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"PH. (In languishing accents, with eyes cast upward) : Shall I<br />
not take sweets to the sweet : what is culled by the toil of the<br />
busy bees to my own little honey ? (They advance to<br />
milady's doorway which he sprinkles with wine, 88 ff.) : Come,<br />
drink, ye portals of pleasure, quaff and deign to be propitious<br />
unto me.<br />
PAL<strong>IN</strong>URUS SER. (Addressing the door with mimicry of<br />
Phaedromus' airs.)<br />
,capers ?<br />
Do you want some olives or sweetmeats or<br />
PH. (Continuing.) Arouse your portress; hither send her<br />
unto me. (Lavishes the wine.)<br />
PAL. (In great alarm, grasping his arm. ) You're spilling the<br />
wine ! What's got hold of you ?<br />
PH. Unhand' me ! (Gently shakes himself loose.) Lo ! The<br />
temple of joys untold is opening. Did not the hinge creak ? 'Tis<br />
charming !<br />
PAL. (Turning aside in disgust.) Why don't you give it a<br />
kiss ?"<br />
In each case the impertinent slave provides the foil. When the<br />
lovers succeed in meeting, they are interlocked in embrace from<br />
172 to 192, probably invested with no small amount of suggestive<br />
"business." This would doubtless hardly be tolerated by the<br />
"censor" today. Another variety of lover's extravagance is the<br />
lavishing of terms of endearment, as we find in Cas. 134 ff.8<br />
When this feature of "extravagance" enters the situation instead<br />
of the dialogue, we have episodes such as the final scene of the Ps.,<br />
where the name character is irrelevantly introduced (1246) in a<br />
state of intoxication which, with copious belching in Simo's face,<br />
culminates in a rebellion of the overloaded stomach (1294) , We<br />
can scarcely doubt that such business was carried out in ultragraphic<br />
detail and rewarded by copious guffaws from the populace.<br />
In.sharp contrast to this, the drunkenness of Callidamates in Most.<br />
313 ff. is depicted with unusual artistry, but still from the very<br />
nature of such a scene it may be labeled "extravagant."<br />
Manifestation of violent anger is another source of exaggerated<br />
stage business. Ep. 512 ff. should be , interpreted somewhat as<br />
-follows :<br />
SCf. further As. 606 ff., Cur. 147 ff., Most. 233 ff., Poen. 275 ff. and passim,<br />
True. 434 ff.