contemporary techniques in architectural glass - International ...
contemporary techniques in architectural glass - International ...
contemporary techniques in architectural glass - International ...
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56<br />
As Goddard & Gibbs were not operat<strong>in</strong>g it was only possible to get a feel for the way the<br />
studio would have worked. The studio was <strong>in</strong> rented <strong>in</strong>dustrial premises which were large<br />
and allowed each section separate areas. The only mach<strong>in</strong>ery appeared to be the screen<br />
pr<strong>in</strong>ters and vacuum frames for the production of the stencilled screens.<br />
There were also two large kilns. The studio made use of computers for design<strong>in</strong>g and design<br />
presentation although there weren’t any large format pr<strong>in</strong>ters or plotters <strong>in</strong> view.<br />
Derix is the worlds largest <strong>architectural</strong> <strong>glass</strong> studio. They operate from premises that have<br />
grown over time to three stories with multiple rooms. There are cutt<strong>in</strong>g and assembl<strong>in</strong>g rooms,<br />
a kiln and sand blast<strong>in</strong>g area, an acid room, two spray pa<strong>in</strong>t<strong>in</strong>g rooms, a pa<strong>in</strong>t studio, a pack<strong>in</strong>g<br />
room, a large layout area, plan draw<strong>in</strong>g and comput<strong>in</strong>g rooms, a gallery and adm<strong>in</strong>istration<br />
rooms. There were only two hand edg<strong>in</strong>g mach<strong>in</strong>es, a large sand blast<strong>in</strong>g cab<strong>in</strong>et and four<br />
kilns. All the <strong>glass</strong> cutt<strong>in</strong>g was done us<strong>in</strong>g the European method of cutt<strong>in</strong>g around hand cut<br />
cardboard patterns. Screen pr<strong>in</strong>t<strong>in</strong>g was done elsewhere as was any job <strong>in</strong>volv<strong>in</strong>g large, heavy<br />
pieces of <strong>glass</strong>.