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PAUL AND THE RHETORIC OF REVERSAL: KERYGMATIC ...

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The shouts of war were heard in front of me. [The Lord] will hear me because I<br />

am filled with righteousness!<br />

Thus there appears in the lyrics of Jewish worship 12 the boastful human enemy,<br />

juxtaposed with the righteous sufferer who appeals to the Lord for help. And, as hinted in<br />

the citation above, these figures can usually expect some sort of reversal. The boastful<br />

enemy, being merely human, eventually receives mortal condemnation, while the<br />

righteous sufferer, being dependent on the Lord, receives or looks forward to vindication.<br />

The Qumran community similarly utilise this sort of rhetoric in their own psalms,<br />

thanking God for reversal that has already been achieved, and expecting God to act as the<br />

great Reverser. The following psalm exhibits the sectarian self-understanding of the<br />

Qumran community. They are the righteous few, opposed by evildoers in the last times.<br />

They look to God as the one who brings down the evildoers and vindicates the righteous: 13<br />

1QH a Column 2, Lines 20-30:<br />

I thank you Lord, for you have placed my life among the living<br />

And you have protected me from all the traps of the pit.<br />

For the violent have sought my life,<br />

While I have held onto your covenant.<br />

But these people are a council of wickedness and an assembly of Belial.<br />

They did not know that my standing comes from you,<br />

And that, in your mercy, you saved my life –<br />

12 Although note Karl-Wilhelm Niebuhr’s estimation of the Psalms of Solomon: “Wir<br />

haben keine Sammlung von Kultgesängen der Gemeinde, sondern ein Erbauungsbuch vor<br />

uns”. Karl-Wilhelm Niebuhr, Gesetz und Paränese: Katechismusartige Weisungsreihen<br />

in der frühjüdischen Literatur (Tübingen: Mohr Siebeck, 1987), 223.<br />

13 Eileen Schuller discusses a similar thanksgiving psalm from Qumran in which it is<br />

emphasised that God reveals mysteries to his poor people, and casts down the haughty.<br />

Schuller notes the importance of this motif of reversal in liturgy: “The reversal motif of<br />

casting down and raising up is well attested in hymns; see 2 Sam 2:6-8; Ps 145:14; Sir<br />

10:14; 11:5-6; Luke 1:52; 1QM xiv 11,15 (=4Q491 8-10 i 8,12). Eileen Schuller, “A<br />

Hymn from a Cave Four Hodayot Manuscript: 4Q427 7 i + ii,” JBL 112/4 (1993): 605-<br />

628; 616.<br />

19

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