Why Paper Is Eternal - Joan Shorenstein Center on the Press ...

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Riesman, David with Nathan Glazer and Reuel Denney. Abridged and revised edition, 2001. The Lonely Crowd: A Study of the Changing American Character. New Haven: Yale Nota Bene. First abridged edition, New Haven: Yale University Press, 1961. Ritter, Karl. 2007. “World’s Oldest Newspaper Goes Digital.” Guardian Unlimited, 5 February, www.guardian.co.uk Romano, Frank. Professor Emeritus, School of Print Media, Rochester Institute of Technology. 2007. Email interview, 15 February. Rooney, Andy. 2006. “For the Love of the Newspaper.” The Times Union, 16 December, p. A-8. Russo, Peter. 2007. Interview. Dieu Donne <strong>Paper</strong>mill, New York City. 17 January. Saffo, Paul. 1992. “The Electronic Piñata,” www.saffo.com/essays/epinata.php ________. 2005. “Farewell Information, it’s a Media Age,” December, www.saffo.com/ essays/essay_farewellinfo.pdf Schott, Ben. 2007. “Op-Art: Who Do You Think We Are?” The New York Times, 25 February, section 4, p. 15. Seely Brown, John and Paul Duguid. 2000. The Social Life of Information. Boston: Harvard Business School Press. Sellen, Abigail J. and Richard H. R. Harper. 2003. The Myth of the <strong>Paper</strong>less Office. Cambridge, Mass.: The MIT Press. Original edition, 2002. Shakespeare, William. The Tragedy of Hamlet, Prince of Denmark. The Norton Shakespeare, edited by Stephen Greenblatt (general editor), Tragedies volume. New York: W.W. Norton & Company, 1997. Stallybrass, Peter, Michael Mendle, and Heather Wolfe. 2006. Brochure for “Technologies in the Age of Print,” exhibit at the Folger Shakespeare Library, Washington, DC. ________. 2006. Texts accompanying exhibited materials, “Technologies in the Age of Print.” Stallybrass, Peter, Roger Chartier, J. Franklin Mowrey and Heather Wolfe. 2004. “Hamlet’s Tables and the Technologies of Writing in Renaissance England,” Shakespeare Quarterly, 55 (4): pp. 379-419. Time Digital. 2000. “Get Ready For the E-Book,” December, cover image and pp. 42-48. Toffler, Alvin. 1980. The Third Wave. New York: William Morrow and Company, Inc. 73
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Page 1 and 2:
Joan Shore
Page 3 and 4:
the familiar form that gave them th
Page 5 and 6:
Paper doesn’t se
Page 7 and 8:
1 On the evening of Monday, Februar
Page 9 and 10:
less effectively, in a digital form
Page 11 and 12:
time machine that travels in only o
Page 13 and 14:
depth. As Tom Rosenstiel, director
Page 15 and 16:
newspapers, but paper broadly defin
Page 17 and 18:
going to so much trouble to write a
Page 19 and 20:
The persistence of paper flies in t
Page 21 and 22:
It appeared that Business Week’s
Page 23 and 24: Even as paper thrived in the Middle
Page 25 and 26: communication. Rather, the two infl
Page 27 and 28: My tables, My tables - meet it is I
Page 29 and 30: last thirty years, computers and ot
Page 31 and 32: mind. Think about the situation the
Page 33 and 34: 3 What is paper? A thin, flexible,
Page 35 and 36: automating the once laborious copyi
Page 37 and 38: The study found that paper has inhe
Page 39 and 40: do understand what a document conve
Page 41 and 42: Nast is one of the world’s premie
Page 43 and 44: skip the commercials. In other word
Page 45 and 46: They praised the way magazine ads o
Page 47 and 48: The argument Condé Nast is making
Page 49 and 50: Though reading is one of the flow a
Page 51 and 52: link of an eye, a paper document im
Page 53 and 54: 4 If paper works so well for people
Page 55 and 56: But something is also missing. The
Page 57 and 58: itself in the tough spot it’s in.
Page 59 and 60: efore you fly off elsewhere, but en
Page 61 and 62: The other problem is that e-books l
Page 63 and 64: attempted, and even then, it’s im
Page 65 and 66: 13 Mark Patinkin, “I’ll Miss Ha
Page 67 and 68: 56 Saffo, “The Electronic Piñata
Page 69 and 70: Sources Abrahamson, Eric and David
Page 71 and 72: Google.com. 2007. “Introducing Gm
Page 73: The New York Times. 2007. “Introd
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