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Boxoffice-July.1997

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temporary multiplex. "What attracted AMC to<br />

the job," Dashwood says, "was the phenomenal<br />

job [Cecchi Gori] did with the theatre. It's<br />

an absolute jewel, and customers are very<br />

pleased to have seen it renovated back to<br />

even better than—its former<br />

glory. Being in Beverly<br />

Hills, where the film community<br />

is, the producers and<br />

stars, we felt it would give<br />

AMC a chance to showcase<br />

our operational expertise, as<br />

well as to be able to run a<br />

beautiful theatre."<br />

Now in its fourth year run<br />

under the Cecchi Gori flag.<br />

the Fine Arts provides a<br />

quality of viewing a cut<br />

above some local theatres—and<br />

certainly several<br />

cuts<br />

above many theatres<br />

that make their living on<br />

foreign films. As Gross puts<br />

it, "It's a place for those who<br />

want to enjoy foreign films<br />

inatheatrethatdoesn'thave<br />

sticky floors." Indeed,<br />

keeping the theatre clean is<br />

one of the priorities at the<br />

Fine Arts; another is serving<br />

_^<br />

!;,DEi!|S<br />

high-quality beverages and food. At the concessions<br />

counter, patrons can choose from the<br />

likes of cappuccino, espresso, fresh-baked<br />

pretzels, Snapple drinks, and dried fiuits, in<br />

addition to the customary popcorn and soft<br />

drinks. As with all the features at the Fine Arts,<br />

everything is artfully displayed on polished<br />

counters. And, with a theatre capacity that tops<br />

out at 500, the lines are never very long.<br />

With its subtitled films, which show more<br />

fi^quently at the Fine Arts than in main.stream<br />

Then called the Reglna, the theatre drew a crowd<br />

with a Lugosi/Karloff scarefest in 1942.<br />

houses, the theatre .sees a higher percentage of<br />

deaf viewers. To expand the viewing opportunities<br />

for that audience segment, the Fine Arts<br />

made an agreement with the Tripod School for<br />

the Deaf and the Deaf Entertainment Foundation<br />

(DEF) and is showing English-language<br />

films for the hearing impaired. The program<br />

launched in summer 1995 with a special<br />

screening of Warner Bros.' "The Bridges of<br />

Madison County," complete with open-captioned<br />

subtitles and special captioning indicating<br />

musical song lyrics and<br />

sound effects. Holding<br />

more of such screenings<br />

for the deaf, Gross says,<br />

remains a key goal.<br />

Whether it's providing a<br />

more comfortable sancmary<br />

for art-house lovers and<br />

its many celebrity patrons,<br />

or whether it's serving as<br />

one of the most "authentic"<br />

old theatres now operating<br />

with modem sight and<br />

sound quality, the Fine Arts<br />

provides new-Hollywood<br />

fare in an early-Hollywood<br />

setting. It also represents a<br />

coming-together of two<br />

cultures, with Italian<br />

ownerCecchi Gori providing<br />

the expertise in foreign<br />

and AMC, one of<br />

films,<br />

America's top circuits,<br />

providing the management.<br />

Say AMC's Dashwood,<br />

"It's a bit of a throwback to the past,<br />

restoring some of Hollywood's glory. TTiere<br />

are not a lot of theatres in L.A., where Hollywood<br />

started. Most of the old beautiful single<br />

screens have gone by the wayside. I think the<br />

theatre is appreciated for that."<br />

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