contemporary techniques in architectural glass - International ...
contemporary techniques in architectural glass - International ...
contemporary techniques in architectural glass - International ...
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4.2 Industry<br />
The Glaz<strong>in</strong>g Industry is becom<strong>in</strong>g more <strong>in</strong>volved with the manufactur<strong>in</strong>g of artistic <strong>architectural</strong><br />
<strong>glass</strong>. As artworks become larger and more structural the designer needs to utilize<br />
glaz<strong>in</strong>g technology such as toughen<strong>in</strong>g and lam<strong>in</strong>at<strong>in</strong>g to meet safety requirements. The<br />
<strong>in</strong>dustry could help to develop standards for <strong>techniques</strong> such as lam<strong>in</strong>ation and double<br />
glazed units. Encouragement could be given to <strong>in</strong>dustry members such as glaz<strong>in</strong>g companies,<br />
designers and eng<strong>in</strong>eers to become aware of what can be done <strong>in</strong> <strong>glass</strong> and how it is<br />
be<strong>in</strong>g used <strong>in</strong> build<strong>in</strong>gs here and overseas. Sponsorship of exhibitions and lecture tours by<br />
<strong>glass</strong> designers would help raise the profile of <strong>architectural</strong> <strong>glass</strong>.<br />
Construction companies need to become aware of the benefits of <strong>in</strong>corporat<strong>in</strong>g <strong>architectural</strong><br />
<strong>glass</strong> <strong>in</strong>to their projects. Glass art can help to provide an identity add character and a human<br />
element to build<strong>in</strong>gs. They need to be to confident that <strong>glass</strong> can be successfully <strong>in</strong>corporated<br />
<strong>in</strong>to their project and set a realistic budget.<br />
4.3 Firms<br />
Most of the <strong>glass</strong> designers <strong>in</strong>terviewed overseas had a close work<strong>in</strong>g relationship with<br />
architects and build<strong>in</strong>g designers. They collaborated successfully to achieve an <strong>in</strong>tegration<br />
of art, design and structure. Architectural and <strong>in</strong>terior design firms need to be aware of new<br />
ideas <strong>in</strong> <strong>glass</strong> design and be prepared to work with <strong>in</strong>dependant <strong>glass</strong> designers on projects.<br />
They need to appreciate the positive impact that <strong>architectural</strong> <strong>glass</strong> will have on the build<strong>in</strong>g.<br />
Develop<strong>in</strong>g relationships with local artisans would be beneficial.<br />
Individual glaz<strong>in</strong>g companies should be encouraged to assist <strong>glass</strong> designers with the<br />
fabrication of their projects. Be<strong>in</strong>g flexible with use of mach<strong>in</strong>ery, provid<strong>in</strong>g technical<br />
help and accommodat<strong>in</strong>g the requirements of artisans would greatly assist fabrication<br />
of <strong>glass</strong> projects. Be<strong>in</strong>g aware of <strong>contemporary</strong> <strong>glass</strong> and local designers would enable<br />
glaz<strong>in</strong>g companies to offer clients the possibility of us<strong>in</strong>g <strong>architectural</strong> <strong>glass</strong>. This would<br />
help to generate more work.<br />
Exist<strong>in</strong>g <strong>glass</strong> studios need to be aware of what is happen<strong>in</strong>g overseas, be prepared to learn<br />
new <strong>techniques</strong> and to encourage and work with artists who are new to <strong>glass</strong>.<br />
4.4 Professional Associations<br />
There are several organizations relevant to the <strong>architectural</strong> <strong>glass</strong> <strong>in</strong>dustry. These range from<br />
craft based through to professional <strong>in</strong>dustry. It is their responsibility to represent and promote<br />
the <strong>in</strong>dustry as a whole as well as assist<strong>in</strong>g <strong>in</strong>dividual members. They give a professional<br />
status to members and provide a network base. They should keep members <strong>in</strong>formed of the<br />
latest trends <strong>in</strong> design and technology. They should organize conferences, workshops and<br />
presentations to <strong>in</strong>crease awareness, develop skills and dissem<strong>in</strong>ate <strong>in</strong>formation.<br />
4.5 Tra<strong>in</strong><strong>in</strong>g Providers<br />
The study tour <strong>in</strong>cluded higher education facilities offer<strong>in</strong>g <strong>glass</strong> studies <strong>in</strong> Barcelona, Spa<strong>in</strong><br />
and Swansea, Wales. Both <strong>in</strong>stitutions offer full time courses <strong>in</strong> <strong>architectural</strong> <strong>glass</strong> as well<br />
as short skills based courses. Swansea College provides tra<strong>in</strong><strong>in</strong>g through to Ph.D. level as<br />
well as provid<strong>in</strong>g development assistance for research projects. Graduates of the college<br />
are highly regarded and many have gone on to successful <strong>in</strong>ternational careers. This type<br />
of tra<strong>in</strong><strong>in</strong>g needs to be developed <strong>in</strong> Australia to produce qualified <strong>glass</strong> designers and<br />
practitioners which would give the <strong>in</strong>dustry legitimacy and accreditation.