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PHOTO Jacques <strong>La</strong>urent<br />

FESTIVAL KNOWLTON<br />

TAKING FLIGHT<br />

Paul Robinson<br />

The Knowlton Festival – formerly the Bel Canto<br />

Festival – will take place August 4-16 in the<br />

Eastern Townships, with Kent Nagano as artistic<br />

director and the Montreal Symphony the resident<br />

orchestra; in fact, the MSO has cancelled their<br />

Mozart Plus series in Montreal to avoid conflicts.<br />

International level events include Bellini’s <strong>La</strong><br />

Sonnambula starring Sumi Jo, all four Brahms<br />

symphonies and performances by Ben Heppner,<br />

Thomas Hampson and Stephen Kovacevich. The<br />

president and CEO of the Knowlton Festival<br />

Marco Genoni answers our questions.<br />

WHY THE NAME CHANGE?<br />

Like many other successful festivals,<br />

we wanted to link the<br />

name of the festival to its location.<br />

The bel canto component<br />

in our festival remains very<br />

strong with the performance<br />

of a Bellini opera and we are<br />

maintaining a close connection<br />

with the Accademia<br />

Nazionale di Santa Cecilia and<br />

its president Bruno Cagli, to<br />

offer master classes in bel<br />

canto. But this year we are<br />

offering more diversity.<br />

THE FESTIVAL IS STILL IN<br />

KNOWLTON BUT WHY HAVE<br />

YOUR MOVED THE ACTUAL<br />

LOCATION FOR THE CONCERTS?<br />

<strong>La</strong>st year’s location was not<br />

available on a permanent<br />

basis, and the road in front of it had to be closed for<br />

the period of the festival, which was not ideal for<br />

local residents.We have now found a similar setting<br />

nearby and this land has been bought by a benefactor<br />

as the permanent location for the festival.<br />

THE TENT USED LAST YEAR COULD SEAT ABOUT<br />

800 PEOPLE BUT THIS YEAR YOU WILL HAVE A<br />

TENT SEATING 1,050. WHAT WAS YOUR THINK-<br />

ING ABOUT THE VENUE?<br />

<strong>La</strong>st year we were lucky with the weather but we<br />

may not always be so lucky. We now have a tent<br />

structure that can be taken down and stored after<br />

the festival. It will provide cover for the patrons<br />

not only in the performance area but also in the<br />

bar and in the area where the shuttle buses arrive<br />

and depart. Once the festival is well established<br />

we will start thinking about a permanent home.<br />

TELL ME ABOUT THE ORGANIZATIONAL<br />

STRUCTURE OF THE FESTIVAL.<br />

We tried to mirror the cooperation between the<br />

London Philharmonic and the Glyndebourne<br />

Festival. We have a five-year agreement for<br />

Knowlton to be the official summer residence of<br />

the MSO. Most of the board of the festival is comprised<br />

of Knowlton residents but this board also<br />

includes three members of the board of the MSO.<br />

GIVEN THE CURRENT RECESSION, HOW IS IT POS-<br />

SIBLE FOR THE KNOWLTON FESTIVAL TO EXPAND<br />

AND APPARENTLY INCREASE ITS PERFORMANCES?<br />

Even in this severe recession many companies are<br />

still doing well. We have a unique product and I<br />

think we will be able to draw people from the<br />

Knowlton area, Montreal and even from major<br />

American cities.<br />

WHAT DID YOU LEARN FROM THE FIRST<br />

SEASON ABOUT THE RELATIONSHIP BETWEEN<br />

THE COMMUNITY AND THE FESTIVAL?<br />

<strong>La</strong>st year, to save money we put our guest artists<br />

in private homes. At first, some artists were<br />

apprehensive about this arrangement, but the<br />

experience proved so successful that some of<br />

these same artists are looking forward to this<br />

arrangement and bringing their families.<br />

Knowlton is a community of givers. If they can,<br />

they give money, time or accommodation.<br />

www.knowltonfestival.com<br />

Juin 2009 June 39

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