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Recent Acquisitions - Richard C. Ramer Old & Rare Books

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30<br />

richard c. ramer<br />

32. CAMPOS, Augusto de. Despoesia. São Paulo: Editora Perspectiva,<br />

1994. Coleção Signos, 17. Large 4° (23.2 x 22.8 cm.), original<br />

illustrated wrappers. Replete with concrete poetry typography. A<br />

fine copy. 131 pp., (4 ll.). $100.00<br />

FIRST and ONLY EDITION of this collection of poems in two parts, “Expoemas”<br />

(1980-84) and “Intraduções” (1979-93). In a “desfacio,” Campos claims he had not<br />

published for 15 years, the last work being an anthology of 30 years of poetry, Viva vaia.<br />

“Expoemas” has 13 compositions with richly colored illustrations silkscreened by Omar<br />

Guedes to a more rustic homemade “minicontralivropoema,” xerographically published<br />

in 1990. In this period, Augusto de Campos experimented with various media formats:<br />

videotext, holograms, neon, laser, clip-poems, computer graphics; everything but a book.<br />

The second part, ‘Intraduções’, has 50 poems.<br />

Augusto de Campos (born São Paulo, 1931), poet, translator, literary critic, essayist<br />

and musician, together with his brother Haroldo de Campos and Décio Pignatari, founded<br />

in 1952 the “Grupo Noigandres”, Brazil’s concrete poetry movement. “Plano-Piloto Para<br />

Poesia Concreta,” co-authored with Haroldo de Campos and Décio Pignatari, appeared<br />

in number 4 (1958) of the concrete poetry review Noigandres.<br />

j OCLC: 31137768.<br />

Important Figure in Brazil’s Concrete Poetry Movement<br />

Inscribes a Work to a Leader of the Literary Vanguard in Portugal<br />

33. CAMPOS, Haroldo de. Maiakóvski em português: roteiro de uma<br />

tradução. Rio de Janeiro: Ministério da Educação e Cultura, Instituto<br />

Nacional do Livro, 1961. Large 8°, original printed wrappers (spine<br />

defective at head and foot). A very good copy. Signed and dated author’s<br />

presentation inscription in the upper and outer margins of p. 23: “para<br />

e.m. de melo e castro, // êste ensaio de tradução-criação, // do amigo<br />

em poesia // Haroldo de campos // s Paulo, // agôsto 64.” A few ink<br />

corrections [in the hand of Haroldo de Campos? Melo Franco?]. (1 l.),<br />

pp. 23-50, (1 blank l.). Offprint from the Revista do livro, Nº 23-24, Julho-<br />

Dezembro 1961. $400.00<br />

FIRST APPEARANCE IN PRINT of this heavily annotated essay, with significant<br />

references to Ezra Pound, followed by the author’s translation of Mayakovski’s “A Sierguéi<br />

Iessiênnin” (pp. 46-50). Together with his brother Augusto de Campos and Décio<br />

Pignatari, Haroldo de Campos founded in 1952 the “Grupo Noigandres,” Brazil’s concrete<br />

poetry movement. “Plano-Piloto Para Poesia Concreta,” co–authored with Augusto de<br />

Campos and Décio Pignatari, appeared in number 4 (1958) of the concrete poetry review<br />

Noigandres. In 1992 he was awarded the Prêmio Jabuti as literary personality of the year;<br />

in 1999 he won the Prêmio Jabuti for poetry. Haroldo de Campos is considered the most<br />

baroque of the Brazilian concrete poets. His poetry is integrally linked to the movement.<br />

He was personally close to João Cabral de Melo Neto and Oswald de Andrade, and corresponded<br />

with Ezra Pound and Octávio Paz.<br />

Provenance: E[rnesto] M[anuel Geraldes] de Melo e Castro (b. 1932), textile engineer,<br />

poet, essayist and critic, was one of the leaders of the literary vanguard in Portugal dur-

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