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Why Paper Is Eternal - Joan Shorenstein Center on the Press ...

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message, but in a very practical way we also choose <strong>the</strong> medium that best suits<br />

<strong>the</strong> message, which is <strong>the</strong> c<strong>on</strong>tent being communicated. This is reflected in <strong>the</strong><br />

functi<strong>on</strong>s we assign to digital media, and those for which <strong>the</strong>y seem not quite<br />

right. E-mail is w<strong>on</strong>derful for many kinds of pers<strong>on</strong>al communicati<strong>on</strong>, but<br />

<strong>the</strong>re are still situati<strong>on</strong>s when it makes more sense to pick up <strong>the</strong> ph<strong>on</strong>e, or<br />

even a sheet of paper. The iPod is hugely popular but e-books have never really<br />

taken off, despite countless product launches by major high-tech companies.<br />

When it comes to delivering news, screens work well for short-form reportage<br />

and commentary that can be read quickly in rapid “informati<strong>on</strong>-retrieval” mode<br />

– breaking news, wire-service fare, opini<strong>on</strong> columns and blog posts under 1,000<br />

words. But for l<strong>on</strong>g stories and essays requiring sustained attenti<strong>on</strong> and focus,<br />

readers still gravitate to paper, where <strong>the</strong>y can “settle down” and find that<br />

“snatching of serenity.”<br />

This distincti<strong>on</strong> between paper and screens is not just a functi<strong>on</strong> of <strong>the</strong><br />

physical c<strong>on</strong>trol <strong>the</strong> former provides. A more abstract sense of c<strong>on</strong>trol and<br />

order also inheres in paper. Because it is made of atoms ra<strong>the</strong>r than bits, a sheet<br />

of paper exists in <strong>the</strong> world in <strong>the</strong> same way that a table or a pers<strong>on</strong> exists.<br />

When this obvious fact is discussed at all, it is generally counted as <strong>on</strong>e of <strong>the</strong><br />

medium’s flaws: It’s a problem that paper takes up space. But that same fixity in<br />

time and space has o<strong>the</strong>r important implicati<strong>on</strong>s. First, it means that, as<br />

compared to electr<strong>on</strong>ic media, paper is relatively immutable. Once you have<br />

printed words <strong>on</strong> it, removing <strong>the</strong>m is not easy. Again, this is typically<br />

c<strong>on</strong>sidered a nuisance; <strong>on</strong>e thinks of rubber erasers, <strong>on</strong> <strong>the</strong> <strong>on</strong>e hand, and <strong>on</strong><br />

<strong>the</strong> o<strong>the</strong>r of how c<strong>on</strong>venient it is to write <strong>on</strong> a screen where any word can be<br />

erased with a keystroke. In paper’s role as a reading interface, however,<br />

immutability becomes an asset. Unlike a Web page that can be changed in <strong>the</strong><br />

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