Dfx User Guide - Tiffen.com

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118 Filter Tutorials • 10 Click the Done button to apply the filter to your image. See the Kelvin filter on page 351 for more information. Dfx User Guide •
Lens Distortion Lens Distortion corrects for pin-cushioning and barrel distortion of camera lenses. It is also useful for creating the look of a wide angle lens. Filter Tutorials 119 • 1 Apply Lens Distortion from the Lens category. 2 Start by adjusting the Distortion control to straighten out any curved lines that should be straight. Note: Positive Distortion parameters correct Pin-cushioning while negative values correct Barrel distortion. Depending on the lens that was used, you may need to also adjust the Anamorphic Squeeze and Curvature X and Y parameters. 3 Click the Done button to apply the filter to your image. Note: Lens Distortion must be applied as the first layer (bottom of the layer stack) when multiple layers are used. Otherwise, all filters below will not be rendered. See the Lens Distortion filter on page 353 for more information. Dfx User Guide •
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Dfx User Guide
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ABOUT US About Us 3 • Tiffen has
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Books Click on a closed book to exp
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Apple Aperture 1 Install Dfx using
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To deactivate Dfx: 1 Select License
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Points, Pro-Mist®, Rack Focus, Rad
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HFX Diffusion 1 Black Diffusion/FX
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Lens 1 Blur 2 Chromatic Aberration
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GENERAL TUTORIALS General Tutorials
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3 Click on one of the categories in
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General Tutorials 21 • 5 Click on
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General Tutorials 23 • 6 Click th
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Viewing and Comparing Layers In add
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You can now compare the before and
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View One Layer while Editing Anothe
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3 Click on a parameter name in the
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Select a filter and preset that cha
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Applying a Selection Mask to a Laye
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Position 100, Range 25 Original Pos
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Applying a Path Mask to a Layer A P
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Applying a Snap Mask to a Layer The
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General Tutorials 43 • 6 Alternat
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General Tutorials 45 • 9 Click th
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Applying a EZ Mask to a Layer EZ Ma
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The strokes should be near the boun
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General Tutorials 51 • 9 If you s
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When drawing a filled trimap, the b
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The area inside of the blue, unknow
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General Tutorials 57 • 13 If ther
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General Tutorials 59 • 5 Resize t
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To change how the active mask is co
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General Tutorials 63 • 2 Click an
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FILTER TUTORIALS Filter Tutorials 6
Page 67 and 68: Black Diffusion/FX® / Gold Diffusi
Page 69 and 70: Bleach Bypass Bleach Bypass is a fi
Page 71 and 72: Center Spot Center Spot diffuses an
Page 73 and 74: Close-Up Lens Simulates close-up le
Page 75 and 76: Color-Grad® Color-Grad® can trans
Page 77 and 78: Color Spot Tints the image using pr
Page 79 and 80: Day for Night Day for Night simulat
Page 81 and 82: Defringe Purple or blue fringing ar
Page 83 and 84: Go to the Grad section of Common Fi
Page 85 and 86: 11 You can also use the Texture > D
Page 87 and 88: In some of the filters, a selection
Page 89 and 90: Edge Glow Edge Glow isolates lines
Page 91 and 92: Eye Light Creates a targeted light
Page 93 and 94: 11 Change your View to Output to se
Page 95 and 96: 12 Change your View to Output to se
Page 97 and 98: Flag / Dot Flags and Dots are recta
Page 99 and 100: Gels Photographers, cinematographer
Page 101 and 102: In the case of a person’s face, a
Page 103 and 104: Gold / Silver Reflector Gold and Si
Page 105 and 106: Filter Tutorials 105 • 8 Adjust t
Page 107 and 108: Haze / Sky Haze Reduces excessive b
Page 109 and 110: In the case of a person’s face, a
Page 111 and 112: The Selection > Range parameter has
Page 113 and 114: Ice Halos Ice halos are created whe
Page 115 and 116: Infrared Infrared simulates infrare
Page 117: Kelvin Degrees Kelvin is the standa
Page 121 and 122: The default selection settings are
Page 123 and 124: 12 Click the Done button to apply t
Page 125 and 126: ND-Grad The ND or Neutral Density G
Page 127 and 128: 10 Increase the Selection > Range c
Page 129 and 130: Old Photo Images are treated to loo
Page 131 and 132: Ozone The Ozone filter allows you t
Page 133 and 134: Pencil Pencil converts your image t
Page 135 and 136: Polarizer The Polarizer creates a d
Page 137 and 138: Pro-Mist® This popular motion pict
Page 139 and 140: 12 Click the Done button to apply t
Page 141 and 142: Rainbow Recreates arced rainbows of
Page 143 and 144: 10 Change the View selector from Se
Page 145 and 146: Selective Saturation The saturation
Page 147 and 148: Smoque® Mechanical smoke generator
Page 149 and 150: Soft/FX® / Warm Soft/FX® Softens
Page 151 and 152: Split Field Split Field splits the
Page 153 and 154: Star Six point star patterns are ge
Page 155 and 156: Strip Grad Strip Grad colors only a
Page 157 and 158: Three Strip / Two Strip Three Strip
Page 159 and 160: Tint Tints the entire image with a
Page 161 and 162: Vari-Star Variable multi-point star
Page 163 and 164: Vignette A vignette, or soft fade,
Page 165 and 166: 14 Increase the Selection > Blur pa
Page 167 and 168: X-Ray Simulates the look of X-Ray i
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Viewer The Viewer is where images a
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Parameters When the Parameters tab
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Effect The Effect window shows all
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Toolbar The Toolbar contains variou
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Sashes By clicking and dragging the
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Combo Box Adjustment Combo boxes al
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Edit Preview Size Dfx works at a ma
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Default Layout The interface is con
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VIEWER Viewer 185 • The Viewer is
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The View/Compare icon in the Effect
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Horizontal Split Comparison Compare
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Magnifier When the Magnifier is sel
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Viewer Keyboard Shortcuts Viewer 19
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Wrap Filters Certain filter categor
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Presets for most filters have been
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Preset Pop-up Menu Right-click over
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Reset to Defaults Resets all of the
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Ranges, Toggles, and Color paramete
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EFFECT Effect 205 • The Effect wi
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Clicking on the image thumbnail in
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Drag and Drop Layers The ordering o
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Drag and Drop Masks Masks can be co
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Adjusting Toolbar Controls When cer
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Add Mask Using the Add Mask icon in
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Outer Blur The path is blurred outw
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On-Screen Controls Corner Points Th
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On-Screen Controls Radius The un-bl
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Create a Path Create a path by clic
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Point Editing Pop-up Menu Right-cli
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Workflow Using a coarse to fine edi
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Mark Foreground Click the Mark Fore
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Add additional FG and BG lines as n
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Once a stroke has been drawn, Snap
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EZ Mask EZ Mask is an easy to use i
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• The strokes should be near the
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Brushes Paint Foreground Click the
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To set the paint overlay opacity: 1
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Selection Mask Selection masks can
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Cyan A selection is created based o
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Black Clip Blacks in the selection
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To set the brush size: 1 Click on t
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COMMON FILTER CONTROLS Common Filte
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Scale Scale X The horizontal scale.
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Position Selects the values to be i
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Falloff Radius The blurred edge rad
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Color Sets the color of the light t
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Contrast Adjusts the contrast of th
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Controls Black Diffusion/FX®, Gold
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Gaussian A slower, higher quality g
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Center Spot / Warm Center Spot 269
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CHROMATIC ABERRATION Chromatic Aber
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CLOSE-UP LENS Close-Up Lens 273 •
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COLOR CORRECTORS Color Correctors 2
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adjustments will affect only those
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Green Exposure Adds or subtracts gr
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Brightness Adjusts the brightness o
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Color The Color parameter sets the
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Hue Adjusts the hue in any non-blue
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Mode Print to Slide Simulates the e
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Moonlight Color The Color parameter
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a greater amount of fog being remov
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Range Increases or decreases the ra
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Grad Use a gradient for the depth s
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Brightness Sets the intensity of th
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DOUBLE FOG Double Fog 301 • Descr
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Add The glow is added to your image
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Screen The edge glow is combined wi
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Selection Presets A selection is cr
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Blur Sets the softness of the light
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Screen The mist is combined with th
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FLAG / DOT Flag / Dot 317 • Descr
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FOG Fog 319 • Description The Fog
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GELS Gels 321 • Description Photo
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GamColor CineFilters CineFilters ch
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Grad Gels can optionally use a grad
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Glimmerglass®, Bronze Glimmerglass
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Screen The glow is combined with th
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Size The Size parameters control th
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HALO Halo 335 • Description Halo
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Sky Reduces UV light, haze and is p
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HDTV/FX® HDTV/FX® 339 • Descrip
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HFX® STAR HFX® Star 341 • Descr
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North Star HFX® Star 343 • Vecto
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HIGH CONTRAST High Contrast 345 •
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INFRARED Infrared 349 • Descripti
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KELVIN Kelvin 351 • Description D
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LENS DISTORTION Lens Distortion 353
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LIGHT / GOBO Light / Gobo 355 • D
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Rosco Gobos The Rosco range present
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Displacement Displaces the gobo by
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Gobos Category The gobos are organi
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Blur Sets the softness of the gobo.
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Category Special Effects. Looks: Bl
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Modules fields. Each of these field
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Post Color Correct Post Color Corre
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HiCon 1 A high contrast black and w
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Basic A simple film look that doesn
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Faux Film Faux Film attempts to giv
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LOW CONTRAST Low Contrast 377 • D
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MONO TINT Mono Tint 379 • Descrip
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ND-GRAD ND-Grad 381 • Description
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NIGHT VISION Night Vision 383 • D
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Additional Controls Grain Grain Siz
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Kallitype A silver-iron method for
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HSV The HSV (Hue, Saturation, Value
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OZONE Ozone 393 • Description The
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Hue Zones are created using the ima
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Gamma Adjusts the gamma of the zone
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PENCIL Pencil 399 • Description P
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Light Balancing Light Balancing fil
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POLARIZER / WARM POLARIZER Polarize
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PRO-MIST® Pro-Mist® 407 • Descr
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Warm Black Pro-Mist® Same as Black
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RACK FOCUS Rack Focus 411 • Descr
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Selection A selection is used to cr
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Spot A radial gradient is used to l
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Normal The rainbow is added to the
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RELIGHT ReLight 419 • Description
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Light Source Blend The light source
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Saturation Adjusts the saturation o
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Average A selection is created base
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Range Increases or decreases the ra
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Blur Blurs the selection. No Blur B
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Midtones Saturation Adjusts the sat
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Controls Color Amount Determines th
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Screen The smoke is combined with t
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Range Controls the range of values
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Category HFX Diffusion. Blur Sets t
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Position There is an on-screen cont
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Range Controls the range of values
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STAR Star 447 • Description Six p
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STREAKS Streaks 449 • Description
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STRIP GRAD Strip Grad 451 • Descr
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SUNSET/TWILIGHT Sunset/Twilight 453
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THREE STRIP / TWO STRIP Three Strip
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Red Smooth Blurs the red selection
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Tint Mode Sets the color model that
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Position Selects the shadow values
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Blend Determines the blend mode to
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VIGNETTE Vignette 465 • Descripti
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WATER DROPLETS Water Droplets 467
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Type Corona A corona has a bright c
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Selection A selection can be used t
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X-RAY X-Ray 473 • Description Sim
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BLEND MODES Blend Modes 475 • Ble
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Lighten Compares two images and tak
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Path Mask Point Editing Shortcuts K
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