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contemporary techniques in architectural glass - International ...

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<strong>International</strong><br />

Context<br />

32<br />

Heron Quay corridor<br />

Graham Jones<br />

Front lit panels <strong>in</strong> an underground rail corridor. Float <strong>glass</strong> panels with hand pa<strong>in</strong>ted kiln<br />

fired enamels.<br />

Also visited :<br />

Blackfriars Church London<br />

Julian Stock<br />

Backlit panels <strong>in</strong> crypt. Deep carved sandblast<strong>in</strong>g and etch<strong>in</strong>g on thick float <strong>glass</strong><br />

Holmes Place, Bunhill Row<br />

Jose Castrillo<br />

Glass screen and wall panels with polished and bevelled <strong>glass</strong> lam<strong>in</strong>ated to acid etched<br />

back<strong>in</strong>g <strong>glass</strong>.<br />

Summary of Techniques<br />

• Although the <strong>techniques</strong> varied most of the artists and studios visited were experiment<strong>in</strong>g<br />

with <strong>in</strong>novative ways to use float <strong>glass</strong>.<br />

• Some were screen pr<strong>in</strong>t<strong>in</strong>g it to imitate hand pa<strong>in</strong>t<strong>in</strong>g.<br />

• Some were lam<strong>in</strong>at<strong>in</strong>g handmade details to it.<br />

• Others were smash<strong>in</strong>g it and stick<strong>in</strong>g it back together.<br />

• But, whatever the technique the common goal was to end up with a structurally<br />

sound artwork that would enhance the architecture and become an <strong>in</strong>tegral part of it.<br />

Key Issues<br />

• Design<strong>in</strong>g artworks to comply with safety standards.<br />

• Keep<strong>in</strong>g <strong>in</strong> touch with <strong>architectural</strong> trends.<br />

• Collaborat<strong>in</strong>g<br />

• Promot<strong>in</strong>g<br />

• Outsourc<strong>in</strong>g

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