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vol. xxx, no. 4 april 1926 universal brotherhood - a fact in nature

vol. xxx, no. 4 april 1926 universal brotherhood - a fact in nature

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THE THEOSOPHICAL PATH<br />

imposed on you by parents, friends, acqua<strong>in</strong>tances, or by the common<br />

belief of the majority of men and women, the problem of life and death<br />

can be satis<strong>fact</strong>.orily solved only by the voice of your own Spirit, the<br />

Div<strong>in</strong>ity with<strong>in</strong>, beyond which there is <strong>no</strong> superior court of appeal.<br />

SUPERFLUITY<br />

taste will never tolerate a superfluity of ornament;<br />

but the assertion that all ornament is superfluous may appear<br />

puritanism of the deepest dye dogmatically propound<strong>in</strong>g<br />

heresy. Yet the idea will bear consideration,<br />

<strong>no</strong>t only on its own merits, but also because of its relation by analogy<br />

to other branches of social psycho<strong>no</strong>my.<br />

The ord<strong>in</strong>ary conception of ornament dist<strong>in</strong>ctly conta<strong>in</strong>s an ele-<br />

ment of superfluity: for it is generally understood to be a form of em-<br />

bellishment, which is added to someth<strong>in</strong>g capable of stand<strong>in</strong>g alone<br />

<strong>in</strong> its native simplicity. If ornament were correctly def<strong>in</strong>ed <strong>in</strong> this way<br />

it certa<strong>in</strong>ly would be hard to defend it aga<strong>in</strong>st the charge of superfluity.<br />

For, either the object so adorned was already complete, or it was <strong>no</strong>t.<br />

If <strong>no</strong>t, then its completion would <strong>no</strong>t be of the <strong>nature</strong> of ornament (under<br />

the suggested def<strong>in</strong>ition), but a structural cont<strong>in</strong>uation of an <strong>in</strong>com-<br />

plete work.<br />

It is <strong>in</strong> this sense that I th<strong>in</strong>k true ornament should be considered.<br />

It should be the natural completion of a work that might be self-sufficient<br />

<strong>in</strong> its <strong>in</strong>completion, even as a plant may be beautiful and sufficient with-<br />

out its blossoms, but which is <strong>no</strong>t superfluously adorned by the flowers,<br />

that are the culm<strong>in</strong>ation and completion of its growth.<br />

To strip a tree or plant of its blossoms and to arrange the flowers<br />

<strong>in</strong> a vase may <strong>no</strong>t be an act of vandalism, but may even be considered<br />

as a duty to the plant and an expression of ref<strong>in</strong>ed taste <strong>in</strong> domestic<br />

decoration. So, too, it may be legitimate to gather the blossoms of<br />

architecture and the arts and to arrange them <strong>in</strong> museums and galleries<br />

for the delight and for the education of lovers of the beautiful.<br />

But <strong>no</strong> lover of <strong>nature</strong> would tolerate the decoration of plants .<br />

with artificial flowers: that would be <strong>in</strong>deed a "superfluity of naughti-<br />

ness," as the Bible has it. Yet this is analogous to the practice of decora-<br />

tion as understood !or as misunderstood) <strong>in</strong> most ages. Obviously it is<br />

a delicate matter to expla<strong>in</strong> where the difference lies between true orna-

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