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Why Paper Is Eternal - Joan Shorenstein Center on the Press ...

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directi<strong>on</strong>s. The c<strong>on</strong>sumer’s comment: “They’re trying to get some<strong>on</strong>e to pay<br />

attenti<strong>on</strong> to . . . whatever <strong>the</strong> ad is for, something going, ‘Whoo, whoo, look at<br />

me! Over here, over here!’”<br />

O<strong>the</strong>r images showed handcuffs, <strong>the</strong> devil, and a trash can overflowing<br />

with garbage. “It feels like I’m being polluted,” <strong>on</strong>e pers<strong>on</strong> said. The study<br />

c<strong>on</strong>cluded that commercials turn <strong>the</strong> TV experience into “a battle for c<strong>on</strong>trol,”<br />

forcing viewers to retaliate through such measures as changing <strong>the</strong> channel,<br />

leaving <strong>the</strong> room, or using TiVo and similar devices to avoid commercials.<br />

When asked to select <strong>the</strong> color that best represented <strong>the</strong>ir thoughts and feelings<br />

about TV advertisements, <strong>the</strong> subjects tended to choose red, a color that,<br />

according to <strong>the</strong> report, is associated with stimulati<strong>on</strong> and acti<strong>on</strong>, as well as<br />

distracti<strong>on</strong>, anger and disrupti<strong>on</strong>. 73<br />

Meanwhile, <strong>the</strong> subjects had largely positive views of ads in magazines,<br />

and <strong>the</strong> main reas<strong>on</strong> seemed to be <strong>the</strong> sense of c<strong>on</strong>trol that paper inherently<br />

affords: The reader turns <strong>the</strong> pages at will, deciding what to look at and for<br />

how l<strong>on</strong>g. One subject said: “A magazine ad is like a glass of wine because I<br />

have <strong>the</strong> time to sniff it and appreciate it . . . It’s <strong>the</strong>re, I can take it or leave it . .<br />

. . Because I have c<strong>on</strong>trol, I can take <strong>the</strong> time to make particular decisi<strong>on</strong>s<br />

[about] which ads I will savor and absorb.” A sense of c<strong>on</strong>trol was also<br />

reflected in <strong>the</strong> way readers interpreted <strong>the</strong> c<strong>on</strong>tent of <strong>the</strong> advertising, which<br />

was variously described as inviting, “laid back” and “like an embrace.” One of<br />

<strong>the</strong> interviewees brought an image of a beautiful woman wrapped in a blanket,<br />

to reflect that magazine ads are “soft” and “natural” like “luxurious<br />

cashmere.” 74<br />

43

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