contemporary techniques in architectural glass - International ...
contemporary techniques in architectural glass - International ...
contemporary techniques in architectural glass - International ...
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57<br />
The number of workers, about sixty five, and the multiple projects requires the studio to be well<br />
organized. There is a studio head and each job has a project manager. They liaise to ensure<br />
smooth progress of each job through the various stages of fabrication. The whole operation<br />
appears well organized but labour <strong>in</strong>tensive. Some artists will only visit the studio a few times<br />
while their project is be<strong>in</strong>g fabricated while others prefer to stay and work on it themselves.<br />
The skill and experience of the Derix artisans enables them to advise the artists, suggest<br />
different <strong>techniques</strong> that could be tried and to make artistic decisions <strong>in</strong> the absence of<br />
the artist.<br />
This appears to blur the l<strong>in</strong>e between artist and artisan but the artists seem happy to make<br />
use of these skills. The studio carries a large stock of <strong>glass</strong> and has a close relationship with<br />
the Lamberts <strong>glass</strong> factory. This enables the studio to provide coloured <strong>glass</strong> for smaller<br />
projects from their stock and order specific colours and quantities for larger jobs.<br />
As most of the jobs need to be transported to distant locations there is a pack<strong>in</strong>g department.<br />
Most of the f<strong>in</strong>ished work is packed <strong>in</strong>to custom made crates and this needs to be done with<br />
care as breakages would be costly for the studio. There can be no doubt that Derix works<br />
well and gets the results. It is a good model for such studio operations.