06.02.2014 Views

contemporary techniques in architectural glass - International ...

contemporary techniques in architectural glass - International ...

contemporary techniques in architectural glass - International ...

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

Recommendations<br />

49<br />

Lam<strong>in</strong>ation<br />

Jose Castrillo has been successfully lam<strong>in</strong>at<strong>in</strong>g <strong>glass</strong> designs for about twenty years and said<br />

that he has not had any problems. Some of his w<strong>in</strong>dows have stacks of <strong>glass</strong> 40 mm thick<br />

lam<strong>in</strong>ated to the back<strong>in</strong>g <strong>glass</strong>. He tends to use a bright f<strong>in</strong>ish acid etched <strong>glass</strong>, up to 20mm<br />

thick as the base <strong>glass</strong>. Jose said that he has had no problems with the res<strong>in</strong> that he uses,<br />

the weight of some of the pieces that he lam<strong>in</strong>ates would be an extreme test.<br />

The Bayer build<strong>in</strong>g w<strong>in</strong>dows are more than ten years old and look to be <strong>in</strong> good condition.<br />

The thick back<strong>in</strong>g <strong>glass</strong> would help to keep the panels stable and reduce the U.V. rays effect<br />

on the res<strong>in</strong>. The res<strong>in</strong> Jose uses is a commercial three part res<strong>in</strong> similar to those made by<br />

Glasslam and Siglam. These types of res<strong>in</strong> are made for commercial <strong>glass</strong> lam<strong>in</strong>ation and<br />

are therefore strong and relatively affordable. There are also U.V. set res<strong>in</strong>s, however only the<br />

catalyst cure types seem to be used for this type of work. The res<strong>in</strong>s have a strong odour<br />

and the fumes should not be <strong>in</strong>haled. They should be used <strong>in</strong> a properly ventilated room and<br />

appropriate P.P.E. should be worn.<br />

Unfortunately Jose did not have any projects currently under construction so it was not<br />

possible to see first hand how he used the res<strong>in</strong>. From what he said via the <strong>in</strong>terpreter<br />

and from what was observed it seemed that he only props uneven pieces of <strong>glass</strong> prior to<br />

pour<strong>in</strong>g the res<strong>in</strong>. The res<strong>in</strong> under the lam<strong>in</strong>ated pieces was certa<strong>in</strong>ly th<strong>in</strong> but was enough<br />

to hold them securely.<br />

Derix studio uses silicone for lam<strong>in</strong>at<strong>in</strong>g all their work. Whilhelm Derix the owner of the studio<br />

said that they changed to silicone after hav<strong>in</strong>g problems with res<strong>in</strong>. He did not say what brand<br />

of res<strong>in</strong> they had been us<strong>in</strong>g or how it was used. They now use Wacker 612 Sil Gel for major<br />

jobs. There is also a silicone made by Bohle, a German glaz<strong>in</strong>g supply company. Both of<br />

these are two part silicones and are expensive. The Bohle product is sold as a <strong>glass</strong> bond<strong>in</strong>g<br />

silicone where as the Wacker product is primarily used to protect electrical components.<br />

For small lam<strong>in</strong>ation jobs Derix will use a clear silicone <strong>in</strong> a tube. This is spread with a spatula<br />

prior to attach<strong>in</strong>g the top piece of <strong>glass</strong>. The Sil Gel is used where multiple pieces are be<strong>in</strong>g<br />

lam<strong>in</strong>ated. The silicone is mixed then needs to be de-aired <strong>in</strong> a vacuum chamber otherwise<br />

there will be air bubbles <strong>in</strong> the silicone bed. A dam is made with tape around the edge of<br />

the <strong>glass</strong>, the silicone is poured <strong>in</strong> and allowed to level. The top pieces are then set <strong>in</strong>to the<br />

silicone ensur<strong>in</strong>g that they do not touch the back<strong>in</strong>g <strong>glass</strong>. When dry the excess silicone is<br />

removed and visible edges cut back.he only props uneven pieces of <strong>glass</strong> prior to pour<strong>in</strong>g<br />

the res<strong>in</strong>.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!