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Boxoffice-July.1997

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SPECIAL REPORT: Europe 1997<br />

MULTIPLICITY<br />

As in much of Europe, Irish exhibition is changing<br />

dramatically. BOXOFHCE talks to some of today's<br />

movers & shakers, and looks back at a fabled past.<br />

by Tony Deane<br />

STOMPIN' AT THE SAVOY: The beautiful Savoy Cinema in Dublin is one of tfie last survivors from the early days of Irish exhibition.<br />

T\he Internet. What a wonderful vehicle<br />

for bringing people together Case in<br />

point: our new Irish correspondent,<br />

DMiner Tony Deane. Tonyfound us through<br />

BOXOmCE ONLINE (for those of you<br />

who 've been dead these last three years, that 's<br />

http://www.boxoff.com) am/ i/rwcA: up such an<br />

interesting and in.^ightful electronic correspondence<br />

that it was inevitable BOXOFFICE<br />

would make him our man on the Iri.sh .scene.<br />

We didn 't make it easyfor him— no sir, not<br />

us.<br />

Tony's first assignment was nothing less<br />

than a thumbnail sketch of Irish exhibition's<br />

entire history. We couldn 't be more delighted<br />

with the results.<br />

Here then is an Irishman 's view ofexhibition<br />

in his own home country. We 're proud to bring<br />

it to you, and we can promise you thi.s: you 'II<br />

he hearing more from Tony Deane in the very<br />

near future.— Ray Greene, Editor-in-Chief,<br />

BOXOFnCE<br />

THE HISTORY<br />

been called the land of saint-s and schol-<br />

It's<br />

ars, which is ok if you're living in acountry<br />

that still holds on to its old ways. The<br />

Ireland of today is lightyears away from all of<br />

tho.se old fashioned customs people love to<br />

hear about. It's the most westerly island in<br />

Europe, the next stop being the states, and<br />

while some foreigners often mistake it for part<br />

ofmainline Britain it's as faraway from Britain<br />

culturally as it could possibly be.<br />

The Irish Republic has a population of between<br />

three and four million, and research<br />

shows that it has the youngest population in<br />

Europe, each average member coming<br />

equipped with his or her own vast amount of<br />

disposable income. This is spent mostly on<br />

entertainment of some sort, and the cinema<br />

comes high among entertainment priorities.<br />

When Giuseppe Tomatore was writing the<br />

script for his film "Cinema Paradiso," he, like<br />

all Europeans of a certain age, he could draw<br />

on memories of a childhood when the local

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