Englisches Seminar - Ruhr-Universität Bochum
Englisches Seminar - Ruhr-Universität Bochum
Englisches Seminar - Ruhr-Universität Bochum
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<strong>Seminar</strong><br />
--- --- Reed<br />
Migration and the Global Horizon of Contemporary American Fiction, 5 CP<br />
2 st. mi 16-18 GB 5/39 Nord<br />
(vgl. Vorl.-Nr. 050 693)<br />
In 2008, the USA elected as its president Barack Obama, the son of a man from<br />
Kenya. This event is a reminder that the American self-image as a “land of<br />
opportunity” and a “nation of immigrants” still has genuine political force and popular<br />
appeal. Of course, “immigration” today hardly means what it did back in 1886, when<br />
the Statue of Liberty first announced to the world the USA’s intention to take in the<br />
world’s “poor,” “tired,” “huddled masses yearning to breathe free”. Technological<br />
advances—cell phones, the internet, GPS—and changing sociopolitical realities—the<br />
end of the Cold War, the advent of fully globalized capitalism, the war on terror—<br />
have transformed Americans’ sense of themselves and their place in the world. In<br />
this class, we will be exploring cases in which American writers have looked outward<br />
in an effort to understand their identity. How can attending to the transnational<br />
movement of peoples—as tourists, as refugees, as laborers—help one better<br />
understand nation-formation? Can American exceptionalism survive into the twentyfirst<br />
century? We will be reading a selection of short stories and prose pieces by<br />
authors such as David Eggers, Jhumpa Lahiri, and George Saunders as well as one<br />
novel, Junot Diaz’s The Brief Wondrous Life of Oscar Wao (2007).<br />
LN: Übung: attendance, participation, written assignments<br />
LN: <strong>Seminar</strong>: requirements for Übung and 10-page paper.<br />
Übung<br />
050 665 Steinhoff<br />
Bodies in the making: the human body in theory, literature and visual culture, 3 CP<br />
2 st. do 12-14 GB 6/137 Nord<br />
In recent years the human body has become a key site of investigation in Cultural<br />
Studies. According to this new ‘body theory’ or ‘body criticism’ the body is not an<br />
essential and fixed entity but a cultural construct, i.e. a complex and contested site