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II<br />
EVIDENCES OF LOOSE COMPOSITION WHICH PROVE A DISREGARD<br />
OF TECHNIQUE AND HENCE <strong>IN</strong>DICATE THAT ENTERTA<strong>IN</strong>MENT<br />
WAS <strong>THE</strong> SOLE AIM<br />
OlD speeches and passages.<br />
W· I. Asides and soliloquies.<br />
. is often important for the audience to know the thoughts of<br />
stage characters, the aside and the soliloquy in all species of dramatic<br />
composition have always been recognized as the only feasible<br />
conventional mode of conveying them. According to the strictest<br />
canons of dramatic art, the ideally constructed play should be<br />
entirely free from this weakness. Mr. Gillette is credited with<br />
having written in "Secret Service" the first aside-less play. But<br />
this is abnormal and rather an affectation of technical skill. The<br />
.aside is an accepted convention. But in the plays of Plautus we<br />
have a profuse riot of solo speeches and passages that transcends<br />
the conventional and becomes a gross weakness of composition,<br />
pointing plainly to a poverty of technique and hence further<br />
strengthening the conception of entertainment as the author's sole<br />
purpose. And often too, as we shall point out, this very form can<br />
be used for amusement. To attempt a complete collection of these<br />
passages would mean a citation of hundreds of lines, comprising a<br />
formidable percentage of all the verses.<br />
And furthermore, the Plautine character is not so tame and<br />
spiritless as merely to think aloud. He has a fondness for actual<br />
conversation with himself that shows a noble regard for the value<br />
of his own society. This is attested by many passages, such as<br />
Amph. 3 81 : Etiam muttis ?; Aul. S2 : At ut scelesta sola secum<br />
murmurat ; Aul. 190: Quid tu solus tecum loquere ?; Bac. 773 :<br />
Quis loquitur prope ?; Cap. 1 33 : Quis hic loquitur ?25<br />
One charact,er standing aside and commenting on the main<br />
action is a familiar situation and often productive of go·od fun.<br />
An excellent example is Most. 166 ff., where Philematium is per<br />
forming her conventionally out-door toilet with the aid of her<br />
25Cf. As. 447, Cur. III, Men. 125, 478 f ., 909, Mer. 364, 379, Mil. 275,<br />
Most. 548, Per. 99, Poen. 840, Ps. 445, 615, 908, Rud. 97, St. 88, Trin. 45, 567 ,<br />
True. 499, etc.<br />
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