Spotlight Otto in english (Vorschau)
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<strong>Spotlight</strong><br />
52014<br />
Deutschland € 6,90|CH sfr 12,40|A·E· I·L·SK: € 7,50<br />
EINFACH ENGLISCH!<br />
Learn vocabulary:<br />
the words you<br />
need and where<br />
to f<strong>in</strong>d them<br />
Go to Glasgow:<br />
it’s a good time<br />
to visit Scotland’s<br />
coolest city<br />
Get your teeth<br />
<strong>in</strong>to this: the<br />
flavour and future<br />
of <strong>in</strong>-vitro meat<br />
OTTO IN<br />
ENGLISH
Sprachen lernen<br />
und erleben.<br />
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EDITORIAL | May 2014<br />
The funny th<strong>in</strong>g<br />
about language<br />
Titelfoto: action press; Fotos Editorial: Hemera, iStock<br />
For many German-speakers, comedian <strong>Otto</strong><br />
Waalkes is the personification of humour. Start<br />
tell<strong>in</strong>g one of his jokes: “Peter, Paul and Mary<br />
are walk<strong>in</strong>g through the prairie…”, for example,<br />
and many Germans will not only complete<br />
Inez Sharp, editor-<strong>in</strong>-chief<br />
the joke, but have at least a dozen others perfectly memorized to tell you. So<br />
when Waalkes agreed to answer an extended version of our column “My Life<br />
<strong>in</strong> English”, we decided, just for once, to give the column some extra space.<br />
F<strong>in</strong>d out all about <strong>Otto</strong> Waalkes’s life <strong>in</strong> English on pages 24–27.<br />
How many words do you need to know to speak English well? And<br />
where do you check to make sure you have understood and used a new word<br />
correctly? We answer these two important questions <strong>in</strong> our language feature.<br />
Beg<strong>in</strong>n<strong>in</strong>g on page 14, language editor Joanna Westcombe looks at core vocabulary<br />
and how modern dictionaries — particularly the onl<strong>in</strong>e versions —<br />
help to make learn<strong>in</strong>g new words fun and effective.<br />
Today, Glasgow is Scotland’s capital of cool, but back <strong>in</strong> the 1970s, it<br />
was a city <strong>in</strong> a slump. It’s ma<strong>in</strong> <strong>in</strong>dustry, shipbuild<strong>in</strong>g, which had provided thousands<br />
of jobs, was dy<strong>in</strong>g, and there seemed to be noth<strong>in</strong>g to replace it. Over<br />
the past few decades, however, the city has been given an imag<strong>in</strong>ative<br />
makeover. Today, museums, parks and cafes — all with a unique flair — welcome<br />
visitors from around the world. <strong>Spotlight</strong> author Toby Sk<strong>in</strong>gsley takes you<br />
on a tour through Scotland’s biggest city, start<strong>in</strong>g on page 30.<br />
i.sharp@spotlight-verlag.de<br />
Glasgow: historical<br />
culture <strong>in</strong> a new light<br />
A creative-writ<strong>in</strong>g class was<br />
asked to write a short essay<br />
conta<strong>in</strong><strong>in</strong>g the follow<strong>in</strong>g elements:<br />
religion, royalty, sex<br />
and mystery. The prize-w<strong>in</strong>n<strong>in</strong>g<br />
essay read: “‘My God!’ said<br />
the queen. ‘I’m pregnant.’”<br />
A creative-writ<strong>in</strong>g class was<br />
asked to write a short essay<br />
conta<strong>in</strong><strong>in</strong>g the follow<strong>in</strong>g elements:<br />
religion, royalty, sex<br />
and mystery. The prize-w<strong>in</strong>n<strong>in</strong>g<br />
essay read: “‘My God!’ said<br />
the queen. ‘I’m pregnant.’”<br />
A creative-writ<strong>in</strong>g class was<br />
asked to write a short essay<br />
conta<strong>in</strong><strong>in</strong>g the follow<strong>in</strong>g elements:<br />
religion, royalty, sex<br />
and mystery. The prize-w<strong>in</strong>n<strong>in</strong>g<br />
essay read: “‘My God!’ said<br />
the queen. ‘I’m pregnant.’”<br />
ENGLISCH LERNEN IST EIN WITZ?<br />
Ja, mit diesem Spiel, <strong>in</strong> dem die Spieler Witze,<br />
Reime, Zungenbrecher und lustige Zitate zum<br />
Besten geben. Und da Spielen ja e<strong>in</strong>e ernste<br />
Angelegenheit ist, versuchen alle sich das<br />
Lachen zu verkneifen, denn das gibt Extrapunkte.<br />
Für 3 – 8 Spieler ab 12 Jahren. Mit 400 Witzen,<br />
Zungenbrechern und Reimen, 252 Kärtchen<br />
mit 504 Vokabeln und 1 Spielanleitung mit<br />
ausführlichem Vokabelteil.<br />
In Zusammenarbeit mit:<br />
<strong>Spotlight</strong> 5|14<br />
JETZT BESTELLEN!<br />
www.sprachenshop.de/spiele<br />
oder im Buch- und Spielwarenhandel<br />
3 19,95 (UVP)<br />
Mehr Informationen auf<br />
www.grubbemedia.de
CONTENTS | May 2014<br />
<strong>Otto</strong> Waalkes <strong>in</strong> English<br />
The comedian who makes you laugh until you cry<br />
can do it <strong>in</strong> English, too. An exclusive <strong>in</strong>terview.<br />
24 30<br />
Go<strong>in</strong>g to Glasgow<br />
Toby Sk<strong>in</strong>gsley takes us to Scotland’s most excit<strong>in</strong>g<br />
city, a “dear green place” where art meets <strong>in</strong>dustry.<br />
6 People<br />
Names and faces from around the world<br />
8 A Day <strong>in</strong> My Life<br />
A firefighter <strong>in</strong> Los Angeles<br />
10 World View<br />
What’s news and what’s hot<br />
13 Brita<strong>in</strong> Today<br />
Col<strong>in</strong> Beaven on <strong>in</strong>come <strong>in</strong>equality<br />
22 Food<br />
Animal-friendly ways of produc<strong>in</strong>g meat<br />
40 History<br />
F<strong>in</strong>d<strong>in</strong>g Anglo-Saxon treasures 75 years ago<br />
42 Press Gallery<br />
A look at the English-language media<br />
44 Arts<br />
Films, apps, books, culture and a short story<br />
66 The Lighter Side<br />
Jokes and cartoons<br />
67 American Life<br />
G<strong>in</strong>ger Kuenzel on small-town politics<br />
28 I Ask Myself<br />
Amy Argets<strong>in</strong>ger on the pass<strong>in</strong>g of a great actor<br />
36 Around Oz<br />
Peter Flynn on fairness for Aborig<strong>in</strong>es<br />
38 Debate<br />
Is pop culture try<strong>in</strong>g too hard to be sexy?<br />
People <strong>in</strong> Norwich, England, have their say<br />
68 Feedback & Impressum<br />
Your letters to <strong>Spotlight</strong> — and our responses<br />
69 Next Month<br />
What’s com<strong>in</strong>g next month <strong>in</strong> <strong>Spotlight</strong><br />
70 Humour Special<br />
A look at the differences <strong>in</strong> humour between<br />
German- and English-speak<strong>in</strong>g cultures<br />
Fotos: action press; Alamy; iStock; T. Sk<strong>in</strong>gsley<br />
THE SPOTLIGHT FAMILY<br />
<strong>Spotlight</strong> plus<br />
Every month, you can explore<br />
and practise the language and<br />
grammar of <strong>Spotlight</strong> with the<br />
exercise booklet plus.<br />
F<strong>in</strong>d out more at:<br />
www.spotlight-onl<strong>in</strong>e.de/plus<br />
<strong>Spotlight</strong> Audio<br />
This monthly 60-m<strong>in</strong>ute CD/download<br />
br<strong>in</strong>gs the world of <strong>Spotlight</strong><br />
to your ears. Enjoy <strong>in</strong>terviews and<br />
travel stories and try the exercises.<br />
F<strong>in</strong>d out more at:<br />
www.spotlight-onl<strong>in</strong>e.de/audio<br />
new cover<br />
4 <strong>Spotlight</strong> 5|14
14<br />
The words you need<br />
Discover where you can f<strong>in</strong>d the words that will serve<br />
you best and how you can build your vocabulary.<br />
37<br />
Easy English<br />
Don’t miss Green Light, the eight-page booklet for<br />
learn<strong>in</strong>g English <strong>in</strong> an easy, fun way.<br />
IN THIS MAGAZINE: 14 LANGUAGE PAGES<br />
50 Vocabulary<br />
The language you need to talk about tea<br />
52 Travel Talk<br />
Travell<strong>in</strong>g by coach<br />
53 Language Cards<br />
Pull out and practise<br />
55 Everyday English<br />
Words and phrases for go<strong>in</strong>g to the dentist<br />
57 The Grammar Page<br />
Us<strong>in</strong>g the future perfect tense<br />
58 Peggy’s Place: The Soap<br />
The latest from a London pub<br />
59 English at Work<br />
Ken Taylor answers your questions<br />
60 Spoken English<br />
Ways to change the topic of a conversation<br />
61 Word Builder<br />
A focus on the words <strong>in</strong> <strong>Spotlight</strong><br />
62 Perfectionists Only!<br />
Nuances of English<br />
63 Crossword<br />
F<strong>in</strong>d the words and w<strong>in</strong> a prize<br />
IMPROVE YOUR ENGLISH WITH SPOTLIGHT PRODUCTS<br />
<strong>Spotlight</strong> Audio: hear texts and <strong>in</strong>terviews on our CD or<br />
download. See www.spotlight-onl<strong>in</strong>e.de/hoeren<br />
OUR LANGUAGE LEVELS<br />
The levels of difficulty <strong>in</strong> <strong>Spotlight</strong> magaz<strong>in</strong>e correspond roughly to<br />
The Common European Framework of Reference for Languages:<br />
A2 B1– B2 C1– C2<br />
To f<strong>in</strong>d your level, visit Sprachtest.de<br />
<strong>Spotlight</strong> plus: 24 pages of language exercises related<br />
to the magaz<strong>in</strong>e. See www.spotlight-onl<strong>in</strong>e.de/ueben<br />
<strong>Spotlight</strong> <strong>in</strong> the classroom: free of charge to teachers who<br />
subscribe to <strong>Spotlight</strong>. See www.spotlight-onl<strong>in</strong>e.de/teachers<br />
Readers’ service: abo@spotlight-verlag.de · www.spotlight-onl<strong>in</strong>e.de<br />
Tel.: +49 (0)89 / 85681-16 · Fax: +49 (0)89 / 85681-159<br />
www.SprachenShop.de: order products<br />
from our onl<strong>in</strong>e shop (see page 48).<br />
<strong>Spotlight</strong><br />
<strong>in</strong> the classroom<br />
Teachers: if you use <strong>Spotlight</strong> <strong>in</strong><br />
your lessons, this six-page supplement<br />
will provide great ideas for<br />
classroom activities based on the<br />
magaz<strong>in</strong>e. Free for all teachers<br />
who subscribe to <strong>Spotlight</strong>.<br />
www.spotlight-onl<strong>in</strong>e.de<br />
<strong>Spotlight</strong> Onl<strong>in</strong>e will help you to improve<br />
your English every day. Try our language<br />
exercises or read about current events<br />
and fasc<strong>in</strong>at<strong>in</strong>g places to visit. Subscribers<br />
will also f<strong>in</strong>d a list of all the glossed vocabulary<br />
from each issue of the magaz<strong>in</strong>e.<br />
5|14 <strong>Spotlight</strong><br />
5
PEOPLE | Names and Faces<br />
The actress<br />
Who exactly is…<br />
Leah Rem<strong>in</strong>i?<br />
For years, Leah Rem<strong>in</strong>i has been<br />
best known for her role as the<br />
outspoken Carrie Heffernan,<br />
play<strong>in</strong>g opposite Kev<strong>in</strong><br />
James on the TV show<br />
The K<strong>in</strong>g of Queens.<br />
Last summer, however,<br />
people started<br />
talk<strong>in</strong>g about her<br />
for a different reason:<br />
she had very<br />
publicly left the<br />
Church of Scientology,<br />
after<br />
be<strong>in</strong>g a member<br />
for more<br />
than 30 years.<br />
In a recent<br />
<strong>in</strong>terview with<br />
the social news<br />
website Buzz-<br />
Feed, Rem<strong>in</strong>i<br />
expla<strong>in</strong>ed that<br />
she had grown<br />
up <strong>in</strong> Scientology,<br />
even liv<strong>in</strong>g<br />
<strong>in</strong> one of the<br />
compounds of<br />
the church as a<br />
child. When<br />
she was 13,<br />
her mother<br />
moved the<br />
family out of the compound and <strong>in</strong>to<br />
Hollywood, but they rema<strong>in</strong>ed active<br />
<strong>in</strong> the church.<br />
Rem<strong>in</strong>i began act<strong>in</strong>g as a teenager<br />
and got her big break — the role of<br />
Carrie Heffernan — <strong>in</strong> 1998, when<br />
she was 28 years old. The show was a<br />
huge success: it ran for eight years<br />
and often had more than ten million<br />
viewers.<br />
In 2003, Rem<strong>in</strong>i married Angelo<br />
Pagán, an actor and producer. One<br />
year later, they had a daughter, Sofia.<br />
Rem<strong>in</strong>i told BuzzFeed that her<br />
daughter was her biggest motivation<br />
<strong>in</strong> leav<strong>in</strong>g Scientology last year: “She<br />
was gett<strong>in</strong>g to the age where the acclimation<br />
to the church would have<br />
to start.” And the actress had become<br />
disillusioned with the church: “They<br />
say they’re lov<strong>in</strong>g, car<strong>in</strong>g, nonjudgemental<br />
people, but secretly, they<br />
were judg<strong>in</strong>g the world for not believ<strong>in</strong>g<br />
what they believed.”<br />
Leav<strong>in</strong>g the church meant leav<strong>in</strong>g<br />
beh<strong>in</strong>d many old friends, but Rem<strong>in</strong>i’s<br />
family seems to be support<strong>in</strong>g<br />
her through the process.<br />
So what’s next? The actress has a<br />
role <strong>in</strong> the comedy series The Exes,<br />
about a group of divorced friends, and<br />
she is writ<strong>in</strong>g her memoirs — which<br />
are sure to be an <strong>in</strong>terest<strong>in</strong>g read.<br />
acclimation [)ÄklI(meIS&n] N. Am.<br />
Anpassung<br />
affection [E(fekS&n]<br />
Zuneigung<br />
appeal<strong>in</strong>g [E(pi:&lIN]<br />
ansprechend, reizvoll<br />
break [breIk]<br />
hier: Durchbruch<br />
compound [(kQmpaUnd]<br />
Gelände, Niederlassung<br />
factual [(fÄktSuEl]<br />
Realityhero<strong>in</strong>e<br />
[(herEUIn]<br />
Held<strong>in</strong><br />
horse-drawn carriage [)hO:s drO:n (kÄrIdZ] Pferdekutsche<br />
irreverence [I(rev&rEns]<br />
Respektlosigkeit, Sarkasmus<br />
mayor [meE]<br />
Bürgermeister(<strong>in</strong>)<br />
non-judgemental [)nQn dZVdZ(ment&l] unvore<strong>in</strong>genommen<br />
pissed off [pIst (Qf] N. Am. vulg.<br />
sauer, angepisst<br />
replica [(replIkE]<br />
Nachbildung<br />
rub [rVb] reiben (➝ p. 61)<br />
season [(si:z&n]<br />
hier: Staffel<br />
In the news<br />
When Jeremy Clarkson’s show<br />
about cars started its new season early<br />
this year, more than five million people<br />
<strong>in</strong> Brita<strong>in</strong> were watch<strong>in</strong>g. The Gu<strong>in</strong>ness<br />
Book of World Records says Top<br />
Gear is the most widely viewed factual<br />
TV show <strong>in</strong> the world — it runs <strong>in</strong> 214<br />
countries and territories. Last year, the<br />
BBC reported that<br />
the show has a<br />
large follow<strong>in</strong>g <strong>in</strong><br />
Iran, say<strong>in</strong>g that<br />
Clarkson’s irreverence<br />
and “colourful”<br />
style make an<br />
appeal<strong>in</strong>g contrast<br />
to other Iranian TV<br />
shows.<br />
Shakespeare’s fictional character<br />
Juliet is real to many people. In<br />
Verona, a statue of the hero<strong>in</strong>e stands<br />
<strong>in</strong> the courtyard of what is known as<br />
“Juliet’s house”. The Telegraph reports<br />
that almost 250,000 tourists visit the<br />
house each year, and many of them<br />
rub the statue’s right breast,<br />
hop<strong>in</strong>g for luck <strong>in</strong> love.<br />
With so many people<br />
giv<strong>in</strong>g it their affection,<br />
however, the statue is<br />
show<strong>in</strong>g signs of damage.<br />
So the city has moved<br />
it to a museum — but<br />
promises to put a<br />
replica <strong>in</strong> its place.<br />
In his latest action film, Non-Stop,<br />
Liam Neeson fights bad guys on<br />
board an aeroplane. In real life, Neeson<br />
recently fought aga<strong>in</strong>st someone<br />
closer to home: Bill de Blasio, the<br />
mayor of New York City. De Blasio<br />
wanted to stop horse-drawn carriages<br />
from runn<strong>in</strong>g <strong>in</strong> the city. On The Daily<br />
Show, Neeson said he was “a little bit<br />
pissed off” about this. The actor, who<br />
lives <strong>in</strong> New York, knows several carriage<br />
drivers. “These guys treat their<br />
horses like their children,” he said.<br />
6<br />
<strong>Spotlight</strong> 5|14
Out of the ord<strong>in</strong>ary<br />
When he was given a school project<br />
about outer space, four-year-old<br />
Lucas Whiteley from West Yorkshire<br />
decided to ask for help from the<br />
experts. So he and his father sent<br />
three questions about stars, the moon<br />
and space travel to NASA. As the Daily<br />
Mail reports, a research eng<strong>in</strong>eer<br />
named Ted Garbeff surprised Lucas by Lucas: space magic<br />
respond<strong>in</strong>g with a ten-m<strong>in</strong>ute video. “It’s really a lot of fun be<strong>in</strong>g<br />
an eng<strong>in</strong>eer,” Garbeff said <strong>in</strong> the video, after answer<strong>in</strong>g Lucas’s<br />
questions. “You get to play with great toys all day, and most importantly,<br />
you get to learn about the world.”<br />
Orig<strong>in</strong>ally from New Zealand, Natalie Sisson has had no home<br />
for the past four years by choice. The New Zealand Herald expla<strong>in</strong>s<br />
that Sisson works onl<strong>in</strong>e — blogg<strong>in</strong>g, market<strong>in</strong>g digital products and<br />
provid<strong>in</strong>g coach<strong>in</strong>g through Skype — and that she has no permanent<br />
address. Last year, Sisson spent time <strong>in</strong> 15 different countries.<br />
“People th<strong>in</strong>k that I’m either crazy, a little bit strange, or they th<strong>in</strong>k<br />
it sounds fantastic,” she said. Her blog and book, both called The<br />
Suitcase Entrepreneur, aim to help other people enjoy a similar<br />
lifestyle as a “digital nomad”.<br />
The newcomer<br />
• Name: Andrew Mupuya<br />
• Age: 21<br />
• From: Uganda<br />
• Occupation: bus<strong>in</strong>essman<br />
• What he’s done: He started mak<strong>in</strong>g<br />
and sell<strong>in</strong>g paper bags while still at<br />
school. Today, he owns a company<br />
that employs 16 people and produces<br />
20,000 paper bags a week.<br />
• Why it matters: Old plastic<br />
bags are an environmental problem<br />
<strong>in</strong> Uganda. They block dra<strong>in</strong>age<br />
systems and collect along the road.<br />
• What he’s go<strong>in</strong>g to do: Mupuya<br />
now wants to expand his bus<strong>in</strong>ess and<br />
supply environmentally friendly paper<br />
bags across Africa. “My vision is to<br />
have a cleaner Africa by eradicat<strong>in</strong>g<br />
use of plastic bags and [putt<strong>in</strong>g more]<br />
emphasis on paper recycl<strong>in</strong>g,” he<br />
told the BBC.<br />
Fotos: action press; Dana Press; laif; Getty Images; PR<br />
freiwillig<br />
Beratung<br />
entschlossen<br />
hier: Turmspr<strong>in</strong>ger(<strong>in</strong>)<br />
Abwasser-<br />
(gänzlich) abschaffen<br />
Ehrlichkeit<br />
Weltraum<br />
Fe<strong>in</strong>heit<br />
Machover: sound of the city<br />
by choice [baI (tSOIs]<br />
coach<strong>in</strong>g [(kEUtSIN]<br />
determ<strong>in</strong>ed [di(t§:mInd]<br />
diver [(daIvE]<br />
dra<strong>in</strong>age [(dreInIdZ]<br />
eradicate [I(rÄdIkeIt]<br />
honesty [(QnEsti]<br />
outer space [)aUtE (speIs]<br />
subtlety [(sVt<i]<br />
What does a city sound like?<br />
American Tod Machover<br />
is good at f<strong>in</strong>d<strong>in</strong>g out. He has<br />
composed symphonies for<br />
Toronto, Ed<strong>in</strong>burgh and, most<br />
recently, Perth. Machover creates<br />
the music by ask<strong>in</strong>g people<br />
to send him record<strong>in</strong>gs<br />
that they feel represent their<br />
city. Thousands of West Australians<br />
helped with the piece<br />
Between the Desert and the<br />
Deep Blue Sea: A Symphony<br />
for Perth. “I th<strong>in</strong>k that the ability<br />
to listen to the world, to<br />
hear the beauty, complexity<br />
and subtlety of what is already<br />
around us, will make each of<br />
our lives richer,” Machover<br />
told The Australian.<br />
Texts by RITA FORBES<br />
Happy birthday!<br />
One of Brita<strong>in</strong>’s star athletes is grow<strong>in</strong>g up. On 21 May,<br />
the diver Tom Daley will celebrate his 20th birthday.<br />
Daley became world famous when he competed <strong>in</strong><br />
the 2008 Beij<strong>in</strong>g Olympics. Just 14 years old, he was the<br />
youngest British Olympic athlete at the games. Four<br />
years later, <strong>in</strong> the London Olympics, he won a bronze<br />
medal.<br />
Daley recently began work<strong>in</strong>g with a new coach <strong>in</strong><br />
preparation for the Commonwealth Games <strong>in</strong> Glasgow<br />
this August, and he is determ<strong>in</strong>ed to w<strong>in</strong><br />
gold at the 2016 Olympics <strong>in</strong> Rio. “I’ve got a gold<br />
medal <strong>in</strong> every other major event except for<br />
that one,” he told The Guardian. “That’s the one<br />
I need to get.”<br />
In 2012, Daley wrote an autobiography called<br />
My Life. Last December, he opened up about<br />
his personal life <strong>in</strong> a new way by putt<strong>in</strong>g<br />
a video on YouTube. In the video, he<br />
talked about difficulties <strong>in</strong> his personal<br />
life, <strong>in</strong>clud<strong>in</strong>g his father’s death from<br />
cancer. Then he told his fans that he<br />
was <strong>in</strong> a relationship that made him<br />
very happy — with a man. “Honesty<br />
is someth<strong>in</strong>g that I really do<br />
believe <strong>in</strong>,” he said. “My friends<br />
and family are always there<br />
to support me. And I hope<br />
you guys will be, too.”
A DAY IN MY LIFE | United States<br />
Keep<strong>in</strong>g<br />
Los Angeles safe<br />
Vom Putzen der Station bis zum Leben retten – für e<strong>in</strong>en Feuerwehrmann gibt es immer etwas<br />
zu tun. TALITHA LINEHAN berichtet.<br />
Just<strong>in</strong> Furtado<br />
at the<br />
firehouse<br />
My name is Just<strong>in</strong><br />
Furtado, and I’m<br />
34 years old. I’m<br />
a firefighter / paramedic with<br />
the South Pasadena Fire Department,<br />
which covers an<br />
area of about three and a half<br />
square miles — roughly n<strong>in</strong>e<br />
square kilometers. We also<br />
work with firefighters from<br />
12 other cities <strong>in</strong> Los Angeles<br />
and on major disasters such<br />
as forest fires and earthquakes<br />
<strong>in</strong> the state of California.<br />
A typical shift lasts 48<br />
hours, and there are usually<br />
seven guys on a shift — five<br />
firefighters, a capta<strong>in</strong>, and a<br />
battalion chief. When we’re<br />
on a shift, we eat and sleep at<br />
the station. We get up at<br />
7 a.m., dr<strong>in</strong>k coffee, and<br />
watch the morn<strong>in</strong>g news. At<br />
7:30, we have a morn<strong>in</strong>g meet<strong>in</strong>g. That’s when the capta<strong>in</strong><br />
lets us know the plan for the day. We always have a daily<br />
schedule, although that gets <strong>in</strong>terrupted whenever a call<br />
comes <strong>in</strong>.<br />
After the meet<strong>in</strong>g, we take the time to clean the station.<br />
Each of us is given a certa<strong>in</strong> task. For example, my task is<br />
to clean the bathroom. Another person takes care of the<br />
floors, so he will do the mopp<strong>in</strong>g and vacuum<strong>in</strong>g. Then<br />
we check our equipment to make sure it’s ready for the<br />
day. If there’s time, some of us will work out for an hour<br />
before breakfast, which is always at 9:30. We all chip <strong>in</strong><br />
for food, to make sure that we have a well-stocked kitchen.<br />
Usually, we cook up someth<strong>in</strong>g like eggs or oatmeal.<br />
capta<strong>in</strong> [(kÄptEn]<br />
fire department<br />
[(faI&r di)pA:rtmEnt] N. Am.<br />
firefighter [(faI&rfaIt&r]<br />
mop [mA:p]<br />
oatmeal [(oUtmi:&l]<br />
paramedic [)pÄrE(medIk]<br />
vacuum [(vÄkjuEm]<br />
well-stocked [)wel (stA:kt]<br />
work out [w§:k (aUt]<br />
Ready to respond:<br />
firefighters work<br />
hard to save lives<br />
hier: Hauptmann, -frau<br />
Feuerwehr<br />
Feuerwehrmann, -frau<br />
feucht wischen<br />
Haferbrei<br />
Rettungssanitäter(<strong>in</strong>)<br />
staubsaugen<br />
gut bestückt.<br />
tra<strong>in</strong>ieren
Fotos: J. Simpson; Corbis; F1 Onl<strong>in</strong>e; Th<strong>in</strong>kstock<br />
At 10, we start our workday. We might be go<strong>in</strong>g out<br />
to schools to do fire drills, visit<strong>in</strong>g bus<strong>in</strong>esses to check<br />
that they’re operat<strong>in</strong>g safely, or <strong>in</strong>spect<strong>in</strong>g fire hydrants.<br />
And we’re always do<strong>in</strong>g tra<strong>in</strong><strong>in</strong>g. Today, we had a class<br />
on forcible entry. We learned how to open doors with<br />
our tools while creat<strong>in</strong>g m<strong>in</strong>imal damage. At noon, we<br />
have lunch, and some of the guys take a nap afterwards.<br />
Then we return to the scheduled rout<strong>in</strong>e between 1 and<br />
4 p.m.<br />
When a call comes <strong>in</strong>, we drop everyth<strong>in</strong>g. We get an<br />
average of five to six calls a day. Our most common call is<br />
a medical emergency. We also get a lot of accidents, because<br />
the 110 freeway is nearby. Our goal is to be out the<br />
door <strong>in</strong> 60 seconds. The first th<strong>in</strong>g we do is check the map<br />
so we know what route we’re tak<strong>in</strong>g. If it’s a fire or an accident,<br />
we put on full protective gear.<br />
When we get to the scene, we look at the situation and<br />
then prioritize. So we might be focus<strong>in</strong>g on patient care,<br />
or putt<strong>in</strong>g out a fire, or break<strong>in</strong>g down a door. We do<br />
whatever needs to be done, but sav<strong>in</strong>g lives always comes<br />
first. We see all k<strong>in</strong>ds of trauma on the job — people gett<strong>in</strong>g<br />
hit by cars, fall<strong>in</strong>g off roofs, drown<strong>in</strong>g <strong>in</strong> pools. When<br />
I’m work<strong>in</strong>g, I’m desensitized to it because I’m focused on<br />
what I can do to help.<br />
When we arrive back at the station, we get our equipment<br />
ready for the next call and then return to the schedule.<br />
D<strong>in</strong>ner is at 5, and the cook<strong>in</strong>g responsibility is passed<br />
from person to person. A lot of us enjoy cook<strong>in</strong>g, so we<br />
eat very well here. After d<strong>in</strong>ner, we play cards to decide<br />
who does the dishes. Then some of us work out aga<strong>in</strong>, or<br />
read, or watch TV. I’m prepar<strong>in</strong>g for the eng<strong>in</strong>eer’s exam,<br />
so I study for that.<br />
At 10, guys start gett<strong>in</strong>g ready for bed. Calls come <strong>in</strong><br />
dur<strong>in</strong>g the night, so our sleep is often <strong>in</strong>terrupted. Sometimes,<br />
we’re up three to four times a night. When that happens,<br />
the next day is rough, but you get used to it. My<br />
passion is firefight<strong>in</strong>g, and it’s all part of the job.<br />
alert [E(l§:t]<br />
desensitize [di:(sensEtaIz]<br />
do the dishes [)dU DE (dISIz]<br />
drop [drA:p]<br />
drown [draUn]<br />
fire drill [(faI&r drIl]<br />
forcible entry [)fO:rsEb&l (entri]<br />
freeway [(fri:weI] N. Am.<br />
prioritize [praI(O:rItaIz]<br />
protective gear [prE(tektIv gI&r]<br />
Answers: chip <strong>in</strong>: a) chip <strong>in</strong>; b) chipp<strong>in</strong>g <strong>in</strong>; c) chipped <strong>in</strong><br />
roof: a) hit the roof; b) gone through the roof<br />
wach, ausgeschlafen<br />
desensibilisieren<br />
abspülen<br />
hier: alles stehen- und<br />
liegenlassen (➝ p. 61)<br />
ertr<strong>in</strong>ken<br />
Feuerwehrübung<br />
gewaltsamer Zutritt<br />
(gebührenfreie) Autobahn,<br />
auch: Schnellstraße<br />
Prioritäten setzen<br />
Schutzausrüstung,<br />
Schutzkleidung<br />
INFO TO GO<br />
chip <strong>in</strong><br />
In the text, Just<strong>in</strong> Furtado says, “We all chip <strong>in</strong> for food.”<br />
The expression “chip <strong>in</strong>” means “to contribute.” In this<br />
case, Furtado is say<strong>in</strong>g that he and his colleagues all<br />
give some money towards the cost of breakfast and<br />
other meals <strong>in</strong> the kitchen. S<strong>in</strong>ce the firefighters always<br />
eat together, “chipp<strong>in</strong>g <strong>in</strong>” is a fair way of shar<strong>in</strong>g the<br />
shopp<strong>in</strong>g costs.<br />
Try us<strong>in</strong>g “chip <strong>in</strong>” <strong>in</strong> the follow<strong>in</strong>g sentences.<br />
a) Tom still needs to __________ for T<strong>in</strong>a’s birthday gift.<br />
b) We have a rout<strong>in</strong>e of __________ for ice cream at the<br />
office <strong>in</strong> summer.<br />
c) On my niece’s last birthday, I __________ for a new<br />
bike for her.<br />
take a nap<br />
In English, a “nap” is a short sleep that you have or<br />
“take” dur<strong>in</strong>g the day. Napp<strong>in</strong>g is normally considered<br />
a good th<strong>in</strong>g — except, perhaps, if you are caught<br />
“napp<strong>in</strong>g on the job.” If this has happened, it means<br />
you should have reacted to someth<strong>in</strong>g that required<br />
your attention, but <strong>in</strong>stead, you overlooked it — as if<br />
you’d been asleep. As described <strong>in</strong> the text, the firefighters<br />
take a nap after lunch, as part of their schedule,<br />
to make sure that they are alert afterwards and can<br />
respond effectively to emergencies. In their case, it’s<br />
OK to be caught napp<strong>in</strong>g on the job.<br />
roof<br />
Everyone knows the word “roof”: it means the top cover<strong>in</strong>g<br />
of a build<strong>in</strong>g. What’s fun about the word is how it<br />
is used <strong>in</strong> various idiomatic expressions. For example,<br />
when the price of someth<strong>in</strong>g, such as fuel, rises very<br />
quickly, people say: “The price has gone through the<br />
roof.” If you saw someone suddenly become very<br />
angry about someth<strong>in</strong>g, you can say that he or she “hit<br />
the roof”: “When she heard about the changes at the<br />
office, she hit the roof.” Complete the follow<strong>in</strong>g sentences,<br />
us<strong>in</strong>g the correct expression with “roof.”<br />
a) If you forget to buy milk aga<strong>in</strong>, Mom is go<strong>in</strong>g to<br />
_______________.<br />
b) Have you seen what coffee costs now? The price<br />
has _______________.<br />
5|14 <strong>Spotlight</strong><br />
9
WORLD VIEW | News <strong>in</strong> Brief<br />
History <strong>in</strong> motion:<br />
a v<strong>in</strong>tage aeroplane<br />
at Duxford’s show<br />
It’s a good month...<br />
for an air show<br />
BRITAIN Duxford is an excit<strong>in</strong>g dest<strong>in</strong>ation<br />
for both aeroplane fans and history buffs this month. On<br />
24 and 25 May, an air show will take place <strong>in</strong> this small<br />
English village close to Cambridge to commemorate the<br />
70th anniversary of the <strong>in</strong>vasion of Normandy.<br />
The aircraft to be seen <strong>in</strong> the skies <strong>in</strong>clude fighter,<br />
bomber and transport planes, and the event will be held<br />
at the Imperial War Museum Duxford, which is worth a<br />
visit at any time of the year. Located on an airfield used <strong>in</strong><br />
both world wars, the museum has more than 200 aircraft.<br />
This year, a number of special events and exhibits give<br />
visitors the chance to learn about the Normandy land<strong>in</strong>gs<br />
<strong>in</strong> the Second World War. About 13,000 British, US and<br />
Canadian troops parachuted beh<strong>in</strong>d enemy l<strong>in</strong>es as part<br />
of the <strong>in</strong>vasion on 6 June 1944, with 4,000 more storm<strong>in</strong>g<br />
the French coast <strong>in</strong> gliders.<br />
Tickets for the D-Day Anniversary Air Show cost<br />
£25.50 for adults and £18.15 for children. Admission to<br />
the museum is <strong>in</strong>cluded. For further <strong>in</strong>formation, see<br />
www.iwm.org.uk/exhibitions/iwm-duxford/air-shows<br />
airfield [(eEfi:&ld]<br />
air show [(eE SEU]<br />
Amur falcon [E(mUE )fO:lkEn]<br />
breed<strong>in</strong>g pair [(bri:dIN peE]<br />
buff [bVf] ifml.<br />
chief m<strong>in</strong>ister [)tSi:f (mInIstE]<br />
commemorate [kE(memEreIt]<br />
Flugplatz<br />
Flugschau<br />
Amurfalke<br />
Brutpaar<br />
hier: Fan<br />
M<strong>in</strong>isterpräsident(<strong>in</strong>)<br />
etw. gedenken<br />
On a w<strong>in</strong>g and a prayer<br />
INDIA May is the month of love for Amur falcons.<br />
Breed<strong>in</strong>g pairs produce up to four eggs between now and late<br />
June, then raise their young and leave Siberia to fly to <strong>in</strong>sect-rich<br />
Africa. The 20,000-kilometre journey is not an easy one: it <strong>in</strong>cludes<br />
a stop <strong>in</strong> Nagaland, where roasted falcon is a speciality.<br />
In this state <strong>in</strong> north-east India, some 150,000 of the birds have<br />
typically died <strong>in</strong> mass trapp<strong>in</strong>gs each year. The Guardian says the<br />
problem may now have been solved: last year, <strong>in</strong> a surprise proconservation<br />
decision, Nagaland <strong>in</strong>troduced a no-hunt<strong>in</strong>g policy,<br />
with f<strong>in</strong>es imposed on anyone caught kill<strong>in</strong>g the birds. Several villages<br />
jo<strong>in</strong>ed <strong>in</strong> the effort, concerned they might otherwise lose state<br />
f<strong>in</strong>ancial support — a threat made by Nagaland’s chief m<strong>in</strong>ister after<br />
D-Day [(di: deI]<br />
f<strong>in</strong>e [faIn]<br />
glider [(glaIdE]<br />
parachute [(pÄrESu:t]<br />
pro-conservation<br />
[prEU )kQnsE(veIS&n]<br />
trapp<strong>in</strong>g [(trÄpIN]<br />
Tag der alliierten Landung <strong>in</strong> der Normandie<br />
Geldstrafe<br />
Segelflugzeug<br />
mit dem Fallschirm abspr<strong>in</strong>gen<br />
für den Natur-, Tierschutz<br />
Falle<br />
media reports of bird massacres. “It is<br />
our duty to protect these wonderful<br />
birds while they are pass<strong>in</strong>g through<br />
Nagaland,” Neiphiu Rio told the press.<br />
The result has been good: several<br />
wildlife organizations reported no Falco<br />
amurensis kill<strong>in</strong>gs <strong>in</strong> 2013. As a result, says<br />
The Telegraph of Calcutta, Nagaland has<br />
been nom<strong>in</strong>ated for the India Biodiversity<br />
Awards. W<strong>in</strong>ners will be announced on 22 May.<br />
For the Amur falcon, migration<br />
is now less dangerous<br />
Fotos: Alamy; PR<br />
10 <strong>Spotlight</strong> 5|14
Quiet, please<br />
UNITED STATES For many people, a good<br />
meal isn’t complete without stimulat<strong>in</strong>g conversation. But for<br />
those who would like to focus on their food, a restaurant <strong>in</strong> New<br />
York City has an <strong>in</strong>terest<strong>in</strong>g idea. At Eat, <strong>in</strong> the popular Brooklyn<br />
neighborhood of Greenpo<strong>in</strong>t, you can enjoy your d<strong>in</strong><strong>in</strong>g experience<br />
<strong>in</strong> complete silence.<br />
Chef Nicholas Nauman borrowed the idea from Buddhist<br />
monks <strong>in</strong> India. Dur<strong>in</strong>g a visit to the city of Bodh Gaya, he saw<br />
them eat<strong>in</strong>g breakfast without say<strong>in</strong>g a word. He thought New<br />
Yorkers might benefit from a similar experience, especially s<strong>in</strong>ce<br />
restaurants <strong>in</strong> the city are often very loud. What’s more, a quiet<br />
atmosphere places the focus on the cook<strong>in</strong>g. “It’s just an opportunity<br />
to enjoy food <strong>in</strong> a way that you might not have otherwise,”<br />
Nauman told The New York Daily News. “There’s such a<br />
strong energy <strong>in</strong> the room.”<br />
Interested? The silent d<strong>in</strong>ners take place on the first Sunday<br />
of each month. The menu is fixed <strong>in</strong> advance, so you don’t have<br />
to worry about try<strong>in</strong>g to order the meal without speak<strong>in</strong>g. For<br />
more <strong>in</strong>formation, see http://eatgreenpo<strong>in</strong>t.com<br />
The beauty of silence: Buddhist monks show the way<br />
d<strong>in</strong>e [daIn]<br />
eager: be ~ to do sth. [US (i:g&r]<br />
hearken back to sth. [US )hA:rkEn (bÄk tE]<br />
mount [maUnt]<br />
speisen, essen<br />
auf etw. erpicht se<strong>in</strong>,<br />
etw. tun wollen<br />
auf etw. zurückgehen<br />
Reittier<br />
neighborhood [US (neIb&rhUd]<br />
ornery [US O:rnEri] N. Am. ifml.<br />
stimulat<strong>in</strong>g [US (stImjEleItIN]<br />
wide-open spaces<br />
[US )waId )oUpEn (speIsIz]<br />
Gegend, Viertel<br />
störrisch<br />
anregend<br />
weites flaches Land,<br />
riesige Weiten<br />
See<strong>in</strong>g Texas <strong>in</strong> style<br />
UNITED STATES “Ships of the desert”<br />
are back <strong>in</strong> service. Camels are be<strong>in</strong>g used to take visitors<br />
on tours of the wide-open spaces of Texas, a mode of<br />
transportation that hearkens back to the days of the<br />
Wild West.<br />
Guide Jason Mayfield says the threeday<br />
treks offered by the Texas Camel<br />
Corps are ga<strong>in</strong><strong>in</strong>g <strong>in</strong> popularity, thanks,<br />
<strong>in</strong> part, to the mounts’ lovely personalities.<br />
When asked how that could be —<br />
the animals are known for be<strong>in</strong>g rather<br />
ornery — he offered a sh<strong>in</strong><strong>in</strong>g example:<br />
Butter.<br />
“There’s nobody that I would rather<br />
go hik<strong>in</strong>g or camp<strong>in</strong>g with,” Mayfield<br />
told National Public Radio of the camel<br />
he had raised from a newborn. “Butter<br />
never compla<strong>in</strong>s, is always eager to go,<br />
is always happy to see new places, new<br />
faces — and that’s what makes it excit<strong>in</strong>g<br />
for me.”<br />
These are not the first camels to<br />
work <strong>in</strong> the Big Bend region, which is<br />
on the Mexican border. Ancient camels lived <strong>in</strong> this part<br />
of West Texas 10,000 years ago. In the 1850s, the orig<strong>in</strong>al<br />
US Camel Corps moved supplies to soldiers <strong>in</strong> the<br />
area. Those camels lost their jobs when the railroad took<br />
over around the end of the 19th century.<br />
Comeback for camels:<br />
tak<strong>in</strong>g tourists<br />
to see the sights<br />
5|14 <strong>Spotlight</strong><br />
11
WORLD VIEW | News <strong>in</strong> Brief<br />
Why we stop work<strong>in</strong>g<br />
AUSTRALIA John Gray’s bestsell<strong>in</strong>g book about relationships<br />
taught us that men are from Mars and women are from Venus.<br />
Now, a researcher <strong>in</strong> Melbourne has uncovered yet another difference<br />
between the sexes.<br />
Diana Warren conducted an eight-year study of retirement trends<br />
and found that men and women have different reasons for decid<strong>in</strong>g<br />
when to retire. Men typically base this decision on their f<strong>in</strong>ancial<br />
well-be<strong>in</strong>g and their health. Poor health makes a man three times more<br />
likely to retire. Women usually retire to take care of loved ones, or because<br />
they want to spend<br />
When should we retire?<br />
The decision varies a lot<br />
BRITAIN Wild<br />
w<strong>in</strong>ds, heavy ra<strong>in</strong>s, tower<strong>in</strong>g<br />
waves, dramatic floods: Brita<strong>in</strong><br />
has experienced a lot of extreme<br />
weather recently. For example,<br />
last December may have<br />
been the stormiest December<br />
for more than 40 years — and<br />
the country’s storm chasers<br />
couldn’t be happier.<br />
There are about 300 storm<br />
chasers <strong>in</strong> Brita<strong>in</strong>. Paul Knightaddicted<br />
to sth.: be ~ [E(dIktId tE]<br />
anchor [(ÄNkE]<br />
batfish [(bÄtfIS]<br />
chaser [(tSeIsE]<br />
conduct [kEn(dVkt]<br />
footage [(fUtIdZ]<br />
octopus [(QktEpEs]<br />
off you go [(Qf ju )gEU]<br />
poor health [pO: (helT]<br />
predator [(predEtE]<br />
reef dweller [(ri:f )dwelE]<br />
thunderstorm [(TVndEstO:m]<br />
tower<strong>in</strong>g [(taUErIN]<br />
well-be<strong>in</strong>g [)wel (bi:IN]<br />
Waves<br />
hit southern<br />
England<br />
more time with their families.<br />
Among unmarried<br />
women, Warren learned,<br />
f<strong>in</strong>ances are the most important<br />
factor.<br />
More Australians are<br />
retir<strong>in</strong>g at a later age, accord<strong>in</strong>g<br />
to The Sydney<br />
Morn<strong>in</strong>g Herald. About a<br />
fifth of couples now plan<br />
to cont<strong>in</strong>ue work<strong>in</strong>g until<br />
at least the age of 70.<br />
nach etw. süchtig se<strong>in</strong><br />
verankern<br />
Fledermausfisch<br />
Jäger(<strong>in</strong>)<br />
durchführen, leiten<br />
Filmmaterial<br />
T<strong>in</strong>tenfisch<br />
los geht’s<br />
schlechter Gesundheitszustand<br />
Raubfisch<br />
Riffbewohner<br />
Gewitter<br />
gewaltig, turmhoch<br />
Wohlergehen<br />
Stormy weather<br />
WHAT’S HOT<br />
The room<br />
aquatic<br />
TANZANIA When an<br />
elegant hotel adds an extra room,<br />
it’s hardly the stuff of big <strong>in</strong>ternational<br />
headl<strong>in</strong>es — except when that<br />
space is located four metres below<br />
the waters of the Indian Ocean.<br />
One attraction of the “underwater<br />
room” at Manta Resort on Pemba<br />
Island is its isolation — a sure th<strong>in</strong>g<br />
anchored 250 metres away from the<br />
east coast of Africa. Its big glass w<strong>in</strong>dows<br />
are another attraction: when<br />
the sun goes down over the Zanzibar<br />
Archipelago, underwater spots<br />
light up, giv<strong>in</strong>g guests the opportunity<br />
to see octopus and other reef<br />
dwellers, such as the clever batfish,<br />
which a reporter from The Telegraph<br />
observed us<strong>in</strong>g the room’s walls to<br />
hide from predators.<br />
Just above the underwater bedroom,<br />
at sea level, is a stylish lounge<br />
that guests can use for read<strong>in</strong>g and<br />
relax<strong>in</strong>g. Another level up is a<br />
wooden terrace for watch<strong>in</strong>g the<br />
stars or ly<strong>in</strong>g <strong>in</strong> the sun.<br />
Life at sea:<br />
stylish<br />
and fun<br />
ley, head of the Tornado and Storm Research Organization, expla<strong>in</strong>ed<br />
that modern technology has made storm chas<strong>in</strong>g easier.<br />
“Now, with fast mobile <strong>in</strong>ternet, you can see where a thunderstorm<br />
is, look at your GPS [Global Position<strong>in</strong>g System], and off you go,” he<br />
told The Guardian. The hope is to witness beautiful displays of nature’s<br />
power, everyth<strong>in</strong>g from violent thunderstorms to tornados.<br />
Anyone who gets a good photograph or some video footage hopes<br />
to see it used <strong>in</strong> the newspapers or on television.<br />
Ian Michaelwaite, a storm chaser who helps to run a weather research<br />
company, has a theory about the grow<strong>in</strong>g popularity of the<br />
hobby: “I th<strong>in</strong>k, as a country, we are fasc<strong>in</strong>ated by the weather.<br />
I would say we are addicted to it.”<br />
Fotos: PR; Reuters; Wavebreak Media<br />
12 <strong>Spotlight</strong> 5|14<br />
By RITA FORBES and CLAUDINE WEBER-HOF
Brita<strong>in</strong> Today | COLIN BEAVEN<br />
Foto: Corbis<br />
For some years now, we’ve been<br />
hear<strong>in</strong>g a lot about Brita<strong>in</strong>’s<br />
economic problems, so better<br />
news recently has certa<strong>in</strong>ly been welcome.<br />
Inflation’s down: it’s about<br />
2 per cent. Unemployment’s down: it’s<br />
about 7 per cent. Everyth<strong>in</strong>g seems to<br />
have gone down. By the summer, this<br />
might even be true of the floodwater<br />
from last w<strong>in</strong>ter’s endless ra<strong>in</strong>fall.<br />
When th<strong>in</strong>gs improve, there are<br />
w<strong>in</strong>ners and losers, of course — even<br />
if that’s not the way the government<br />
sees it. “We’re all <strong>in</strong> this together,”<br />
George Osborne keeps say<strong>in</strong>g.<br />
As chancellor of the exchequer<br />
s<strong>in</strong>ce 2010, he’s had the job of try<strong>in</strong>g<br />
to sort out our economic crisis, so<br />
good news about the economy is no<br />
doubt music to his ears. But it doesn’t<br />
put an end to old debates about social<br />
<strong>in</strong>equality. Brita<strong>in</strong> is still a land of<br />
many qualities and many <strong>in</strong>equalities,<br />
it seems.<br />
Danny Dorl<strong>in</strong>g, professor of geography<br />
at the University of Oxford,<br />
billion [(bIljEn]<br />
chancellor of the exchequer<br />
[)tSA:nsElE Ev Di Iks(tSekE] UK<br />
debts [dets]<br />
generate money [)dZenEreIt (mVni]<br />
<strong>in</strong>equality [)Ini(kwQlEti]<br />
<strong>in</strong> turn [In (t§:n]<br />
matter [(mÄtE]<br />
no matter what [nEU )mÄtE (wQt]<br />
racetrack [(reIstrÄk]<br />
recategorize [)ri:(kÄtIgEraIz]<br />
social welfare system [)sEUS&l (welfeE )sIstEm]<br />
sort sth. out [sO:t (aUt]<br />
source [sO:s]<br />
squeeze [skwi:zd]<br />
university fee [)ju:nI(v§:sEti )fi:]<br />
vicious [(vISEs]<br />
vicious circle [)vISEs (s§:k&l]<br />
“<br />
We’re all<br />
<strong>in</strong> this<br />
together<br />
”<br />
A land of <strong>in</strong>equalities<br />
Trotz besserer Wirtschaftslage sche<strong>in</strong>t die soziale Ungleichheit<br />
immer weiter zuzunehmen. E<strong>in</strong> Teufelskreis?<br />
certa<strong>in</strong>ly th<strong>in</strong>ks so. He’s found<br />
plenty of evidence that <strong>in</strong>equality<br />
<strong>in</strong> Brita<strong>in</strong> is actually on the <strong>in</strong>crease.<br />
Does it matter? Different political<br />
parties have different views about<br />
this. The Labour Party has often<br />
talked about the need for social justice.<br />
Part of the reason why it brought<br />
<strong>in</strong> higher university fees <strong>in</strong> 2006 was<br />
to generate money that could be used<br />
to help students from poorer families.<br />
Meanwhile, the Conservative<br />
Party tends to worry that when you<br />
aim for equality, the standards you<br />
achieve are lower. The Conservativeled<br />
coalition brought <strong>in</strong> even higher<br />
university fees than Labour did.<br />
With large debts now the norm<br />
and an economy <strong>in</strong> trouble, families<br />
that aren’t poor suddenly feel a lot<br />
poorer if they have children at university.<br />
They’re the “squeezed middle<br />
class”, as the media call them.<br />
Feel<strong>in</strong>g poorer doesn’t mean you<br />
are poor. Spectacular evidence of <strong>in</strong>equality<br />
was shown on a recent BBC<br />
radio programme. It reported that<br />
some of the poorest <strong>in</strong> Brita<strong>in</strong> are hungry<br />
because they can’t afford to eat.<br />
Milliarde<br />
F<strong>in</strong>anzm<strong>in</strong>ister(<strong>in</strong>)<br />
Schulden<br />
E<strong>in</strong>nahmen erzielen<br />
Ungleichheit<br />
wiederum<br />
hier: e<strong>in</strong>e Rolle spielen, wichtig se<strong>in</strong><br />
egal, was<br />
Rennstrecke<br />
neu e<strong>in</strong>stufen<br />
Sozialhilfesystem<br />
etw. <strong>in</strong> Ordnung br<strong>in</strong>gen,<br />
etw. aus der Welt schaffen<br />
Quelle, Ursprung<br />
ausquetschen<br />
Studiengebühr<br />
bösartig<br />
Teufelskreis<br />
Col<strong>in</strong> Beaven is a freelance writer who lives and works <strong>in</strong> Southampton on the south coast of England.<br />
What is the source of this story?<br />
Bishops and other religious leaders<br />
who tell us their churches have to<br />
step <strong>in</strong> more and more with gifts of<br />
food, and who th<strong>in</strong>k a rich country<br />
like Brita<strong>in</strong> should do better.<br />
The bishops blame the government’s<br />
latest changes to the social<br />
welfare system. For example, some<br />
people who don’t work because of ill<br />
health have been recategorized;<br />
they’ve now been told they should<br />
work, and they receive less money.<br />
Others who get government help<br />
with their rent are now given less if<br />
their homes have empty bedrooms.<br />
The hope is that this will make them<br />
move to a smaller home, which <strong>in</strong><br />
turn will make room for those who<br />
need a larger place to live.<br />
The piece about the bishops was<br />
followed immediately by a report<br />
about Bernie Ecclestone (shown<br />
below), who, at the age of 83, was <strong>in</strong><br />
court because of a bus<strong>in</strong>ess dispute.<br />
He still controls Formula One motor<br />
rac<strong>in</strong>g more or less and, we’re told, is<br />
worth about two and a half billion<br />
pounds.<br />
The danger with reforms of the<br />
welfare system is that you create a<br />
vicious circle, where life gets worse<br />
and worse, no matter what you do.<br />
Motor rac<strong>in</strong>g is also a vicious<br />
circle, <strong>in</strong> a way. You<br />
drive round <strong>in</strong> a<br />
circle for hours<br />
and have to be<br />
vicious to w<strong>in</strong>.<br />
Apart from<br />
that, though,<br />
life on welfare<br />
payments and on<br />
the racetrack could<br />
hardly be more<br />
different.<br />
5|14 <strong>Spotlight</strong><br />
13
LANGUAGE | Vocabulary<br />
The words you need<br />
— and where to f<strong>in</strong>d them<br />
Wörterbücher haben e<strong>in</strong>e lange Geschichte und, was Lernende betrifft, e<strong>in</strong>e neue Zukunft.<br />
JOANNA WESTCOMBE berichtet, wo man das passende Wort f<strong>in</strong>det.<br />
What does “affair” mean? What’s another word for<br />
“bad”? Is “chat” a better word than “conversation”?<br />
As a language learner, you’ll<br />
probably have lots of your own questions<br />
about English — and they almost certa<strong>in</strong>ly<br />
won’t come <strong>in</strong> alphabetical order.<br />
To f<strong>in</strong>d the answers, a good place to<br />
look is <strong>in</strong> a dictionary, especially one of<br />
the new generation of onl<strong>in</strong>e learner’s<br />
dictionaries that make the most of the latest technology.<br />
These can help you to f<strong>in</strong>d the words you really<br />
need and to learn how to use them. We talk<br />
to Michael Rundell of Macmillan Dictionaries<br />
about the words that go <strong>in</strong>to this<br />
k<strong>in</strong>d of dictionary and what you as a<br />
learner can get out of them. We<br />
start, though, by look<strong>in</strong>g at the history<br />
of the English dictionary.<br />
14 <strong>Spotlight</strong> 5|14
dictionary<br />
a book that lists the words of a language <strong>in</strong> alphabetical<br />
order and gives their mean<strong>in</strong>g...<br />
The above def<strong>in</strong>ition of the word from the Oxford Dictionary<br />
of English is a very short description of possibly<br />
the longest book on your bookshelf, a book that has had<br />
an extraord<strong>in</strong>ary journey <strong>in</strong> the English-speak<strong>in</strong>g world.<br />
The first major dictionary of English, the Dictionary of<br />
the English Language, was published <strong>in</strong> 1755. It had<br />
taken Dr Samuel Johnson (1709–84) eight years to<br />
write. It conta<strong>in</strong>ed 40,000 headwords, each with carefully<br />
def<strong>in</strong>ed mean<strong>in</strong>gs, as well as a huge collection of<br />
literary quotations. This dictionary became the authority<br />
on the English language for more than150 years.<br />
Johnson’s orig<strong>in</strong>al work<br />
Years of work: James Murray<br />
prepar<strong>in</strong>g his version<br />
In 1878, the Scottish<br />
l<strong>in</strong>guist James Murray<br />
(1837–1915) was<br />
<strong>in</strong>vited to Oxford to<br />
beg<strong>in</strong> work on a dictionary<br />
to replace Johnson’s<br />
— a project planned to start the follow<strong>in</strong>g year and<br />
take 10 years to complete. Murray asked the public for<br />
help with quotations to be <strong>in</strong>cluded <strong>in</strong> the dictionary,<br />
and he soon had his own red post box outside his house.<br />
Five years after start<strong>in</strong>g work on this New English<br />
Dictionary, however, Murray and his colleagues had got<br />
as far as “ant”. The editors came to realize that a language<br />
is not just what is found <strong>in</strong> historical documents. Old<br />
words develop new mean<strong>in</strong>gs, and new words are constantly<br />
enter<strong>in</strong>g the language. The l<strong>in</strong>guists cont<strong>in</strong>ued<br />
their work until 1928, when the dictionary was first<br />
published <strong>in</strong> its complete form, many years after Murray’s<br />
death. Updates were issued until 1933, when the<br />
work was published <strong>in</strong> 12 volumes and given the name<br />
it still has today — the Oxford English Dictionary.<br />
It wasn’t until 1989 that a second edition of the Oxford<br />
English Dictionary was published. Beh<strong>in</strong>d this edition,<br />
however, was a team consist<strong>in</strong>g not just of lexicographers,<br />
but of computer programmers. In 1992, a dictionary<br />
weigh<strong>in</strong>g 70 kilos and with a shelf length of more than a<br />
metre could be bought on a CD-ROM.<br />
The digital revolution has marked a turn<strong>in</strong>g po<strong>in</strong>t.<br />
Dr Johnson worked alone for years to become an authority<br />
on how English should be used. Today, you and other<br />
native and non-native speakers from around the world<br />
can add examples and comments to www.leo.org and<br />
other onl<strong>in</strong>e dictionary sites and be <strong>in</strong>volved <strong>in</strong> the mak<strong>in</strong>g<br />
of English dictionaries that show how words are used.<br />
Nowadays, of course, the Oxford English Dictionary<br />
is not the only dictionary of English. There are bil<strong>in</strong>gual<br />
and monol<strong>in</strong>gual dictionaries, dictionaries for native<br />
speakers and for learners, schoolchildren, students and<br />
adults. There are dictionaries that deal with specific topics<br />
such as idioms, collocations, quotations or topic<br />
areas such as bus<strong>in</strong>ess and law. There are paper dictionaries,<br />
electronic dictionaries and onl<strong>in</strong>e dictionaries like<br />
the Macmillan English Dictionary, from which the def<strong>in</strong>ition<br />
below is taken.<br />
dictionary<br />
a reference resource which provides <strong>in</strong>formation about<br />
words and their mean<strong>in</strong>gs, uses, and pronunciations.<br />
A dictionary may be published as a pr<strong>in</strong>ted book, or as a<br />
digital product such as a website or app, and it may be<br />
monol<strong>in</strong>gual, bil<strong>in</strong>gual, or multil<strong>in</strong>gual.<br />
Fotos: Alamy; iStock; Mauritius<br />
ant [Änt]<br />
bil<strong>in</strong>gual [baI(lINgwEl]<br />
headword [(hedw§:d]<br />
quotation [kwEU(teIS&n]<br />
volume [(vQlju:m]<br />
Ameise<br />
zweisprachig<br />
Schlagwort<br />
Zitat<br />
Band<br />
5|14 <strong>Spotlight</strong><br />
15
LANGUAGE | Vocabulary<br />
Words for learners<br />
If you want to understand more of what you read or listen<br />
to <strong>in</strong> English, and improve both your speak<strong>in</strong>g and writ<strong>in</strong>g<br />
abilities, many language experts would say that vocabulary<br />
is more important than grammar. In other words, you<br />
would probably ga<strong>in</strong> more from tak<strong>in</strong>g a dictionary or<br />
phrase book on holiday with you than a grammar book.<br />
But simply look<strong>in</strong>g at a new noun or verb and its translation<br />
a few times will neither help you to remember it, nor<br />
to use it correctly. To learn a word properly, you need to<br />
ask some important questions about it:<br />
Can I<br />
spell and say<br />
this word?<br />
Does this word<br />
have other<br />
mean<strong>in</strong>gs that I<br />
need to know?<br />
What other<br />
words can I<br />
use with it?<br />
Can I use this word<br />
<strong>in</strong> every situation,<br />
or does it have a<br />
better synonym?<br />
And the key question:<br />
Is this word<br />
important enough<br />
to be worth<br />
learn<strong>in</strong>g at all?<br />
What grammar do<br />
I need when I want<br />
to use this word <strong>in</strong><br />
a sentence?<br />
The answers to all of these questions can be found <strong>in</strong> one place — a good learner’s dictionary.<br />
Michael Rundell (right) has been <strong>in</strong> the dictionary bus<strong>in</strong>ess for more than<br />
30 years. He is editor-<strong>in</strong>-chief of Macmillan Dictionaries.<br />
<strong>Spotlight</strong> <strong>in</strong>terviewed Rundell about the words learners need.<br />
What is the basic difference between a learner’s<br />
dictionary and other dictionaries?<br />
There are important differences between a learner’s dictionary<br />
and the standard dictionaries that are designed for<br />
native speakers of a language, or standard bil<strong>in</strong>gual dictionaries.<br />
Standard dictionaries basically tell you what<br />
th<strong>in</strong>gs mean, and perhaps give you one example of their<br />
usage. What you see <strong>in</strong> a learner’s dictionary is not just<br />
what words mean, but how they comb<strong>in</strong>e with each other,<br />
which is terribly important. Know<strong>in</strong>g what a word like<br />
“decision” means is only the start. You need to know what<br />
to do with it — you arrive at decisions, make decisions<br />
and so on. A common verb like “remember” has different<br />
grammar patterns which go with different mean<strong>in</strong>gs: you<br />
can remember do<strong>in</strong>g someth<strong>in</strong>g, or you can remember to<br />
do someth<strong>in</strong>g; and the change <strong>in</strong> the grammar fundamentally<br />
affects the mean<strong>in</strong>g. That’s the <strong>in</strong>formation you don’t<br />
get <strong>in</strong> a standard dictionary.<br />
Where do<br />
the words <strong>in</strong><br />
a learner’s<br />
dictionary<br />
come from?<br />
For those who create dictionaries, technology has had a huge<br />
impact beh<strong>in</strong>d the scenes. Certa<strong>in</strong>ly, the biggest change <strong>in</strong><br />
the past 25 years or so is <strong>in</strong> the use of corpora. The first<br />
corpus-based English learner’s dictionary came out <strong>in</strong> 1987.<br />
It was created us<strong>in</strong>g a body of seven million words. The corpus<br />
we use at Macmillan today conta<strong>in</strong>s 1.6 bn words.<br />
bn = billion [(bIljEn]<br />
editor-<strong>in</strong>-chief<br />
[)edItE In (tSi:f]<br />
grammar pattern [(grÄmE )pÄt&n]<br />
impact [(ImpÄkt]<br />
Milliarde<br />
Chefredakteur(<strong>in</strong>)<br />
grammatische<br />
Ersche<strong>in</strong>ungsform<br />
Auswirkungen, E<strong>in</strong>fluss<br />
Fotos: iStock<br />
16 <strong>Spotlight</strong> 5|14
corpus<br />
(pl. corpora): newspapers, broadcasts, novels, conversations,<br />
bus<strong>in</strong>ess and the law — texts from all<br />
these areas and many more, from British, American,<br />
world English and learner English — form a corpus,<br />
a collection of texts from written and spoken language<br />
mak<strong>in</strong>g up millions of words stored on a computer.<br />
Dictionary writers and language researchers<br />
analyse corpora to f<strong>in</strong>d out how people use English<br />
when they communicate with each other: how frequently<br />
particular words are used, what their most<br />
important mean<strong>in</strong>gs are and how they comb<strong>in</strong>e with<br />
other words.<br />
Kern-<br />
hier: Merkmal<br />
hier: Kennzeichnungssystem<br />
nachschlagen<br />
core [kO:]<br />
feature [(fi:tSE]<br />
grad<strong>in</strong>g system [(greIdIN )sIstEm]<br />
look up [lUk (Vp]<br />
core vocabulary<br />
Although English speakers have about a million<br />
words to choose from, corpus research shows that<br />
people use just 7,500 of them most of the time.<br />
Around 93 per cent of most spoken or written communication<br />
consists of words from that core set —<br />
the most frequently used words <strong>in</strong> the language —<br />
and these are the words learners really need to know.<br />
How are the words <strong>in</strong> the dictionary selected?<br />
We select on the basis of frequency. There are hundreds of<br />
thousands of words <strong>in</strong> English, but some are very rare and<br />
may not be known even by native speakers. A learner’s dictionary<br />
focuses on the vocabulary that is used most frequently<br />
and that will be of greatest value for learners.<br />
What words are used to expla<strong>in</strong> the words <strong>in</strong> the<br />
dictionary?<br />
A feature of learner’s dictionaries is that they try to keep<br />
the def<strong>in</strong>itions as simple as possible. They have what is<br />
known as a “controlled def<strong>in</strong><strong>in</strong>g vocabulary” — typically<br />
around 2,000–2,500 words that are used to write the<br />
def<strong>in</strong>itions.<br />
How does your dictionary help learners with the<br />
words they need?<br />
Let’s say I want to look up the word “smart”, because I<br />
want to know more about its different mean<strong>in</strong>gs. The first<br />
th<strong>in</strong>g you see is that the word is <strong>in</strong> red, not black like many<br />
of the other entries. This is because “smart”<br />
is part of what we call core vocabulary.<br />
You’ll see that “smart” has two red stars<br />
next to it. We have a three-star grad<strong>in</strong>g<br />
system for these red words. Those with<br />
three stars are the 2,500 most frequently<br />
used words <strong>in</strong> English — the words you<br />
absolutely have to know. Two-star<br />
words like “smart” are the next most<br />
common, between the 2,500 and<br />
5,000 most frequently used words.<br />
One-star words are still important,<br />
but less frequent.<br />
Entries for these 7,500 red words<br />
are generally longer than the others,<br />
and they give much more <strong>in</strong>formation<br />
about different mean<strong>in</strong>gs of<br />
the word, with several authentic<br />
example sentences shown for each.<br />
How do you choose your example sentences?<br />
Our aim is to show how words are used <strong>in</strong> authentic English.<br />
Corpus data can show us how a word is used <strong>in</strong> speech<br />
and writ<strong>in</strong>g, so we can see what the common patterns are.<br />
In the dictionary, we show these through examples that<br />
are taken from real texts <strong>in</strong> the corpus.<br />
What other help does<br />
a learner’s<br />
dictionary give?<br />
Under some entries, you<br />
may f<strong>in</strong>d <strong>in</strong>formation<br />
boxes. So at “advice”, the<br />
Macmillan dictionary<br />
gives a list of verbs that<br />
go with “advice” and<br />
types of adjective that<br />
modify it — common<br />
collocations. We also<br />
have “Get it right”<br />
boxes. These are based<br />
on research <strong>in</strong>to a corpus of texts produced by<br />
learners and focus on common<br />
types of error.<br />
5|14 <strong>Spotlight</strong><br />
17
LANGUAGE | Vocabulary<br />
Macmillan is phas<strong>in</strong>g out pr<strong>in</strong>ted dictionaries.<br />
What are the reasons beh<strong>in</strong>d this?<br />
We are beg<strong>in</strong>n<strong>in</strong>g the process of mov<strong>in</strong>g all our dictionary<br />
resources from paper to onl<strong>in</strong>e. Our ma<strong>in</strong> dictionary for<br />
advanced learners is now primarily available onl<strong>in</strong>e. Most<br />
of our other books are still <strong>in</strong> pr<strong>in</strong>t, but <strong>in</strong> three or four<br />
years’ time, they may no longer be available.<br />
The writer and philosopher Umberto Eco recently said:<br />
“The book is like the spoon, the hammer and the wheel.<br />
Once <strong>in</strong>vented, it cannot be improved.” But for once, I<br />
disagree with Professor Eco. For dictionaries and other reference<br />
material at least, the onl<strong>in</strong>e medium is ideal. You<br />
read a novel from cover to cover, but you consult a dictionary<br />
typically only when you need to know someth<strong>in</strong>g,<br />
while you are do<strong>in</strong>g someth<strong>in</strong>g else. These days, many of<br />
us use onl<strong>in</strong>e resources like Wikipedia rather than an encyclopedia,<br />
and the same is becom<strong>in</strong>g true of maps. Essentially,<br />
reference material of all k<strong>in</strong>ds is mov<strong>in</strong>g onl<strong>in</strong>e<br />
quite rapidly because of the great benefits it has for writers,<br />
developers and above all users.<br />
Does be<strong>in</strong>g onl<strong>in</strong>e make it easier to keep up with<br />
changes <strong>in</strong> the language?<br />
Absolutely! In the past, when you had to wait for a new<br />
edition of a dictionary, an enormous amount of language<br />
change would have taken place. Onl<strong>in</strong>e dictionaries can<br />
update at regular <strong>in</strong>tervals. We do this about four times a<br />
year at Macmillan, and one of the first places we look is at<br />
our Open Dictionary, to see whether there is material that<br />
deserves to be promoted to form part of the ma<strong>in</strong> dictionary.<br />
The Open Dictionary is an example of crowd-sourc<strong>in</strong>g<br />
on our site, where we ask people to tell us about words<br />
that are not yet <strong>in</strong> our dictionary. One of the nice th<strong>in</strong>gs<br />
about it is that people send us words from places such as<br />
India, Hong Kong and S<strong>in</strong>gapore that are genu<strong>in</strong>ely used<br />
<strong>in</strong> those parts of the English-speak<strong>in</strong>g world, but may not<br />
be known elsewhere.<br />
benefit [(benIfIt]<br />
bra<strong>in</strong>y [(breIni]<br />
broaden [(brO:d&n]<br />
crowd-sourc<strong>in</strong>g<br />
[(kraUd )sO:sIN]<br />
Vorteil, Nutzen<br />
gescheit, aufgeweckt<br />
sich erweitern<br />
Crowdsourc<strong>in</strong>g (Auslagerung <strong>in</strong>terner<br />
Aufgaben an e<strong>in</strong>e Gruppe freiwilliger User)<br />
What are the advantages to learners of all that<br />
digital space?<br />
There are unbelievable advantages for learners. One is<br />
audio. It means that as well as see<strong>in</strong>g how the word is pronounced,<br />
you can click on a button to hear what the word<br />
sounds like, either <strong>in</strong> British or American English. It also<br />
means that you can click on any word <strong>in</strong> an entry — say<br />
<strong>in</strong> one of the example sentences — to open up the entry<br />
for the word you’ve clicked on. In the case of “smart” and<br />
many other words, you’ll f<strong>in</strong>d a box on the right that<br />
shows all the words and phrases <strong>in</strong> which “smart” appears.<br />
In addition, under each entry, we have a thesaurus<br />
l<strong>in</strong>ked to each separate mean<strong>in</strong>g of a word or phrase. You<br />
click on the little “T” button to get a list of synonyms or<br />
related words. If you look at the thesaurus entry for<br />
“smart”, mean<strong>in</strong>g “<strong>in</strong>telligent”, you’ll get a list of words<br />
with similar mean<strong>in</strong>gs, <strong>in</strong>clud<strong>in</strong>g th<strong>in</strong>gs like “wise”,<br />
“bra<strong>in</strong>y” and “nobody’s fool”. If you look up “oak” (the<br />
tree), you’ll f<strong>in</strong>d all the other types of tree listed <strong>in</strong> the dictionary.<br />
This way of search<strong>in</strong>g is much more efficient than<br />
hav<strong>in</strong>g to look <strong>in</strong> two separate pr<strong>in</strong>ted books.<br />
Another advantage of endless space is that we no longer<br />
have to remove words. We do tweak some of the entries,<br />
though, for example, to <strong>in</strong>dicate that they are no longer<br />
current. We did that recently with “video recorder”. Dictionary<br />
users can still look the word up, but we can change<br />
the def<strong>in</strong>ition to <strong>in</strong>dicate that this is no longer a current<br />
technology.<br />
There is much more than a dictionary on your site.<br />
What else do you offer learners and teachers?<br />
The whole idea of what a dictionary is has broadened<br />
greatly from just giv<strong>in</strong>g <strong>in</strong>formation about words and their<br />
mean<strong>in</strong>gs. Mov<strong>in</strong>g onl<strong>in</strong>e makes it possible for us to explore<br />
the bigger picture of how the language is chang<strong>in</strong>g,<br />
and how people use it.<br />
for once [fE (wVns]<br />
genu<strong>in</strong>ely [(dZenjuInli]<br />
keep up with sth. [ki:p (Vp wID]<br />
move onl<strong>in</strong>e<br />
[mu:v )Qn(laIn]<br />
nobody’s fool: be ~<br />
[)nEUbEdiz (fu:l]<br />
oak [EUk]<br />
phase sth. out [feIz (aUt]<br />
tweak sth. [twi:k] ifml.<br />
ausnahmsweise e<strong>in</strong>mal<br />
wirklich<br />
mit etw. Schritt halten,<br />
auf dem Laufenden bleiben<br />
hier: die Entscheidung,<br />
onl<strong>in</strong>e zu gehen<br />
nicht auf den Kopf gefallen<br />
se<strong>in</strong>, sich nichts vormachen<br />
lassen<br />
Eiche<br />
etw. aus dem Programm<br />
nehmen<br />
kle<strong>in</strong>e Veränderungen<br />
vornehmen, optimieren<br />
18 <strong>Spotlight</strong> 5|14<br />
cont<strong>in</strong>ued on page 21
Sprachen lernen überall:<br />
Bis zu 65 % Preisvorteil!<br />
Schon ab<br />
€ 1,86<br />
im Monat<br />
Bestellen Sie jetzt!<br />
E-Paper, Audio-Download, Onl<strong>in</strong>e-Sprachtra<strong>in</strong><strong>in</strong>g<br />
www.spotlight-verlag.de/digitalwochen<br />
+49(0)89/8 56 81-16 Stichwort „Digitalwochen“
Sprachen lernen –<br />
digital und überall<br />
Schon<br />
ab<br />
€ 1,86<br />
im Monat<br />
<strong>Spotlight</strong> E-Paper Sprachmagaz<strong>in</strong> – digital<br />
<strong>Spotlight</strong> Audio-Download Hörtra<strong>in</strong><strong>in</strong>g – digital<br />
t<br />
dalango – Video-Sprachtra<strong>in</strong><strong>in</strong>g – onl<strong>in</strong>e<br />
lt<br />
Angebot gilt<br />
für die Erstlaufzeit von 12 Monaten<br />
e/digitalwochen<br />
Bestellen Sie jetzt!<br />
E-Paper,<br />
Audio-Download, Onl<strong>in</strong>e-Sprachtra<strong>in</strong><strong>in</strong>g<br />
www.spotlight-verlag.de/digitalwochen<br />
+49(0)89/8 56 81-16 Stichwort „Digitalwochen“
cont<strong>in</strong>ued from page 18<br />
So we can offer all sorts of additional material on the<br />
site. We have a language blog with four or five posts a week<br />
and an archive on different aspects of language and language<br />
learn<strong>in</strong>g, with material to help students, as well as<br />
ideas and lesson plans for teachers. Our weekly “buzzwords”<br />
column looks <strong>in</strong> detail at new words com<strong>in</strong>g <strong>in</strong>to<br />
the language. We also have language games that are both<br />
fun and genu<strong>in</strong>ely useful for learners.<br />
One th<strong>in</strong>g we want to do is to br<strong>in</strong>g all our dictionary<br />
resources together, so that if you look up a word you’re <strong>in</strong>terested<br />
<strong>in</strong> and that word is also <strong>in</strong> our collocations dictionary,<br />
you can go straight to the entry <strong>in</strong> that dictionary.<br />
And we’ll just keep add<strong>in</strong>g useful material. Specialized<br />
areas such as medic<strong>in</strong>e, the law and eng<strong>in</strong>eer<strong>in</strong>g are also<br />
someth<strong>in</strong>g that we want to explore.<br />
For more <strong>in</strong>formation see: www.macmillandictionary.com<br />
Learn smart<br />
The English language is a liv<strong>in</strong>g, grow<strong>in</strong>g th<strong>in</strong>g,<br />
and today’s dictionaries live and grow with it. Modern<br />
technology is allow<strong>in</strong>g a new generation of learner’s dictionaries<br />
to help you focus on the high-frequency words<br />
that you really need <strong>in</strong> order to read, listen to, write and<br />
speak English.<br />
Remember, though: learn<strong>in</strong>g is often most successful<br />
when you are <strong>in</strong>terested, motivated or hav<strong>in</strong>g fun. Just because<br />
a word isn’t <strong>in</strong> the top 7,500 most frequently used<br />
words <strong>in</strong> the language doesn’t mean that you shouldn’t<br />
learn it — especially if it helps you to do the th<strong>in</strong>gs you<br />
want to do, such as gett<strong>in</strong>g a better job, read<strong>in</strong>g books by<br />
your favourite author <strong>in</strong> English or go<strong>in</strong>g on a sail<strong>in</strong>g holiday.<br />
You need these words as well. Make the most of smart<br />
dictionaries, however, and you can be part of a new generation<br />
of smart learners, too.<br />
adapt [E(dÄpt]<br />
benchmark [(bentSmA:k]<br />
buzzword [(bVzw§:d] ifml.<br />
collaborative [kE(lÄbErEtIv]<br />
comfort zone<br />
[(kVmfEt )zEUn]<br />
bearbeiten<br />
bewerten, e<strong>in</strong>stufen<br />
Modewort<br />
geme<strong>in</strong>schaftlich<br />
Bereich, <strong>in</strong> dem man sich<br />
sicher fühlt<br />
flash card [(flÄS kA:d]<br />
graded [(greIdId]<br />
rude [ru:d]<br />
subscribe [sEb(skraIb]<br />
widget [(wIdZIt] ifml.<br />
Lernkarte<br />
hier: an Ihr Niveau angepasst<br />
vulgär<br />
abonnieren<br />
hier etwa:<br />
(comp.) M<strong>in</strong>ianwendung<br />
Work<strong>in</strong>g with words<br />
In the <strong>in</strong>terview, Michael Rundell expla<strong>in</strong>s how a good learner’s<br />
dictionary can help you build a solid foundation for your learn<strong>in</strong>g<br />
by work<strong>in</strong>g on your core vocabulary. Here are some practical<br />
th<strong>in</strong>gs you can do both on- and offl<strong>in</strong>e that focus on build<strong>in</strong>g<br />
your vocabulary wisely and efficiently.<br />
• Turn to page 61. We choose the words <strong>in</strong> <strong>Spotlight</strong> ’s word<br />
boxes to help you understand our articles. Many of these<br />
words are not used very frequently, though. The Word Builder<br />
(page 61) takes words from these boxes that are used frequently<br />
and gives them a closer look. It’s like a m<strong>in</strong>i learner’s<br />
dictionary, with def<strong>in</strong>itions, examples, notes and exercises.<br />
• Work with vocabulary cards. Gett<strong>in</strong>g better at someth<strong>in</strong>g<br />
requires regular, mechanical practice. Us<strong>in</strong>g a card system<br />
to test yourself can build your vocabulary. You can buy<br />
packs of cards or write your own, and there are plenty of <strong>in</strong>teractive<br />
flash cards available on the <strong>in</strong>ternet and as apps.<br />
Try the British Council’s My WordBook 2.<br />
• Read at your level. Graded readers are specially written or<br />
adapted for different levels of English. We recommend one<br />
every month on page 47. Read<strong>in</strong>g with a controlled vocabulary<br />
<strong>in</strong>put helps you improve your English step by step.<br />
• Leave your comfort zone. If you f<strong>in</strong>d yourself us<strong>in</strong>g the<br />
same words (for example, “good” or “very”) when you speak<br />
or write, look <strong>in</strong> a learner’s dictionary for alternatives. You’ll<br />
soon notice that fluent speakers use these phrases, too, and<br />
then it’s just a short step to us<strong>in</strong>g them yourself.<br />
• Add a widget. If you often use an onl<strong>in</strong>e dictionary, a<br />
search box <strong>in</strong> your browser or on your web page can help<br />
you to access it quickly. F<strong>in</strong>d one from Macmillan at<br />
www.spotlight-onl<strong>in</strong>e.de Longman offers a daily dictionary<br />
picture widget at www.ldoceonl<strong>in</strong>e.com<br />
• Try it for size. Shakespeare used 30,000 words, and you<br />
need about 8,000 to understand a serious newspaper. At<br />
http://my.vocabularysize.com you can take a test to f<strong>in</strong>d<br />
out how many words and word families you know.<br />
• Have fun with texts. Copy and paste a text <strong>in</strong>to the Oxford<br />
3000’s text checker to see how many words <strong>in</strong> it are<br />
with<strong>in</strong> the top 3,000 of the language.<br />
http://oald8.oxfordlearnersdictionaries.com/oxford3000<br />
• Benchmark your learn<strong>in</strong>g. You can subscribe free of<br />
charge to the pilot version of English Vocabulary Profile, a<br />
major collaborative research project that shows the vocabulary<br />
learners know at levels A2 to C2. Type <strong>in</strong> a word, and<br />
you’ll f<strong>in</strong>d out which of its mean<strong>in</strong>gs are known by learners<br />
at each level. Examples are taken both from dictionaries and<br />
from authentic learner writ<strong>in</strong>g. www.<strong>english</strong>profile.org<br />
• Go native. Lovers of English around the world build communities<br />
on many <strong>in</strong>ternet sites to explore words and wordmak<strong>in</strong>g,<br />
from standard dictionary sites such as Coll<strong>in</strong>s’s to<br />
the crowd-sourced (“written by you” and often very rude)<br />
Urban Dictionary. Another site, Wordnik looks fantastic and<br />
<strong>in</strong>cludes many bizarre and beautiful words.<br />
See:<br />
www.coll<strong>in</strong>sdictionary.com<br />
www.urbandictionary.com<br />
www.wordnik.com<br />
Tips<br />
5|14 <strong>Spotlight</strong><br />
21
FOOD | In-Vitro Meat<br />
Chef Richard McGeown cooks the first cultured-beef burger<br />
Frankenfood”, “schmeat” and “zombie flesh” are just<br />
some of the terms used to describe a new type of<br />
food: <strong>in</strong>-vitro meat. Animal tissue grown <strong>in</strong> a laboratory,<br />
<strong>in</strong>-vitro (or cultured) meat is be<strong>in</strong>g developed by scientists<br />
as a healthy, susta<strong>in</strong>able food for the future. Although<br />
the technology is still <strong>in</strong> its early stages, supporters see it as<br />
a solution to potential global food shortages and as an alternative<br />
to farm<strong>in</strong>g and kill<strong>in</strong>g millions of animals.<br />
Meat is part of human evolution. But the idea of produc<strong>in</strong>g<br />
artificial meat is noth<strong>in</strong>g new. Science fiction has<br />
speculated about it s<strong>in</strong>ce the early 20th century; the British<br />
politician W<strong>in</strong>ston Churchill talked about it <strong>in</strong> the 1930s;<br />
and early space research explored options for feed<strong>in</strong>g astronauts.<br />
However, <strong>in</strong> August last year, Maastricht University<br />
moved the technology one giant step forward when it<br />
presented the world’s first <strong>in</strong>-vitro “cultured-beef” burger<br />
<strong>in</strong> London to the <strong>in</strong>ternational media. “The cultured-beef<br />
burger represents a crucial first step <strong>in</strong> f<strong>in</strong>d<strong>in</strong>g a susta<strong>in</strong>able<br />
alternative to meat production that’s more ethical and environmentally<br />
friendly,” said a spokesperson.<br />
Accord<strong>in</strong>g to the UN, the current world population of<br />
7.2 billion is projected to reach 9.6 billion by 2050. The<br />
UN Food and Agriculture Organization predicts that <strong>in</strong><br />
this time, global meat demand will rise by more than two<br />
thirds. However, 70 per cent of all agricultural land —<br />
that’s around a third of the earth’s surface — is already used<br />
for rais<strong>in</strong>g livestock. Roughly half the world’s cereal production<br />
is fed to animals, and livestock raised for meat<br />
The future<br />
of meat<br />
JULIAN EARWAKER untersucht, ob im<br />
Labor hergestelltes künstliches Fleisch<br />
e<strong>in</strong>e gesunde, ethische und umweltfreundliche<br />
Alternative zur globalen<br />
Fleischproduktion ist.<br />
accounts for 18 per cent of worldwide greenhousegas<br />
emissions. “Certa<strong>in</strong>ly, if cultured meat and <strong>in</strong>-vitro<br />
meat technology is go<strong>in</strong>g to do the work of address<strong>in</strong>g<br />
environmental issues on a large scale, it needs to be<br />
produced and consumed on a large scale,” says Dr<br />
Neil Stephens from Cardiff University, who is one of<br />
the UK’s lead<strong>in</strong>g researchers <strong>in</strong>to <strong>in</strong>-vitro meat.<br />
At the moment, that looks unlikely. In-vitro meat<br />
production is expensive and takes time. To grow cultured<br />
beef, scientists take muscle stem cells from a live<br />
cow and grow them <strong>in</strong> a laboratory, us<strong>in</strong>g a special<br />
medium <strong>in</strong> a controlled environment. The muscle<br />
cells grow <strong>in</strong>to t<strong>in</strong>y strands of meat. Around 20,000<br />
strands were needed to make the first 140g cultured-beef<br />
burger, at a cost of around €250,000. “Our burger is made<br />
from muscle cells taken from a cow,” said Professor Mark<br />
Post, who led the team of scientists produc<strong>in</strong>g the burger.<br />
“We haven’t changed them <strong>in</strong> any way. For it to succeed, it<br />
has to look, feel and hopefully taste like the real th<strong>in</strong>g.”<br />
account for sth. [E(kaUnt fE] etw. ausmachen<br />
address sth. [E(dres]<br />
etw. ansprechen, angehen<br />
animal tissue [(ÄnIm&l )tISu:] tierisches Gewebe<br />
artificial [)A:tI(fIS&l]<br />
künstlich<br />
billion [(bIljEn]<br />
Milliarde<br />
cereal [(sIEriEl]<br />
Getreide<br />
crucial [(kru:S&l] entscheidend (➝ p. 61)<br />
demand [di(mA:nd]<br />
Bedarf, Nachfrage<br />
food shortage [(fu:d )SO:tIdZ] Nahrungsmittelknappheit<br />
Frankenfood<br />
Wortschöpfung aus<br />
[(frÄNkEnfu:d] ifml.<br />
„Frankenste<strong>in</strong>” und „food”<br />
greenhouse [(gri:nhaUs] Treibhaus<br />
<strong>in</strong>-vitro meat [In (vi:trEU mi:t] In-vitro-Fleisch,<br />
kultiviertes Fleisch<br />
livestock [(laIvstQk]<br />
Vieh<br />
project [prE(dZekt]<br />
hier: vorhersagen<br />
scale: on a large ~ [skeI&l] <strong>in</strong> großem Maßstab<br />
space research [(speIs ri)s§:tS] Weltraumforschung<br />
spokesperson [(spEUks)p§:s&n] Sprecher(<strong>in</strong>)<br />
stem cell [(stem sel]<br />
Stammzelle<br />
strand [strÄnd]<br />
(Muskel-, Gewebe-)Strang<br />
surface [(s§:fIs]<br />
Oberfläche<br />
susta<strong>in</strong>able [sE(steInEb&l] nachhaltig<br />
Fotos: D. Parry/PA Wire<br />
22<br />
<strong>Spotlight</strong> 5|14
The cultured-beef burger conta<strong>in</strong>ed saffron and beetroot<br />
juice to colour the grey prote<strong>in</strong>, together with salt, egg<br />
powder and breadcrumbs for coat<strong>in</strong>g. Both of the official<br />
tasters were impressed. “I miss the fat..., but the general<br />
bite feels like a hamburger,” said Josh Schonwald, a food<br />
author from Chicago. Hanni Rützler, an Austrian food researcher,<br />
remarked on the “<strong>in</strong>tense taste” and told the BBC<br />
that “the consistency is perfect... This is meat to me.” In future,<br />
say scientists, the taste can be improved<br />
by <strong>in</strong>troduc<strong>in</strong>g fat, blood and<br />
even bone to the <strong>in</strong>-vitro meat process.<br />
English rock band The Smiths famously<br />
sang that “Meat is Murder”, but<br />
<strong>in</strong>-vitro meat <strong>in</strong>volves pa<strong>in</strong>lessly collect<strong>in</strong>g<br />
muscle cells from a liv<strong>in</strong>g cow. The<br />
research has been given support from<br />
unexpected quarters, <strong>in</strong>clud<strong>in</strong>g the animal<br />
rights organization PETA (People<br />
for the Ethical Treatment of Animals)<br />
and the World Wildlife Fund. Perhaps<br />
the biggest challenge is conv<strong>in</strong>c<strong>in</strong>g a<br />
sceptical public to get over the “yuck”<br />
factor of artificially produced meat and fears of GM. (Invitro<br />
meat technology <strong>in</strong>volves no genetic modification).<br />
The global market for meat, fish and poultry is expected<br />
to reach $639 million by the end of 2015. Beef<br />
exports are reach<strong>in</strong>g record heights. Subsidies keep prices<br />
artificially low and meat widely available. With 100 kilograms<br />
of vegetable prote<strong>in</strong> needed to produce every<br />
15 kilograms of meat, however, that is likely to change.<br />
Accord<strong>in</strong>g to the journal Environmental Science & Technology,<br />
compared with traditional meat production, <strong>in</strong>vitro<br />
meat causes only four per cent of the greenhouse emissions<br />
and uses just one per cent of the land, and around<br />
half of the total energy. It is also disease-free, healthy meat<br />
with none of the problems of animal welfare, waste and<br />
pollution. Maastricht University believes that cultured beef<br />
could be <strong>in</strong> production with<strong>in</strong> 10 to 20 years. Without<br />
large-scale <strong>in</strong>vestment, however,<br />
Dr Stephens says that looks<br />
highly optimistic. He estimates<br />
that only 20 to 40 scientists<br />
worldwide are currently active<br />
<strong>in</strong> cultured-meat<br />
research. He also po<strong>in</strong>ts<br />
out that technical, legal<br />
and social issues may<br />
stand <strong>in</strong> the way of expand<strong>in</strong>g<br />
<strong>in</strong>-vitro meat<br />
production.<br />
The Next Nature<br />
Foundation, based <strong>in</strong> the<br />
Netherlands, th<strong>in</strong>ks that<br />
<strong>in</strong>-vitro technology can<br />
br<strong>in</strong>g “entirely new food experiences and eat<strong>in</strong>g habits” <strong>in</strong>volv<strong>in</strong>g<br />
colourful, tasty “magic meatballs”, “knitted meat”<br />
from th<strong>in</strong> strands of prote<strong>in</strong>, and “meat fruit”, comb<strong>in</strong><strong>in</strong>g<br />
<strong>in</strong>-vitro meat with real fruit. Frankenfood? Schmeat? Zombie<br />
flesh? Perhaps. But the idea of commercially produced<br />
<strong>in</strong>-vitro meat is certa<strong>in</strong>ly alive and kick<strong>in</strong>g.<br />
Mark Post: daddy of the cultured-beef burger<br />
Cultured<br />
meat: good<br />
for animals<br />
and for the<br />
environment<br />
A CLOSER LOOK<br />
animal welfare [)ÄnIm&l (welfeE]<br />
beetroot [(bi:tru:t] UK<br />
breadcrumbs [(bredkrVmz]<br />
coat<strong>in</strong>g [(kEUtIN]<br />
fancy-schmancy<br />
[)fÄnsi (SmÄnsi] ifml.<br />
knit [nIt]<br />
poultry [(pEUltri]<br />
saffron [(sÄfrEn]<br />
shortlist [(SO:tlIst]<br />
subsidies [(sVbsEdiz]<br />
tissue [(tISu:]<br />
yuck [jVk] ifml.<br />
In the laboratory:<br />
no animals to be seen here<br />
The Oxford Dictionaries’ 2013 Word of the Year<br />
shortlist <strong>in</strong>cluded the word schmeat, an <strong>in</strong>formal<br />
noun mean<strong>in</strong>g a form of meat produced synthetically<br />
from biological tissue. It is believed to orig<strong>in</strong>ate<br />
from a comb<strong>in</strong>ation of “synthetic” and “meat”, and is<br />
<strong>in</strong>fluenced by the use of “schm” as a negative exclamation.<br />
Take, for example, “fancy-schmancy”: “Some<br />
of the gourmet food you get <strong>in</strong> fancy-schmancy<br />
places just tastes strange to me.”<br />
Tierschutz<br />
rote Beete<br />
Semmelbrösel<br />
hier: Panade<br />
schickimicki<br />
stricken<br />
Geflügel<br />
Safran<br />
engere Auswahlliste<br />
Subventionen<br />
Gewebe<br />
igitt<br />
5|14 <strong>Spotlight</strong><br />
23
<strong>Otto</strong> Waalkes<br />
The comedian’s many<br />
funny faces<br />
exclusive<br />
Seit Jahrzehnten br<strong>in</strong>gt <strong>Otto</strong> die deutschsprachige<br />
Welt zum Lachen – oft auf Englisch. Was ist für ihn das<br />
Besondere an der englischen Sprache?
My Life <strong>in</strong> English | QUESTIONS AND ANSWERS<br />
What makes English important to you as a comedian?<br />
English is the world language. If it’s your<br />
aim to make as many people as possible laugh, you’ll always<br />
need it. I’m also learn<strong>in</strong>g Ch<strong>in</strong>ese and Russian and<br />
Spanish and French, so soon, the whole world will laugh<br />
and never stop. This is my five-year plan.<br />
“<br />
Hänsel<br />
and Gretel<br />
<strong>in</strong> West<br />
Virg<strong>in</strong>ia...<br />
”<br />
When was your first English lesson, and<br />
what can you remember about it?<br />
My first English lesson must have<br />
been the day I bought my first<br />
T-shirt, because then I had to say<br />
“T-shirt”.<br />
Who is your favourite English-language<br />
author, actor or musician and why?<br />
Among others, I cherish St<strong>in</strong>g; he has covered a few of<br />
my songs, too. Or was it the other way round? I can’t<br />
remember...<br />
Which song could you s<strong>in</strong>g at least a few l<strong>in</strong>es of <strong>in</strong><br />
English?<br />
All of them! I am very good with the lyrics of “Funeral<br />
for a Friend” by Elton John, “Moby Dick” by Led<br />
Zeppel<strong>in</strong>, and I also s<strong>in</strong>g P<strong>in</strong>k Floyd’s “One of These<br />
Days” a lot.<br />
What is your favourite food from the English-speak<strong>in</strong>g<br />
world?<br />
Well, I’ve been on a seafood diet: I see food, and I eat it.<br />
friends over the years. But this <strong>in</strong>terview<br />
is quite hilarious as well.<br />
Have you ever worked <strong>in</strong> an Englishspeak<strong>in</strong>g<br />
environment? If so, what was it like?<br />
As you may know, I gave some t<strong>in</strong>y American creatures<br />
a voice. When you’re do<strong>in</strong>g voice-over, you always<br />
work together with the orig<strong>in</strong>al film companies.<br />
And — between us — Sid from the Ice Age movies, for<br />
example, did not do a good job of learn<strong>in</strong>g German. My<br />
little furry friend is quite thick-witted and lazy, you<br />
know. I lent him my voice so he could make the German<br />
kids laugh, too.<br />
Which is your favourite city <strong>in</strong> the English-speak<strong>in</strong>g<br />
world and why?<br />
That would be Ottawa. It’s basically a shortened form of<br />
my name!<br />
What special tip would you give a friend who was go<strong>in</strong>g<br />
to visit this city?<br />
$2.50.<br />
Cool friends:<br />
<strong>Otto</strong> with<br />
Sid from<br />
Ice Age<br />
I am<br />
the<br />
“ viper...<br />
”<br />
Which person from the English-speak<strong>in</strong>g world (liv<strong>in</strong>g or<br />
dead) would you most like to meet and why?<br />
Liv<strong>in</strong>g or dead? Then I’d like to meet all the dead ones.<br />
At least they cannot harm you.<br />
If you could be anywhere <strong>in</strong> the English-speak<strong>in</strong>g world<br />
right now, where would it be?<br />
Buck<strong>in</strong>gham Palace, maybe. I hear Her Majesty has<br />
some good tea.<br />
What was your best or funniest experience <strong>in</strong> English?<br />
Well, do<strong>in</strong>g the voice-over for Sid from the Ice Age movie<br />
was so much fun. He and I have become really good<br />
Fotos: action press; dpa/picture alliance<br />
between us [bi)twi:n (Vs]<br />
cherish [(tSerIS]<br />
furry [(f§:ri]<br />
hilarious [hI(leEriEs]<br />
lyrics [(lIrIks]<br />
thick-witted [)TIk (wItId]<br />
tip [tIp]<br />
voice-over [(vOIs )EUvE]<br />
unter uns gesagt<br />
(wert)schätzen<br />
pelzig<br />
wahns<strong>in</strong>nig komisch<br />
Songtext<br />
begriffsstutzig<br />
Ratschlag; Tr<strong>in</strong>kgeld<br />
Off-Stimme; hier: Synchronisierung<br />
5|14 <strong>Spotlight</strong><br />
25
QUESTIONS AND ANSWERS | My Life <strong>in</strong> English<br />
“<br />
Dip dip<br />
<strong>in</strong> the wiz, wiz,<br />
wiz...<br />
”<br />
Which person from the English-speak<strong>in</strong>g<br />
world would you choose to be stuck with<br />
on a desert island and why?<br />
Desert, huh? I’ll take Mr Jim Beam and<br />
Sir Jack Daniels, then.<br />
How do you practise your English?<br />
By do<strong>in</strong>g <strong>in</strong>terviews <strong>in</strong> English only. That’s good<br />
practice.<br />
<strong>Otto</strong> – Der Film:<br />
a special Bible<br />
read<strong>in</strong>g<br />
OTTO WAALKES<br />
Actor and comedian <strong>Otto</strong> Gerhard Waalkes was born on<br />
22 July 1948 <strong>in</strong> Emden, Germany. He attended an all-boys high<br />
school, and at around the age of 12 began appear<strong>in</strong>g on stage<br />
<strong>in</strong> small venues with his band, The Rustlers, play<strong>in</strong>g cover versions<br />
of Beatles’ songs. His comic rout<strong>in</strong>e developed, <strong>in</strong> part,<br />
out of th<strong>in</strong>gs that went wrong when he was on stage. In 1972,<br />
he brought out the LP <strong>Otto</strong>. It established him as one of the<br />
most popular comedians <strong>in</strong> the German-speak<strong>in</strong>g world. S<strong>in</strong>ce<br />
then, he has issued 18 more albums, starred <strong>in</strong> n<strong>in</strong>e films and<br />
<strong>in</strong>vented an elephant-like cartoon character called Ottifant.<br />
He regularly goes on tour.<br />
What is your favourite English phrase and why?<br />
Tea break, because it’s such a beautiful expression.<br />
It sounds so much nicer than nuclear war, <strong>in</strong>toxication<br />
or mass murder, doesn’t it?<br />
Which phrase do you use most when you talk <strong>in</strong><br />
English?<br />
“May I have your phone number, Miss?”<br />
Which English word was the hardest for you to learn<br />
to pronounce?<br />
I never really pronounce “pronounce” correctly.<br />
It’s unpronounceable. I really have to<br />
work on my “pronounce” pronunciation.<br />
Thank God this <strong>in</strong>terview<br />
is <strong>in</strong> writ<strong>in</strong>g.<br />
What would be your motto <strong>in</strong><br />
English?<br />
My motto? Stop us<strong>in</strong>g the letter “m”.<br />
<strong>Otto</strong> and family:<br />
the Ottifanten relatives<br />
If you suddenly found yourself with a free afternoon <strong>in</strong><br />
London or New York, what would you do?<br />
Look for someone nice to go home with.<br />
Is there anyth<strong>in</strong>g <strong>in</strong> your home that’s from the Englishspeak<strong>in</strong>g<br />
world?<br />
Yes, <strong>in</strong>deed: my English breakfast tea and my T-shirt, of<br />
course.<br />
Do you th<strong>in</strong>k that humour translates <strong>in</strong>to other languages<br />
well — for example, from German <strong>in</strong>to English?<br />
That’s funny! In German, this question is a joke. It’s not<br />
always easy to translate humour. Whenever people don’t<br />
laugh at one of my jokes, I guess it’s because I told it <strong>in</strong><br />
the wrong language.<br />
What do you say to the cliché <strong>in</strong> the English-speak<strong>in</strong>g<br />
world that Germans aren’t funny, or that Germans don’t<br />
have a good sense of humour?<br />
Germans are not funny? I guess that is the reason why <strong>in</strong><br />
Germany we have professionals to make people laugh,<br />
like me! We tell jokes and even get paid for it. It’s like:<br />
most Germans are bad pilots, too. They ask others to fly<br />
them around.<br />
What projects are you currently work<strong>in</strong>g on?<br />
I am on tour right now. I play the guitar, I make<br />
children laugh, I pa<strong>in</strong>t, sleep, eat and brush my teeth<br />
afterwards. And then I start all over aga<strong>in</strong>.<br />
You are famous for certa<strong>in</strong> iconic comedy gags. Are<br />
there any that you wish you had never done, or wish<br />
that people would just forget?<br />
People do forget. That’s why I keep play<strong>in</strong>g these gags<br />
over and over aga<strong>in</strong>. I hope they will always forget, so I<br />
can keep do<strong>in</strong>g this and make them laugh for the rest<br />
of my life.<br />
kultig<br />
Rausch, Vergiftung<br />
Atom-<br />
Veranstaltungsort<br />
iconic [aI(kQnIk]<br />
<strong>in</strong>toxication [In)tQksI(keIS&n]<br />
nuclear [(nju:kliE]<br />
venue [(venju:]<br />
26 <strong>Spotlight</strong> 5|14
TOUR DATES: OTTO – GEBOREN UM ZU BLÖDELN!<br />
Thursday 1 May Hamburg Laeiszhalle<br />
Saturday 3 May Dortmund Konzerthaus<br />
Sunday 4 May Dortmund Konzerthaus<br />
Tuesday 6 May Münster Münsterlandhalle<br />
Thursday 8 May Bochum Ruhr Congress<br />
Friday 9 May Düsseldorf Philipshalle<br />
Sunday 11 May Mannheim Rosengarten<br />
Tuesday 13 May Zurich Kongresshaus<br />
Wednesday 14 May Zurich Kongresshaus<br />
Friday 16 May Munich Circus Krone<br />
Saturday 17 May Munich Circus Krone<br />
Sunday 18 May Munich Circus Krone<br />
“<br />
Peter, Paul<br />
and Mary are<br />
walk<strong>in</strong>g through<br />
the prairie...<br />
”<br />
Monday 19 May Nuremberg<br />
Meisters<strong>in</strong>gerhalle<br />
Wednesday 21 May Ulm Ratiopharm<br />
Arena Neu-Ulm<br />
Thursday 22 May Suhl Congress<br />
Centrum Suhl<br />
Friday 23 May Zwickau Stadthalle<br />
Sunday 25 May Dresden Messe<br />
Tuesday 27 May Hof Freiheitshalle<br />
Wednesday 28 May Heilbronn Festhalle<br />
Harmonie<br />
Thursday 29 May Kempten Big Box<br />
Saturday 31 May Berl<strong>in</strong> Tempodrom<br />
Sunday 1 June Berl<strong>in</strong> Tempodrom<br />
K<strong>in</strong>g of<br />
German comedy:<br />
<strong>Otto</strong> <strong>in</strong> 2013<br />
Fotos: action press; Caro; C<strong>in</strong>etext
AMY ARGETSINGER | I Ask Myself<br />
A lesson <strong>in</strong> loss<br />
Er hatte alles und er hat alles weggeworfen. AMY ARGETSINGER<br />
über Philip Seymour Hoffmans Drogentod und was man daraus<br />
lernen kann.<br />
Idon’t remember Philip Seymour<br />
Hoffman be<strong>in</strong>g our greatest liv<strong>in</strong>g<br />
actor last week,” my husband said<br />
to me, a day or two after Philip Seymour<br />
Hoffman died.<br />
He is often cynical that way, and<br />
here, his cynicism was caused by the<br />
waves of media praise and griev<strong>in</strong>g<br />
for the actor, who was suddenly on<br />
the covers of magaz<strong>in</strong>es that never<br />
put him there <strong>in</strong> life. But I soon realized<br />
my husband was not alone.<br />
Many other Americans scoffed at the<br />
public mourn<strong>in</strong>g for Hoffman. He<br />
was a drug abuser, they said, who<br />
chose cheap highs over his family and<br />
children and carelessly chased his<br />
own death — not a man to praise.<br />
I understand their anger. But<br />
there is so much to pity <strong>in</strong> the death<br />
of Philip Seymour Hoffman, and<br />
there is so much to learn. No, Hoffman<br />
was not on a lot of magaz<strong>in</strong>e<br />
covers before he died. He had won an<br />
Oscar for Capote (2005) and appeared<br />
<strong>in</strong> big-budget Hollywood thrillers,<br />
but was never a big movie star <strong>in</strong> the<br />
style of Brad Pitt. He was a complex<br />
character actor with an<br />
un-pretty face and a degree<br />
from a famous<br />
act<strong>in</strong>g school. He was<br />
better known to the<br />
well-educated crowd that<br />
likes to go to art-house<br />
theaters and the Broadway<br />
stage than to most<br />
multiplex-go<strong>in</strong>g Middle<br />
Americans.<br />
In other words,<br />
he was a ref<strong>in</strong>ed,<br />
well-educated, mature<br />
man who just<br />
happened to have<br />
a terrible hero<strong>in</strong><br />
addiction.<br />
In the US, we generally have two<br />
ideas of what an addict looks like:<br />
either a lower-class loser, whose sad<br />
life and prospects have led him or her<br />
to f<strong>in</strong>d comfort <strong>in</strong> drugs; or a wild,<br />
thrill-seek<strong>in</strong>g young jet-setter with<br />
more money than sense. We are not<br />
surprised by the many deaths, nor by<br />
the overdoses <strong>in</strong> a rock star’s penthouse<br />
hotel.<br />
Philip Seymour Hoffman had a<br />
fantastic career and also a family —<br />
his long-time girlfriend and their<br />
three young children. He was not<br />
known as a socialite or party animal.<br />
And while he had been open about<br />
his struggles <strong>in</strong> the past with addiction,<br />
he also seemed like someone<br />
well <strong>in</strong> control. After abus<strong>in</strong>g drugs<br />
and alcohol dur<strong>in</strong>g college, he went<br />
to rehab at age 22 and rema<strong>in</strong>ed<br />
sober for a remarkable 23 years.<br />
I first became aware of his addiction<br />
issues a year ago, when Hoffman<br />
announced that he was enter<strong>in</strong>g<br />
rehab aga<strong>in</strong>: prescription drugs<br />
had led him to<br />
start us<strong>in</strong>g harder<br />
stuff aga<strong>in</strong>, <strong>in</strong>clud<strong>in</strong>g<br />
hero<strong>in</strong>. Accord<strong>in</strong>g<br />
to the<br />
actor, he had<br />
An actors’ actor:<br />
Philip Seymour<br />
Hoffman<br />
“<br />
He showed<br />
us just how<br />
complex addiction<br />
can be<br />
”<br />
addiction [E(dIkS&n]<br />
art-house theater<br />
[)A:rt haUs (Ti:Et&r]<br />
comfort [(kVmf&rt]<br />
griev<strong>in</strong>g [(gri:vIN]<br />
mature [mE(tU&r]<br />
mourn<strong>in</strong>g [(mO:rnIN]<br />
multiplex-go<strong>in</strong>g<br />
[(mVltIpleks )goUIN]<br />
prescription [pri(skrIpS&n]<br />
prospect [(prA:spekt]<br />
ref<strong>in</strong>ed [ri(faInd]<br />
rehab [(ri:hÄb] ifml.<br />
scoff at sb./sth. [(skA:f Et]<br />
self-aware [)self E(we&r]<br />
sober [(soUb&r]<br />
socialite [(soUSElaIt]<br />
succumb [sE(kVm]<br />
thrill-seek<strong>in</strong>g [(TrIl )si:kIN]<br />
been us<strong>in</strong>g drugs only for about a<br />
week when he realized it was a serious<br />
problem and checked himself <strong>in</strong>to a<br />
rehab center. It struck me at the time<br />
as remarkably self-aware. On the edge<br />
of self-destruction, he stepped back,<br />
resisted his impulses, and got the help<br />
he needed — a lesson for addicts<br />
everywhere.<br />
Instead, Hoffman became a lesson<br />
for all of us non-addicts everywhere<br />
on just how complicated addiction<br />
can be. Sure, some fans are angry<br />
with him. How can a man who had<br />
everyth<strong>in</strong>g just throw it all away? But<br />
that’s the lesson. Hoffman had it all,<br />
plus a healthy awareness of his problem,<br />
plus the desire to get well, and<br />
still he succumbed — because that’s<br />
addiction for you. All the self-control<br />
and resources <strong>in</strong> the world can still<br />
lose the battle aga<strong>in</strong>st this disease.<br />
How much worse must it be for those<br />
who don’t have such control?<br />
Sucht<br />
Programmk<strong>in</strong>o<br />
Trost<br />
Trauer<br />
reif<br />
Trauern<br />
Multiplex-K<strong>in</strong>os besuchend<br />
hier: verschreibungspflichtig<br />
Perspektive<br />
kultiviert<br />
Entziehungskur<br />
sich über jmdn./etw. verächtlich<br />
äußern<br />
bewusst<br />
nüchtern; hier: clean<br />
Gesellschaftslöwe<br />
nicht standhalten<br />
erlebnishungrig<br />
Amy Argets<strong>in</strong>ger is a co-author of “The Reliable Source,”<br />
a column <strong>in</strong> The Wash<strong>in</strong>gton Post about personalities.<br />
Foto: Corbis<br />
28 <strong>Spotlight</strong> 5|14
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den Kopf!<br />
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TRAVELOGS | Scotland<br />
Glasgow,<br />
where art meets <strong>in</strong>dustry<br />
Where travel is celebrated:<br />
the extraord<strong>in</strong>ary Riverside Museum<br />
with the tall ship Glenlee<br />
Glasgow ist e<strong>in</strong>e lebendige Stadt, die für jeden<br />
etwas zu bieten hat: Kunst, Tradition, Kultur,<br />
modische Boutiquen, Nachtleben. E<strong>in</strong> Bericht<br />
von TOBY SKINGSLEY
One of the bridges<br />
over the River Clyde<br />
Green space: next to the<br />
Kelv<strong>in</strong>grove Art Gallery<br />
Fotos: A1PIX/YPT; Alamy; F1onl<strong>in</strong>e<br />
5|14 <strong>Spotlight</strong><br />
31
TRAVELOGS | Scotland<br />
Red stone, green trees:<br />
Glasgow’s spr<strong>in</strong>g colours<br />
Has Glasgow re<strong>in</strong>vented itself? Many would say it<br />
has: today, it is widely seen as Scotland’s most<br />
vibrant city. With this September’s referendum on<br />
Scottish <strong>in</strong>dependence from the UK mak<strong>in</strong>g the headl<strong>in</strong>es,<br />
I was curious to discover more about Scotland’s largest city.<br />
Scotland was an <strong>in</strong>dependent country until 1707, when<br />
it was united with England and Wales and governed from<br />
London. Today, Scotland is still a part of Great Brita<strong>in</strong>, but<br />
it has managed to keep its identity dist<strong>in</strong>ct. Known as creative<br />
and hard-work<strong>in</strong>g, the Scottish people can be proud<br />
of their achievements <strong>in</strong> the arts. Writers Robert Burns and<br />
Sir Walter Scott and architects Charles Rennie Mack<strong>in</strong>tosh<br />
and Alexander Thomson are admired by many around the<br />
world. Fewer people, however, know of Scotland’s achievements<br />
<strong>in</strong> <strong>in</strong>dustry. Scottish eng<strong>in</strong>eers and <strong>in</strong>ventors were<br />
very important to the Industrial Revolution.<br />
Glas cu — which, <strong>in</strong> Celtic, means “dear green place”<br />
— was founded by the miracle-work<strong>in</strong>g Sa<strong>in</strong>t Kentigern <strong>in</strong><br />
AD 543. Glasgow’s position on the River Clyde, close to<br />
Scotland’s west coast, was ideal for trade. Start<strong>in</strong>g <strong>in</strong> the<br />
1700s, the import of tobacco, sugar and cotton from<br />
North America and the West Indies brought great wealth.<br />
Soon, Glasgow was manufactur<strong>in</strong>g its own goods, too. By<br />
the 1800s, it was filled with cotton mills, steelworks and<br />
shipyards. In those days, Glasgow made an estimated<br />
20 per cent of the world’s ships and a quarter of its locomotives.<br />
It was the British Empire’s second city.<br />
When these <strong>in</strong>dustries fell on hard times, so, too, did<br />
Glasgow. In the mid-20th century, it became known as a<br />
tough city with high unemployment. But recent <strong>in</strong>vestment<br />
and a focus on service <strong>in</strong>dustries have given it new<br />
life. Glasgow still has a reputation for be<strong>in</strong>g the work<strong>in</strong>g<br />
heart of the country, but it is a vibrant centre of the arts as<br />
well. This comb<strong>in</strong>ation gives it an attractive mix of style<br />
and grit, someth<strong>in</strong>g visitors will be able to enjoy dur<strong>in</strong>g<br />
this summer’s Commonwealth Games.<br />
admire [Ed(maIE]<br />
arts [A:ts]<br />
cotton mill [(kQt&n mIl]<br />
curious [(kjUEriEs]<br />
dist<strong>in</strong>ct [dI(stINkt]<br />
goods [gUdz]<br />
grit [grIt]<br />
miracle-work<strong>in</strong>g [(mIrEk&l )w§:kIN]<br />
bewundern<br />
Künste<br />
Baumwollfabrik<br />
neugierig<br />
eigen, eigenständig<br />
Waren<br />
Zähigkeit, Biss<br />
wundertätig<br />
re<strong>in</strong>vent oneself<br />
[)ri:In(vent wVn)self]<br />
reputation [)repju(teIS&n]<br />
shipyard [(SIpjA:d]<br />
steelworks [(sti:&lw§:ks]<br />
vibrant [(vaIbrEnt]<br />
West Indies [west (Indiz]<br />
sich e<strong>in</strong> neues Image geben<br />
Ruf, Ansehen<br />
Schiffswerft<br />
Stahlwerk<br />
dynamisch, pulsierend<br />
West<strong>in</strong>dische Inseln,<br />
Karibische Inseln<br />
Day one<br />
10.30 a.m.<br />
The first word I can th<strong>in</strong>k of is “energy”. Cars and buses<br />
fill busy Renfield Street, as city workers and shoppers fight<br />
for space. Grand Victorian build<strong>in</strong>gs stand next to modern<br />
office blocks. Build<strong>in</strong>gs of sandstone <strong>in</strong> tones of dark red<br />
and honey contrast with grey neoclassical facades.<br />
I walk over to George Square, a showcase of Victorian<br />
architecture with the impos<strong>in</strong>g City Chambers, opened <strong>in</strong><br />
1888 by Queen Victoria herself. Before it stand some of<br />
Scotland’s lead<strong>in</strong>g figures — <strong>in</strong> statue form, at least. I walk<br />
up to James Watt, one of the most important eng<strong>in</strong>eers <strong>in</strong><br />
12.15 p.m.<br />
I want to discover<br />
more about Glasgow’s<br />
<strong>in</strong>dustrial past, so I<br />
catch the bus to the<br />
Riverside Museum. On<br />
the River Clyde <strong>in</strong> an<br />
area once full of shipimpos<strong>in</strong>g<br />
[Im(pEUzIN]<br />
showcase [(SEUkeIs]<br />
steam eng<strong>in</strong>e [(sti:m )endZIn]<br />
32 <strong>Spotlight</strong> 5|14<br />
e<strong>in</strong>drucksvoll<br />
Vorzeigeobjekt<br />
Dampfmasch<strong>in</strong>e<br />
history. Born just west of Glasgow <strong>in</strong> 1736, his improvements<br />
to the steam eng<strong>in</strong>e were important to the Industrial<br />
Revolution. The unit of electrical<br />
power, the watt, is<br />
named after him.<br />
The great hall of the<br />
Kelv<strong>in</strong>grove gallery<br />
Fotos: Alamy; AGE
Busy Buchanan Street<br />
and The Horseshoe<br />
pub<br />
yards, the museum of transport is<br />
known for its overall design as well<br />
as for its exhibits. Architect Zaha<br />
Hadid created the huge, curved silver<br />
warehouse that houses the museum.<br />
The unusual zigzagged facades<br />
have become a favourite of photographers<br />
s<strong>in</strong>ce it was opened <strong>in</strong> 2011. I’m<br />
not the only visitor to stop and admire<br />
the build<strong>in</strong>g before go<strong>in</strong>g <strong>in</strong>side.<br />
The museum’s huge size is perfect for<br />
the exhibits. There are orig<strong>in</strong>al locomotives<br />
built <strong>in</strong> the city, double-decker buses and historic<br />
Glasgow trams. There’s also a fasc<strong>in</strong>at<strong>in</strong>g exhibition, show<strong>in</strong>g<br />
models of ships built on the Clyde. It’s a great place to<br />
visit to get an impression of Glasgow’s role <strong>in</strong> Scotland’s<br />
eng<strong>in</strong>eer<strong>in</strong>g past.<br />
2.30 p.m.<br />
Not far from the Riverside Museum is the trendy West<br />
End. I walk along Byres Road, full of young people, small<br />
bookshops and v<strong>in</strong>tage-clothes shops. I cont<strong>in</strong>ue down<br />
Great Western Road and go <strong>in</strong>to Timorous Beasties, a delightful<br />
store with a selection of orig<strong>in</strong>al textiles and wallpapers.<br />
There are curta<strong>in</strong>s with psychedelic designs, chairs<br />
covered <strong>in</strong> detailed fabrics and cushions with patterns of<br />
birds, <strong>in</strong>sects and thistles — the flower of Scotland.<br />
Next, I head to nearby Kelv<strong>in</strong>grove Art Gallery and<br />
Museum. Inside the red sandstone build<strong>in</strong>g are 22 themed<br />
galleries cover<strong>in</strong>g topics as varied as European art, d<strong>in</strong>osaurs,<br />
ancient Egypt and Scottish history. I start with<br />
an exhibition on Scottish <strong>in</strong>novators and <strong>in</strong>ventors. I read<br />
more about James Watt and learn about James Goodfellow,<br />
too, the man who <strong>in</strong>vented the PIN system for<br />
bank<strong>in</strong>g <strong>in</strong> the 1960s. Then there’s Charles Mac<strong>in</strong>tosh,<br />
who <strong>in</strong>vented the “mac”, a waterproof ra<strong>in</strong>coat, <strong>in</strong> 1823.<br />
I enter a section on a group of artists called the Glasgow<br />
Boys. Active from the late 19th century, the colourful<br />
realism of their pa<strong>in</strong>t<strong>in</strong>gs was a move away from the historical,<br />
idealized scenes typical of the times. The group<br />
caused a sensation, br<strong>in</strong>g<strong>in</strong>g a more European style to<br />
Scottish art, which then also <strong>in</strong>fluenced future movements.<br />
I could spend the rest of the day here, but I decide to take<br />
the underground back to get a bite to eat.<br />
Trendy cafes:<br />
fun d<strong>in</strong><strong>in</strong>g <strong>in</strong><br />
the West End<br />
6 p.m.<br />
In the late 1700s,<br />
when K<strong>in</strong>g George<br />
III lost Brita<strong>in</strong>’s American colonies, the tobacco<br />
trade went <strong>in</strong>to decl<strong>in</strong>e. The rich area of Glasgow<br />
called Merchant City was forced to change with the times:<br />
the tobacco lords left, but their houses and warehouses rema<strong>in</strong>ed.<br />
Big <strong>in</strong>door markets moved <strong>in</strong>, only to be replaced<br />
with lively cafes, <strong>in</strong>dependent boutiques and artists’ studios.<br />
One of these historical market areas is Merchant Square,<br />
today a covered courtyard full of bars and restaurants.<br />
“Merchant Square, where it never ra<strong>in</strong>s.” The sign on<br />
the door makes me smile as I shake the water from my<br />
umbrella. I sit on the terrace at Arisaig restaurant and order<br />
Scottish haddock, chips and mushy peas. Afterwards I try<br />
Cranachan, a delicious dessert made with oats, raspberries,<br />
cream and whisky.<br />
While wait<strong>in</strong>g for my bill, someone asks a guest next<br />
to me for the time. “Time you got a watch, pal,” he replies,<br />
laugh<strong>in</strong>g. Here, f<strong>in</strong>ally, was some of the Glaswegian humour<br />
I’d read about.<br />
8 p.m.<br />
I f<strong>in</strong>ish my day <strong>in</strong> The Horseshoe pub <strong>in</strong> Drury Street, a<br />
Glasgow <strong>in</strong>stitution for more than 100 years. No sooner<br />
does my p<strong>in</strong>t arrive than a guest starts<br />
chatt<strong>in</strong>g to me. We talk about football,<br />
and he gives me tips on Glasgow’s legendary<br />
nightlife. It’s been a long day, and<br />
the p<strong>in</strong>t has given me a peaceful, sleepy<br />
feel<strong>in</strong>g. I don’t th<strong>in</strong>k I’ll make it out to<br />
the clubs tonight.<br />
Historic sight:<br />
Tolbooth Steeple<br />
from 1627<br />
cause a sensation<br />
[)kO:z E sen(seIS&n]<br />
courtyard [(kO:tjA:d]<br />
curved [k§:vd]<br />
decl<strong>in</strong>e [di(klaIn]<br />
delightful [di(laItf&l]<br />
exhibit [Ig(zIbIt]<br />
fabric [(fÄbrIk]<br />
haddock [(hÄdEk]<br />
mushy peas [)mVSi (pi:z] UK<br />
oats [EUts]<br />
für e<strong>in</strong>e Sensation sorgen<br />
Innenhof<br />
gewölbt<br />
Rückgang<br />
reizend<br />
Ausstellungsstück, Exponat<br />
Stoff<br />
Schellfisch<br />
Erbsenpüree<br />
Haferflocken<br />
Freund<br />
Muster<br />
Himbeere<br />
Themen-<br />
Distel<br />
Tapete<br />
Lagerhalle,<br />
Lagerhaus<br />
<strong>in</strong> Zickzackform<br />
pal [pÄl] ifml.<br />
pattern [(pÄt&n]<br />
raspberry [(rA:zbEri]<br />
themed [Ti:md]<br />
thistle [(TIs&l]<br />
wallpaper<br />
[(wO:l)peIpE]<br />
warehouse<br />
[(weEhaUs]<br />
zigzagged<br />
[(zIgzÄgd]
TRAVELOGS | Scotland<br />
Day two<br />
9.30 a.m.<br />
Yesterday’s visit to<br />
Kelv<strong>in</strong>grove has <strong>in</strong>spired<br />
me to learn<br />
more about Glasgow’s arts scene.<br />
So I head to SWG3, a gallery and studio <strong>in</strong> the West<br />
End. There, I meet 31-year-old pa<strong>in</strong>ter Calum Matheson,<br />
a graduate from the Glasgow School of Art. As several recent<br />
w<strong>in</strong>ners of Brita<strong>in</strong>’s Turner Prize come from Glasgow<br />
or have a strong l<strong>in</strong>k to the city, its reputation <strong>in</strong> the art<br />
world has grown enormously <strong>in</strong> the past few years.<br />
“There’s a real bohemian aspect to the city that artists<br />
are attracted to,” Matheson tells me. A Glasgow native<br />
himself, he knows artists who have come to the city and<br />
stayed. “There are plenty of old warehouses with cheap<br />
rents for artists to work <strong>in</strong>, and because Glasgow is quite<br />
small, it’s a great place to network.”<br />
It’s fasc<strong>in</strong>at<strong>in</strong>g that the warehouse space and grit of<br />
Glasgow’s <strong>in</strong>dustrial past are now contribut<strong>in</strong>g to its artistic<br />
present. With well-known bands like Franz Ferd<strong>in</strong>and,<br />
Chvrches and Travis com<strong>in</strong>g from the city, I wonder if<br />
these factors have played a role <strong>in</strong> the vibrant music and<br />
nightlife scene here as well.<br />
11.30 a.m.<br />
The Necropolis:<br />
visit for the views<br />
My next stop will take me <strong>in</strong>to the world of Sir William<br />
Burrell, whose life demonstrated the relationship between<br />
<strong>in</strong>dustry and art. Born <strong>in</strong> Glasgow <strong>in</strong> 1861, Burrell<br />
took over the family shipp<strong>in</strong>g bus<strong>in</strong>ess with his brother<br />
and used his wealth to become an art collector. Much of<br />
his 8,000-item collection is on display at the Burrell Collection.<br />
I take the 10-m<strong>in</strong>ute tra<strong>in</strong> ride from Glasgow Central<br />
to Pollokshaws West station. From there, it’s a 15-m<strong>in</strong>ute<br />
walk to the Burrell Collection through the beautiful Pollok<br />
Country Park. William Burrell believed a country sett<strong>in</strong>g<br />
would be best for the exhibits, which led to the museum’s<br />
location and design. The <strong>in</strong>terior is filled with natural<br />
light, so that visitors can see the wonderful details of the<br />
works of art. I admire tapestries and rugs, sta<strong>in</strong>ed glass and<br />
ceramics, and walk under an orig<strong>in</strong>al medieval archwaybuilt<br />
<strong>in</strong>to the museum’s walls. In one area, large w<strong>in</strong>dows<br />
br<strong>in</strong>g the park’s landscape <strong>in</strong>to the exhibition. It’s like<br />
be<strong>in</strong>g able to view f<strong>in</strong>e art while tak<strong>in</strong>g a walk <strong>in</strong> the<br />
woods.<br />
2 p.m.<br />
“How are you do<strong>in</strong>g, Toby?” the receptionist asks. I’d simply<br />
gone back to my hotel for a quick rest, but we chat like old<br />
friends. He not only makes me feel welcome; he also recommends<br />
that I go to some special places <strong>in</strong> the afternoon.<br />
Leav<strong>in</strong>g the hotel, I walk along Renfield Street and notice<br />
the grid system of streets characteristic of Glasgow’s<br />
centre. The layout rem<strong>in</strong>ds me a bit of a US city — someth<strong>in</strong>g<br />
that moviemakers use to their advantage. Glasgow<br />
recently served as a double for San Francisco <strong>in</strong> the film<br />
Cloud Atlas (2012) with Tom Hanks, and for Philadelphia<br />
<strong>in</strong> World War Z (2013), starr<strong>in</strong>g Brad Pitt.<br />
3 p.m.<br />
I head east past some wonderful street art <strong>in</strong> Merchant City<br />
and eat lunch at Mono <strong>in</strong> K<strong>in</strong>g’s Court. Located <strong>in</strong> Glasgow’s<br />
arty East End, Mono is a vegan cafe, microbrewery<br />
and <strong>in</strong>dependent music store <strong>in</strong> one. I order a falafel and<br />
red onion sandwich with a home-brewed g<strong>in</strong>ger beer, and<br />
look around Monorail, the record shop at the back of the<br />
cafe. At night, Mono transforms <strong>in</strong>to a live music venue.<br />
4.30 p.m.<br />
One of the receptionist’s tips isn’t far from Mono. I walk<br />
uphill along the High Street and arrive at Glasgow Cathedral.<br />
This magnificent church, started <strong>in</strong> the 12th century,<br />
stands near the site where Glasgow was founded. My dest<strong>in</strong>ation,<br />
however, lies beh<strong>in</strong>d it.<br />
The Necropolis is a huge Victorian cemetery on a hill<br />
and conta<strong>in</strong>s the beautiful graves of wealthy Glaswegians.<br />
I reach the tall tombstones at the summit and take <strong>in</strong> one<br />
of the best views of the city. I look out across Glasgow,<br />
over the Clyde Valley and surround<strong>in</strong>g hills. It has been a<br />
short visit, but I’ve learned a lot about the city, this “dear<br />
green place” that has managed to re<strong>in</strong>vent itself while still<br />
keep<strong>in</strong>g <strong>in</strong> touch with its past.<br />
archway [(A:tSweI]<br />
bohemian [bEU(hi:miEn]<br />
graduate [(grÄdZuEt]<br />
grid system [(grId )sIstEm]<br />
item [(aItEm]<br />
medieval [)medi(i:v&l]<br />
rug [rVg]<br />
sett<strong>in</strong>g [(setIN]<br />
shipp<strong>in</strong>g bus<strong>in</strong>ess [(SIpIN )bIznEs]<br />
sta<strong>in</strong>ed glass [)steInd (glA:s]<br />
tapestry [(tÄpIstri]<br />
Bogengang<br />
Künstler-, unkonventionell<br />
Absolvent(<strong>in</strong>)<br />
Rastersystem<br />
Stück, Artikel<br />
mittelalterlich<br />
kle<strong>in</strong>er Teppich<br />
Rahmen, Umgebung<br />
Reederei<br />
Buntglas<br />
Wandteppich<br />
woods [wUdz]<br />
arty [(A:ti] ifml.<br />
cemetery [(semEtri]<br />
g<strong>in</strong>ger [(dZIndZE]<br />
magnificent [mÄg(nIfIsEnt]<br />
microbrewery<br />
[(maIkrEU)bruEri] N. Am.<br />
summit [(sVmIt]<br />
tombstone [(tu:mstEUn]<br />
venue [(venju:]<br />
Wald<br />
pseudokünstlerisch,<br />
auf Künstler machend<br />
Friedhof<br />
Ingwer<br />
prunkvoll<br />
Kle<strong>in</strong>brauerei<br />
Kuppe, Gipfel<br />
Grabste<strong>in</strong><br />
Veranstaltungsort, Treffpunkt<br />
34 <strong>Spotlight</strong> 5|14
IF YOU GO...<br />
Gett<strong>in</strong>g there<br />
You can fly to Glasgow from most airports <strong>in</strong> Germany — there are numerous<br />
direct flights from which to choose. For those travell<strong>in</strong>g to Ed<strong>in</strong>burgh<br />
as well, Glasgow is about an hour away by bus or tra<strong>in</strong>.<br />
It is also possible to take a ferry to various po<strong>in</strong>ts <strong>in</strong> Brita<strong>in</strong>. For further<br />
<strong>in</strong>formation, see www.dfdsseaways.de<br />
Where to stay<br />
Grasshoppers Hotel with double rooms from £65 (around €80).<br />
87 Union Street; tel. (0044) 141-222 2666. www.grasshoppersglasgow.com<br />
Where to eat and dr<strong>in</strong>k<br />
Arisaig restaurant, 1 Merchant Square; tel. (0044) 141-553 1010.<br />
http://arisaigrestaurant.co.uk<br />
The Horseshoe bar, 17–19 Drury Street; tel. (0044) 141-248 6368.<br />
www.thehorseshoebarglasgow.co.uk<br />
Mono Cafe Bar, 12 K<strong>in</strong>g’s Court; tel. (0044) 141-553 2400.<br />
www.monocafebar.com<br />
BURGEN,<br />
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What to see and do<br />
Riverside Museum, 100 Po<strong>in</strong>thouse Place.<br />
www.glasgowlife.org.uk/museums/riverside<br />
Kelv<strong>in</strong>grove Art Gallery and Museum <strong>in</strong> Argyle Street.<br />
www.glasgowlife.org.uk/museums/kelv<strong>in</strong>grove<br />
Burrell Collection, 2060 Pollokshaws Road.<br />
www.glasgowlife.org.uk/museums/burrell-collection<br />
SWG3, Eastvale Place. www.swg3.tv<br />
The Timorous Beasties shop is at 384 Great Western Road.<br />
www.timorousbeasties.com<br />
Sport<br />
The 2014 Commonwealth Games will take place <strong>in</strong> Glasgow from 23 July<br />
to 3 August. www.glasgow2014.com<br />
More <strong>in</strong>formation<br />
See www.visitbrita<strong>in</strong>.com and www.visitscotland.com<br />
Foto: T. Sk<strong>in</strong>gsley; Karte: Nic Murphy<br />
Byres Road<br />
West End<br />
SWG3<br />
Riverside<br />
Museum e<br />
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Kelv<strong>in</strong>grove e Art<br />
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Renfield el<br />
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Pollokshaws<br />
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Royal<br />
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Square<br />
Necropolis<br />
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George Square<br />
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Stand 04/2014
PETER FLYNN | Around Oz<br />
Time to close the gap<br />
Der neue australische Premierm<strong>in</strong>ister, Tony Abbott,<br />
will die sozialen Unterschiede zwischen Aborig<strong>in</strong>es und<br />
Weißen bis spätestens 2031 beseitigt haben.<br />
Dur<strong>in</strong>g a recent holiday <strong>in</strong> my<br />
home town south of Sydney, I<br />
bumped <strong>in</strong>to some old classmates,<br />
<strong>in</strong>clud<strong>in</strong>g a few of the Aborig<strong>in</strong>al<br />
kids who had gone to my school.<br />
There was little visual or statistical<br />
difference between the <strong>in</strong>digenous and<br />
non-<strong>in</strong>digenous members of my age<br />
group. Some were blue-collar workers,<br />
A good start: Aborig<strong>in</strong>al preschoolers<br />
some professionals and some selfemployed.<br />
Some were fit and healthy,<br />
and some tired and overweight.<br />
Two <strong>in</strong>digenous former classmates<br />
had done especially well. John<br />
had become a fisherman, like his father,<br />
but also owned the local fishand-chip<br />
shop and several more boats.<br />
Wendy had left school to work as a<br />
secretary <strong>in</strong> a local law firm, but after<br />
study<strong>in</strong>g part-time by correspondence,<br />
she is now a lawyer herself.<br />
How lucky my little country town<br />
was compared to most parts of Australia.<br />
Six years after then prime<br />
m<strong>in</strong>ister Kev<strong>in</strong> Rudd promised to<br />
“close the gap” between <strong>in</strong>digenous<br />
and non-<strong>in</strong>digenous Australians, little<br />
has changed.<br />
New PM Tony Abbott has taken<br />
personal responsibility for the programmes<br />
that aim to remove Aborig<strong>in</strong>al<br />
disadvantage by no later than<br />
2031 — and the challenges are huge.<br />
There has been almost no improvement<br />
<strong>in</strong> Aborig<strong>in</strong>al life expectancy,<br />
which is 10 years below that of white<br />
people, and employment rates for<br />
Aborig<strong>in</strong>es have gone backwards.<br />
Simply gett<strong>in</strong>g kids to go to school<br />
is a problem, especially <strong>in</strong> remote<br />
communities, where just 30 per cent<br />
of 14-year-old Aborig<strong>in</strong>es meet the<br />
m<strong>in</strong>imum national standard for read<strong>in</strong>g.<br />
(In the cities, it’s 80 per cent.)<br />
There seems to be broad agreement<br />
across Australia for some<br />
“tough love” to get young <strong>in</strong>digenous<br />
people either to stay <strong>in</strong> school or f<strong>in</strong>d<br />
a job. Many argue that the socialwelfare<br />
rules actually encourage these<br />
kids to leave school and then collect<br />
unemployment money.<br />
The government employs school<br />
attendance officers <strong>in</strong> lots of <strong>in</strong>digenous<br />
communities to go from door to<br />
door to make sure kids are head<strong>in</strong>g<br />
for the classroom. Parents can have<br />
welfare benefits stopped if their kids<br />
are repeatedly miss<strong>in</strong>g from class.<br />
“It’s hard to be literate and numerate<br />
without attend<strong>in</strong>g school; it’s<br />
Arbeiter(<strong>in</strong>)<br />
jmdn. zufällig treffen<br />
im Fernstudium<br />
Klassenkamerad(<strong>in</strong>)<br />
hier: kassieren<br />
hier: gewähren<br />
sich <strong>in</strong> Richtung ... bewegen<br />
hier: Aborig<strong>in</strong>e-<br />
zeitweilig, unterbrochen<br />
Rechtsanwaltskanzlei<br />
Mitte<br />
Berufstätige(r) (mit qualifizierter Ausbildung)<br />
abgelegen<br />
Sozialhilfe<br />
Politik der Anregung zur Selbsthilfe durch<br />
Sozialkürzungen<br />
at most [Et (mEUst]<br />
be literate and numerate<br />
[bi )lIt&rEt End (nju:mErEt]<br />
blue-collar worker [blu: )kQlE (w§:kE] N. Am.<br />
bump <strong>in</strong>to sb. [bVmp (IntE] ifml.<br />
by correspondence [baI )kQrE(spQndEns]<br />
classmate [(klA:smeIt]<br />
collect [kE(lekt]<br />
extend [Ik(stend]<br />
head for [(hed fE]<br />
<strong>in</strong>digenous [In(dIdZEnEs]<br />
<strong>in</strong>termittent [)IntE(mIt&nt]<br />
law firm [(lO: f§:m]<br />
midst [mIdst]<br />
professional [prE(feS&nEl]<br />
remote [ri(mEUt]<br />
social welfare [)sEUS&l (welfeE]<br />
tough love [tVf (lVv] N. Am.<br />
“<br />
Australia’s<br />
native people<br />
are still disadvantaged<br />
”<br />
Peter Flynn is a public-relations consultant and social commentator who lives <strong>in</strong> Perth, Western Australia.<br />
hard to f<strong>in</strong>d work without a basic education;<br />
and it’s hard to live well<br />
without a job,” Abbott said while present<strong>in</strong>g<br />
his first “Clos<strong>in</strong>g the Gap” report.<br />
More importantly, he spoke<br />
about a “hardness of the heart” towards<br />
Aborig<strong>in</strong>es on the part of most<br />
Australians: “For two centuries —<br />
with exceptions, of course — Australians<br />
have collectively failed to show<br />
to Aborig<strong>in</strong>al people the personal generosity<br />
and warmth of welcome that<br />
we have habitually extended to the<br />
stranger <strong>in</strong> our midst.”<br />
The PM has spent a lot of time <strong>in</strong><br />
Aborig<strong>in</strong>al communities, both as a<br />
former m<strong>in</strong>ister and as a private citizen.<br />
Later this year, he <strong>in</strong>tends to<br />
spend at least a week <strong>in</strong> Aborig<strong>in</strong>al<br />
communities <strong>in</strong> the Northern Territory,<br />
with a very public spotlight on<br />
Aborig<strong>in</strong>al policy. “After 226 years of<br />
<strong>in</strong>termittent <strong>in</strong>terest at most, why<br />
shouldn’t Aborig<strong>in</strong>al people f<strong>in</strong>ally<br />
have the prime m<strong>in</strong>ister’s undivided<br />
attention for seven days?” he asked.<br />
bestenfalls<br />
lesen, schreiben und rechnen können<br />
Foto: Alamy<br />
36<br />
<strong>Spotlight</strong> 5|14
GET STARTED NOW!<br />
<strong>Spotlight</strong>’s easy-English<br />
booklet<br />
E<strong>in</strong>faches Englisch<br />
für Alltagssituationen<br />
Green Light
DEBATE | Brita<strong>in</strong><br />
Over-the-top pop<br />
Steht Sex <strong>in</strong> der Popkultur heutzutage zu sehr im Vordergrund? Und sollten für Musikvideos<br />
Altersbeschränkungen und strengere Kontrollen e<strong>in</strong>geführt werden?<br />
When pop star Miley Cyrus appeared naked <strong>in</strong> the<br />
video for her s<strong>in</strong>gle “Wreck<strong>in</strong>g Ball” and then<br />
twerked with Rob<strong>in</strong> Thicke at the MTV awards<br />
<strong>in</strong> September 2013, it was too much for some people.<br />
S<strong>in</strong>ger Annie Lennox wrote on Facebook that she was<br />
deeply concerned about “the recent spate of overtly sexualized<br />
performances and videos”. Fellow artist S<strong>in</strong>ead<br />
O’Connor warned 21-year-old Cyrus about be<strong>in</strong>g valued<br />
for her sex appeal rather than her musical talent. With performances<br />
by Rihanna, Beyoncé and many others featur<strong>in</strong>g<br />
plenty of naked flesh, are music videos, and pop music<br />
<strong>in</strong> general, becom<strong>in</strong>g overly sexualized?<br />
<strong>in</strong>g their mean<strong>in</strong>g. Parents said that overly sexual pop acts<br />
were teach<strong>in</strong>g girls that they would be “judged on their<br />
looks, not their achievements or personality”. Parents with<br />
sons worried that watch<strong>in</strong>g explicit music videos made<br />
boys believe that women are “too sexually available” and<br />
should have “unrealistic porn-star-style body shapes”.<br />
Many young people learn about sex and relationships<br />
through the media. A study by the British Board of Film<br />
Classification (BBFC) found that parents are particularly<br />
concerned about films and videos present<strong>in</strong>g unsuitable<br />
behaviour as normal. In the US, a Rasmussen Report survey<br />
showed that 71 per cent of adults believe popular culture<br />
encourages sexual activity among young people.<br />
Not everyone agrees. S<strong>in</strong>ger Jessie J recently told The<br />
Independent newspaper that highly sexual pop-music videos<br />
are probably a pass<strong>in</strong>g trend and that the music <strong>in</strong>dustry is<br />
go<strong>in</strong>g through a period of change. Index on Censorship<br />
warns that giv<strong>in</strong>g X-rat<strong>in</strong>gs for music videos could make<br />
them more attractive and that society needs to address the<br />
ma<strong>in</strong> issues of racism and sexism <strong>in</strong> popular culture.<br />
With explicit material becom<strong>in</strong>g more widely available<br />
onl<strong>in</strong>e, a special report published by the National Society<br />
for the Prevention of Cruelty to Children (NSPCC) stated<br />
that culture has become more “pornified” and “sexualized”.<br />
It found that although many young people understand<br />
how the media works, “even when they recognize that the<br />
images they see are not realistic portrayals of ‘real’ life, they<br />
still say that these images make them feel <strong>in</strong>adequate and<br />
pressurized”.<br />
In an <strong>in</strong>terview with a Boston radio station, pop star<br />
Britney Spears admitted that she still felt a pressure to appear<br />
sexy <strong>in</strong> her videos. The 32-year-old mother of two<br />
said: “A lot of sex goes <strong>in</strong>to what I do.” She would prefer<br />
a return to pop music’s less explicit “old days”.<br />
Too sexy? Pop s<strong>in</strong>ger Rihanna perform<strong>in</strong>g on stage<br />
Siobhan Freegard, founder of the parent<strong>in</strong>g website<br />
Netmums, told the BBC that th<strong>in</strong>gs have “gone too far”<br />
and that it is “toxic to tell young kids [that] casual sex and<br />
violence are someth<strong>in</strong>g to aspire to”. In a survey of Netmums’<br />
members, 82 per cent said that their children had<br />
repeated sexual lyrics or dance movements without know-<br />
etw. anstreben<br />
gelegentlich, locker<br />
hier: (sexuell) e<strong>in</strong>deutig<br />
Songtext(e)<br />
übermäßig<br />
offenkundig; hier: allzu freizügig<br />
Erziehungs-, Eltern-<br />
unter Druck gesetzt<br />
Flut, Welle<br />
hier: Sender<br />
hier: schädlich<br />
aufreizend, mit dem Gesäß<br />
betonend tanzen<br />
aspire to sth. [E(spaIE tE]<br />
casual [(kÄZuEl]<br />
explicit [Ik(splIsIt]<br />
lyrics [(lIrIks]<br />
overly [(EUvEli]<br />
overtly [EU(v§:tli]<br />
parent<strong>in</strong>g [(peErEntIN]<br />
pressurized [(preSEraIzd]<br />
spate [speIt]<br />
station [(steIS&n]<br />
toxic [(tQksIk]<br />
twerk [tw§:k] ifml.<br />
Fotos: Corbis; J. Earwaker<br />
38<br />
<strong>Spotlight</strong> 5|14
Julian Earwaker asked people <strong>in</strong> Norwich, England:<br />
Is pop culture overly sexualized?<br />
Kim Sauro, 25,<br />
carer<br />
Listen to Kim, Michael, Adam and Heather<br />
Michael Howes, 35,<br />
designer<br />
Adam Smith, 20,<br />
model<br />
Heather Cornwell, 18,<br />
retail worker<br />
Sarah K<strong>in</strong>g, 37,<br />
shop manager<br />
Jonny Reeve, 18,<br />
doorman<br />
David Knowles, 35,<br />
supervisor<br />
Judi Dayk<strong>in</strong>, 54,<br />
actor<br />
as opposed to [Ez E(pEUzd tE]<br />
depict [di(pIkt]<br />
doorman [(dO:mEn]<br />
edgy [(edZi] ifml.<br />
hero<strong>in</strong>e [(herEUIn]<br />
im Gegensatz zu<br />
darstellen<br />
Türsteher, Portier<br />
spannungsgeladen, trendig<br />
Held<strong>in</strong>, Idol<br />
<strong>in</strong>appropriate [)InE(prEUpriEt]<br />
mistreat [)mIs(tri:t]<br />
retail worker [(ri:teI&l )w§:kE]<br />
skimpy [(skImpi]<br />
upset [Vp(set]<br />
unangemessen<br />
misshandeln<br />
Arbeitskraft im E<strong>in</strong>zelhandel<br />
knapp<br />
aufregen, stören<br />
5|14 <strong>Spotlight</strong><br />
39
HISTORY | 75 Years Ago<br />
Anglo-Saxon treasures<br />
Vor 75 Jahren wurde e<strong>in</strong> sensationeller Fund <strong>in</strong> dem englischen Ort Sutton Hoo gemacht:<br />
e<strong>in</strong> König mit Schatz und Schiff, der Rätsel aufgibt. Von MIKE PILEWSKI<br />
For 1,300 years, the ship rested <strong>in</strong>side the hill, its only<br />
passenger a sleep<strong>in</strong>g k<strong>in</strong>g, its cargo his treasure.<br />
When the burial site at Sutton Hoo <strong>in</strong> Suffolk, England,<br />
was f<strong>in</strong>ally opened <strong>in</strong> the spr<strong>in</strong>g of 1939 — 75 years<br />
ago this month — it revealed some of the most significant<br />
historic artefacts ever to be found <strong>in</strong> Brita<strong>in</strong>.<br />
The wooden ship, 27 metres long with po<strong>in</strong>ted ends,<br />
had dissolved completely <strong>in</strong> the acidic soil. All that was<br />
left was an impr<strong>in</strong>t, punctuated with a regular pattern of<br />
the iron rivets that had held the ship together. At its centre<br />
was a burial chamber. The body <strong>in</strong>side — even the<br />
bones — had been reduced to traces of phosphate<br />
<strong>in</strong> the soil. The objects that had<br />
been buried with it rema<strong>in</strong>ed, however:<br />
clothes, weapons, jewellery, armour,<br />
dr<strong>in</strong>k<strong>in</strong>g horns and cups, co<strong>in</strong>s<br />
and other luxury goods, many<br />
made of gold or silver, and all<br />
decorated exquisitely. The most<br />
remarkable f<strong>in</strong>d, though, was<br />
an iron helmet.<br />
The helmet would have<br />
covered the wearer’s entire<br />
head and face, leav<strong>in</strong>g only<br />
the eyes free to look out. On<br />
the outside, one sees metal<br />
eyebrows, a nose, a moustache<br />
and a mouth, all connected by<br />
a crest ris<strong>in</strong>g to the top of the<br />
helmet. Some see this comb<strong>in</strong>ation<br />
of shapes as represent<strong>in</strong>g<br />
a bird or dragon fly<strong>in</strong>g<br />
upwards. Bronze panels on<br />
the helmet’s other surfaces<br />
show battle scenes and ornamental<br />
animals.<br />
Rare f<strong>in</strong>d: the iron helmet<br />
The helmet was damaged centuries ago, when the<br />
weight of the soil above caused the burial chamber to collapse.<br />
Parts of the decoration are miss<strong>in</strong>g. Even so, it is still<br />
a most unusual f<strong>in</strong>d: only four complete helmets from that<br />
time are known to exist. The style is similar to that of the<br />
late Roman period, but no Roman wore the helmet; the<br />
wearer must have been an Anglo-Saxon — one of the first<br />
people ever to speak English.<br />
Could the early Middle Ages really have been this advanced?<br />
Before the discovery at Sutton Hoo, extremely little<br />
had been known about the period between the<br />
Romans’ departure <strong>in</strong> AD 410 and the first<br />
Anglo-Saxon k<strong>in</strong>gdoms <strong>in</strong> the 600s. Dur<strong>in</strong>g<br />
these “Dark Ages”, the Angles, Saxons<br />
and Jutes, arriv<strong>in</strong>g from what is<br />
now northern Germany and Denmark,<br />
settled <strong>in</strong> Brita<strong>in</strong>. Their conflicts<br />
with the Celtic Britons<br />
spawned the legend of K<strong>in</strong>g<br />
Arthur — a story first written<br />
down centuries later. The neartotal<br />
lack of documents and<br />
artefacts, except for some<br />
weapons and handmade pottery,<br />
meant that this period<br />
must have been one of decl<strong>in</strong>e<br />
and chaos, historians thought.<br />
Roman-style craftsmanship<br />
could hardly have existed <strong>in</strong><br />
such an environment.<br />
Sutton Hoo changed all<br />
that. The artefacts <strong>in</strong> the<br />
buried ship are evidence of<br />
an organized, advanced culture,<br />
one <strong>in</strong> which the early<br />
Anglo-Saxon k<strong>in</strong>gdoms were<br />
acidic [E(sIdIk]<br />
armour [(A:mE]<br />
burial chamber [(beriEl )tSeImbE]<br />
cargo [(kA:gEU]<br />
craftsmanship [(krA:ftsmEnSIp]<br />
crest [krest]<br />
dissolve [dI(zQlv]<br />
helmet [(helmIt]<br />
impr<strong>in</strong>t [(ImprInt]<br />
Middle Ages [)mId&l (eIdZIz]<br />
sauer, säurehaltig<br />
Rüstung<br />
Grabkammer<br />
Fracht<br />
Handwerkskunst<br />
Helmzier<br />
sich auflösen; hier: sich zersetzen<br />
Helm<br />
Abdruck<br />
Mittelalter<br />
moustache [mE(stA:S]<br />
panel [(pÄn&l]<br />
po<strong>in</strong>ted [(pOIntId]<br />
pottery [(pQtEri]<br />
punctuate [(pVNktSueIt]<br />
reveal [ri(vi:&l]<br />
rivet [(rIvIt]<br />
soil [sOI&l]<br />
spawn [spO:n]<br />
trace [treIs]<br />
Schnurrbart<br />
Platte, Blende<br />
spitz zulaufend<br />
Tonwaren, Keramik<br />
durchsetzen<br />
preisgeben<br />
(Niet)Nagel<br />
Boden<br />
hervorbr<strong>in</strong>gen<br />
Spur<br />
Fotos: British Museum; Mauritius Images<br />
40<br />
<strong>Spotlight</strong> 5|14
The ship had left a perfect impr<strong>in</strong>t<br />
start<strong>in</strong>g to be consolidated. Co<strong>in</strong>s found among<br />
the treasure were made sometime between 595<br />
and 640, lead<strong>in</strong>g historians to speculate that the<br />
body <strong>in</strong>side the ship had been that of K<strong>in</strong>g Rædwald,<br />
who ruled from about 599 to his death <strong>in</strong><br />
624 or 625. Rædwald was the first East Anglian<br />
k<strong>in</strong>g to become a Christian. As such, he may<br />
have been the last k<strong>in</strong>g to have been given this<br />
k<strong>in</strong>d of burial.<br />
Historians see a connection to the Old English<br />
epic poem Beowulf, which beg<strong>in</strong>s with the<br />
funeral of a k<strong>in</strong>g <strong>in</strong> a ship. The story takes place <strong>in</strong> southern<br />
Sweden and Denmark dur<strong>in</strong>g the time of the Anglo-<br />
Saxon migration to England.<br />
The burial mound conta<strong>in</strong><strong>in</strong>g the ship was only one of<br />
several at Sutton Hoo. The area was long known to be an<br />
archaeological site. The smaller mounds had, <strong>in</strong> fact, been<br />
plundered over the centuries. Grave-robbers dug <strong>in</strong>to the<br />
ma<strong>in</strong> mound <strong>in</strong> the 16th century, but they did not f<strong>in</strong>d<br />
the treasure, which was deep <strong>in</strong>side.<br />
Interest <strong>in</strong> the site returned dur<strong>in</strong>g the 19th century,<br />
and a small view<strong>in</strong>g platform was built. In 1926, a retired<br />
military officer, Frank Pretty, and his wife, Edith, bought<br />
the property. After Frank died several years later, Edith<br />
took an <strong>in</strong>terest <strong>in</strong> what was under the ground and hired<br />
Basil Brown, a self-taught archaeologist, to excavate the<br />
site. Start<strong>in</strong>g with the smaller mounds, Brown discovered<br />
three burial sites that had already been visited by graverobbers.<br />
In one of them, he found iron ship rivets and a<br />
burial chamber conta<strong>in</strong><strong>in</strong>g fragments of metal and glass<br />
objects.<br />
archaeological site<br />
[A:kiE)lQdZIk&l (saIt]<br />
burial mound [(beriEl maUnd]<br />
consolidate [kEn(sQlIdeIt]<br />
excavate [(ekskEveIt]<br />
plaster cast [)plA:stE (kA:st]<br />
plunder [(plVndE]<br />
self-taught [)self (tO:t]<br />
Ausgrabungsstätte<br />
Grabhügel<br />
sich festigen<br />
ausgraben<br />
Gipsabdruck<br />
plündern<br />
autodidaktisch<br />
Above: a replica of<br />
the ship at the<br />
Sutton Hoo exhibition<br />
centre (left)<br />
In May 1939,<br />
Brown and three<br />
of Pretty’s staff<br />
started digg<strong>in</strong>g<br />
<strong>in</strong>to the largest<br />
mound. On the<br />
third day of their<br />
excavations, they<br />
found an iron rivet. Hours later, they found more, still <strong>in</strong><br />
their orig<strong>in</strong>al positions. After several weeks of careful work,<br />
they reached the burial chamber.<br />
The Ipswich Museum, the British Museum, the Science<br />
Museum <strong>in</strong> London and the Office of Works felt<br />
that the discovery was too big to leave to amateurs. They<br />
sent <strong>in</strong> a team of archaeologists, led by Charles Phillips,<br />
and had the artefacts brought to London.<br />
A newspaper report caught the attention of the village<br />
of Sutton. The treasure, said the village, belonged to Edith<br />
Pretty, because it was her land. Pretty, however, said the<br />
f<strong>in</strong>d should be shared by everyone and made it a gift to<br />
the nation.<br />
From 1965 to 1971, a team from the British Museum<br />
revisited the site and made a plaster cast of the impr<strong>in</strong>t of<br />
the ship <strong>in</strong> the ground. However, a third expedition from<br />
1983 to 1992, led by Mart<strong>in</strong> Carver of the University of<br />
York, brought the most complete f<strong>in</strong>d<strong>in</strong>gs of all. The entire<br />
site was exam<strong>in</strong>ed, with relations be<strong>in</strong>g found to prehistoric<br />
and Roman settlements. A large part of the area was<br />
left untouched for future archaeologists to study, us<strong>in</strong>g<br />
even better methods.<br />
In 2001, the National Trust — the organization that<br />
manages many of Brita<strong>in</strong>’s historic sites — built a visitors’<br />
centre there. All this year, the organization is celebrat<strong>in</strong>g<br />
the 75th anniversary of the 1939 excavation with lectures<br />
and a “1930s liv<strong>in</strong>g history experience”. The artefacts<br />
found 75 years ago are divided between the British Museum,<br />
the Ipswich Museum and the visitors’ centre.<br />
5|14 <strong>Spotlight</strong><br />
41
PRESS GALLERY | Comment<br />
What is the military for?<br />
Wie s<strong>in</strong>nvoll ist es, e<strong>in</strong>e teure und für die moderne Kriegsführung ausgerüstete Armee zu<br />
unterhalten, wenn diese hauptsächlich für friedliche Zwecke e<strong>in</strong>gesetzt wird?<br />
For at least a century not a year has passed <strong>in</strong> which<br />
British soldiers have not been off fight<strong>in</strong>g somewhere<br />
<strong>in</strong> the world. ...<br />
Our writers suggest that ... 2015 could be the first year<br />
with no British shots fired <strong>in</strong> anger. Officers call this “a<br />
strategic pause”. Certa<strong>in</strong>ly, the prospect of it should<br />
prompt discussion about the purposes of our armed forces.<br />
The nations of Europe spend close to €200 bn annually<br />
on defence and keep one and a half million men and<br />
women under arms, with another four million <strong>in</strong> reserve,<br />
and paramilitary forces. What are they for? They are not<br />
for colonial control. They are not<br />
(after the end of the cold war)<br />
for defence aga<strong>in</strong>st<br />
the Warsaw<br />
Pact. They<br />
Provid<strong>in</strong>g<br />
support to<br />
troops: Brita<strong>in</strong>’s<br />
Royal<br />
Logistic Corps<br />
are not (after Afghanistan, Iraq and Libya, and <strong>in</strong> spite of<br />
Mali and the Central African Republic) for major <strong>in</strong>terventions<br />
outside Europe...<br />
They are not (given the nature of asymmetrical conflict)<br />
for fight<strong>in</strong>g “terrorism”. ...<br />
They are clearly of value ... as general-purpose forces<br />
<strong>in</strong> emergencies such as major floods, fires, earthquakes, or<br />
nuclear accidents, and as providers of cont<strong>in</strong>gents for UN<br />
peacekeep<strong>in</strong>g operations, <strong>in</strong>clud<strong>in</strong>g technical back-up for<br />
less well-equipped troop donors.<br />
Yet are these useful functions best met by forces that<br />
have been expensively tra<strong>in</strong>ed for combat aga<strong>in</strong>st other sophisticated<br />
armies or for use <strong>in</strong> <strong>in</strong>surgencies? Arguably,<br />
many of their skills are redundant and much of their<br />
equipment irrelevant. That goes especially for British and<br />
French nuclear weapons. ...<br />
Is the 21st century, <strong>in</strong> general, so unpredictably dangerous<br />
that we need to ma<strong>in</strong>ta<strong>in</strong> state of the art militaries<br />
on the basis that if we let the skills, traditions and support<strong>in</strong>g<br />
<strong>in</strong>dustries die it will be impossible to revive them? Or<br />
do we need to start th<strong>in</strong>k<strong>in</strong>g about our military establishment<br />
less <strong>in</strong> terms of firepower and more <strong>in</strong> terms of a fire<br />
brigade, with war somewhere <strong>in</strong> the middle, rather than<br />
right at the top, of the list of duties?<br />
© Guardian News & Media 2014<br />
unter Umständen<br />
Streitkräfte<br />
Unterstützung, Reserve-<br />
Milliarde<br />
annähernd<br />
Kampf<br />
Geldgeber(<strong>in</strong>)<br />
Feuerwehr<br />
(militärische) Schlagkraft<br />
allgeme<strong>in</strong><br />
angesichts<br />
Aufstand<br />
h<strong>in</strong>sichtlich<br />
zu etw. anregen<br />
Aussicht<br />
unnötig, überflüssig<br />
wieder zum Leben erwecken<br />
hoch entwickelt,<br />
gut ausgestattet<br />
hochmodern<br />
arguably [(A:gjuEbli]<br />
armed forces [)A:md (fO:sIz]<br />
back-up [(bÄk Vp]<br />
bn = billion [(bIljEn]<br />
close to [(klEUs tE]<br />
combat [(kQmbÄt]<br />
donor [(dEUnE]<br />
fire brigade [(faIE brI)geId]<br />
firepower [(faIE)paUE]<br />
general-purpose<br />
[)dZen&rEl (p§:pEs]<br />
given [(gIv&n]<br />
<strong>in</strong>surgency [In(s§:dZEnsi]<br />
<strong>in</strong> terms of [In (t§:mz Ev]<br />
prompt sth. [prQmpt]<br />
prospect [(prQspekt]<br />
redundant [ri(dVndEnt]<br />
revive [ri(vaIv]<br />
sophisticated [sE(fIstIkeItId]<br />
state of the art [)steIt Ev Di (A:t]<br />
Foto: Alamy<br />
42 <strong>Spotlight</strong> 5|14
INFO TO GO<br />
not<br />
The <strong>in</strong>troductory sentence <strong>in</strong> this article looks a little<br />
strange, s<strong>in</strong>ce it conta<strong>in</strong>s two negative constructions.<br />
Non-native speakers of English may have some difficulty<br />
understand<strong>in</strong>g what surely could have been<br />
written <strong>in</strong> a simpler way. In fact, even native speakers<br />
may have to stop and th<strong>in</strong>k for a moment. What is<br />
the journalist say<strong>in</strong>g? Reformulated, the sentence<br />
could read: “British soldiers have been away fight<strong>in</strong>g<br />
somewhere <strong>in</strong> the world every year for the past century.”<br />
Why make th<strong>in</strong>gs sound so complicated? The<br />
answer is style. English is such a rich language that it<br />
allows many different possibilities for say<strong>in</strong>g the<br />
same th<strong>in</strong>g. Journalists can choose to write about the<br />
news <strong>in</strong> a way that states the simple facts, or <strong>in</strong> a way<br />
that conveys a certa<strong>in</strong> tone, such as one of importance.<br />
In this case, a structure is used that simply<br />
holds the reader’s attention.<br />
convey [kEn(veI]<br />
soil [sOI&l]<br />
truffle-grower [(trVf&l )grEUE]<br />
übermitteln, vermitteln<br />
Boden<br />
Trüffelbauer, -bäuer<strong>in</strong><br />
Listen to more news<br />
items <strong>in</strong> Replay<br />
IN THE HEADLINES The Guardian Weekly<br />
When you open your refrigerator to f<strong>in</strong>d someth<strong>in</strong>g to eat,<br />
you may smell the food first to f<strong>in</strong>d out whether it is still<br />
fresh. Food that doesn’t “pass the smell test” must be<br />
thrown away; it’s not what it should be. When we talk<br />
about other th<strong>in</strong>gs not pass<strong>in</strong>g the smell test, we mean<br />
that they are easily determ<strong>in</strong>ed to be bad, fake or wrong.<br />
This headl<strong>in</strong>e referred to an article about French trufflegrowers,<br />
who are look<strong>in</strong>g for a way to measure the smells<br />
that make French truffles different from cheaper Ch<strong>in</strong>ese<br />
truffles. “From the key components of the smell, we<br />
should be able to determ<strong>in</strong>e the soil from where the truffle<br />
comes,” Christian G<strong>in</strong>ies of France’s National Institute<br />
of Agronomic Research told Reuters. Both varieties of<br />
black truffle are very similar, but those from France sell<br />
for €1,000 a kilo, while those from Ch<strong>in</strong>a cost only €30.<br />
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ARTS | What’s New<br />
| Comedy<br />
A song <strong>in</strong> his heart:<br />
James Corden is the<br />
hopeful Paul Potts<br />
Paul’s story<br />
With American film-maker David Frankel (The<br />
Devil Wears Prada) <strong>in</strong> the director’s chair, audiences<br />
can expect a humorous look at the real-life<br />
story of Paul Potts, the shy young man from Port Talbot,<br />
Wales, who won Brita<strong>in</strong>’s Got Talent <strong>in</strong> 2007.<br />
We know that this fairy tale ended happily, so Frankel’s<br />
ma<strong>in</strong> challenge <strong>in</strong> One Chance is to make it <strong>in</strong>terest<strong>in</strong>g.<br />
He does this by show<strong>in</strong>g Potts (James Corden) as the product<br />
of a no-nonsense, work<strong>in</strong>g-class environment. Dad<br />
Roland (Colm Meaney) wants his son to work with him<br />
at the local steel mill, while lov<strong>in</strong>g Mum Yvonne (Julie<br />
| Crime<br />
The film 3 Days to Kill is the first movie for some time to<br />
star Kev<strong>in</strong> Costner. Prov<strong>in</strong>g that late middle age can have <strong>in</strong>terest<strong>in</strong>g<br />
moments, he plays Ethan Renner, a CIA spy who returns<br />
to his home <strong>in</strong> Paris to<br />
reconnect with his daughter Zoey:<br />
Renner has a bra<strong>in</strong> tumour, and time<br />
is short. When the CIA approaches<br />
him with the offer of new medic<strong>in</strong>es<br />
if he will do one last job <strong>in</strong>volv<strong>in</strong>g<br />
two <strong>in</strong>ternational terrorists, “Dad”<br />
and “bad” start to rhyme <strong>in</strong> more<br />
ways than one. McG (Joseph McG<strong>in</strong>ty<br />
Nichol) directs. Starts 8 May.<br />
Kev<strong>in</strong> Costner: back for more<br />
Walters) th<strong>in</strong>ks that Paul is a genius. Potts himself dreams<br />
only of opera, but he is low on confidence.<br />
It’s when he f<strong>in</strong>ds the true love of Julz (Alexandra<br />
Roach) that he beg<strong>in</strong>s to believe <strong>in</strong> his wonderful voice<br />
and a future that could take him away from life as a carphone<br />
salesman. Frankel does a good job of comb<strong>in</strong><strong>in</strong>g<br />
beautiful music with slightly obvious comedy. With coproducers<br />
Harvey We<strong>in</strong>ste<strong>in</strong> and Simon Cowell <strong>in</strong>volved,<br />
One Chance is def<strong>in</strong>itely a crowd-pleaser. But it’s also an<br />
<strong>in</strong>spir<strong>in</strong>g story about follow<strong>in</strong>g your dreams, someth<strong>in</strong>g<br />
we can all relate to. Starts 22 May.<br />
| Action<br />
War and its<br />
consequences<br />
This fast-mov<strong>in</strong>g action film beg<strong>in</strong>s<br />
when four US soldiers travel deep <strong>in</strong>to<br />
the mounta<strong>in</strong>s of Afghanistan to f<strong>in</strong>d a<br />
dangerous Taliban leader. From then on,<br />
everyth<strong>in</strong>g goes badly wrong. Shepherds<br />
discover the soldiers and <strong>in</strong>form<br />
the Taliban, which leads to an ambush<br />
and an impossible battle for survival.<br />
Based on a true story, Lone Survivor<br />
is an <strong>in</strong>tense war movie featur<strong>in</strong>g<br />
strong performances from Mark Wahlberg, Emile Hirsch and<br />
Taylor Kitsch. Written and directed by Peter Berg (Hancock, Battleship),<br />
the film shows the terrible consequences of war and<br />
raises challeng<strong>in</strong>g moral questions. Out on DVD on 8 May.<br />
ambush [(ÄmbUS]<br />
approach sb. [E(prEUtS]<br />
crowd-pleaser: be a ~<br />
[(kraUd )pli:zE] ifml.<br />
fairy tale [(feEri teI&l]<br />
genius [(dZi:niEs]<br />
low on confidence: be ~<br />
[)lEU Qn (kQnfIdEns]<br />
Angriff aus dem H<strong>in</strong>terhalt<br />
an jmdn. herantreten<br />
beim Publikum gut<br />
ankommen<br />
Märchen<br />
Genie<br />
kaum Selbstvertrauen haben<br />
no-nonsense<br />
[)nEU (nQnsEns]<br />
reconnect with sb.<br />
[)ri:kE(nekt w:ð]<br />
rhyme [raIm]<br />
salesman [(seI&lzmEn]<br />
shepherd [(SepEd]<br />
steel mill [(sti:&l mIl]<br />
nüchtern<br />
zu jmdm. wieder e<strong>in</strong>e<br />
Verb<strong>in</strong>dung aufbauen<br />
sich reimen<br />
Verkäufer, Händler<br />
(Schaf)Hirte<br />
Stahlwerk<br />
Fotos: Corbis; PR<br />
44 <strong>Spotlight</strong> 5|14
| Read<strong>in</strong>g<br />
| General knowledge<br />
Every month <strong>in</strong> the Arts section (p. 47), we recommend an easy<br />
reader for you to enjoy. These stories have been specially written<br />
or adapted for English learners. Every story is graded accord<strong>in</strong>g<br />
to the level of the language. But how do you know<br />
what level is right for you? A good start<strong>in</strong>g po<strong>in</strong>t is the How<br />
Good Is Your English? app from Oxford Bookworms. Its<br />
12 tests allow you to<br />
f<strong>in</strong>d your level, us<strong>in</strong>g<br />
chapters from different<br />
books <strong>in</strong> the Oxford<br />
Bookworms easy-reader<br />
series. Once you have<br />
tried a test, the free app<br />
tells you which books<br />
are available for your<br />
level. Different publishers<br />
have their own<br />
names for the levels, but<br />
the app is a good guide<br />
for all easy readers. How<br />
Good Is Your English? is<br />
available from iTunes.<br />
Your level of English:<br />
f<strong>in</strong>d it here<br />
James O’Brien is a<br />
morn<strong>in</strong>g presenter<br />
for the Londonbased<br />
radio station<br />
LBC. Every week, he<br />
presents James<br />
O’Brien’s Mystery<br />
Hour, to<br />
which listeners can<br />
call <strong>in</strong> and ask any<br />
question they want<br />
to have answered.<br />
O’Brien chooses the<br />
Ask him: presenter James O’Brien<br />
most <strong>in</strong>terest<strong>in</strong>g<br />
suggestions, then <strong>in</strong>vites listeners to phone <strong>in</strong> and offer an answer.<br />
The result of this unusual format is a number of surpris<strong>in</strong>g<br />
discussions. Do magnets work <strong>in</strong> space? Who <strong>in</strong>vented<br />
swimm<strong>in</strong>g? Or how do you expla<strong>in</strong> colours to bl<strong>in</strong>d people?<br />
These are just some of the questions that have been asked <strong>in</strong><br />
recent programmes, and while the answers may not be what<br />
you expect, the show is always enterta<strong>in</strong><strong>in</strong>g. What’s more, as<br />
O’Brien promises, you will certa<strong>in</strong>ly be more knowledgeable at<br />
the end of the show than you were at its start. James O’Brien’s<br />
Mystery Hour is available free as a weekly podcast on iTunes.<br />
| Music<br />
With songs such as “The Young Ones” and “Move<br />
It”, Cliff Richard became an icon of British rock<br />
and roll <strong>in</strong> the late 1950s and early 1960s. He chose<br />
to stay with melody and harmony, though, build<strong>in</strong>g<br />
a career on tunes that <strong>in</strong>clude “We Don’t Talk Anymore”<br />
and “The Millennium Prayer”. He became one<br />
of the most famous members of the British enterta<strong>in</strong>ment<br />
<strong>in</strong>dustry and was chosen to perform at Queen<br />
Elizabeth’s Diamond Jubilee concert <strong>in</strong> 2012. With<br />
more than 50 years of experience and 100 albums to his<br />
name, Sir Cliff br<strong>in</strong>gs his “Still Reel<strong>in</strong>’ and A-Rock<strong>in</strong>’<br />
Tour” to Germany <strong>in</strong> May, prov<strong>in</strong>g that music really has<br />
made him — and kept him — a “young one”. For dates<br />
of his shows, as well as concert times and tickets, check<br />
www.cliffrichard.org<br />
Still go<strong>in</strong>g<br />
strong: Cliff<br />
Richard is<br />
on the road<br />
adapt [E(dÄpt]<br />
-based [beIst]<br />
diamond jubilee<br />
[)daIEmEnd (dZu:bIli:]<br />
icon [(aIkQn]<br />
tune [tju:n]<br />
bearbeiten, anpassen<br />
<strong>in</strong> ... ansässig, mit Sitz <strong>in</strong>...<br />
hier: 60. Thronjubiläum<br />
Idol<br />
Melodie<br />
Reviews by OWEN CONNORS and EVE LUCAS<br />
5|14 <strong>Spotlight</strong><br />
45
ARTS | Short Story and Books<br />
The big grey man of Ben MacDhui<br />
E<strong>in</strong> junger Mann plant e<strong>in</strong>e Wanderung auf e<strong>in</strong>en der höchsten Berge Schottlands. Zuvor macht<br />
er e<strong>in</strong>e beunruhigende Bekannschaft. Von NIGEL MARSH<br />
We’ve got one of those.”<br />
I turned my head to see if the voice was talk<strong>in</strong>g<br />
to me. I was sitt<strong>in</strong>g at a bus stop, wait<strong>in</strong>g for the<br />
bus that would take me to the foot of Ben MacDhui for a<br />
day’s walk on one of Scotland’s<br />
wildest mounta<strong>in</strong>s. I<br />
hadn’t noticed the old man.<br />
He po<strong>in</strong>ted at the newspaper<br />
I was read<strong>in</strong>g.<br />
“We’ve got one of<br />
those,” he repeated.<br />
I looked him up and<br />
down: short, with a tough<br />
appearance, a white beard.<br />
“You’ve got one of<br />
what?” I asked.<br />
“One of those.”<br />
He tapped the headl<strong>in</strong>e<br />
<strong>in</strong> the newspaper: “New<br />
sight<strong>in</strong>g of yeti.”<br />
“Up there, he is,” he<br />
said, and he nodded towards<br />
the mounta<strong>in</strong>s, still topped with snow, although the<br />
summer was already here.<br />
“Tell me more,” I said, try<strong>in</strong>g hard not to smile.<br />
“Saw him with my own eyes,” the old man went on.<br />
“Thirty years ago, it was. A Sunday <strong>in</strong> the early spr<strong>in</strong>g. The<br />
snow was still deep on the mounta<strong>in</strong>s.”<br />
He turned his head and spat on to the road.<br />
“Anyway,” he cont<strong>in</strong>ued, “I was up there, and I’d got<br />
myself a wee bit lost. The w<strong>in</strong>d was gett<strong>in</strong>g up, and it was<br />
just beg<strong>in</strong>n<strong>in</strong>g to snow aga<strong>in</strong>. Then I heard it.”<br />
“What, the yeti?” I said, eyes wide.<br />
“Not the yeti — and anyway, we don’t call him that<br />
round here. No, it was a groan<strong>in</strong>g sound, someone <strong>in</strong> pa<strong>in</strong>.<br />
I followed the sound, and I found him.”<br />
“You found the yeti?” I asked.<br />
“No, not him. Just a man. Ly<strong>in</strong>g by a big rock. His eyes<br />
were closed. Snow was settl<strong>in</strong>g on his clothes and face. I<br />
leaned down and put my hand on his shoulder. His eyes<br />
opened wide, and he screamed, try<strong>in</strong>g to get away from<br />
me, whimper<strong>in</strong>g and wav<strong>in</strong>g his arms around. ‘Calm yourself<br />
down,’ I said. ‘I’m here to help you, you fool.’”<br />
The old man spat aga<strong>in</strong> and cont<strong>in</strong>ued: “So he started<br />
talk<strong>in</strong>g to himself. In Gaelic, it was: ‘Am Fear Liath Mòr’<br />
— the big grey man, that means. Kept say<strong>in</strong>g it. ‘Where’s<br />
the trouble?’ I asked, look<strong>in</strong>g for an <strong>in</strong>jury. I touched his<br />
leg, and he howled — broken. He wouldn’t be walk<strong>in</strong>g off<br />
that mounta<strong>in</strong>.”<br />
“What did you do?” I asked the old man, beg<strong>in</strong>n<strong>in</strong>g to<br />
f<strong>in</strong>d the story <strong>in</strong>terest<strong>in</strong>g.<br />
“Aye, what was I to do? The snow was com<strong>in</strong>g down,<br />
the w<strong>in</strong>d was blow<strong>in</strong>g. I tell you, I began to fear for both<br />
me and him. I had flares <strong>in</strong> my rucksack, but there was no<br />
po<strong>in</strong>t <strong>in</strong> send<strong>in</strong>g one up <strong>in</strong> a blizzard. I couldn’t leave the<br />
man there to die. So I decided to build a snow hole to keep<br />
us safe for the night.”<br />
“A snow hole? You’re jok<strong>in</strong>g,” I laughed.<br />
The old man looked me up and down, from my new<br />
boots to my new jacket.<br />
“You haven’t spent a lot of time <strong>in</strong> the mounta<strong>in</strong>s,” he<br />
said to me.<br />
“You’re right,” I admitted. “Please, tell me more.”<br />
“Well, anyway,” the old man cont<strong>in</strong>ued, “I found a<br />
good spot and started digg<strong>in</strong>g. It was tough work, and it<br />
was dark when I’d f<strong>in</strong>ished, but there it was: an ice cave.<br />
So I pulled the man <strong>in</strong>, lit a couple of candles and closed<br />
up the entrance.”<br />
The old man stopped for a moment, and then he<br />
leaned towards me. “It was a wild night,” he said. “The<br />
w<strong>in</strong>d was howl<strong>in</strong>g like a hungry wolf until...”<br />
The old man’s voice dropped, and I leaned closer.<br />
“Until... <strong>in</strong> the wee small hours, as the w<strong>in</strong>d dropped,<br />
I heard someth<strong>in</strong>g else out there <strong>in</strong> the icy dark. First, I<br />
a wee bit [E (wi: bIt] Scot.<br />
aye [aI] = yes<br />
blizzard [(blIzEd]<br />
cave [keIv]<br />
flare [fleE]<br />
Gaelic [(geIlIk]<br />
groan [grEUn]<br />
howl [haUl]<br />
e<strong>in</strong> kle<strong>in</strong>es bisschen<br />
heftiger Schneesturm<br />
Höhle<br />
Leuchtsignal<br />
Gälisch<br />
stöhnen<br />
(auf)heulen<br />
look sb. up and down<br />
[lUk )Vp End (daUn]<br />
po<strong>in</strong>t at sth. [(pOInt Et]<br />
sight<strong>in</strong>g [(saItIN]<br />
spit [spIt]<br />
the wee small hours<br />
[ðE (wi: smO:l )aUEz]<br />
whimper [(wImpE]<br />
jmdn. mustern, jmdn. taxieren<br />
auf etw. zeigen<br />
Sichtung, Sichten<br />
spucken<br />
die frühen Morgenstunden<br />
wimmern<br />
Fotos: iStock; photos.com<br />
46 <strong>Spotlight</strong> 5|14
Short Story<br />
heard footsteps crunch<strong>in</strong>g on fresh snow; then a deepthroated<br />
breath<strong>in</strong>g, and a snuffl<strong>in</strong>g of someth<strong>in</strong>g sniff<strong>in</strong>g<br />
the air, sniff<strong>in</strong>g the ground, search<strong>in</strong>g, hunt<strong>in</strong>g. Closer it<br />
came. The man beside me, who I had thought asleep, began<br />
to whimper aga<strong>in</strong>. ‘Am Fear Liath Mòr,’ he whispered. Then<br />
there was a scuffle and a crack, and someth<strong>in</strong>g squealed terribly<br />
as it died. The w<strong>in</strong>d began to moan aga<strong>in</strong>.”<br />
The old man stopped and studied my face. “Well, the<br />
morn<strong>in</strong>g came, and the sun was sh<strong>in</strong><strong>in</strong>g, so I sent up a<br />
flare, and all we could do was wait. I left the man <strong>in</strong> the<br />
snow hole until a helicopter from Dunmarne airbase saw<br />
us. They were putt<strong>in</strong>g him on a stretcher, when he started<br />
mutter<strong>in</strong>g <strong>in</strong> Gaelic aga<strong>in</strong>. The paramedic says to me: ‘So<br />
you’ve been hav<strong>in</strong>g fun with the big grey man, have you?<br />
Tall as a house, all covered <strong>in</strong> hair, they say.’”<br />
The old man blew his nose loudly. “Well,” he cont<strong>in</strong>ued,<br />
“after the helicopter left, I started down the mounta<strong>in</strong>.<br />
I went past the rock where I’d found him. And there<br />
it was.”<br />
“What, the big grey man?” I asked, surprised.<br />
“No, it wasn’t the big grey man. It was the head of a<br />
mounta<strong>in</strong> hare, torn from its body. There it was, ly<strong>in</strong>g <strong>in</strong> a<br />
patch of red snow. When I saw that, I started to run. I ran<br />
down that mounta<strong>in</strong>, and I didn’t stop until I reached<br />
the village.”<br />
The old man rubbed his beard.<br />
“Maybe it was just a dog,” I said as I stood up. My bus<br />
had arrived.<br />
He gr<strong>in</strong>ned. “Maybe. — Anyway, enjoy your day on<br />
the mounta<strong>in</strong>.”<br />
Novel<br />
Pakistani writer Fatima<br />
Bhutto’s debut novel The<br />
Shadow of the Crescent<br />
Moon takes place on<br />
the morn<strong>in</strong>g of Eid, a big Muslim<br />
celebration, <strong>in</strong> a city on<br />
Pakistan’s north-western border<br />
to Afghanistan. Three<br />
brothers meet for breakfast before<br />
they leave the house to<br />
follow separate paths: paths<br />
that represent different aspects<br />
of Pakistan’s recent history, <strong>in</strong> particular, its decision to<br />
support America <strong>in</strong> the fight aga<strong>in</strong>st Islamic fundamentalism.<br />
Bhutto is the granddaughter of former Pakistani Prime M<strong>in</strong>ister<br />
Zulfikar Ali Bhutto, so she knows about complex situations. But<br />
her simple language reflects on human be<strong>in</strong>gs, deal<strong>in</strong>g with<br />
history, tradition and the price<br />
of progress. Pengu<strong>in</strong>, €11.30.<br />
Easy reader<br />
The popular expression “revenge is<br />
a dish best served cold” is the message<br />
at the heart of the story<br />
47 Ron<strong>in</strong>. Set <strong>in</strong> 18th-century<br />
Japan, this is the true tale of a<br />
group of Samurai fighters who decide<br />
to take revenge on a lord who<br />
has caused the death of one of their<br />
comrades. Although they have no<br />
master — ron<strong>in</strong> is the name for<br />
samurai who have no leader — the<br />
fighters organize a plan for revenge.<br />
They then wait patiently for two years before they have<br />
the chance to carry this out. All of the 47 ron<strong>in</strong> know that this<br />
will mean death, but their honour is <strong>in</strong> question, and they have<br />
no choice. Jennifer Bassett retells this dramatic story at easyreader<br />
level stage one. The book comes with a list of words expla<strong>in</strong>ed<br />
<strong>in</strong> simple English, six pages of activities and a CD<br />
version of the story. Oxford Bookworms, €11.37.<br />
blow one’s nose<br />
[)blEU wVnz (nEUz]<br />
carry sth. out [)kÄri (aUt]<br />
crunch [krVntS]<br />
deep-throated [)di:p (TrEUtId]<br />
moan [mEUn]<br />
mounta<strong>in</strong> hare<br />
[(maUntIn )heE]<br />
mutter [(mVtE]<br />
paramedic [)pÄrE(medIk]<br />
sich schnäuzen<br />
etw. durchführen<br />
knirschen<br />
kehlig<br />
jammern<br />
Schneehase<br />
murmeln<br />
Sanitäter(<strong>in</strong>)<br />
patch [pÄtS] Fleck (➝ p. 61)<br />
revenge is a dish best Rache ist e<strong>in</strong> Gericht, das man am<br />
served cold [ri)vendZ Iz E besten kalt serviert<br />
)dIS best s§:vd (kEUld]<br />
scuffle [(skVf&l]<br />
raufen<br />
sniff [snIf]<br />
schnüffeln<br />
snuffle [(snVf&l]<br />
schnuppern<br />
squeal [skwi:&l]<br />
quieken, kreischen<br />
stretcher [(stretSE]<br />
Krankentrage<br />
whisper [(wIspE]<br />
flüstern<br />
Reviews by EVE LUCAS<br />
5|14 <strong>Spotlight</strong><br />
47
Mehr Sprache können Sie<br />
nirgendwo shoppen.<br />
Die besten Sprachprodukte für Ihr Englisch, ausgewählt und empfohlen von<br />
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e
LANGUAGE | Vocabulary<br />
Time for tea<br />
This month, ANNA HOCHSIEDER takes a closer look at the language you need to talk<br />
about tea.<br />
2<br />
1<br />
3<br />
4<br />
14<br />
17<br />
16<br />
15<br />
13<br />
9<br />
8<br />
7<br />
5<br />
6<br />
12<br />
11<br />
10<br />
1. electric kettle<br />
2. mug<br />
3. tea cosy<br />
4. tea caddy (UK)<br />
5. tea leaves<br />
6. tea stra<strong>in</strong>er<br />
7. biscuit t<strong>in</strong> [(bIskIt]<br />
(US cookie t<strong>in</strong>)<br />
8. sugar bowl [bEUl]<br />
(with sugar cubes)<br />
9. teapot<br />
10. tea tray<br />
11. teaspoon<br />
12. saucer [(sO:sE]<br />
13. teacup<br />
14. milk jug [(mIlk dZVg]<br />
15. lemon press /<br />
lemon-squeezer (UK)<br />
16. teabag<br />
17. tea <strong>in</strong>fuser<br />
The perfect cuppa<br />
Prepar<strong>in</strong>g tea is a serious bus<strong>in</strong>ess, and there is a lot of<br />
disagreement about how to make the perfect cup of<br />
black tea. The Royal Society of Chemistry has studied<br />
the art of tea-mak<strong>in</strong>g from a scientific perspective. Here<br />
is what the chemists suggest.<br />
Use loose-leaf Assam tea, soft water, fresh cold milk<br />
and white sugar. Boil the water. Warm a ceramic teapot<br />
conta<strong>in</strong><strong>in</strong>g a little water <strong>in</strong> a microwave oven. When the<br />
kettle is boil<strong>in</strong>g, dra<strong>in</strong> the water from the preheated pot.<br />
Place one teaspoonful of tea per cup <strong>in</strong> the pot.<br />
Pour boil<strong>in</strong>g water on to the tea leaves. Stir, then<br />
leave to brew for three m<strong>in</strong>utes. Pour milk <strong>in</strong>to a mug<br />
or cup. Stra<strong>in</strong> the tea <strong>in</strong>to the cup. Add sugar to taste.<br />
Let the tea cool off slightly before dr<strong>in</strong>k<strong>in</strong>g.<br />
How do you like your tea? Do you take it with milk<br />
or lemon? How long do you let it steep? Do you have a<br />
favourite blend? M<strong>in</strong>e is green tea flavoured with lemon<br />
grass. In w<strong>in</strong>ter, I like herbal <strong>in</strong>fusions with camomile,<br />
m<strong>in</strong>t or rooibos, and on a hot summer’s day, iced tea is<br />
wonderfully refresh<strong>in</strong>g. The possibilities are endless.<br />
Illustration: Bernhard Förth<br />
50<br />
<strong>Spotlight</strong> 5|14
Möchten Sie noch mehr Tipps und Übungen?<br />
Practice<br />
Now try the exercises below to practise talk<strong>in</strong>g about tea.<br />
Abonnieren Sie <strong>Spotlight</strong> plus! www.spotlight-onl<strong>in</strong>e.de/ueben<br />
1. F<strong>in</strong>d the th<strong>in</strong>gs on the opposite page that you need for mak<strong>in</strong>g tea and<br />
that match the descriptions below.<br />
a) It’s made of metal, and you use it to stir your tea after you’ve added milk and sugar. _______________<br />
b) It’s a small round plate, and you place your teacup on it. _______________<br />
c) It’s larger than a cup, and you dr<strong>in</strong>k tea, coffee or hot chocolate from it. _______________<br />
d) It looks like someth<strong>in</strong>g you wear on your head, but it is used to keep a teapot warm. _______________<br />
e) It’s a small metal conta<strong>in</strong>er with a lid, and you use it to keep tea leaves or tea bags <strong>in</strong>. _______________<br />
f) You can put loose tea leaves <strong>in</strong> this if you don’t want them to move around <strong>in</strong> the pot. _______________<br />
2. Complete the follow<strong>in</strong>g <strong>in</strong>structions for mak<strong>in</strong>g green tea with n<strong>in</strong>e different verbs<br />
from the text on the opposite page.<br />
(a) B_______________ the water, then let it cool off a little. (b) W_______________ the teapot with a little boil<strong>in</strong>g<br />
water, then (c) d_______________ the water off. (d) P_______________ the tea leaves <strong>in</strong> the pot, or use a tea <strong>in</strong>fuser.<br />
(e) P_______________ the boil<strong>in</strong>g water over the tea leaves. (f) S_______________ once or twice while the tea is brew<strong>in</strong>g, or<br />
move the <strong>in</strong>fuser around a little. Let the tea (g) s_______________ for one to three m<strong>in</strong>utes. Remove the <strong>in</strong>fuser, or<br />
(h) s_______________ the tea <strong>in</strong>to the cups to avoid hav<strong>in</strong>g tea leaves <strong>in</strong> your tea. (i) A_______________ sugar to taste.<br />
3. Match the tea-mak<strong>in</strong>g verbs on the left (a – d) to their def<strong>in</strong>itions on the right (1 – 4).<br />
a) If tea is brew<strong>in</strong>g or steep<strong>in</strong>g,<br />
b) If you pour tea,<br />
c) If you stir tea,<br />
d) If you stra<strong>in</strong> tea,<br />
a ➯<br />
b ➯<br />
c ➯<br />
d ➯<br />
1. you move it around <strong>in</strong> the pot or cup, us<strong>in</strong>g a spoon.<br />
2. you pour it through a stra<strong>in</strong>er to separate the leaves from the liquid.<br />
3. you let it flow out of the pot <strong>in</strong>to a cup or mug.<br />
4. the mixture of tea leaves and hot water is becom<strong>in</strong>g ready to dr<strong>in</strong>k.<br />
4. Complete the follow<strong>in</strong>g quotation with a seven-letter expression from the opposite page.<br />
“Never trust a man who, when left alone <strong>in</strong> a room with a _ _ _ _ _ _ _, doesn’t try it on.” (Billy Connolly, Scottish comedian)<br />
Although coffee is drunk at least as much as tea these days, tea is still said to be a British<br />
<strong>in</strong>stitution. Here are some British English words and phrases based on this topic.<br />
• A cuppa is an <strong>in</strong>formal word for a “cup of tea”: “Shall we have a cuppa?”<br />
• To brew up means “to make a cup of tea”: “I’ll brew us up a nice cup of tea, shall I?”<br />
• To put the kettle on is also often used <strong>in</strong> the sense of “to make a cup of tea”: “Put the kettle<br />
on, would you? I’m thirsty.”<br />
• Tea can also be a meal — either a light meal of sandwiches, cake and biscuits <strong>in</strong> the<br />
afternoon, served with a cup of tea, or a larger, cooked, even<strong>in</strong>g meal: “The children usually<br />
have their tea at six.”<br />
• A tea break is a short pause from work <strong>in</strong> the middle of the morn<strong>in</strong>g (also sometimes called<br />
“elevenses”) or afternoon, when people have someth<strong>in</strong>g small to eat and dr<strong>in</strong>k.<br />
Tips<br />
Answers<br />
1. a) teaspoon; b) saucer;<br />
c) mug; d) tea cosy;<br />
e) tea caddy (lid: Deckel);<br />
f) tea <strong>in</strong>fuser<br />
2. a) Boil; b) Warm; c) dra<strong>in</strong>;<br />
d) Place / Put; e) Pour;<br />
f) Stir (brew: hier: ziehen);<br />
g) steep (ziehen lassen);<br />
h) stra<strong>in</strong> (durchseihen);<br />
i) Add<br />
3. a–4; b–3; c–1; d–2<br />
4. tea cosy<br />
5|14 <strong>Spotlight</strong><br />
51
LANGUAGE | Travel Talk<br />
Travell<strong>in</strong>g by coach<br />
Journey <strong>in</strong> comfort and at little<br />
expense with RITA FORBES.<br />
Why not go by coach?<br />
You know, I was just hav<strong>in</strong>g a look onl<strong>in</strong>e, and I<br />
found a special offer on a coach trip to Liverpool.<br />
All the way to Liverpool by coach? How long does<br />
it take?<br />
Well, longer than by tra<strong>in</strong>, of course — five or six<br />
hours. But the fares are really cheap. And it looks<br />
comfortable enough. There’s a toilet on the coach<br />
and Wi-Fi and even power sockets so you can<br />
charge your phone dur<strong>in</strong>g the trip. And they make<br />
a stop halfway there so you can stretch your legs<br />
and get a bite to eat.<br />
That doesn’t sound bad at all.<br />
Where’s the departure gate?<br />
Here we are: Victoria Coach Station. Which gate<br />
do we leave from?<br />
Hang on! Just let me check the tickets. Departure:<br />
9 o’clock from gate 8.<br />
Gate 8’s this way... There it is!<br />
But shouldn’t the coach be here already? Excuse me!<br />
We’re look<strong>in</strong>g for the 9 a.m. coach to Liverpool.<br />
Is this the right place?<br />
Yes, it is. There’s been a small delay — traffic jam<br />
on the motorway. But the coach should be here<br />
any m<strong>in</strong>ute. You can just take a seat <strong>in</strong> the wait<strong>in</strong>g<br />
area.<br />
Ah, OK. Thanks.<br />
Welcome on board!<br />
Good morn<strong>in</strong>g! May I see your tickets, please?<br />
Yes, here you are.<br />
Thank you. I’ll just put your luggage <strong>in</strong> the hold.<br />
Is it marked with your name? All right, you can go<br />
ahead and board now. Sit wherever you like.<br />
This looks nice. Would you like the w<strong>in</strong>dow seat?<br />
If you don’t m<strong>in</strong>d sitt<strong>in</strong>g next to the aisle.<br />
Thanks for jo<strong>in</strong><strong>in</strong>g us today for our journey from<br />
London to Liverpool. Can everyone hear me? We<br />
want you to be as comfortable as possible. There are<br />
snacks and dr<strong>in</strong>ks for sale here at the front, and we<br />
have complimentary newspapers as well. Our first<br />
stop will be <strong>in</strong> about two hours. Please keep your<br />
seat belts fastened. OK, off we go!<br />
• In British English, a coach is a bus that travels long<br />
distances between cities. The word “bus” is used for<br />
public transport with<strong>in</strong> a town or city. Many different<br />
privately operated companies offer coach services<br />
<strong>in</strong> Brita<strong>in</strong>. The largest is National Express<br />
(www.nationalexpress.com). If you want to save<br />
money, Megabus has some <strong>in</strong>tercity tickets for as little<br />
as £1 (www.megabus.com).<br />
• The money that you pay for a journey is called a fare,<br />
such as bus fare, taxi fare or airfare.<br />
• If you walk around after sitt<strong>in</strong>g for a long time, you<br />
stretch your legs.<br />
• Get a bite to eat is a common expression that<br />
means to eat a quick snack or a small meal.<br />
• Victoria Coach Station is the largest coach station<br />
<strong>in</strong> London. Here, the area from which a coach leaves is<br />
called a gate. At other stations, the word “platform”<br />
might be used <strong>in</strong>stead.<br />
• Departure is the time that a coach or other form of<br />
transport leaves.<br />
• In a traffic jam, there are too many vehicles on a<br />
road, and they can move only slowly.<br />
• A motorway (N. Am.: highway) is a road with several<br />
lanes, designed so that people can drive fast.<br />
• The luggage hold is the area below the bus where suitcases<br />
can be stored dur<strong>in</strong>g a journey. You can usually<br />
take only one small bag with you on to the coach.<br />
• To board a coach, bus or tra<strong>in</strong> means to “enter” it.<br />
After you have boarded, you are “on board”.<br />
• On a coach, tra<strong>in</strong> or aeroplane, the aisle [aI&l] is the<br />
long, narrow space between the rows of seats, lead<strong>in</strong>g<br />
from the front to the back.<br />
• Someth<strong>in</strong>g complimentary doesn’t cost anyth<strong>in</strong>g.<br />
• Seat belts keep people safely <strong>in</strong> their seats if the<br />
vehicle stops suddenly or <strong>in</strong> case<br />
of an accident.<br />
charge [tSA:dZ]<br />
go ahead [gEU E(hed]<br />
hang on [hÄN (Qn] ifml.<br />
here you are [(hIE ju )A:]<br />
Off we go! [(Qf wi )gEU]<br />
power socket [(paUE )sQkIt]<br />
Wi-Fi [(waI faI]<br />
hier: aufladen<br />
fortfahren<br />
Moment, warte(n Sie) mal<br />
bitte schön<br />
Los geht’s!<br />
Steckdose<br />
WLAN<br />
Tips<br />
Fotos: Alamy; iStock<br />
52 <strong>Spotlight</strong> 5|14
Cards | LANGUAGE<br />
phub<br />
NEW WORDS<br />
We tried to have a family meal yesterday, but the<br />
children just phubbed us.<br />
GLOBAL ENGLISH<br />
What would a speaker of British<br />
English say?<br />
North American: “That’s just my two cents’<br />
worth. It’s your decision, though.”<br />
<strong>Spotlight</strong> 5|14<br />
<strong>Spotlight</strong> 5|14<br />
(IN)FORMAL ENGLISH<br />
Make the follow<strong>in</strong>g statements sound<br />
less formal:<br />
1. We then partook of a delicious meal.<br />
2. Guests can partake <strong>in</strong> several different<br />
activities.<br />
Translate:<br />
TRANSLATION<br />
1. Das ist das erste Mal, dass ich dich so<br />
unglücklich sehe.<br />
2. Es ist nicht das erste Mal, dass ich diese<br />
Frage stelle.<br />
<strong>Spotlight</strong> 5|14 <strong>Spotlight</strong> 5|14<br />
PRONUNCIATION<br />
IDIOM MAGIC<br />
Read the follow<strong>in</strong>g words aloud:<br />
curable<br />
disputable<br />
Ch<strong>in</strong>g Yee Smithback<br />
serviceable<br />
transferable<br />
have a memory like a sieve<br />
<strong>Spotlight</strong> 5|14 <strong>Spotlight</strong> 5|14<br />
FALSE FRIENDS<br />
tachometer / Tachometer<br />
Translate the follow<strong>in</strong>g sentences:<br />
1. The tachometer [tÄ(kQmItE] was show<strong>in</strong>g<br />
4,000 rpm (revolutions per m<strong>in</strong>ute).<br />
2. Laut Tachometer fuhren wir 145 km/h.<br />
GRAMMAR<br />
Complete these sentences with<br />
“beside” or “besides”:<br />
1. No one agreed me ________ my husband.<br />
2. My wife sat ________ me <strong>in</strong> the front seat.<br />
<strong>Spotlight</strong> 5|14 <strong>Spotlight</strong> 5|14
LANGUAGE | Cards<br />
GLOBAL ENGLISH<br />
British speaker: “That’s just my op<strong>in</strong>ion.<br />
It’s your decision, though.”<br />
An American offer<strong>in</strong>g an op<strong>in</strong>ion may “put <strong>in</strong> his<br />
or her two cents’ worth”. A British speaker may<br />
also use the more old-fashioned expression “put<br />
<strong>in</strong> one’s two penn’orth”.<br />
NEW WORDS<br />
Phub is a new verb blended (zusammengesetzt)<br />
from “phone” and “snub”, which means to “ignore<br />
somebody”. When you are more <strong>in</strong>terested <strong>in</strong><br />
your phone than a conversation with someone,<br />
you are phubb<strong>in</strong>g that person.<br />
<strong>Spotlight</strong> 5|14<br />
<strong>Spotlight</strong> 5|14<br />
TRANSLATION<br />
1. This is the first time (that) I’ve seen you so<br />
unhappy.<br />
2. This is not the first time (that) I’ve asked /<br />
posed this question.<br />
Whereas <strong>in</strong> German the second half of the<br />
sentence is <strong>in</strong> the present tense, <strong>in</strong> English, the<br />
present perfect is used.<br />
(IN)FORMAL ENGLISH<br />
1. We then ate / had a delicious meal.<br />
2. Guests can jo<strong>in</strong> <strong>in</strong> several different activities.<br />
Of these two prepositional verbs, “partake of” is<br />
rarely used today. “Partake <strong>in</strong>”, however, is still<br />
used quite frequently <strong>in</strong> the written form.<br />
<strong>Spotlight</strong> 5|14 <strong>Spotlight</strong> 5|14<br />
IDIOM MAGIC<br />
This expression can come as no surprise to speakers<br />
of German (e<strong>in</strong> Gedächtnis wie e<strong>in</strong> Sieb haben).<br />
“Memory” is sometimes replaced by “m<strong>in</strong>d”.<br />
“Joe’s already forgotten everyth<strong>in</strong>g I said to him.<br />
He’s got a memory like a sieve.”<br />
[(kjUErEb&l]<br />
[(s§:vIsEb&l]<br />
PRONUNCIATION<br />
[dI(spju:tEb&l]<br />
[trÄns(f§:rEb&l]<br />
When the suffix “-able” appears at the end of a<br />
verb and forms an adjective, this does not<br />
generally affect the stress pattern (Betonungsmuster)<br />
of the root. Contrast this with the<br />
German suffix -abel — as <strong>in</strong> rentabel, spendabel —<br />
which carries the stress itself.<br />
<strong>Spotlight</strong> 5|14 <strong>Spotlight</strong> 5|14<br />
GRAMMAR<br />
1. No one agreed with me besides my husband.<br />
2. My wife sat beside me <strong>in</strong> the front seat.<br />
The preposition “beside” means “next to”, “at the<br />
side of” (neben), whereas “besides” means “<strong>in</strong><br />
addition to” or “apart from” (außer). “Besides” is<br />
also an adverb mean<strong>in</strong>g “<strong>in</strong> addition” or “as well”<br />
(außerdem).<br />
FALSE FRIENDS<br />
1. Der Drehzahlmesser zeigte 4.000 U/m<strong>in</strong>.<br />
2. Accord<strong>in</strong>g to the speedometer [spI(dQmItE],<br />
we were do<strong>in</strong>g 90 miles an hour.<br />
Here, we are talk<strong>in</strong>g about <strong>in</strong>struments on the<br />
dashboard (Armaturenbrett) of a car. In other<br />
technical areas, however, German Tachometer<br />
and English “tachometer” have the same<br />
mean<strong>in</strong>g.<br />
<strong>Spotlight</strong> 5|14 <strong>Spotlight</strong> 5|14
Listen to dialogues 3 and 4<br />
Everyday English | LANGUAGE<br />
At the dentist’s<br />
This month, DAGMAR TAYLOR looks at the<br />
words and phrases people use when they go<br />
to the dentist.<br />
1. Mak<strong>in</strong>g an appo<strong>in</strong>tment<br />
Boris is call<strong>in</strong>g his dentist’s practice to make an<br />
appo<strong>in</strong>tment.<br />
Receptionist: Whitefields Dental Care and Implant<br />
Centre. Tracy speak<strong>in</strong>g. How can I help?<br />
Boris: Hello! I’m call<strong>in</strong>g to make an appo<strong>in</strong>tment for<br />
a check-up.<br />
Tracy: OK. Which dentist do you usually see?<br />
Boris: Dr Qureshi.<br />
Tracy: Dr Qureshi. Right. And would you give me<br />
your name, please?<br />
Boris: It’s Boris Tate.<br />
Tracy: Thank you, Mr Tate. Let’s have a look. The next<br />
available appo<strong>in</strong>tment would be on Monday,<br />
16 June, at 10.30 a.m.<br />
Boris: Sorry, morn<strong>in</strong>gs are really bad for me. Do you<br />
have anyth<strong>in</strong>g <strong>in</strong> the late afternoon or <strong>in</strong> the<br />
even<strong>in</strong>g?<br />
Tracy: Would Friday the 27th at 5 p.m. work for you?<br />
Boris: Yes, that would be much better. Thank you.<br />
2. Arriv<strong>in</strong>g at the dentist’s<br />
Boris has just arrived at the dental practice to<br />
have his check-up.<br />
Boris: Goodness! It’s pour<strong>in</strong>g down out there.<br />
Tracy: Has it just come on?<br />
Boris: Yes. The moment I got out of the car.<br />
Tracy: Typical, isn’t it? How can I help?<br />
Boris: I’ve got an appo<strong>in</strong>tment at five o’clock. Tate’s<br />
the name.<br />
Tracy: Is your appo<strong>in</strong>tment with the hygienist or with<br />
the dentist?<br />
Boris: With Dr Qureshi.<br />
Tracy: Ah, right. Dr Qureshi will be with you shortly,<br />
Mr Tate. Please take a seat <strong>in</strong> the wait<strong>in</strong>g<br />
room.<br />
Boris: Actually, I’ve just come from work, and I<br />
haven’t had time to clean my teeth. Do you<br />
have a toothbrush I could use?<br />
Tracy: Yes, of course. You’ll f<strong>in</strong>d toothbrushes and<br />
toothpaste <strong>in</strong> the men’s.<br />
Boris: That’s great. Thanks.<br />
Fotos: iStock; Monkey Bus<strong>in</strong>ess<br />
• Dental means anyth<strong>in</strong>g to do with teeth; for example,<br />
“dental floss” (Zahnseide). Care is the process of<br />
provid<strong>in</strong>g people with what they need <strong>in</strong> order to be<br />
safe and healthy.<br />
• To identify yourself on the phone, say your name followed<br />
by the word speak<strong>in</strong>g. In a less formal situation,<br />
you can say “It’s…” and then your name.<br />
• When you make an appo<strong>in</strong>tment, you make a formal<br />
arrangement to meet or visit<br />
someone at a particular time<br />
on a particular day.<br />
• A check-up is a medical or dental<br />
exam<strong>in</strong>ation to make sure you<br />
are healthy.<br />
• Here, see means “go to” or “have a<br />
meet<strong>in</strong>g with”.<br />
• If you say that a specific date or time<br />
works for you, you mean that it is<br />
convenient (passend, günstig) or<br />
suitable.<br />
Tips<br />
• By pour<strong>in</strong>g down, Boris means it is “ra<strong>in</strong><strong>in</strong>g heavily”.<br />
Especially <strong>in</strong> the UK, the weather is often mentioned<br />
as a conversation starter.<br />
• When someone talks about the ra<strong>in</strong> start<strong>in</strong>g, he or she<br />
may ask if it has just come on.<br />
• When Boris arrives, he lets the receptionist know who<br />
he is by say<strong>in</strong>g: Tate’s the name. “My name is Tate” is<br />
also possible.<br />
• A dental hygienist [(haIdZi:nIst] works <strong>in</strong> a dental<br />
practice, clean<strong>in</strong>g people’s teeth and advis<strong>in</strong>g them<br />
about how best to keep them clean.<br />
• If someone says that a person will be with you<br />
shortly, it means he or she “will see you soon” —<br />
which could mean <strong>in</strong> five m<strong>in</strong>utes or <strong>in</strong> twenty m<strong>in</strong>utes.<br />
• Take a seat is a friendly way of say<strong>in</strong>g “sit down”.<br />
• A polite way to say “toilet for men” is the men’s or<br />
“the Gents”. The equivalent for women is “the Ladies”.<br />
Goodness! [(gUdnEs] ifml.<br />
Tips<br />
Du me<strong>in</strong>e Güte!<br />
5|14 <strong>Spotlight</strong><br />
55
LANGUAGE | Everyday English<br />
3. In the chair 4. All done<br />
Dr Qureshi is mak<strong>in</strong>g conversation with Boris before<br />
exam<strong>in</strong><strong>in</strong>g his teeth.<br />
After exam<strong>in</strong><strong>in</strong>g Boris’s teeth, Dr Qureshi is advis<strong>in</strong>g<br />
his patient about the necessary treatment.<br />
Dr Qureshi: Hello there, Mr Tate! It’s been a while s<strong>in</strong>ce<br />
I last saw you.<br />
Boris: Yes, I’m afraid so. It’s shock<strong>in</strong>g how time flies.<br />
Dr Qureshi: Mmm! (looks at the screen) Yes, it was <strong>in</strong><br />
2011.<br />
Boris: Was it really? I didn’t realize it had been so long.<br />
It’s noth<strong>in</strong>g personal, honest.<br />
Dr Qureshi: (laughs) Well, I hope not. Have you had<br />
any problems? Any pa<strong>in</strong> at all?<br />
Boris: No, everyth<strong>in</strong>g’s f<strong>in</strong>e, really. Sometimes my<br />
gums bleed a bit when I brush my teeth, but...<br />
Dr Qureshi: Do you floss regularly?<br />
Boris: Probably not as often as I should.<br />
Dr Qureshi: OK, let’s have a look, shall we? Just lie back<br />
for me, please.<br />
Dr Qureshi: OK. You can r<strong>in</strong>se now. I’m afraid there’s<br />
a small cavity <strong>in</strong> one of your molars.<br />
Boris: Ah, OK.<br />
Dr Qureshi: You also have quite a build-up of tartar.<br />
You should make an appo<strong>in</strong>tment to see the hygienist<br />
— she’ll give you a scale and polish.<br />
Boris: Will I need a new appo<strong>in</strong>tment for the fill<strong>in</strong>g?<br />
Dr Qureshi: No, we can do that now. Would you prefer<br />
an amalgam fill<strong>in</strong>g or a white one? You’ll have<br />
to pay for a white fill<strong>in</strong>g yourself. The NHS<br />
classes them as a cosmetic treatment.<br />
Boris: How much will it cost? And will it hurt?<br />
Dr Qureshi: It’ll cost about £60. And it won’t hurt —<br />
well, not much.<br />
• Time flies is an expression that means time<br />
seems to pass very quickly.<br />
• To make sure someone is not offended (beleidigt,<br />
verletzt) by your behaviour or what you have said,<br />
you can say: It’s noth<strong>in</strong>g personal.<br />
• Honest(ly) can be used to emphasize (betonen) that<br />
you are tell<strong>in</strong>g the truth.<br />
• When at all is added to a question, it means “<strong>in</strong> any<br />
way”.<br />
• Your gums are the areas of flesh around the roots of<br />
your teeth. If they bleed when you brush them, it can<br />
be a sign of gum disease.<br />
• You can say either brush my teeth or, <strong>in</strong> British English,<br />
“clean my teeth”.<br />
• When you talk about us<strong>in</strong>g dental floss, you can use<br />
the verb floss.<br />
Tips<br />
• The dentist usually asks you to r<strong>in</strong>se your mouth<br />
with water after exam<strong>in</strong><strong>in</strong>g or treat<strong>in</strong>g your teeth.<br />
• Dentists call holes <strong>in</strong> your teeth cavities.<br />
• Tartar [(tɑ:tE] is a hard substance that forms on your<br />
teeth and can damage them.<br />
• The procedure for remov<strong>in</strong>g tartar is known as a scale<br />
and polish.<br />
• The material used to fill a hole <strong>in</strong> your tooth is a fill<strong>in</strong>g.<br />
• Amalgam [E(mÄlgEm] fill<strong>in</strong>gs — made with a mixture<br />
of mercury (Quecksilber) and other metals — are still<br />
common <strong>in</strong> the UK.<br />
• The NHS (National Health Service) is the UK’s public<br />
health service. It provides medical treatment and is<br />
paid for from taxes.<br />
cosmetic treatment<br />
[kQz)metIk (tri:tmEnt]<br />
molar [(mEUlE]<br />
kosmetische Behandlung<br />
Backenzahn<br />
Tips<br />
EXERCISES<br />
1. Add the miss<strong>in</strong>g word.<br />
a) Would Friday the 27th at 5 p.m. work _____ you?<br />
b) Dr Qureshi will be _____ you shortly.<br />
c) Do you feel any pa<strong>in</strong> _____ all?<br />
d) Will I need a new appo<strong>in</strong>tment _____ the fill<strong>in</strong>g?<br />
2. True or false?<br />
a) Boris would like an appo<strong>in</strong>tment for a check-up. _____<br />
b) Boris’s appo<strong>in</strong>tment is with the hygienist. _____<br />
c) Boris flosses regularly. _____<br />
d) Boris is afraid of pa<strong>in</strong>. _____<br />
3. What did they say?<br />
a) Which dentist do you usually s______?<br />
b) It’s p______ down out there.<br />
c) Sometimes my g ______ bleed a bit.<br />
d) You can r______ now.<br />
4. Underl<strong>in</strong>e the correct words.<br />
a) Hello! Tracy speak<strong>in</strong>g / talk<strong>in</strong>g.<br />
b) Please sit down / take a seat <strong>in</strong> the wait<strong>in</strong>g room.<br />
c) Have you had any / some problems?<br />
d) I’m afraid / sorry there’s a small cavity <strong>in</strong> one of<br />
your teeth.<br />
56 <strong>Spotlight</strong> 5|14<br />
Answers: 1. a) for; b) with; c) at; d) for; 2. a) true; b) false (Boris’s appo<strong>in</strong>tment is with the dentist, Dr Qureshi);<br />
c) false; d) true; 3. a) see; b) pour<strong>in</strong>g; c) gums; d) r<strong>in</strong>se; 4. a) speak<strong>in</strong>g; b) take a seat; c) any; d) afraid
The Grammar Page | LANGUAGE<br />
Us<strong>in</strong>g the<br />
future perfect<br />
ADRIAN DOFF presents and expla<strong>in</strong>s this key po<strong>in</strong>t of grammar<br />
with notes on a short dialogue.<br />
Mae’s brother is celebrat<strong>in</strong>g his birthday <strong>in</strong> a restaurant.<br />
Mae and her partner, Phil, have been <strong>in</strong>vited.<br />
Mae: I’ll pick you up at 6.30. I’ll have f<strong>in</strong>ished 1 work by<br />
then. The party starts at seven o’clock.<br />
Phil: Yeah, but I won’t have f<strong>in</strong>ished 2 by 6.30. No way!<br />
I’ve got a report to write. It has to be f<strong>in</strong>ished by<br />
Wednesday.<br />
Mae: How about seven? Will you have f<strong>in</strong>ished 3 by then?<br />
Phil: I doubt it. Look, why don’t we go a bit later? You<br />
could meet me at 8.30, and we could go to the party<br />
around n<strong>in</strong>e.<br />
Mae: But it’s a d<strong>in</strong>ner party. It’s <strong>in</strong> a restaurant. Everyone<br />
will have eaten 4 by n<strong>in</strong>e. We’ll miss the food.<br />
Phil: Yes, but the party will still be go<strong>in</strong>g 5 on. It’ll probably<br />
just be gett<strong>in</strong>g 5 <strong>in</strong>terest<strong>in</strong>g. All we’ll miss is the<br />
bor<strong>in</strong>g part.<br />
Mae: That’s what you th<strong>in</strong>k. You don’t know my brother’s<br />
friends. They’ll want to go 6 home to bed by ten.<br />
1 Mae uses the future perfect tense — will have + past<br />
participle — to talk about th<strong>in</strong>gs that will already be<br />
f<strong>in</strong>ished at a particular time <strong>in</strong> the future.<br />
2 This is the negative form of the future perfect tense:<br />
won’t have + past participle.<br />
3 This is a future perfect question.<br />
(You will... Will you...?)<br />
4 Here is another example of the future perfect. (They’ll eat<br />
before n<strong>in</strong>e, so by n<strong>in</strong>e they will have eaten.)<br />
5 Phil uses the future cont<strong>in</strong>uous tense — will be + -<strong>in</strong>g<br />
— to talk about th<strong>in</strong>gs that will happen at a particular<br />
time <strong>in</strong> the future.<br />
6 Here, Mae uses the future simple because she is mak<strong>in</strong>g<br />
a prediction (Vorhersage).<br />
Beyond the basics<br />
Remember!<br />
Both the future perfect and future cont<strong>in</strong>uous tenses<br />
are used to talk about a particular time <strong>in</strong> the future:<br />
• By 7.30<br />
...I’ll have come home from work.<br />
...I’ll be hav<strong>in</strong>g d<strong>in</strong>ner.<br />
• This time next year<br />
...we’ll have moved to the US.<br />
...we’ll be liv<strong>in</strong>g <strong>in</strong> Miami.<br />
1. Change the verbs <strong>in</strong> brackets <strong>in</strong>to the future<br />
perfect tense.<br />
a) I’m look<strong>in</strong>g forward to be<strong>in</strong>g 66. I _________________<br />
(retire) by then.<br />
b) Don’t r<strong>in</strong>g them after 10.30. They ____________ (go)<br />
to bed.<br />
c) By 2020, my children ____________ (leave) school.<br />
d) ____________ (you / have) a chance to read the report<br />
by tomorrow morn<strong>in</strong>g?<br />
e) Let’s buy her The Hobbit for her birthday. I’m sure she<br />
____________ (not / read) it.<br />
Notice how by is often used with the future perfect<br />
tense:<br />
• Will you have f<strong>in</strong>ished by seven o’clock?<br />
(= at or before seven)<br />
• Everyone will have eaten by n<strong>in</strong>e o’clock.<br />
(= at or before n<strong>in</strong>e)<br />
• I’ll have f<strong>in</strong>ished work by then.<br />
(= at or before that time)<br />
2. Choose the most suitable verb tense<br />
from each option.<br />
a) By next summer, he’ll be leav<strong>in</strong>g / he’ll have left<br />
home, and he’ll be work<strong>in</strong>g / he’ll have worked.<br />
b) I hope I will be f<strong>in</strong>d<strong>in</strong>g / will have found a job by<br />
the end of the year.<br />
c) I can’t meet you at 12. I’ll be hav<strong>in</strong>g / I’ll have had<br />
lunch with a client.<br />
d) By 2020, they say the sea level will be ris<strong>in</strong>g /<br />
will have risen by 4 cm.<br />
Answers: 1. a) will (’ll) have retired; b) will (’ll) have gone; c) will have left;<br />
d) Will you have had; e) won’t have read; 2. a) he’ll have left, he’ll be work<strong>in</strong>g;<br />
b) will have found; c) I’ll be hav<strong>in</strong>g; d) will have risen (sea level: Meeresspiegel )<br />
EXERCISES<br />
5|14 <strong>Spotlight</strong><br />
57
LANGUAGE | The Soap<br />
Helen<br />
Phil<br />
Peggy<br />
Just a detail<br />
Jo<strong>in</strong> us at Peggy’s Place — <strong>Spotlight</strong> ’s very<br />
own London pub. By INEZ SHARP<br />
George<br />
Sean<br />
FOCUS<br />
Builder: So where exactly do you want this hatch, guv’nor?<br />
Phil: Somewhere along here?<br />
Builder: You don’t sound so sure. Want to ask the missus?<br />
Phil: No, no. It’s actually right here. This is where I want<br />
you to open the wall.<br />
Builder: And how big is this hatch go<strong>in</strong>g to be?<br />
Phil: Big enough for someone to stand beh<strong>in</strong>d and serve<br />
coffee and sandwiches from.<br />
Builder: So that would be?<br />
Phil: How should I know? You’re the builder. You tell me.<br />
Builder: Yeah, I’m the builder, not the bloody architect.<br />
Now, if you’ll take my advice, you’ll talk to the missus<br />
and stop wast<strong>in</strong>g my time. Does she even know about<br />
this? It’s her pub, isn’t it?<br />
Sean: Yes, but I th<strong>in</strong>k Phil would like to surprise his wife.<br />
Builder: And who would you be?<br />
Sean: What bus<strong>in</strong>ess is that of yours?<br />
Builder: Don’t get on your high horse, sonny. Just ask<strong>in</strong>g.<br />
Phil: Look, I know for sure that my wife would like this<br />
hatch built. She wants to start a sort of takeaway breakfast<br />
service for people work<strong>in</strong>g round here.<br />
Builder: You mean like McDonald’s has?<br />
Sean: Not exactly. The way I see it...<br />
Builder: Who’s the boss here? You or him?<br />
Phil: Sean’s our chef, so we need to have him <strong>in</strong>volved.<br />
Builder: Bit young, a<strong>in</strong>’t he? Irish, too, by the sound of it.<br />
Sean: You are...<br />
Phil: Calm down, Sean. Why don’t you get Aamir to br<strong>in</strong>g<br />
us all a whisky, and we’ll talk this through?<br />
Builder: I can’t dr<strong>in</strong>k while I’m work<strong>in</strong>g.<br />
Phil: This one’s on the house.<br />
Builder: In that case, I th<strong>in</strong>k I could make an exception.<br />
Phil: And br<strong>in</strong>g us a pencil and some paper, Sean.<br />
Builder: Nice place. I bet it’s worth a bob or two.<br />
Aamir: Whisky for the two gentlemen! Ah, Mr Sutton!<br />
It’s nice to see you aga<strong>in</strong>. How’ve you been keep<strong>in</strong>g?<br />
Mr Sutton, the cockney (Urlondoner) builder, uses three <strong>in</strong>formal<br />
expressions to talk to or about people. He calls Phil<br />
guv’nor [(gVvnE] (Chef). In the past, this word was used to<br />
talk to a boss or someone of a higher social stand<strong>in</strong>g. Today,<br />
it is usually used <strong>in</strong> a humorous way: Phil is not Mr Sutton’s<br />
boss, but he will pay the bill. The missus [(mIsIz] (bessere<br />
Hälfte) is a jokey (scherzhaft) way for a man to talk about his<br />
or someone else’s wife. The word is usually used with the<br />
article “the” and implies that the wife is the boss. When Mr<br />
Sutton uses the word sonny [(sVni] (Söhnchen, Kle<strong>in</strong>er), he<br />
is try<strong>in</strong>g to make Sean feel <strong>in</strong>ferior (m<strong>in</strong>derwertig).<br />
“ ”<br />
Jane<br />
Stop wast<strong>in</strong>g my time!<br />
Phil: Do you two know each other?<br />
Aamir: Mr Sutton was k<strong>in</strong>d enough to give me some work<br />
as a plasterer when I first came to London.<br />
Builder: And let me tell you, he was the best and hardestwork<strong>in</strong>g<br />
person on the team.<br />
Phil: So why did you give up the work, Aamir?<br />
Builder: Turns out he’s allergic to someth<strong>in</strong>g <strong>in</strong> the plaster,<br />
a<strong>in</strong>’t he? Cry<strong>in</strong>g shame, really. So, you’re work<strong>in</strong>g here<br />
now. Teach<strong>in</strong>g them a th<strong>in</strong>g or two, I bet.<br />
Aamir: I wouldn’t say that. Are you do<strong>in</strong>g some build<strong>in</strong>g<br />
work on the pub, Mr Sutton?<br />
Phil: Yeah, he’s mak<strong>in</strong>g the hatch for the takeaway service.<br />
Aamir: Will it be along the kitchen wall?<br />
Phil: It’s the perfect spot for people to wait.<br />
Builder: Let’s go and have a butcher’s.<br />
Aamir: But, Mr Sutton...<br />
Builder: We still need to decide exactly where.<br />
Aamir: But there’s a problem with your plan.<br />
Phil: You leave this to us, Aamir.<br />
Builder: No, let’s hear what he has to say.<br />
Aamir: This pub is a listed build<strong>in</strong>g. You can’t change the<br />
exterior without consent from the plann<strong>in</strong>g authority.<br />
Phil: How do you know?<br />
Aamir: You have that newspaper article on the wall, the<br />
framed one. It says this is a listed build<strong>in</strong>g.<br />
Builder: Told you he was sharp.<br />
Phil: Damn!<br />
a<strong>in</strong>’t [eInt] ifml. = is, am, are not<br />
bloody [(blVdi] UK ifml. verdammt<br />
bob [bQb] UK ifml.<br />
alter britischer Schill<strong>in</strong>g<br />
consent [kEn(sent]<br />
Bewilligung, Genehmigung<br />
cry<strong>in</strong>g shame [)kraIIN (SeIm] e<strong>in</strong> Jammer, e<strong>in</strong>e wahre Schande<br />
get on one’s high horse sich aufs hohe Ross setzen<br />
[)get Qn wʌnz )haI (hO:s] ifml.<br />
hatch [hÄtS]<br />
Durchreiche, Halbtür<br />
have a butcher’s (hook) e<strong>in</strong>en Blick auf etw. werfen<br />
[)hEv E (bUtSEz] UK<br />
(rhym<strong>in</strong>g slang = have a look)<br />
listed build<strong>in</strong>g<br />
denkmalgeschütztes Gebäude<br />
[)lIstId (bIldIN] UK<br />
on the house [)Qn DE (haUs] auf Kosten des Hauses<br />
plasterer [(plA:stErE]<br />
Gipsarbeiter(<strong>in</strong>), Verputzer(<strong>in</strong>)<br />
sharp [SA:p]<br />
hier: scharfs<strong>in</strong>nig<br />
turn out [)t§:n (aUt]<br />
sich herausstellen<br />
58 <strong>Spotlight</strong> 5|14<br />
Have a look at all the characters from Peggy’s Place at<br />
www.spotlight-onl<strong>in</strong>e.de/peggy
English at Work | LANGUAGE<br />
Dear Ken: How can I prepare<br />
for a press conference?<br />
Dear Ken<br />
My new job <strong>in</strong>cludes runn<strong>in</strong>g press conferences <strong>in</strong> English<br />
and tak<strong>in</strong>g part <strong>in</strong> them. Do you have any words of advice<br />
on what I should th<strong>in</strong>k about <strong>in</strong> preparation for conferences<br />
like this?<br />
With best wishes<br />
Henrik O.<br />
Dear Henrik<br />
Thanks for this <strong>in</strong>terest<strong>in</strong>g topic. Here are my ten simple<br />
rules for successful press conferences:<br />
1. Def<strong>in</strong>e clear roles for your conference team: choose the<br />
conference leader and assign the responsibility for different<br />
areas of competence to the <strong>in</strong>dividual team<br />
members.<br />
2. Agree on exactly what should be said at the start of the<br />
conference. Th<strong>in</strong>k through the questions you might be<br />
asked, and prepare answers to them. Identify questions<br />
that might cause embarrassment or show your organization<br />
<strong>in</strong> a bad light.<br />
3. Allow enough time for each <strong>in</strong>dividual <strong>in</strong> the team to<br />
thoroughly prepare his or her part <strong>in</strong> the process. Nonnative<br />
speakers of English then have the chance to<br />
identify the vocabulary they will need.<br />
4. On the day of the event, enter the conference room<br />
after all the journalists have arrived.<br />
5. The conference leader should start by briefly giv<strong>in</strong>g the<br />
reason for the press conference.<br />
6. The members of the team should be <strong>in</strong>troduced <strong>in</strong>dividually,<br />
giv<strong>in</strong>g their names, roles <strong>in</strong> the organization<br />
and the reason for their presence.<br />
7. The conference leader should expla<strong>in</strong> the procedure<br />
and give the approximate tim<strong>in</strong>g for the conference.<br />
8. Journalists should be asked to identify themselves and<br />
their news organization before ask<strong>in</strong>g a question.<br />
9. The conference leader should generally act as meet<strong>in</strong>g<br />
facilitator, pass<strong>in</strong>g questions to the appropriate team<br />
member and rarely answer<strong>in</strong>g them personally.<br />
10. At the end, the conference leader should thank the<br />
journalists and conclude the conference.<br />
If you have a clear idea of the procedure to follow and prepare<br />
th<strong>in</strong>gs well, you will feel more comfortable runn<strong>in</strong>g<br />
or tak<strong>in</strong>g part <strong>in</strong> a press conference <strong>in</strong> English.<br />
Good luck!<br />
Ken<br />
Follow Ken Taylor’s “Hot Tips” on Twitter @DearKen101. You can<br />
buy his book Dear Ken... 101 answers to your questions about bus<strong>in</strong>ess<br />
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<strong>Spotlight</strong> readers have sent <strong>in</strong>. If one of<br />
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Your Bus<strong>in</strong>ess English. So don’t forget<br />
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Dear Ken<br />
Is “and / or” a valid grammatical construct that I could use<br />
<strong>in</strong> a bus<strong>in</strong>ess e-mail? For example, can one write: “Please<br />
send any <strong>in</strong>formation and / or reports you have on this<br />
subject.”? And is vocaliz<strong>in</strong>g the word “slash” acceptable <strong>in</strong><br />
a meet<strong>in</strong>g; for example: “I am so tired SLASH hungry.”?<br />
K<strong>in</strong>d regards from Austria<br />
Peter J.<br />
Dear Peter<br />
The “and / or” construct is valid. It is used to shorten a set<br />
of alternatives. For example, you might say: “In this meet<strong>in</strong>g,<br />
we could decide when our sales conference should be<br />
held and / or choose the venue.”<br />
This means we could decide on dates for the conference,<br />
or we could choose the venue, or we could do both.<br />
I personally don’t use “and / or” <strong>in</strong> e-mails. I would also<br />
never vocalize a slash when speak<strong>in</strong>g, unless I am dictat<strong>in</strong>g<br />
a website address, as <strong>in</strong> “www.spotlight-onl<strong>in</strong>e.de SLASH<br />
language”. You may hear it <strong>in</strong> <strong>in</strong>formal situations, but <strong>in</strong><br />
my op<strong>in</strong>ion, it is <strong>in</strong>appropriate <strong>in</strong> a bus<strong>in</strong>ess sett<strong>in</strong>g.<br />
Regards “and / or” best wishes<br />
Ken<br />
appropriate [E(prEUpriEt]<br />
entsprechend<br />
approximate [E(prQksImEt] ungefähr<br />
assign [E(saIn]<br />
übertragen, zuweisen<br />
briefly [(bri:fli]<br />
kurz<br />
embarrassment [Im(bÄrEsmEnt] Pe<strong>in</strong>lichkeit, Verlegenheit<br />
facilitator [fE(sIlEteItE]<br />
Moderator(<strong>in</strong>), Leiter(<strong>in</strong>)<br />
<strong>in</strong>appropriate [)InE(prEUpriEt] unangemessen<br />
sett<strong>in</strong>g [(setIŋ]<br />
Umfeld<br />
slash [slÄS]<br />
Schrägstrich<br />
thoroughly [(TVrEli]<br />
gründlich, sorgfältig<br />
unless [En(les]<br />
außer, es sei denn<br />
valid [(vÄlId] gültig (➝ p. 61)<br />
venue [(venju:]<br />
Tagungs-, Veranstaltungsort<br />
vocalize [(vEUkElaIz]<br />
aussprechen<br />
5|14 <strong>Spotlight</strong><br />
59
LANGUAGE | Spoken English<br />
60<br />
By the way...<br />
ADRIAN DOFF looks at ways to change the<br />
topic <strong>in</strong> a conversation.<br />
Read these two conversations:<br />
Lisa: I spoke to Peter earlier. He’s go<strong>in</strong>g to come round<br />
at about 7.30 with the tickets.<br />
Tim: Oh, good! We can have supper together. Did you<br />
go to the post office?<br />
Lisa: I spoke to Peter earlier. He’s go<strong>in</strong>g to come round<br />
at about 7.30 with the tickets.<br />
Tim: Oh, good! We can have supper together. Oh, by<br />
the way, did you go to the post office?<br />
The first conversation sounds a little strange. Lisa and Tim<br />
are talk<strong>in</strong>g about hav<strong>in</strong>g supper with Peter, so why does<br />
Tim suddenly ask about the post office?<br />
The second conversation makes more sense. This time,<br />
Tim makes it clear that he’s chang<strong>in</strong>g the subject. He has<br />
suddenly thought about the post office.<br />
We often switch from one topic to another <strong>in</strong> a conversation.<br />
Let us look at some common ways to do this <strong>in</strong><br />
English.<br />
Next topic, please<br />
The word anyway helps to show that you want to f<strong>in</strong>ish<br />
one topic and move on to a new one:<br />
How was the traffic?<br />
Awful. There were roadworks on the motorway. Anyway,<br />
how are th<strong>in</strong>gs with you?<br />
(= We’ve talked enough about the traffic. Let’s move on to<br />
the next topic.)<br />
To switch to a different subject, you can use by the way,<br />
as <strong>in</strong> the example above, or you can say <strong>in</strong>cidentally (= I’m<br />
just chang<strong>in</strong>g the subject for a moment.):<br />
How was Alex’s birthday party?<br />
Oh, it was great. Incidentally, he liked your present.<br />
To change to a completely different topic, you could say<br />
To change the subject... or Chang<strong>in</strong>g the subject...:<br />
How’s your mother?<br />
She’s still <strong>in</strong> hospital, but she’s feel<strong>in</strong>g much better,<br />
thanks. Anyway, to change the subject — how’s Ann<br />
do<strong>in</strong>g <strong>in</strong> her exams?<br />
A similar topic<br />
Often, one topic of conversation leads naturally to a similar<br />
one. Here are some ways to signal this:<br />
That rem<strong>in</strong>ds me<br />
(Two people are talk<strong>in</strong>g about films they’ve seen.)<br />
That rem<strong>in</strong>ds me. Do you want to come to the c<strong>in</strong>ema<br />
on Friday?<br />
<strong>Spotlight</strong> 5|14<br />
Talk<strong>in</strong>g of...<br />
(Two people are talk<strong>in</strong>g about ski<strong>in</strong>g holidays.)<br />
Oh, talk<strong>in</strong>g of ski<strong>in</strong>g, did you read about the snowstorm<br />
<strong>in</strong> Austria last week?<br />
You might also hear Talk<strong>in</strong>g of which.... In this case, you<br />
would not repeat “ski<strong>in</strong>g”.<br />
That’s a bit like...<br />
Our flight was delayed. We were at the airport for hours.<br />
That’s a bit like when we flew to Thailand last year. Our<br />
flight was cancelled and we had to stay <strong>in</strong> a hotel.<br />
(= We had a similar experience.)<br />
Notice that ways to move to a similar topic often beg<strong>in</strong><br />
with “That ...”: That’s like..., That’s the same as..., That<br />
rem<strong>in</strong>ds me of....<br />
Keep<strong>in</strong>g to the same topic<br />
Look at this conversation:<br />
Lisa: I had a rather strange e-mail from Sophie yesterday<br />
even<strong>in</strong>g…<br />
Carla: Oh, yes, your daughter. How’s she gett<strong>in</strong>g on at<br />
university, by the way?<br />
Lisa: Oh, she’s do<strong>in</strong>g f<strong>in</strong>e, work<strong>in</strong>g hard. Anyway, as I<br />
was say<strong>in</strong>g, she sent me this e-mail...<br />
Here, Carla tries to change the subject, but Lisa wants to<br />
cont<strong>in</strong>ue talk<strong>in</strong>g about the e-mail. So she uses As I was<br />
say<strong>in</strong>g... to stay with the earlier topic.<br />
Other expressions similar to this are To go back to what<br />
we were talk<strong>in</strong>g about... or As I was say<strong>in</strong>g earlier....<br />
Underl<strong>in</strong>e the correct option from the words<br />
<strong>in</strong> bold.<br />
a) I love Italian food. — Me, too. Oh, talk / talk<strong>in</strong>g of<br />
food, shall we have someth<strong>in</strong>g to eat?<br />
b) We must be at the c<strong>in</strong>ema at 8 o’clock this even<strong>in</strong>g.<br />
Oh, <strong>in</strong>cidental / <strong>in</strong>cidentally, did you get some<br />
money from the bank?<br />
c) Anyway, as / how I was say<strong>in</strong>g, I’m go<strong>in</strong>g to look<br />
for a new job.<br />
d) It sounds as if you had a good time <strong>in</strong> Spa<strong>in</strong>.<br />
Thanks for the postcard, on the way / by the way.<br />
e) Scotland was beautiful, but it ra<strong>in</strong>ed all the time.<br />
— That’s a bit like / as when I went to Wales last<br />
year. It ra<strong>in</strong>ed non-stop for 10 days.<br />
Answers: a) talk<strong>in</strong>g; b) <strong>in</strong>cidentally; c) as; d) by the way; e) like<br />
EXERCISE<br />
Foto: iStockphoto
Word Builder | LANGUAGE<br />
Build your vocabulary<br />
JOANNA WESTCOMBE presents useful words and phrases from this issue of <strong>Spotlight</strong> and their<br />
collocations. The words may also have other mean<strong>in</strong>gs that are not listed here.<br />
patch [pÄtS] noun p. 47<br />
unlike [)Vn(laIk] preposition p. 67<br />
a small area that is different from the area around it<br />
Fleck<br />
different from, <strong>in</strong> contrast to<br />
anders als, im Gegensatz zu<br />
The cat was ly<strong>in</strong>g asleep on her favourite<br />
chair <strong>in</strong> a patch of sunlight.<br />
Unlike most of her friends, Paula had never<br />
tried smok<strong>in</strong>g.<br />
See the extra notes below on how to use patch.<br />
Don’t confuse unlike with unlikely = unwahrsche<strong>in</strong>lich.<br />
drop [drQp] verb p. 9<br />
rub [rVb] verb p. 6<br />
stop do<strong>in</strong>g sth. suddenly <strong>in</strong> order to do someth<strong>in</strong>g else<br />
alles stehen- und liegenlassen<br />
press and move your hand over someth<strong>in</strong>g repeatedly<br />
reiben<br />
OK everyone. Drop what you’re do<strong>in</strong>g and come<br />
with me. Someone needs our help.<br />
Can you rub my shoulders for a while?<br />
I feel as if I’m gett<strong>in</strong>g a headache.<br />
Drop can just mean “not cont<strong>in</strong>ue with”: “The newspaper<br />
dropped the story.”<br />
Ways of rubb<strong>in</strong>g:<br />
carefully, gently, hard, lightly...<br />
crucial [(kru:S&l] adjective p. 22<br />
valid [(vÄlId] adjective p. 59<br />
extremely important<br />
acceptable, accepted<br />
entscheidend<br />
gültig<br />
Farmers have a crucial role to play <strong>in</strong><br />
protect<strong>in</strong>g the natural environment.<br />
There are some very valid reasons why we<br />
should reject the offer.<br />
Other synonyms: critical, essential, paramount, vital<br />
The opposite is <strong>in</strong>valid [In(vÄlId].<br />
Foto: iStock<br />
How to use the word patch<br />
The cat <strong>in</strong> the example above (who may well have a<br />
white patch on her leg) has found a pleasant place to<br />
sleep: <strong>in</strong> a patch of sunlight. She th<strong>in</strong>ks this place belongs<br />
to her, it’s her patch. Patches, though, can also<br />
be areas to avoid, such as icy patches or patches of<br />
fog when you’re driv<strong>in</strong>g; or they’re th<strong>in</strong>gs you’d rather<br />
not have, such as damp patches on your walls or ceil<strong>in</strong>g,<br />
or bald patches on your head.<br />
In British English, a patch can also be a time <strong>in</strong> your life<br />
— a difficult, sticky or tricky patch. You might say<br />
an experience, a book or film was good <strong>in</strong> patches<br />
(stellenweise), too.<br />
The adjective is patchy. It is used to talk about<br />
th<strong>in</strong>gs that are <strong>in</strong>complete, such as<br />
knowledge, memories and performances;<br />
and patchy ra<strong>in</strong> falls<br />
only <strong>in</strong> certa<strong>in</strong> small areas.<br />
Complete the follow<strong>in</strong>g sentences with words<br />
from this page <strong>in</strong> their correct form.<br />
a) The dog’s been <strong>in</strong> here aga<strong>in</strong>. There’s a warm<br />
__________ on the sofa.<br />
b) He __________ his hands together to keep warm.<br />
c) W<strong>in</strong>n<strong>in</strong>g this game is not just important — it’s<br />
absolutely __________.<br />
d) The computer says that the code isn’t __________.<br />
Try aga<strong>in</strong>.<br />
e) I cycle to work, __________ most people here,<br />
who drive.<br />
f) Mum! You can’t expect me to __________ everyth<strong>in</strong>g<br />
just like that.<br />
g) Please drive carefully. The weather report said<br />
there’ll be __________ of fog on the road.<br />
OVER TO YOU!<br />
Answers: a) patch; b) rubs / rubbed /<br />
‘s rubb<strong>in</strong>g; c) crucial; d) valid; e) unlike;<br />
f) drop; g) patches<br />
5|14 <strong>Spotlight</strong><br />
61
LANGUAGE | Perfectionists Only!<br />
WILL O’RYAN expla<strong>in</strong>s developments <strong>in</strong> the English language and<br />
exam<strong>in</strong>es some of the f<strong>in</strong>er po<strong>in</strong>ts of grammar.<br />
The new<br />
“because”<br />
Until recently, the English language<br />
knew the subord<strong>in</strong>at<strong>in</strong>g conjunction<br />
“because” and the composite preposition<br />
“because of”, and that was the<br />
end of the story. However, blogg<strong>in</strong>g,<br />
text-messag<strong>in</strong>g and the <strong>in</strong>ternet have<br />
given us a new preposition: “because”.<br />
In fact, it can be followed not only by<br />
nouns and gerunds, but also adjectives;<br />
for example: “I didn’t go to<br />
work today because lazy.” It’s a type of<br />
shorthand (Steno) and can be def<strong>in</strong>ed<br />
as: “it has to do with the follow<strong>in</strong>g”.<br />
This “because” has a flavour of universality,<br />
while also sound<strong>in</strong>g somehow<br />
ironic. It’s not just an explanation,<br />
but also a comment — as if<br />
you were roll<strong>in</strong>g your eyes while mak<strong>in</strong>g<br />
a statement. It’s abrupt and modern<br />
and is probably here to stay:<br />
because evolution — because hip.<br />
Back to the roots<br />
The modern English word “meat”<br />
comes from Old English mete, which<br />
goes back to a Proto-Germanic root<br />
mati, mean<strong>in</strong>g “food”. This orig<strong>in</strong>al<br />
mean<strong>in</strong>g has been reta<strong>in</strong>ed (beibehalten)<br />
<strong>in</strong> Swedish and Norwegian mat<br />
and Danish mad. Around 1300, the<br />
mean<strong>in</strong>g was narrowed to “flesh used<br />
as food”. We see a similar semantic<br />
narrow<strong>in</strong>g <strong>in</strong> the German word<br />
Mett(wurst) (from Middle Low German).<br />
The older, broader sense of<br />
“meat” was evident <strong>in</strong> the word<br />
“noonmeat” (for a midday meal),<br />
which died out <strong>in</strong> the 1700s. It is<br />
though, still present <strong>in</strong> a variant of<br />
“noonmeat” that lives on <strong>in</strong> many<br />
British English dialects: “nummit”, a<br />
small mid-morn<strong>in</strong>g or<br />
mid-afternoon meal<br />
that is taken <strong>in</strong> the<br />
fields by farmworkers.<br />
Right dislocation<br />
Say the follow<strong>in</strong>g, us<strong>in</strong>g right dislocation:<br />
Grammar<br />
Last month, we looked at the phenomenon of left dislocation <strong>in</strong> spoken<br />
English, where a fronted element outside the clause structure corresponds<br />
to a pronoun with<strong>in</strong> it, as <strong>in</strong> (a):<br />
a) That woman over there, I know her from somewhere.<br />
A structurally similar phenomenon exists <strong>in</strong> the opposite direction, known<br />
as right dislocation:<br />
b) I know her from somewhere, that woman over there.<br />
Spoken German also knows right (and left) dislocation, of course:<br />
Ich kenne sie von irgendwoher, die Frau dort drüben.<br />
Die Frau dort drüben, ich kenne sie von irgendwoher.<br />
The right-dislocated element is often referred to as a “tail”. More traditional<br />
terms are “noun-phrase tag” and “amplificatory tag”. Most typically, tails<br />
are complete noun phrases that refer back to the subject, an object or<br />
complement. But they can also be prepositional phrases or non-tensed<br />
clauses, as <strong>in</strong> (c):<br />
c) I’ve been there twice before, to Cornwall.<br />
I f<strong>in</strong>d that quite sad, so many people be<strong>in</strong>g afraid of los<strong>in</strong>g their jobs.<br />
Noun-phrase tails can be rather complex as well, as we see <strong>in</strong> (d):<br />
d) It really shocked me, the level of ignorance they displayed.<br />
I really admired her as a child, the woman who wrote that<br />
wonderful book.<br />
Right dislocation is also possible <strong>in</strong> questions and <strong>in</strong> tag questions, where<br />
they can either precede or follow the question tag:<br />
e) Do they both work <strong>in</strong> London, your friends’ daughters?<br />
He plays the piano really well, my son, doesn’t he?<br />
It’s not very easy to understand, is it, Canadian French?<br />
When the tail refers to the subject of clauses <strong>in</strong> the way “X is Y”, it can consist<br />
simply of a demonstrative pronoun, particularly <strong>in</strong> British English. In<br />
even more <strong>in</strong>formal speech, “is” could be added to the tail as well:<br />
f) It’s a very expensive w<strong>in</strong>e, that.<br />
g) She’s a very pretty lady, Mary is.<br />
More generally, other auxiliaries (Hilfsverb) are possible <strong>in</strong> <strong>in</strong>formal speech,<br />
and they agree (affirmative or negative) with the verb <strong>in</strong> the clause:<br />
h) He likes a few beers after work, Frank does.<br />
She’s never had more than a week’s holiday, Susan hasn’t.<br />
1. Your father is a difficult man to work for.<br />
2. Always forgett<strong>in</strong>g people’s names really frustrates her.<br />
Foto: iStock<br />
62 <strong>Spotlight</strong> 5|14<br />
Answers: 1. He’s a difficult man to work for, your father (is). 2. It/That really frustrates her, always forgett<strong>in</strong>g people’s names.
Crossword | LANGUAGE<br />
The new meat<br />
The words <strong>in</strong> this puzzle are taken from our article about grow<strong>in</strong>g meat <strong>in</strong><br />
laboratories. You may f<strong>in</strong>d it helpful to refer to the text on pages 22–23.<br />
1 2 3 4<br />
5 6 7<br />
8 9 10<br />
11<br />
12<br />
13 14<br />
15 16<br />
17 18<br />
19 20 21<br />
22 23<br />
Mike Pilewski<br />
Solution to puzzle 4/14:<br />
ORGANIC<br />
O P E N E D N E A R B Y<br />
F E E<br />
V P O P U L A R<br />
N A M E R E R<br />
O R O O M S M I S<br />
T C K O E<br />
I N G R E D I E N T S<br />
A A S L A I<br />
N T O S A L A D T<br />
Y O U S E G G S<br />
R A I N S E<br />
A E O T W O<br />
W I L D W H E N R<br />
Across<br />
1. Imag<strong>in</strong>ed what the future might be like.<br />
5. Referr<strong>in</strong>g to the way that th<strong>in</strong>gs have usually been done.<br />
8. At or before: “The world population is expected to<br />
reach 9.6 billion ______ 2050.”<br />
9. To perform an action.<br />
11. Generally: “This product is ______ available.”<br />
12. Whether.<br />
13. Animals raised and kept <strong>in</strong> order to be sold or eaten.<br />
15. A neutral colour; the colour of the cultured meat before<br />
it is turned red (UK spell<strong>in</strong>g).<br />
17. To po<strong>in</strong>t someth<strong>in</strong>g ______ is to tell someone about it.<br />
19. A person who knows a lot about food and cook<strong>in</strong>g and<br />
enjoys eat<strong>in</strong>g.<br />
21. “______ to” means “must”: “It ______ to look real.”<br />
22. “At the ______” means “now”.<br />
23. Before any others.<br />
Competition!<br />
How to take part<br />
Form a s<strong>in</strong>gle word from the letters <strong>in</strong> the<br />
coloured squares.<br />
Send it on a postcard to:<br />
Redaktion <strong>Spotlight</strong>, “May Prize Puzzle”,<br />
Postfach 1565, 82144 Planegg, Deutsch land.<br />
Ten w<strong>in</strong>ners will be chosen from the entries we receive by<br />
19 May 2014. By courtesy of Reclam, each w<strong>in</strong>ner will be<br />
sent a copy of English Expressions.<br />
The answer to our March puzzle was confront.<br />
Down<br />
1. To use one’s eyes.<br />
2. Without a doubt; def<strong>in</strong>itely.<br />
3. Was a leader of: “Professor Mark Post ______ the team of<br />
scientists produc<strong>in</strong>g the burger.”<br />
4. To be on one’s feet <strong>in</strong>stead of sitt<strong>in</strong>g down.<br />
6. Changed the way someone thought about someth<strong>in</strong>g.<br />
7. Just: “______ 20 to 40 scientists worldwide are currently<br />
active <strong>in</strong> cultured-meat research.”<br />
8. Cont<strong>in</strong>uous passive form of “to be”: “In-vitro meat is<br />
______ developed as a healthy food for the future.”<br />
10. An <strong>in</strong>dividual.<br />
14. Double 10 down.<br />
16. An <strong>in</strong>crease <strong>in</strong> height or cost.<br />
18. Referr<strong>in</strong>g to someone or someth<strong>in</strong>g that is present or<br />
nearby: “______ hamburger is made of <strong>in</strong>-vitro meat.”<br />
20. To apply someth<strong>in</strong>g with the aim of achiev<strong>in</strong>g a purpose.<br />
Congratulations to:<br />
Lore Farken (Schwer<strong>in</strong>)<br />
Ines Heiduk (Haßfurt)<br />
Anette Schneider (Flörsheim)<br />
Elli Kloss (Brandenburg)<br />
Ines Lelis (Dresden)<br />
Ingeborg Henke (Munich)<br />
Margret Müller (Jena)<br />
Bernd Gössel (Bad Doberan)<br />
Susanne Müncheberg (Berl<strong>in</strong>)<br />
Ursula Hühnle<strong>in</strong> (Feldkirchen)<br />
5|14 <strong>Spotlight</strong><br />
63
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THE LIGHTER SIDE | Wit and Wisdom<br />
“<br />
In hotel rooms, I worry.<br />
I can’t be the only guy<br />
who sits on<br />
the furniture naked.<br />
”<br />
Jonathan Katz<br />
(born 1946), American comedian<br />
© Bulls<br />
THE ARGYLE SWEATER<br />
Family fun<br />
• I remember the time I was kidnapped. They sent back a<br />
piece of my f<strong>in</strong>ger to my father, but he said he wanted<br />
more proof.<br />
• My parents asked me to hand out <strong>in</strong>vitations for my<br />
brother’s surprise birthday party. That’s when I realized<br />
he was the favourite tw<strong>in</strong>.<br />
• When I was ten, my father told me never to talk to<br />
strangers. We haven’t spoken s<strong>in</strong>ce.<br />
Goat <strong>in</strong> the hole<br />
Two men are out walk<strong>in</strong>g <strong>in</strong> the countryside when they f<strong>in</strong>d<br />
a big hole <strong>in</strong> the ground. “I wonder how deep that is,” says<br />
one. He drops a rock <strong>in</strong>to the darkness, but hears noth<strong>in</strong>g.<br />
“Let’s get that old barrel we just passed,” says the other.<br />
“That’ll make a noise.” So the men roll the barrel up to the<br />
hole and drop it <strong>in</strong>. Suddenly, a goat comes rac<strong>in</strong>g out of the<br />
bushes straight at them. The men jump out of the way and<br />
see the goat fall <strong>in</strong>to the hole. A few moments later, they hear<br />
a voice call<strong>in</strong>g, “Shelley!… Shelley!… Shelley!” A farmer appears<br />
and asks, “Have you seen a little white goat?” “It just<br />
jumped <strong>in</strong>to that hole,” the men tell him. “That’s impossible,”<br />
says the farmer. “Shelley’s a very <strong>in</strong>telligent goat, and anyway,<br />
she was tied to an old barrel.”<br />
Back <strong>in</strong> town<br />
A little old lady sits next to an old man on a bench <strong>in</strong> Miami.<br />
The woman asks, “Are you new here?” The man replies, “Well,<br />
I used to live here years ago.” “So where have you been?” asks<br />
the woman. “I was <strong>in</strong> prison,” says the man, “for murder<strong>in</strong>g<br />
my wife.” “Really?” says the old lady. “So you’re s<strong>in</strong>gle…”<br />
K<strong>in</strong>d words<br />
A husband is talk<strong>in</strong>g to his wife. “I made a huge mistake at<br />
work today,” he says. “I’m lucky still to have a job. Sometimes,<br />
I th<strong>in</strong>k I’m a complete idiot.” His wife replies, “Don’t worry,<br />
darl<strong>in</strong>g. Lots of people feel like that. In fact, most of the people<br />
we know th<strong>in</strong>k that you’re a complete idiot.”<br />
barrel [(bÄrEl]<br />
change [tSeIndZ]<br />
goat [gEUt]<br />
Fass<br />
hier: W<strong>in</strong>del wechseln<br />
Ziege<br />
movement [(mu:vmEnt]<br />
tw<strong>in</strong> [twIn]<br />
Satz (e<strong>in</strong>es Musikstückes);<br />
aber auch: Stuhlgang<br />
Zwill<strong>in</strong>g<br />
PEANUTS<br />
© Bulls<br />
66 <strong>Spotlight</strong> 5|14
“<br />
You can’t<br />
please all of the<br />
people all of<br />
the time<br />
”<br />
American Life | GINGER KUENZEL<br />
A newcomer<br />
to small-town politics<br />
Auch <strong>in</strong> e<strong>in</strong>er Kle<strong>in</strong>stadt ist Politik kompliziert. Als Stadtratsmitglied muss<br />
man wissen, dass man es nie allen recht machen kann.<br />
Foto: iStock<br />
I’m now several months <strong>in</strong>to my<br />
new role as a member of the town<br />
board, and I’ve learned a lot.<br />
In January, right after I stepped<br />
<strong>in</strong>to the position, the town sent me<br />
to our state capital of Albany for a<br />
two-and-a-half-day conference called<br />
“Tra<strong>in</strong><strong>in</strong>g for new town officials.” My<br />
plan was to do a lot of network<strong>in</strong>g and<br />
profit from the knowledge of others<br />
attend<strong>in</strong>g the conference. They were<br />
sure to have some of the same issues as<br />
we do as a small town, I thought: how<br />
to provide emergency services, upgrade<br />
<strong>in</strong>frastructures, deal with so<br />
many new state rules <strong>in</strong> times of reduced<br />
budgets — and much more.<br />
Silly me! The conference, as its<br />
name clearly stated, was for new town<br />
officials. None of us had any experience<br />
to share. What’s more, we were<br />
given so much <strong>in</strong>formation about<br />
how to do our new jobs that we all<br />
felt overwhelmed. Conversations dur<strong>in</strong>g<br />
the breaks were less about “How<br />
are you handl<strong>in</strong>g emergency services?”<br />
and more about “What have I<br />
gotten myself <strong>in</strong>to?”<br />
You are probably ask<strong>in</strong>g, “How<br />
difficult can it be to play the role of a<br />
local official?” My answer: “Very!”<br />
Dur<strong>in</strong>g the conference, we heard<br />
lawyers and accountants talk<strong>in</strong>g<br />
about topics from f<strong>in</strong>ances, plann<strong>in</strong>g,<br />
and sewer law, to ethics, tax collection,<br />
budget<strong>in</strong>g, cash management,<br />
and more. Now, four months <strong>in</strong>to my<br />
time <strong>in</strong> office, I feel as if I am just<br />
start<strong>in</strong>g to understand what the job is<br />
all about.<br />
As a board, we’ve dealt with some<br />
m<strong>in</strong>or issues, such as whether to hold<br />
the Fourth of July fireworks <strong>in</strong> July or<br />
August. Yes, really. We’ve faced some<br />
challenges, too, such as implement<strong>in</strong>g<br />
a state law that requires us to close<br />
our town boat launch when no attendant<br />
is on duty. Local fishermen, who<br />
for generations have been used to tak<strong>in</strong>g<br />
their boats out at any hour, are<br />
not happy. As they say, you can please<br />
some of the people all of the time and<br />
all of the people some of the time,<br />
but you can’t please all of the people<br />
all of the time.<br />
I’ve learned how to check the<br />
clerk’s books, <strong>in</strong> which she records<br />
not only tax collections, but also all<br />
the licenses sold. I know now, for example,<br />
who hasn’t paid his or her<br />
taxes, who has bought a hunt<strong>in</strong>g license,<br />
and the name of every licensed<br />
dog <strong>in</strong> town. I’m not jok<strong>in</strong>g. I’ve<br />
also attended a few court sessions,<br />
presided over by our very colorful<br />
town judge. But those are stories for<br />
another day.<br />
Perhaps one of the most difficult<br />
learn<strong>in</strong>g experiences has been how to<br />
work with my fellow board members.<br />
I’m pick<strong>in</strong>g my battles carefully, and<br />
like any good politician, I’m mak<strong>in</strong>g<br />
compromises. I hope this will lead to<br />
my gett<strong>in</strong>g the other members’ support<br />
on issues that are important to<br />
me, like economic development and<br />
environmental protection.<br />
I know that chang<strong>in</strong>g some th<strong>in</strong>gs<br />
will take time. In addition, I’m still<br />
viewed with some skepticism. After all,<br />
I’m a Democrat <strong>in</strong> a Republican town,<br />
and I haven’t lived here my entire life.<br />
But I’ll be do<strong>in</strong>g this for four years, so<br />
I can afford to be patient. For now, I’ll<br />
listen and learn. And unlike so many<br />
politicians at the national and state<br />
levels, I’m try<strong>in</strong>g to keep my name out<br />
of the headl<strong>in</strong>es — except, of course,<br />
those <strong>in</strong> <strong>Spotlight</strong>.<br />
accountant [E(kaUnt&nt]<br />
Steuerberater(<strong>in</strong>), Rechnungsführer(<strong>in</strong>)<br />
attendant [E(tendEnt]<br />
Bedienstete(r), Wärter(<strong>in</strong>)<br />
boat launch [(boUt lO:ntS]<br />
Bootsrampe<br />
clerk’s books [(kl§:ks bUks]<br />
Geschäftsbücher<br />
court session [(kO:rt )seS&n]<br />
Gerichtsverhandlung<br />
entire [In(taI&r]<br />
vollständig, ganz, gesamt<br />
get oneself <strong>in</strong>to sth. [get wVn)self (IntE] sich auf etw. e<strong>in</strong>lassen<br />
implement [(ImplIment]<br />
umsetzen<br />
official [E(fIS&l]<br />
Beamte(r)<br />
overwhelmed [)oUv&r(hwelmd]<br />
überfordert<br />
pick one’s battles [)pIk wVnz (bÄt&lz] strategisch handeln<br />
preside over [pri(zaId )oUv&r]<br />
den Vorsitz haben<br />
sewer law [(su:&r lɑ:]<br />
Abwasserrecht<br />
Silly me! [)sIli (mi:]<br />
Wie dumm von mir!<br />
town board [)taUn (bO:rd] N. Am.<br />
etwa: Stadtrat<br />
unlike [)Vn(laIk] anders als, im Gegensatz zu (➝ p. 61)<br />
G<strong>in</strong>ger Kuenzel is a freelance writer who lived <strong>in</strong> Munich for 20 years. She now calls a small town <strong>in</strong> upstate New York home.<br />
5|14 <strong>Spotlight</strong><br />
67
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Leiter Market<strong>in</strong>g, Kasernenstraße 67, 40213 Düsseldorf<br />
Tel. +49 (0)211/8 87-2315; Fax +49 (0)211/8 87-97-2315<br />
E-Mail: patrick.priesmann@iqm.de<br />
L<strong>in</strong>a Cicelyte, Product Manager, iq media market<strong>in</strong>g<br />
gmbh, Kasernenstraße 67, 40213 Düsseldorf<br />
Tel. +49 (0)211/8 87-2367; Fax +49 (0)211/8 87-97-2367<br />
E-Mail: l<strong>in</strong>a.cicelyte@iqm.de<br />
Nielsen 1, 2, 5, 6, 7<br />
iq media market<strong>in</strong>g gmbh<br />
Kasernenstraße 67, 40213 Düsseldorf<br />
Tel. +49 (0)211/8 87-2053; Fax +49 (0)211/8 87-97-2099<br />
E-Mail: marion.weskamp@iqm.de<br />
Nielsen 3a<br />
iq media market<strong>in</strong>g gmbh<br />
Eschersheimer Landstraße 50, 60322 Frankfurt<br />
Tel. +49 (0)69/24 24-4510; Fax +49 (0)69/24 24-4555<br />
E-Mail: eva-maria.glaser@iqm.de<br />
Nielsen 3b, 4<br />
iq media market<strong>in</strong>g gmbh<br />
Nymphenburger Straße 14, 80335 München<br />
Tel. +49 (0)89/54 59 07-26; Fax +49 (0)89/54 59 07-24<br />
E-Mail: katja.foell@iqm.de<br />
Sales Lifestyle<br />
iq media market<strong>in</strong>g gmbh<br />
Kasernenstraße 67, 40213 Düsseldorf<br />
Tel. +49 (0)211/8 87-3582; Fax +49 (0)211/8 87-97-3582<br />
E-Mail: christian.gericke@iqm.de<br />
Benelux, Skand<strong>in</strong>avien<br />
iq media market<strong>in</strong>g gmbh<br />
Kasernenstraße 67, 40213 Düsseldorf<br />
Tel. +49 (0)211/8 87-1332; Fax +49 (0)211/8 87-97-1332<br />
E-Mail: neil.frankland@iqm.de<br />
Österreich<br />
Internationale Medienvertretung & Service proxymedia<br />
e.U., Wiesengasse 3, 2801 Katzelsdorf<br />
Tel. +43 (0)2662/367 55; Fax +43 (0)125-330-333-989<br />
E-Mail: michael.schach<strong>in</strong>ger@proxymedia.at<br />
Schweiz<br />
Top Media Sales GmbH<br />
Chamerstrasse 56, 6300 Zug<br />
Tel. +41 (0)41/7 10 57 01; Fax +41 (0)41/7 10 57 03<br />
E-Mail: walter.vonsiebenthal@topmediasales.ch<br />
International Sales<br />
iq media market<strong>in</strong>g gmbh<br />
Gerda Gavric-Hollender<br />
Kasernenstraße 67, 40213 Düsseldorf<br />
Tel. +49 (0)211/8 87-2343; Fax +49 (0)211/8 87-97-2343<br />
E-Mail: gerda.gavric@iqm.de<br />
ANZEIGENPREISLISTE: Es gilt die Anzeigenpreisliste<br />
Nr. 30 ab Ausgabe 1/14.<br />
IVW-Meldung 4. Quartal 2013:<br />
59.466 verbreitete Exemplare <strong>Spotlight</strong><br />
68 <strong>Spotlight</strong> 5|14
June 2014 | NEXT MONTH<br />
Features<br />
Experience<br />
the American<br />
South<br />
The South is full of surprises:<br />
jo<strong>in</strong> us to f<strong>in</strong>d<br />
out about space technology<br />
<strong>in</strong> the state of<br />
Alabama, country<br />
music <strong>in</strong> Tennessee,<br />
and the old-timey culture<br />
of Kentucky, with<br />
an overview of other<br />
regional highlights.<br />
The world<br />
<strong>in</strong> English<br />
How many countries<br />
have English as one of<br />
their official languages?<br />
We take you on an <strong>in</strong>formative<br />
trip around the<br />
world to discover all the<br />
places where English is<br />
spoken. Discover the<br />
differences between<br />
various versions of the<br />
language and how to<br />
navigate them.<br />
The bak<strong>in</strong>g genius<br />
of Bonnae Gokson<br />
The cakes created by Bonnae Gokson<br />
are delicious — and a visual feast.<br />
F<strong>in</strong>d out how the <strong>in</strong>ventor of the<br />
Crunch Cake and Marie Anto<strong>in</strong>ette’s<br />
Crave has turned the art of confection<br />
<strong>in</strong>to high art you can eat.<br />
Language<br />
Vocabulary<br />
Is that a German shepherd, a<br />
Dalmation or a Labrador? Learn<br />
to name the different breeds of<br />
man’s best friend: the dog.<br />
Everyday English<br />
We’re <strong>in</strong> the fast lane! We take<br />
you on a car journey along a<br />
British motorway and <strong>in</strong>troduce<br />
you to some typical situations.<br />
Spoken English<br />
In what way may we help you? We’ll<br />
try <strong>in</strong> any way possible! In June,<br />
you’ll f<strong>in</strong>d a page full of expressions<br />
conta<strong>in</strong><strong>in</strong>g the word “way”.<br />
Fotos: Th<strong>in</strong>kstock; PR<br />
<strong>Spotlight</strong> 6/14 is on sale from<br />
28 May<br />
5|14 <strong>Spotlight</strong><br />
69
SPECIAL | Humour<br />
No laugh<strong>in</strong>g matter<br />
Comedy l<strong>in</strong>e-up:<br />
from <strong>Otto</strong> Waalkes to<br />
John Cleese<br />
Chefredakteur<strong>in</strong> INEZ SHARP über die viel diskutierte Frage, ob es den deutschen Humor<br />
überhaupt gibt und wie er sich vom britischen unterscheidet.<br />
Read<strong>in</strong>g the <strong>in</strong>terview with <strong>Otto</strong> Waalkes (pages 24–<br />
27), I began to th<strong>in</strong>k about the differences between<br />
German and English humour. The cliché that Germans<br />
don’t have a sense of humour has provided generations<br />
of British comedians with a useful, if not very<br />
imag<strong>in</strong>ative, stereotype to poke fun at.<br />
I have a personal <strong>in</strong>terest <strong>in</strong> German and English humour.<br />
As someone with an English father and a German<br />
mother, I have made myself look at the topic from both<br />
sides. Grow<strong>in</strong>g up <strong>in</strong> the UK, I hated the “Don’t mention<br />
the war” scene from the TV series Fawlty Towers. What’s<br />
so funny about John Cleese imitat<strong>in</strong>g Adolf Hitler? Or is<br />
that just me be<strong>in</strong>g a humourless half-German? But when<br />
I moved to Munich and made my German friends laugh,<br />
they always praised my British sense of humour.<br />
In his 2012 book, Keep<strong>in</strong>g Up with the Germans: A History<br />
of Anglo-German Encounters, Philip Oltermann compares<br />
what he calls the “slippery, bendable qualities of<br />
English” with the “suspension-bridge structure” of the<br />
German language. That is true of a lot of jokes, of course.<br />
Try translat<strong>in</strong>g this: “Police arrested two kids yesterday:<br />
one was dr<strong>in</strong>k<strong>in</strong>g battery acid, the other was eat<strong>in</strong>g fireworks.<br />
They charged one — and let the other one off.”<br />
Lots of my German friends are very funny, too, and<br />
tell great jokes. And anyway, it’s not just about the lan-<br />
battery acid [(bÄtri )ÄsId]<br />
bendable [(bendEb&l]<br />
bullshit [(bUlSIt] vulg.<br />
charge [tSA:dZ]<br />
erase [I(reIz]<br />
fits: have sb. <strong>in</strong> ~ [fIts]<br />
giggle [(gIg&l]<br />
let off [let (Qf]<br />
oxymoron [)Qksi(mO:rQn]<br />
po<strong>in</strong>t [pOInt]<br />
poke fun at sth. / sb.<br />
[pEUk (fVn Et]<br />
praise [preIz]<br />
slippery [(slIpEri]<br />
suspension-bridge structure<br />
[sE(spenS&n brIdZ )strVktSE]<br />
70 <strong>Spotlight</strong> 5|14<br />
Batteriesäure, Akkusäure<br />
leicht zu verbiegen<br />
Bockmist<br />
aufladen; auch: anklagen<br />
löschen, aufheben<br />
bei jmdm. Lachanfälle provozieren<br />
kichern<br />
abfeuern; auch: jmdn. laufen lassen<br />
Widerspruch <strong>in</strong> sich<br />
hier: Standpunkt, Argument<br />
sich über etw. / jmdn. lustig machen<br />
loben, rühmen<br />
schlüpfrig<br />
Hängebrückenkonstruktion<br />
guage, as British comedian Eddie Izzard has shown. Earlier<br />
this year, Izzard arrived <strong>in</strong> Germany for his “Force Majeure”<br />
tour. He performed <strong>in</strong> more or less fluent German.<br />
What was his po<strong>in</strong>t? “It’s bullshit!” Izzard told The Irish<br />
Times, referr<strong>in</strong>g to the idea that Germans don’t have a<br />
sense of humour. “Comedy is about people, not countries.<br />
All countries have humour, though not all people. The Tory<br />
Party <strong>in</strong> England has no sense of humour, for example.”<br />
Was he funny <strong>in</strong> German, though? The description of<br />
the age<strong>in</strong>g human body look<strong>in</strong>g like a “Wiesel mit Soße bedeckt”<br />
had his Berl<strong>in</strong> audience <strong>in</strong> fits and works just as well<br />
<strong>in</strong> English.<br />
Oltermann says slapstick is an important element of<br />
German comedy and might be one reason why the English<br />
comedy rout<strong>in</strong>e “D<strong>in</strong>ner for One” is so popular <strong>in</strong> Germany.<br />
I saw it when I first came to Germany <strong>in</strong> 1986 and<br />
found it very unfunny. It’s <strong>in</strong>terest<strong>in</strong>g to th<strong>in</strong>k that my<br />
English grandparents may have been giggl<strong>in</strong>g over “D<strong>in</strong>ner<br />
for One” <strong>in</strong> the 1920s. Today, though, almost all Britons<br />
will look confused if you ask them, poker-faced: “Same<br />
procedure as last year?”<br />
Eras<strong>in</strong>g the borders that have kept German humour<br />
out of the English-speak<strong>in</strong>g world will<br />
be a slow process. It helps when<br />
German comedians like Michael<br />
Mittermeier take up the challenge<br />
of perform<strong>in</strong>g live <strong>in</strong> Brita<strong>in</strong>.<br />
Dur<strong>in</strong>g an appearance <strong>in</strong> London<br />
<strong>in</strong> 2012, Mittermeier described<br />
his show as a strange, exotic<br />
beast be<strong>in</strong>g viewed on a safari.<br />
“Don’t scare it,” he<br />
told the audience. “It’s a<br />
very rare species. It’s a<br />
German comedian.”<br />
He added that such a<br />
th<strong>in</strong>g was normally<br />
not possible, that it<br />
was “an oxymoron”.<br />
Well, perhaps not for<br />
much longer.<br />
Comedy shouldn’t<br />
have borders<br />
Fotos: G. Krautbauer; Interfoto; action press; dpa/picture alliance; iStock
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Klicken und Produktvielfalt entdecken:<br />
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Green Light<br />
52014<br />
ENGLISCH LEICHT GEMACHT!<br />
Learn words<br />
for musical<br />
<strong>in</strong>struments<br />
Read all<br />
about the<br />
Mounties<br />
Practise us<strong>in</strong>g<br />
“have” and<br />
“have got”
GREEN LIGHT | News<br />
This month…<br />
Was beschäftigt die englischsprachige Welt im Mai?<br />
VANESSA CLARK spürt die heißen Storys für Sie auf.<br />
Jack’s back!<br />
Traditions Is it a man, or is it a tree? It’s<br />
both. It’s a Jack <strong>in</strong> the Green — a man<br />
dressed as a tree or a bush. This old English<br />
tradition started <strong>in</strong> the 16th century to celebrate<br />
May Day — the first of May.<br />
Jack is often a loud, fun character. The<br />
strict Victorians didn’t like him, and he disappeared<br />
from most May Day celebrations<br />
<strong>in</strong> the 19th century.<br />
Now, some towns and villages<br />
are br<strong>in</strong>g<strong>in</strong>g him back,<br />
together with other May traditions<br />
like morris danc<strong>in</strong>g<br />
and maypole danc<strong>in</strong>g. In Hast<strong>in</strong>gs,<br />
East Sussex, Jack even has<br />
his own festival (1–5 May).<br />
1914<br />
USA The bus company now<br />
called Greyhound L<strong>in</strong>es was<br />
started <strong>in</strong> Hibb<strong>in</strong>g, M<strong>in</strong>nesota,<br />
<strong>in</strong> May 1914. Today, Greyhound<br />
buses carry passengers to more<br />
than 3,800 towns and cities <strong>in</strong><br />
the US, Canada and Mexico.<br />
atmospheric [)ÄtmEs(ferIk]<br />
celebrate [(selEbreIt]<br />
disappear [)dIsE(pIE]<br />
former [(fO:mE]<br />
leader [(li:dE]<br />
maypole [(meIpEUl]<br />
morris danc<strong>in</strong>g<br />
[(mQrIs )dA:nsIN]<br />
strict [strIkt]<br />
writer’s block [)raItEz (blQk]<br />
100<br />
years ago<br />
stimmungsvoll<br />
feiern<br />
verschw<strong>in</strong>den<br />
früher, ehemalig<br />
hier: M<strong>in</strong>isterpräsident(<strong>in</strong>)<br />
Maibaum<br />
dem Moriskentanz<br />
ähnliche mittelalterliche<br />
Tanzform<br />
streng<br />
Schreibblockade<br />
Oh, Cecelia!<br />
Books The Irish writer Cecelia<br />
Ahern’s first book PS, I<br />
Love You, about love after<br />
death, was an <strong>in</strong>ternational<br />
bestseller and was made<br />
<strong>in</strong>to a film. Her latest<br />
book, which comes out<br />
<strong>in</strong> Germany this<br />
month, is a ghost story<br />
— Der Ghostwriter (English<br />
title Herman Banks<br />
and the Ghost Writer). It’s<br />
an atmospheric story<br />
about a writer who has<br />
writer’s block. Strange<br />
th<strong>in</strong>gs start to happen...<br />
Cecelia Ahern is the<br />
daughter of the former<br />
Irish leader Bertie Ahern.<br />
She lives near<br />
Dubl<strong>in</strong> with her<br />
husband and<br />
their two young<br />
children.<br />
2 <strong>Spotlight</strong> 5|14
Musical <strong>in</strong>struments<br />
8 pictures | GREEN LIGHT<br />
STEPHANIE SHELLABEAR presents words for musical <strong>in</strong>struments.<br />
8<br />
1<br />
2<br />
7<br />
3<br />
6<br />
4<br />
5<br />
Titel: Alamy; Fotos Doppelseite: Alamy; PR; Illustrationen: B. Förth<br />
Write the words next<br />
to the pictures.<br />
1. piano [pi(ÄnEU]<br />
2. guitar [gI(tA:]<br />
3. viol<strong>in</strong> and bow<br />
[vaIE)lIn End (bEU]<br />
4. recorder [ri(kO:dE]<br />
5. trumpet [(trVmpIt]<br />
6. flute [flu:t]<br />
7. clar<strong>in</strong>et [)klÄrE(net]<br />
8. trombone [trQm(bEUn]<br />
Which <strong>in</strong>strument is it?<br />
a) It’s an <strong>in</strong>strument with four str<strong>in</strong>gs. You play it with your<br />
f<strong>in</strong>gers and a bow. It’s a _____________________________.<br />
b) It’s an <strong>in</strong>strument made of wood or plastic, often<br />
played by schoolchildren. It’s a ______________________.<br />
c) It looks a bit like a trumpet, but it’s much longer.<br />
It’s a ___________________________________.<br />
d) It’s a very large <strong>in</strong>strument and has lots of white and<br />
black keys. It’s a ___________________________________.<br />
e) It’s a long, silver <strong>in</strong>strument that you hold horizontally<br />
to play. It’s a ___________________________________.<br />
Instruments such as the guitar and the viol<strong>in</strong> are known as str<strong>in</strong>g <strong>in</strong>struments (Saiten<strong>in</strong>strument).<br />
The clar<strong>in</strong>et, the flute and the recorder belong to the group of woodw<strong>in</strong>d<br />
<strong>in</strong>struments (Holzblas<strong>in</strong>strument). Brass <strong>in</strong>struments (Blechblas<strong>in</strong>strument) <strong>in</strong>clude the<br />
trumpet, horn and trombone.<br />
Tips<br />
Answers: a) viol<strong>in</strong> (str<strong>in</strong>g: Saite); b) recorder; c) trombone; d) piano (key: Taste); e) flute<br />
5|14 <strong>Spotlight</strong><br />
3
GREEN LIGHT | Grammar elements<br />
“Have” and “have got”<br />
STEPHANIE SHELLABEAR presents basic grammar.<br />
This month, she describes the different forms of the verb “have”.<br />
The verb “have” is used to say that someth<strong>in</strong>g belongs to someone or that it is available<br />
to someone. In spoken British English, “have got” is often used. There is no difference<br />
<strong>in</strong> mean<strong>in</strong>g, but have is more formal <strong>in</strong> British English, and have got is not normally<br />
used <strong>in</strong> American English.<br />
When you use “have got”, have and has usually become ’ve and ’s:<br />
have<br />
I have<br />
you have<br />
he / she / it has<br />
we have<br />
you have<br />
they have<br />
have got<br />
I’ve got<br />
you’ve got<br />
he’s / she’s / it’s got<br />
we’ve got<br />
you’ve got<br />
they’ve got<br />
• You have wonderful children. They are<br />
so polite.<br />
• You’ve got wonderful children. They<br />
are so polite.<br />
• We have three pets: a cat, a hamster<br />
and a goldfish.<br />
• We’ve got three pets: a cat, a hamster<br />
and a goldfish.<br />
To form the negative of “have”, you need help from the verb “do” and the word “not”.<br />
“Have got” needs only the added word “not”:<br />
do not have<br />
I don’t have<br />
you don’t have<br />
he/she/it doesn’t have<br />
we don’t have<br />
you don’t have<br />
they don’t have<br />
have not got<br />
I haven’t got<br />
you haven’t got<br />
he / she / it hasn’t got<br />
we haven’t got<br />
you haven’t got<br />
they haven’t got<br />
• Mr Swales doesn’t have an assistant.<br />
He does everyth<strong>in</strong>g himself.<br />
• Mr Swales hasn’t got an assistant.<br />
He does everyth<strong>in</strong>g himself.<br />
• If you don’t have a ticket, you<br />
can’t enter the build<strong>in</strong>g.<br />
• If you haven’t got a ticket, you<br />
can’t enter the build<strong>in</strong>g<br />
Complete the sentences below by<br />
underl<strong>in</strong><strong>in</strong>g the correct words.<br />
a) He doesn’t / don’t have a job.<br />
b) I has / I’ve got a problem.<br />
c) We hasn’t / haven’t got any plans for Saturday.<br />
d) She’s / She got a bad cold.<br />
e) Do / Does you have his phone number?<br />
Answers: a) doesn’t; b) I’ve; c) haven’t; d) She’s; e) Do<br />
In the past tense, we use only had:<br />
• I had a bad cold last week.<br />
(Not: I had got a bad cold<br />
last week.)<br />
Tips<br />
Fotos: iStock<br />
4 <strong>Spotlight</strong> 5|14
Runn<strong>in</strong>g to help<br />
Donna is tell<strong>in</strong>g Andrew about a run he could do for charity.<br />
By DAGMAR TAYLOR<br />
Donna: Do you fancy do<strong>in</strong>g a charity run?<br />
Andrew: What, now?<br />
Donna: No, not now. It’s next month. It’s<br />
only 5K, and it’s to collect money for<br />
cancer research.<br />
Andrew: OK. I’ll tell you what: I’ll do it if<br />
you do it.<br />
Donna: Me? Are you mad?<br />
Andrew: Why not? You’re pretty fit. And if<br />
we go for a run together two or three<br />
times a week start<strong>in</strong>g now, it’ll be no<br />
problem.<br />
Donna: Do you th<strong>in</strong>k so?<br />
Andrew: Absolutely!<br />
Donna: Well... I do want to get <strong>in</strong>to shape<br />
for the wedd<strong>in</strong>g.<br />
Andrew: There! That’s the spirit. Where do<br />
we sign up?<br />
Donna: I should have kept my mouth shut.<br />
The Greens | GREEN LIGHT<br />
• Do you fancy...? (UK ifml.) is one<br />
way of ask<strong>in</strong>g someone if he or she<br />
feels like (zu etw. Lust haben) do<strong>in</strong>g<br />
someth<strong>in</strong>g. It is followed by the -<strong>in</strong>g<br />
form: “Do you fancy go<strong>in</strong>g out?”<br />
• People take part <strong>in</strong> a charity run to<br />
collect money for a good cause (guter<br />
Zweck). Many runs are either 5K (5 kilometres<br />
long) or 10K.<br />
• When the word pretty (ifml.) stands <strong>in</strong><br />
front of an adjective, it means “quite”.<br />
• Absolutely is used to say that someth<strong>in</strong>g<br />
is completely true.<br />
• When you eat healthily and do exercise<br />
(tra<strong>in</strong>ieren) to become physically fit,<br />
you get <strong>in</strong>to shape.<br />
• You sign up for someth<strong>in</strong>g by add<strong>in</strong>g<br />
your name to a list.<br />
Tips<br />
Match the two halves of the<br />
sentences.<br />
Listen to the dialogue at<br />
www.spotlight-onl<strong>in</strong>e.de/products/green-light<br />
a) It’s to collect money...<br />
b) I’ll do it...<br />
c) If we go for a run twice a week,...<br />
d) I should have...<br />
a ➯ 1. it’ll be no problem.<br />
b ➯ 2. for cancer research.<br />
c ➯ 3. kept my mouth shut.<br />
d ➯ 4. if you do it.<br />
Donna<br />
Andrew<br />
cancer research<br />
[(kÄnsE ri)s§:tS]<br />
charity [(tSÄrEti]<br />
that’s the spirit<br />
[(DÄts DE )spIrIt]<br />
wedd<strong>in</strong>g [(wedIN]<br />
Krebsforschung<br />
wohltätige<br />
Vere<strong>in</strong>igung<br />
das ist genau die<br />
richtige E<strong>in</strong>stellung<br />
Hochzeit<br />
Answers: a–2; b–4; c–1; d–3
GREEN LIGHT | Get writ<strong>in</strong>g<br />
Please forward<br />
VANESSA CLARK helps you to write letters, e-mails and more <strong>in</strong> English.<br />
This month: how to ask someone to forward an e-mail.<br />
E-mail for Ms Herr<strong>in</strong>gshaw<br />
To:<br />
Cc:<br />
Subject:<br />
<strong>in</strong>fo@wantageschool.co.uk<br />
E-mail for Ms Herr<strong>in</strong>gshaw<br />
Dear Wantage School Office<br />
I don’t have a direct e-mail address for my daughter’s teacher, Ms Herr<strong>in</strong>gshaw.<br />
I would be very grateful if you could forward this e-mail to her.<br />
Best wishes<br />
Hilary Mannion<br />
Dear Ms Herr<strong>in</strong>gshaw<br />
I hope this e-mail reaches you OK.<br />
My daughter Rosie Mannion is <strong>in</strong> your year 8 English class. I have a question<br />
about the book the children <strong>in</strong> your class are read<strong>in</strong>g at the moment…<br />
• If you can’t f<strong>in</strong>d a direct e-mail address for someone, you can send your message to<br />
the ma<strong>in</strong> office (Hauptbüro, Zentrale) or an “<strong>in</strong>fo@...” address and ask them to forward it<br />
to the right person.<br />
• Women sometimes put the title Ms <strong>in</strong> front of their name when they don’t want to state<br />
(angeben) whether they are married (Mrs) or s<strong>in</strong>gle (usually Miss).<br />
• When you make a request (Anfrage, Bitte), especially <strong>in</strong> a letter or <strong>in</strong> a formal situation, you<br />
can say or write: I would be very grateful...<br />
• You can end an e-mail to someone you don’t know very well with Best wishes,<br />
“K<strong>in</strong>d regards” or “Best regards”.<br />
reach sb. [ri:tS]<br />
jmdn. erreichen<br />
Use<br />
it!<br />
Highlight the key words and<br />
phrases that you would use if you<br />
needed to write an e-mail like this yourself.<br />
Tips<br />
Fotos: iStock; PhotoObjects.net<br />
6 <strong>Spotlight</strong> 5|14
I like…<br />
the Mounties<br />
Who they are<br />
Mountie is the short form for Royal Canadian<br />
Mounted Police (RCMP). The Mounties,<br />
Canada’s national police force, used to be<br />
called the North-West Mounted Police. This<br />
early force was started <strong>in</strong> 1873 to patrol<br />
Canada’s new western territories. The name<br />
was changed to the Royal Canadian<br />
Mounted Police <strong>in</strong> 1920. The Mounties are<br />
famous for their red coats, Stetson hats —<br />
and, of course, their beautiful black horses.<br />
But those red uniforms are worn only on<br />
special days, and most Mounties use cars,<br />
not horses, to do their work.<br />
Culture corner | GREEN LIGHT<br />
Jeden Monat stellt e<strong>in</strong> Redakteur etwas Besonderes aus<br />
der englischsprachigen Welt vor. Diesen Monat präsentiert<br />
Bus<strong>in</strong>ess <strong>Spotlight</strong>-Redakteur<strong>in</strong> MARGARET DAVIS e<strong>in</strong>e<br />
Liebl<strong>in</strong>gs<strong>in</strong>stitution.<br />
Why I like them<br />
Unlike people <strong>in</strong> many other countries,<br />
Canadians are proud of their national police.<br />
As a child, I wanted to be a Mountie, ma<strong>in</strong>ly<br />
because I liked horses and dogs. In those<br />
days, the Mounties patrolled the Far North<br />
us<strong>in</strong>g dog sleds pulled by huskies. Today,<br />
the dogs have been replaced by snowmobiles.<br />
Recent scandals have hurt the Mounties’<br />
image. Nobody’s perfect, not even our<br />
men and women <strong>in</strong> red. Yet it’s still excit<strong>in</strong>g<br />
to see that familiar uniform and those lovely<br />
horses, especially <strong>in</strong> places like Parliament<br />
Hill <strong>in</strong> Ottawa, our nation’s capital.<br />
Fun facts<br />
The image of the red-coated Mountie has been used to promote Canada<br />
s<strong>in</strong>ce the 1880s. Mounties have been celebrated <strong>in</strong> movies and comics and<br />
on the radio s<strong>in</strong>ce the 1930s. In the 1990s, a TV series called Due South (German<br />
title: E<strong>in</strong> Mountie <strong>in</strong> Chicago) was an <strong>in</strong>ternational success. The Mountie <strong>in</strong><br />
the show, played by Paul Gross, had a wolf-dog named Diefenbaker.<br />
Probably only Canadians knew the dog was named after a former prime<br />
m<strong>in</strong>ister, John George Diefenbaker (1895–1979).<br />
celebrate [(selEbreIt]<br />
dog sled [(dQg sled] N. Am.<br />
familiar [fE(mIliE]<br />
patrol [pE(trEUl]<br />
police force [pE(li:s fO:s]<br />
prime m<strong>in</strong>ister [)praIm (mInIstE]<br />
promote sth. [prE(mEUt]<br />
proud [praUd]<br />
Royal Canadian Mounted Police<br />
[)rOIEl kE)neIdiEn )maUntId pE(li:s]<br />
success [sEk(ses]<br />
unlike [)Vn(laIk]<br />
western territories<br />
[)westEn (terEtEriz]<br />
feiern<br />
Hundeschlitten<br />
vertraut<br />
patrouillieren<br />
Polizei(truppe)<br />
Premierm<strong>in</strong>ister(<strong>in</strong>)<br />
für etw. werben<br />
stolz<br />
königliche kanadische berittene<br />
Polizei<br />
Erfolg<br />
anders als, im Gegensatz zu<br />
(Nord)West-Territorien<br />
5|14 <strong>Spotlight</strong><br />
7
GREEN LIGHT | Notes and numbers<br />
Negative<br />
numbers<br />
A negative number is a number<br />
less than zero. To show that the<br />
number is negative, it has a m<strong>in</strong>us<br />
symbol (–) <strong>in</strong> front of it:<br />
• –2, for example, is pronounced (aussprechen)<br />
“m<strong>in</strong>us two” or “negative two” (US)<br />
You most often see negative numbers with<br />
temperatures:<br />
• –6 °C = “m<strong>in</strong>us six degrees Celsius/centigrade”<br />
or “six below zero”<br />
Write these numbers as you would<br />
say them.<br />
m<strong>in</strong>us twenty-five /<br />
negative twenty-five<br />
a) –25 __________________________________<br />
__________________________________________<br />
b) –4 __________________________________<br />
__________________________________________<br />
c) –32 °C _______________________________<br />
__________________________________________<br />
d) –108 _________________________________<br />
__________________________________________<br />
e) –1,075 _______________________________<br />
__________________________________________<br />
Your notes<br />
Use this space for your own notes.<br />
Fotos: iStock<br />
Answers: b) m<strong>in</strong>us four / negative four; c) m<strong>in</strong>us thirty-two degrees Celsius / thirty-two degrees below (zero); d) m<strong>in</strong>us one hundred<br />
and eight / negative one hundred and eight; e) m<strong>in</strong>us one thousand and seventy-five / negative one thousand and seventy-five<br />
IMPRESSUM<br />
Herausgeber und Verlagsleiter: Dr. Wolfgang Stock<br />
Chefredakteur<strong>in</strong>: Inez Sharp<br />
Stellvertretende Chefredakteur<strong>in</strong>: Claud<strong>in</strong>e Weber-Hof<br />
Chef<strong>in</strong> vom Dienst: Susanne Pfeifer<br />
Autoren: Vanessa Clark, Stephanie Shellabear,<br />
Dagmar Taylor<br />
Redaktion: Owen Connors, Elisabeth Erpf, Anja Giese,<br />
Peter Green, Anthony Healey, Sab<strong>in</strong>e Hübner-Pesce,<br />
Re<strong>in</strong>hild Luk, Michael Pilewski (Onl<strong>in</strong>e), Michele Tilgner,<br />
Joanna Westcombe<br />
Bildredaktion: Sarah Gough (Leitung), Thorsten Mansch<br />
Gestaltung: Marion Sauer/Johannes Re<strong>in</strong>er<br />
www.vor-zeichen.de<br />
Anzeigenleitung: Axel Zettler<br />
Market<strong>in</strong>gleitung: Holger Hofmann<br />
Produktionsleitung: Ingrid Sturm<br />
Vertriebsleitung: Monika Wohlgemuth<br />
Verlag und Redaktion: <strong>Spotlight</strong> Verlag GmbH<br />
Postanschrift: Postfach 1565, 82144 Planegg, Deutschland<br />
Telefon +49(0)89/8 56 81-0<br />
Fax +49(0)89/8 56 81-105<br />
Internet: www.spotlight-onl<strong>in</strong>e.de<br />
Litho: Mohn Media Mohndruck GmbH, 33311 Gütersloh<br />
Druck: Medienhaus Ortmeier, 48369 Saerbeck<br />
© 2014 <strong>Spotlight</strong> Verlag, auch für alle genannten Autoren,<br />
Fotografen und Mitarbeiter.<br />
UNSER SPRACHNIVEAU: Das Sprachniveau <strong>in</strong> Green Light entspricht ungefähr Stufe A2 des<br />
Geme<strong>in</strong>samen Europäischen Referenzrahmens für Sprachen.