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THE ELIZABETHAN FAIRIES

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<strong>THE</strong> <strong>FAIRIES</strong> OF SHAKESPEARE 199<br />

Dream occurs in Edward Fairfax's translatiyn of Tasso's<br />

Godfrey of Bulloigne: or The Recovery of Jerusalem, of<br />

the same year. Here, the fairies are given the position<br />

of lesser devils under the express domination of Satan yet<br />

with diminutive figures and flowery proclivities :<br />

Before his Words the Tyrant ended had,<br />

The lesser Devils arose with gastly rore,<br />

And thronged forth about the World to gad,<br />

Each Land they filled, River, Stream and Shore,<br />

The Goblins, Fairies, Fiends and Furies mad,<br />

Ranged in flowry Dales, and Mountains hore,<br />

And under every trembling Leaf they sit,<br />

Between the solid Earth and Welkin flit.<br />

About the world they spread forth far and wide,<br />

Filling the thoughts of each ungodly Heart,<br />

With secret Mischief, Anger, Hate and Pride,<br />

Wounding lost Souls with Sins impoison'd Dart.<br />

123<br />

. . . . . . . . . . . . .<br />

The incongruity of fairies sweeping from hell with<br />

ghastly roar, ranged in flowery dales, and sitting, with the<br />

most infinitesimal figures, under every trembling leaf,<br />

does not seem to occur to the translator.<br />

At the same time, approximately, the queen of fairies,<br />

influenced by her association with the diminutive fairies<br />

of A Midsummer Night's Dream, and by her identifica-<br />

tion with Mab in Romeo and Juliet, is made ridiculously<br />

decorative and innocuous, and appears in The Faery<br />

Pastorall, or Forrest of Elves of William Percy as<br />

" Chloris stickt with Floweres all her body."<br />

The literary exploitation of the diminutive and florally<br />

inclined fairies did not become the fashion until the end<br />

of the first quarter of the century. This may have been<br />

lZ3 Fourth Book, Stanzas 18 and 19, p. 97.<br />

124 111, 5. Dated 1603. Dated by Chambers 15go?, revised 1599.

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