poiranga handloom cluster kamrup - Designclinicsmsme.org

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advantage as these designs will not be manufactured elsewhere. * They can introduce new accessories which could give them a bigger market share. * They could reach out to larger markets like Metro cities with new product developments. * They could directly sell products to the consumers through boutiques etc. Design Clinic 5 Band Workshop Report : Poiranga Handloom Cluster, Boko | 2011 | Dibakar Choudhury100
h. Study for the need of training and skill up-gradation • ISSUES and CONCERNS: • * Some skilled weaver leave but very few weavers are trained regularly and enrolled to keep the pace of work smoothly. • *majority of weavers have not skilled training of jacquard weaving for better production. • * No new/ advance training for the weavers except a very few. • * Due to lack of exposure weavers have been practicing same processes for many years. • * Residents who are educated move to city for better work prospects. • OPPORTUNITIES: • *Master weavers could be sent to participate at National level exhibitions. • * A common training center which could provide training on skill enhancement, quality control and product development to the weavers of Poiranga. • * A skill up gradation course/ curriculum can be introduced with expert guidance. Design Clinic 5 Band Workshop Report : Poiranga Handloom Cluster, Boko | 2011 | Dibakar Choudhury 101
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Interactive Design Study Cluster Le
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• Interactive Design Study | Ront
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MINISTRY OF MSME MSMEs. The total s
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IIE • The approach of the Indian
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POIRANGA AND ADJOINING AREAS OF •
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• Palashbari: The old Palashbari
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• Boko: Boko is also a trading ce
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The last 100 years have seen the gr
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POIRANGA located in South Kamrup Di
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THE HANDLOOM SECTOR IN INDIA- A RET
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• At the time of independence, th
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• strategic interventions to enab
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• The Master wavers Decades back,
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• Contribution of Women Weavers:
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• The self-sufficient weaver spen
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Life cycle of silk worms has four s
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Rearing schedule for eri silkworm:
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• Autumn season: 5 th batch Septe
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De-gumming of eri cocoons: Cocoon c
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Eri is not a continuous filament an
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Charka type spinning machine The ch
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• Spinning on a `takli` also brin
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6 Season for raising plantation Cas
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• 1. Procurement of raw material:
Page 49 and 50: Eri culture: The silk produced by P
Page 51 and 52: Raw Material: The basic raw materia
Page 53 and 54: eakthrough in terms of requirement
Page 55 and 56: Market size and destination: Design
Page 57 and 58: mainly Nepal from where it is marke
Page 59 and 60: • Some weavers directly sell the
Page 61 and 62: • If there are any significant co
Page 63 and 64: It is in relation to the external b
Page 65 and 66: 3 Master Weavers earning between Rs
Page 67 and 68: Branding and effective use of Geogr
Page 69 and 70: Six treadle and design development
Page 71 and 72: DRAFT ACTION PLAN • The strategy
Page 73 and 74: Creation of social capital: ● Cre
Page 75 and 76: • Unit 2 • Name of the owner: T
Page 77 and 78: • Unit 5 • Name of the owner: B
Page 79 and 80: • Unit 9 • Name of the owner: R
Page 81 and 82: • Unit 13 • Name of the owner:
Page 87 and 88: 5. The existing product Makhela-cha
Page 89 and 90: • Marketing & Designing: • The
Page 91 and 92: The Resource centers in the state t
Page 93 and 94: c. Existing status and opportunity
Page 95 and 96: d. Scope of technology, modernizati
Page 97 and 98: OPPORTUNITIES: . 1. The production
Page 99: g. Details of market and competitio
Page 103 and 104: j. Packaging and logistics related
Page 105 and 106: k. Exhibition/ Display design oppor
Page 107 and 108: l. Study of infrastructure set up f
Page 109 and 110: CONCLUSION • The visit to Poirang
Page 111 and 112: • A single family may rear, spin,
Page 113 and 114: • Weakness & Implications: • 1.
Page 115 and 116: After Workshop Report DCS MSME Sche
Page 117 and 118: Interactive Design Study • They a
Page 119 and 120: DCS MSME Scheme MSME clusters over
Page 121 and 122: • The attempt of this NAS is to i
Page 123 and 124: As for the socio-cultural milieu, S
Page 125 and 126: Design Clinic 5 Band Workshop Repor
Page 127 and 128: Raw Material: Design Clinic 5 Band
Page 129 and 130: Design Clinic 5 Band Workshop Repor
Page 131 and 132: Six treadle and design development
Page 133 and 134: ESSENTIAL ACTION PLAN • The strat
Page 135 and 136: Creation of social capital: ● Cre
Page 137 and 138: 5. The existing product Makhela-cha
Page 139 and 140: Scope of Design Project As the Poir
Page 141 and 142: * The domestic market for handloom
Page 143 and 144: Schedule of 5 Day design Workshop u
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