and is sent to earth, disguised as<br />

a servant, to further human wickedness and to bring<br />

about human disaster.<br />

In both capacities - as a devil in Hell and as a devil<br />

on earth- he is represented as a failure. He is by<br />

no means clever enough to gain preference in Hell, or<br />

Wily Beguiled; Jonson, The Devil is an Ass; and Grim, the<br />

Collier.<br />

In Wily Beguiled, as Mr. W. S. Johnson notes, " Robin Goodfellow<br />

is a malicious intriguer, whose nature, whether human or diabolical,<br />

is left somewhat in doubt." He appears as a well-known ale com-<br />

panion, wicked and evil and interested in injuring mortals, claims to<br />

practise a devilish trade, plays the part of an arrant coward and ends<br />

in disgrace, desiring to live in Hell as a reward for his acts. He<br />

possesses, however, a number of the traditional characteristics of<br />

Robin Goodfellow, and can be taken as a somewhat distorted repre-<br />

sentation of Robin Goodfellow as a devil. (Introd. by W. S. John-<br />

son to The Devil is an Ass.)<br />

Mr. Johnson states that one of the leading ideas of the Jonson<br />

comedy, The Devil is an Ass, is derived from the legend of Friar<br />

Rush, which, according to Mr. Johnson's statement again, had become<br />

by this time already partially identified with that of Robin Goodfel-<br />

low. Mr. Johnson adds further that Jonson's character of Pug was<br />

certainly i.ifluenced in some degree both by the popular and the literary<br />

conception of this lubber fiend who appears in the mysteries in the<br />

shape of Titivillus. Introd., The Devil is an. Ass. Cf. also Herford<br />

and Simpson, Ben Jonson, Vol. 11, pp. 154-161.<br />

In Grim, the Collier of Croydon, the devil, Akercock, is introduced<br />

as Robin Goodfellow in 11, I, and in the prologue.

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