Dfx User Guide - Tiffen.com

More documents

Recommendations

Info

208 Effect • Manipulating Layers, Filters and Masks Replacing Effects Double-click on a thumbnail to make it the active layer or click the Edit icon. Once active, you can replace the current filter with a different one. You can tell which layer is active by the gray border surrounding it. Deleting Filters There are a number of ways to delete a filter. 1 Double-click an image thumbnail in the Effect window and hit the Delete key. 2 Click on the X at the top right of an image thumbnail. 3 Right-click on an image thumbnail and select Delete Filter. Deleting Masks There are a number of ways to delete a mask. 1 Double-click a mask thumbnail in the Effect window and hit the Delete key. 2 Click on the X at the top right of a mask thumbnail. 3 Right-click on a mask thumbnail and select Delete Mask. 4 Right-click on an image thumbnail and select Delete Masks to delete all masks for the selected layer. Deleting Layers Right-click on an image thumbnail and select Delete Layer. Delete Layer is only available when a layer has been added in the Effect window. Dfx User Guide •
Drag and Drop Layers The ordering of layers in the Effect Window can be changed by dragging and dropping them to a new location. To do so, click and drag on the layer’s title bar to the right of the filter name and release in the new location. Before After Effect 209 • When the mouse button is released, the layer is moved to the new location. Dfx User Guide •
Page 1 and 2:
Dfx User Guide
Page 3 and 4:
ABOUT US About Us 3 • Tiffen has
Page 5 and 6:
Books Click on a closed book to exp
Page 7 and 8:
Apple Aperture 1 Install Dfx using
Page 9 and 10:
To deactivate Dfx: 1 Select License
Page 11 and 12:
Points, Pro-Mist®, Rack Focus, Rad
Page 13 and 14:
HFX Diffusion 1 Black Diffusion/FX
Page 15 and 16:
Lens 1 Blur 2 Chromatic Aberration
Page 17 and 18:
GENERAL TUTORIALS General Tutorials
Page 19 and 20:
3 Click on one of the categories in
Page 21 and 22:
General Tutorials 21 • 5 Click on
Page 23 and 24:
General Tutorials 23 • 6 Click th
Page 25 and 26:
Viewing and Comparing Layers In add
Page 27 and 28:
You can now compare the before and
Page 29 and 30:
View One Layer while Editing Anothe
Page 31 and 32:
3 Click on a parameter name in the
Page 33 and 34:
Select a filter and preset that cha
Page 35 and 36:
Applying a Selection Mask to a Laye
Page 37 and 38:
Position 100, Range 25 Original Pos
Page 39 and 40:
Applying a Path Mask to a Layer A P
Page 41 and 42:
Applying a Snap Mask to a Layer The
Page 43 and 44:
General Tutorials 43 • 6 Alternat
Page 45 and 46:
General Tutorials 45 • 9 Click th
Page 47 and 48:
Applying a EZ Mask to a Layer EZ Ma
Page 49 and 50:
The strokes should be near the boun
Page 51 and 52:
General Tutorials 51 • 9 If you s
Page 53 and 54:
When drawing a filled trimap, the b
Page 55 and 56:
The area inside of the blue, unknow
Page 57 and 58:
General Tutorials 57 • 13 If ther
Page 59 and 60:
General Tutorials 59 • 5 Resize t
Page 61 and 62:
To change how the active mask is co
Page 63 and 64:
General Tutorials 63 • 2 Click an
Page 65 and 66:
FILTER TUTORIALS Filter Tutorials 6
Page 67 and 68:
Black Diffusion/FX® / Gold Diffusi
Page 69 and 70:
Bleach Bypass Bleach Bypass is a fi
Page 71 and 72:
Center Spot Center Spot diffuses an
Page 73 and 74:
Close-Up Lens Simulates close-up le
Page 75 and 76:
Color-Grad® Color-Grad® can trans
Page 77 and 78:
Color Spot Tints the image using pr
Page 79 and 80:
Day for Night Day for Night simulat
Page 81 and 82:
Defringe Purple or blue fringing ar
Page 83 and 84:
Go to the Grad section of Common Fi
Page 85 and 86:
11 You can also use the Texture > D
Page 87 and 88:
In some of the filters, a selection
Page 89 and 90:
Edge Glow Edge Glow isolates lines
Page 91 and 92:
Eye Light Creates a targeted light
Page 93 and 94:
11 Change your View to Output to se
Page 95 and 96:
12 Change your View to Output to se
Page 97 and 98:
Flag / Dot Flags and Dots are recta
Page 99 and 100:
Gels Photographers, cinematographer
Page 101 and 102:
In the case of a person’s face, a
Page 103 and 104:
Gold / Silver Reflector Gold and Si
Page 105 and 106:
Filter Tutorials 105 • 8 Adjust t
Page 107 and 108:
Haze / Sky Haze Reduces excessive b
Page 109 and 110:
In the case of a person’s face, a
Page 111 and 112:
The Selection > Range parameter has
Page 113 and 114:
Ice Halos Ice halos are created whe
Page 115 and 116:
Infrared Infrared simulates infrare
Page 117 and 118:
Kelvin Degrees Kelvin is the standa
Page 119 and 120:
Lens Distortion Lens Distortion cor
Page 121 and 122:
The default selection settings are
Page 123 and 124:
12 Click the Done button to apply t
Page 125 and 126:
ND-Grad The ND or Neutral Density G
Page 127 and 128:
10 Increase the Selection > Range c
Page 129 and 130:
Old Photo Images are treated to loo
Page 131 and 132:
Ozone The Ozone filter allows you t
Page 133 and 134:
Pencil Pencil converts your image t
Page 135 and 136:
Polarizer The Polarizer creates a d
Page 137 and 138:
Pro-Mist® This popular motion pict
Page 139 and 140:
12 Click the Done button to apply t
Page 141 and 142:
Rainbow Recreates arced rainbows of
Page 143 and 144:
10 Change the View selector from Se
Page 145 and 146:
Selective Saturation The saturation
Page 147 and 148:
Smoque® Mechanical smoke generator
Page 149 and 150:
Soft/FX® / Warm Soft/FX® Softens
Page 151 and 152:
Split Field Split Field splits the
Page 153 and 154:
Star Six point star patterns are ge
Page 155 and 156:
Strip Grad Strip Grad colors only a
Page 157 and 158: Three Strip / Two Strip Three Strip
Page 159 and 160: Tint Tints the entire image with a
Page 161 and 162: Vari-Star Variable multi-point star
Page 163 and 164: Vignette A vignette, or soft fade,
Page 165 and 166: 14 Increase the Selection > Blur pa
Page 167 and 168: X-Ray Simulates the look of X-Ray i
Page 169 and 170: Viewer The Viewer is where images a
Page 171 and 172: Parameters When the Parameters tab
Page 173 and 174: Effect The Effect window shows all
Page 175 and 176: Toolbar The Toolbar contains variou
Page 177 and 178: Sashes By clicking and dragging the
Page 179 and 180: Combo Box Adjustment Combo boxes al
Page 181 and 182: Edit Preview Size Dfx works at a ma
Page 183 and 184: Default Layout The interface is con
Page 185 and 186: VIEWER Viewer 185 • The Viewer is
Page 187 and 188: The View/Compare icon in the Effect
Page 189 and 190: Horizontal Split Comparison Compare
Page 191 and 192: Magnifier When the Magnifier is sel
Page 193 and 194: Viewer Keyboard Shortcuts Viewer 19
Page 195 and 196: Wrap Filters Certain filter categor
Page 197 and 198: Presets for most filters have been
Page 199 and 200: Preset Pop-up Menu Right-click over
Page 201 and 202: Reset to Defaults Resets all of the
Page 203 and 204: Ranges, Toggles, and Color paramete
Page 205 and 206: EFFECT Effect 205 • The Effect wi
Page 207: Clicking on the image thumbnail in
Page 211 and 212: Drag and Drop Masks Masks can be co
Page 213 and 214: Adjusting Toolbar Controls When cer
Page 215 and 216: Add Mask Using the Add Mask icon in
Page 217 and 218: Outer Blur The path is blurred outw
Page 219 and 220: On-Screen Controls Corner Points Th
Page 221 and 222: On-Screen Controls Radius The un-bl
Page 223 and 224: Create a Path Create a path by clic
Page 225 and 226: Point Editing Pop-up Menu Right-cli
Page 227 and 228: Workflow Using a coarse to fine edi
Page 229 and 230: Mark Foreground Click the Mark Fore
Page 231 and 232: Add additional FG and BG lines as n
Page 233 and 234: Once a stroke has been drawn, Snap
Page 235 and 236: EZ Mask EZ Mask is an easy to use i
Page 237 and 238: • The strokes should be near the
Page 239 and 240: Brushes Paint Foreground Click the
Page 241 and 242: To set the paint overlay opacity: 1
Page 243 and 244: Selection Mask Selection masks can
Page 245 and 246: Cyan A selection is created based o
Page 247 and 248: Black Clip Blacks in the selection
Page 249 and 250: To set the brush size: 1 Click on t
Page 251 and 252: COMMON FILTER CONTROLS Common Filte
Page 253 and 254: Scale Scale X The horizontal scale.
Page 255 and 256: Position Selects the values to be i
Page 257 and 258: Falloff Radius The blurred edge rad
Page 259 and 260:
Color Sets the color of the light t
Page 261 and 262:
Contrast Adjusts the contrast of th
Page 263 and 264:
Controls Black Diffusion/FX®, Gold
Page 265 and 266:
Page 267 and 268:
Gaussian A slower, higher quality g
Page 269 and 270:
Center Spot / Warm Center Spot 269
Page 271 and 272:
CHROMATIC ABERRATION Chromatic Aber
Page 273 and 274:
CLOSE-UP LENS Close-Up Lens 273 •
Page 275 and 276:
COLOR CORRECTORS Color Correctors 2
Page 277 and 278:
adjustments will affect only those
Page 279 and 280:
Green Exposure Adds or subtracts gr
Page 281 and 282:
Brightness Adjusts the brightness o
Page 283 and 284:
Color The Color parameter sets the
Page 285 and 286:
Hue Adjusts the hue in any non-blue
Page 287 and 288:
Page 289 and 290:
Mode Print to Slide Simulates the e
Page 291 and 292:
Moonlight Color The Color parameter
Page 293 and 294:
a greater amount of fog being remov
Page 295 and 296:
Range Increases or decreases the ra
Page 297 and 298:
Grad Use a gradient for the depth s
Page 299 and 300:
Brightness Sets the intensity of th
Page 301 and 302:
DOUBLE FOG Double Fog 301 • Descr
Page 303 and 304:
Add The glow is added to your image
Page 305 and 306:
Page 307 and 308:
Screen The edge glow is combined wi
Page 309 and 310:
Selection Presets A selection is cr
Page 311 and 312:
Blur Sets the softness of the light
Page 313 and 314:
Screen The mist is combined with th
Page 315 and 316:
Page 317 and 318:
FLAG / DOT Flag / Dot 317 • Descr
Page 319 and 320:
FOG Fog 319 • Description The Fog
Page 321 and 322:
GELS Gels 321 • Description Photo
Page 323 and 324:
GamColor CineFilters CineFilters ch
Page 325 and 326:
Grad Gels can optionally use a grad
Page 327 and 328:
Glimmerglass®, Bronze Glimmerglass
Page 329 and 330:
Screen The glow is combined with th
Page 331 and 332:
Page 333 and 334:
Size The Size parameters control th
Page 335 and 336:
HALO Halo 335 • Description Halo
Page 337 and 338:
Sky Reduces UV light, haze and is p
Page 339 and 340:
HDTV/FX® HDTV/FX® 339 • Descrip
Page 341 and 342:
HFX® STAR HFX® Star 341 • Descr
Page 343 and 344:
North Star HFX® Star 343 • Vecto
Page 345 and 346:
HIGH CONTRAST High Contrast 345 •
Page 347 and 348:
Page 349 and 350:
INFRARED Infrared 349 • Descripti
Page 351 and 352:
KELVIN Kelvin 351 • Description D
Page 353 and 354:
LENS DISTORTION Lens Distortion 353
Page 355 and 356:
LIGHT / GOBO Light / Gobo 355 • D
Page 357 and 358:
Rosco Gobos The Rosco range present
Page 359 and 360:
Displacement Displaces the gobo by
Page 361 and 362:
Gobos Category The gobos are organi
Page 363 and 364:
Blur Sets the softness of the gobo.
Page 365 and 366:
Category Special Effects. Looks: Bl
Page 367 and 368:
Modules fields. Each of these field
Page 369 and 370:
Post Color Correct Post Color Corre
Page 371 and 372:
HiCon 1 A high contrast black and w
Page 373 and 374:
Basic A simple film look that doesn
Page 375 and 376:
Faux Film Faux Film attempts to giv
Page 377 and 378:
LOW CONTRAST Low Contrast 377 • D
Page 379 and 380:
MONO TINT Mono Tint 379 • Descrip
Page 381 and 382:
ND-GRAD ND-Grad 381 • Description
Page 383 and 384:
NIGHT VISION Night Vision 383 • D
Page 385 and 386:
Additional Controls Grain Grain Siz
Page 387 and 388:
Page 389 and 390:
Kallitype A silver-iron method for
Page 391 and 392:
HSV The HSV (Hue, Saturation, Value
Page 393 and 394:
OZONE Ozone 393 • Description The
Page 395 and 396:
Hue Zones are created using the ima
Page 397 and 398:
Gamma Adjusts the gamma of the zone
Page 399 and 400:
PENCIL Pencil 399 • Description P
Page 401 and 402:
Light Balancing Light Balancing fil
Page 403 and 404:
POLARIZER / WARM POLARIZER Polarize
Page 405 and 406:
Page 407 and 408:
PRO-MIST® Pro-Mist® 407 • Descr
Page 409 and 410:
Warm Black Pro-Mist® Same as Black
Page 411 and 412:
RACK FOCUS Rack Focus 411 • Descr
Page 413 and 414:
Selection A selection is used to cr
Page 415 and 416:
Spot A radial gradient is used to l
Page 417 and 418:
Normal The rainbow is added to the
Page 419 and 420:
RELIGHT ReLight 419 • Description
Page 421 and 422:
Light Source Blend The light source
Page 423 and 424:
Saturation Adjusts the saturation o
Page 425 and 426:
Average A selection is created base
Page 427 and 428:
Range Increases or decreases the ra
Page 429 and 430:
Blur Blurs the selection. No Blur B
Page 431 and 432:
Midtones Saturation Adjusts the sat
Page 433 and 434:
Controls Color Amount Determines th
Page 435 and 436:
Screen The smoke is combined with t
Page 437 and 438:
Range Controls the range of values
Page 439 and 440:
Category HFX Diffusion. Blur Sets t
Page 441 and 442:
Page 443 and 444:
Position There is an on-screen cont
Page 445 and 446:
Range Controls the range of values
Page 447 and 448:
STAR Star 447 • Description Six p
Page 449 and 450:
STREAKS Streaks 449 • Description
Page 451 and 452:
STRIP GRAD Strip Grad 451 • Descr
Page 453 and 454:
SUNSET/TWILIGHT Sunset/Twilight 453
Page 455 and 456:
THREE STRIP / TWO STRIP Three Strip
Page 457 and 458:
Red Smooth Blurs the red selection
Page 459 and 460:
Tint Mode Sets the color model that
Page 461 and 462:
Position Selects the shadow values
Page 463 and 464:
Blend Determines the blend mode to
Page 465 and 466:
VIGNETTE Vignette 465 • Descripti
Page 467 and 468:
WATER DROPLETS Water Droplets 467
Page 469 and 470:
Type Corona A corona has a bright c
Page 471 and 472:
Selection A selection can be used t
Page 473 and 474:
X-RAY X-Ray 473 • Description Sim
Page 475 and 476:
BLEND MODES Blend Modes 475 • Ble
Page 477 and 478:
Lighten Compares two images and tak
Page 479 and 480:
Path Mask Point Editing Shortcuts K
show all

Dfx User Guide - Tiffen.com

Create successful ePaper yourself

Delete template?

Save as template?