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Why Paper Is Eternal - Joan Shorenstein Center on the Press ...

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<strong>the</strong> stylus and erasing <strong>the</strong>m later. It was <strong>the</strong> period equivalent of our own Palm<br />

Pilots and Blackberries, and it remained popular for hundreds of years. Thomas<br />

Jeffers<strong>on</strong> and Benjamin Franklin both owned an ivory versi<strong>on</strong> that was in<br />

vogue in <strong>the</strong>ir time. 51<br />

The device even makes an appearance in Shakespeare’s Hamlet. In Act 1<br />

of <strong>the</strong> play, after <strong>the</strong> Prince first meets and c<strong>on</strong>verses with <strong>the</strong> ghost of his<br />

fa<strong>the</strong>r, that specter vanishes with <strong>the</strong> famous, spooky farewell: “Adieu, adieu,<br />

Hamlet. Remember me.” In reply, Hamlet basically says, “How could I possibly<br />

forget you?” spinning a metaphor in which he likens his memory to <strong>the</strong> gadget<br />

that Shakespeare’s audience knew well – erasable tables:<br />

Remember <strong>the</strong>e?<br />

Yeah, from <strong>the</strong> table of memory<br />

I’ll wipe away all trivial f<strong>on</strong>d records,<br />

All saws of books, all forms, all pressures past,<br />

That youth and observati<strong>on</strong> copied <strong>the</strong>re,<br />

And thy commandment al<strong>on</strong>e shall live<br />

Within <strong>the</strong> book and volume of my brain<br />

Reflecting <strong>on</strong> what he’s just learned – that his uncle, <strong>the</strong> King, killed his<br />

fa<strong>the</strong>r – Hamlet curses <strong>the</strong> murderer: “O villain, villain, smiling, damnèd<br />

villain!” This idea, that an assassin could walk around smiling, seems to strike<br />

him as a ra<strong>the</strong>r original insight and he pulls out his own writing tables to record<br />

it. 52<br />

25

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