contemporary techniques in architectural glass - International ...
contemporary techniques in architectural glass - International ...
contemporary techniques in architectural glass - International ...
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depends on many factors <strong>in</strong>clud<strong>in</strong>g the type of pa<strong>in</strong>t, colour, surface f<strong>in</strong>ish required and<br />
thickness of the <strong>glass</strong>. Commercial lam<strong>in</strong>ated <strong>glass</strong> cannot be fired. If safety <strong>glass</strong> is required the<br />
pa<strong>in</strong>ted <strong>glass</strong> can be liquid lam<strong>in</strong>ated or toughened.<br />
The pa<strong>in</strong>ted <strong>glass</strong> can generally be fired and then toughened or can be fired and toughened<br />
<strong>in</strong> one process. The toughen<strong>in</strong>g process rapidly heats and cools the <strong>glass</strong>, this greatly<br />
strengthens the <strong>glass</strong> and if it does break it will shatter <strong>in</strong>to t<strong>in</strong>y harmless fragments. Most<br />
enamel pa<strong>in</strong>ts can be fired this way but care must be taken not to get pa<strong>in</strong>t on the rollers <strong>in</strong><br />
the toughen<strong>in</strong>g plant. The plant operator needs to be experienced and be prepared to adjust<br />
the fir<strong>in</strong>g cycle to suit the <strong>glass</strong> - pa<strong>in</strong>t comb<strong>in</strong>ation.<br />
Acid Etch<strong>in</strong>g and Sandblast<strong>in</strong>g<br />
Goddard & Gibbs and Derix studios used hydrofluoric acid extensively for etch<strong>in</strong>g and<br />
polish<strong>in</strong>g the surface of <strong>glass</strong>. Other acids and comb<strong>in</strong>ations can be used but hydrofluoric<br />
is the most common.<br />
The acid eats away the surface of the <strong>glass</strong> and the result<strong>in</strong>g f<strong>in</strong>ish is dependant on the<br />
strength and temperature of the acid and the immersion time. Inert resists such as bitumen<br />
can be applied by brush or screen or the acid can be mixed <strong>in</strong>to a paste and brushed onto<br />
the <strong>glass</strong>. These <strong>techniques</strong> allow for control of the acids effect on the <strong>glass</strong>. Flashed antique<br />
<strong>glass</strong> is a 2 or 3 layer <strong>glass</strong>, with a base colour overlaid with th<strong>in</strong> layers of different colour. The<br />
acid can be used to remove the top layers allow<strong>in</strong>g the base colours to show.<br />
This process can give results rang<strong>in</strong>g from dramatic to very subtle and is used by many artists.<br />
Acid can also be used to etch clear <strong>glass</strong>. Hydrofloric acid is highly toxic and can cause severe<br />
burns and the fumes are damag<strong>in</strong>g to the respiratory system.<br />
Derix has a very well set up acid<strong>in</strong>g room with tanks that remove the fumes from the surface<br />
of the liquid. The operators are highly skilled and produce outstand<strong>in</strong>g results. The use of<br />
acid <strong>in</strong> studios is becom<strong>in</strong>g harder due to the safety and environmental regulations and tight<br />
control on availability. Jose Castrillo said that it would not be long before he would only be<br />
able to use commercially produced acid etched <strong>glass</strong>.