Boxoffice-June.19.1948
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INTERESTING COMMENTARIES ON<br />
CONTEMPORARY PLAN PROCEDURE<br />
Southern California Is Amid Boom<br />
In Planning Drive-Ins<br />
fm^ /rive-Tm theatres, the number of which<br />
is increasing by leaps and bounds throughout<br />
the country, have long since passed<br />
from the novelty category into the realm<br />
of big business, an important corollai-y to<br />
the exhibition end of the industry. The<br />
number of new installations in recent<br />
years, and the eagerness with which both<br />
veteran and newcomer showmen are investing<br />
increasing amounts of money in<br />
costly drive-in ventures, proves beyond<br />
doubt that such open-air, see-the-picturesfrom-your-own-car<br />
enterprises are here to<br />
stay.<br />
Climatic and other conditions make<br />
California, particularly its southern portion,<br />
especially desirable for operators casting<br />
an envious eye on the drive-in field.<br />
Resultantly, that area is amid a boom<br />
period in the planning and constniction<br />
of new drive-in projects.<br />
Several factors account for this, in the<br />
opinion of close observers. One, driveins<br />
in the Southern California territory<br />
can be operated virtually on a 365-day-ayear<br />
basis, as compared to the maximum<br />
of six to eight months in the east and<br />
by rVAN SPEAR<br />
midwest, where freezing winter weather<br />
shutters the open-air houses. For another,<br />
the Golden State lures, among its thousands<br />
of annual visitors, many retired or<br />
semi-retired showmen who have sold conventional<br />
houses or small circuits after<br />
operating them for years in other sections<br />
of the country, and have traveled to California<br />
with the idea of spending the rest<br />
of their lives there.<br />
Once settled down, however, a substantial<br />
number of such retired exhibitors find<br />
complete idleness irksome, and begin to<br />
cast about for a theatre to operate. Since<br />
such conventional showcases usually are<br />
difficult to locate, many showmen then<br />
are tempted to give consideration to the<br />
feasibility of constructing drive-in units.<br />
Of further advantage is the fact that, despite<br />
its rapid growth of population. Southern<br />
California still boasts plenty of available<br />
land, particularly in and around<br />
smaller communities away from such<br />
PLAN A. A U-fihaped counter in concession<br />
stand permits ease and speed in handling<br />
refreshment-seeking customers.<br />
This modem treatment is being given the nevr<br />
Gilmore drive-in, a 650-car unit, to be built adjacent<br />
to Los Angeles' famous farmers market<br />
by the Los Angeles Drive-In Corp. The architects<br />
are C. A. and W. G. Balch.<br />
crowded areas as Los Angeles and its<br />
environs.<br />
A recent installation of this type is the<br />
Valley Drive-In in Ontario, some 40 miles<br />
from Los Angeles and a prosperous small<br />
city in the heart of the rich citrus belt.<br />
A 650-car unit, it is owned and operated<br />
by the Sero Drive-In Corp., of which William<br />
Oldknow is president; Arnold B. Anderson,<br />
secretary, and Jack Anderson,<br />
treasurer. The Andersons also operate conventional<br />
houses in Ontario and nearby<br />
Chino. The Valley boasts a 72-foot screen<br />
tower, throwing a picture 39 by 55 feet;<br />
300 stadium-type seats for "walk-in" patrons;<br />
an elaborate "snack bar," and a<br />
playground for the children in the event<br />
they become restless.<br />
The Sero Corp. also operates the new<br />
Rancho Drive-In, near San Diego, Calif.,<br />
PLAN B. Larger public space to reduce congestion<br />
during intermissions. The service<br />
counter, back of booth, is straight.<br />
Here are iive types of projection<br />
buildings, to include washroom<br />
facilities and refreshment<br />
bars, offered by W. A. Tharp's<br />
Moonlight Movies system via a<br />
licensing system. Projection is<br />
at the top of each design, but<br />
refreshment areas and washroom<br />
facilities are switched<br />
about to meet a variety uiitJiy of ui con-<br />
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ditions.<br />
30<br />
The MODERN THEATRE SECTION<br />
1