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contemporary techniques in architectural glass - International ...

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depends on many factors <strong>in</strong>clud<strong>in</strong>g the type of pa<strong>in</strong>t, colour, surface f<strong>in</strong>ish required and<br />

thickness of the <strong>glass</strong>. Commercial lam<strong>in</strong>ated <strong>glass</strong> cannot be fired. If safety <strong>glass</strong> is required the<br />

pa<strong>in</strong>ted <strong>glass</strong> can be liquid lam<strong>in</strong>ated or toughened.<br />

The pa<strong>in</strong>ted <strong>glass</strong> can generally be fired and then toughened or can be fired and toughened<br />

<strong>in</strong> one process. The toughen<strong>in</strong>g process rapidly heats and cools the <strong>glass</strong>, this greatly<br />

strengthens the <strong>glass</strong> and if it does break it will shatter <strong>in</strong>to t<strong>in</strong>y harmless fragments. Most<br />

enamel pa<strong>in</strong>ts can be fired this way but care must be taken not to get pa<strong>in</strong>t on the rollers <strong>in</strong><br />

the toughen<strong>in</strong>g plant. The plant operator needs to be experienced and be prepared to adjust<br />

the fir<strong>in</strong>g cycle to suit the <strong>glass</strong> - pa<strong>in</strong>t comb<strong>in</strong>ation.<br />

Acid Etch<strong>in</strong>g and Sandblast<strong>in</strong>g<br />

Goddard & Gibbs and Derix studios used hydrofluoric acid extensively for etch<strong>in</strong>g and<br />

polish<strong>in</strong>g the surface of <strong>glass</strong>. Other acids and comb<strong>in</strong>ations can be used but hydrofluoric<br />

is the most common.<br />

The acid eats away the surface of the <strong>glass</strong> and the result<strong>in</strong>g f<strong>in</strong>ish is dependant on the<br />

strength and temperature of the acid and the immersion time. Inert resists such as bitumen<br />

can be applied by brush or screen or the acid can be mixed <strong>in</strong>to a paste and brushed onto<br />

the <strong>glass</strong>. These <strong>techniques</strong> allow for control of the acids effect on the <strong>glass</strong>. Flashed antique<br />

<strong>glass</strong> is a 2 or 3 layer <strong>glass</strong>, with a base colour overlaid with th<strong>in</strong> layers of different colour. The<br />

acid can be used to remove the top layers allow<strong>in</strong>g the base colours to show.<br />

This process can give results rang<strong>in</strong>g from dramatic to very subtle and is used by many artists.<br />

Acid can also be used to etch clear <strong>glass</strong>. Hydrofloric acid is highly toxic and can cause severe<br />

burns and the fumes are damag<strong>in</strong>g to the respiratory system.<br />

Derix has a very well set up acid<strong>in</strong>g room with tanks that remove the fumes from the surface<br />

of the liquid. The operators are highly skilled and produce outstand<strong>in</strong>g results. The use of<br />

acid <strong>in</strong> studios is becom<strong>in</strong>g harder due to the safety and environmental regulations and tight<br />

control on availability. Jose Castrillo said that it would not be long before he would only be<br />

able to use commercially produced acid etched <strong>glass</strong>.

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