Englisches Seminar - Ruhr-Universität Bochum

--- --- Houwen
Beast Epic in Middle English Literature, 5 CP
2 st. di 14-16 GABF 04/413 Süd
(vgl. Vorl.-Nr. 050 622)
Description: Reynard stories must have been plentiful in medieval England since
many literary references to them survive and even more illustrations adorn windows,
choir stalls, capitals and the like throughout medieval England. Yet only one
substantial version of the Reynard epic has survived. This version was printed by
William Caxton towards the end of the Middle Ages and it is this version around
which this course will revolve. In addition we shall consider the pictorial tradition as
well as the Latin, French and Dutch roots of this tradition.
Aim: An introduction to the beast epic with particular emphasis on the English
tradition.
Procedure: We shall read and discuss Caxton’s Reynard as well as selections from
the other traditions. The aim will be to place this tradition in its late medieval context.
One important discussion point will be the reasons why such an a-moral tradition
found a ready audience at this time.
Assessment: Essay: MA 8-10, MARS 12 pages.
Set texts: The relevant primary texts will be made available via Blackboard.
050 683 Houwen
Middle Scots Poetry: William Dunbar, Parody, Satire and Morality at the Court of
James IV of Scotland, 5 CP
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2 st. di 16-18 GABF 04/252 Nord
Description: William Dunbar (c. 1460–1513) was a courtier at the court of the
Scottish King James IV. He was in close touch with the ruler himself. His works
reflect the goings-on at court but also reveal a lot about the ‘man behind the poetry’.
Dunbar’s breadth is impressive: he moves easily between comedy and high
seriousness, can be homely or philosophical, bawdy or exultant.