Dfx User Guide - Tiffen.com

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42 General Tutorials • 3 Click the Add Mask icon in the Toolbar and select Snap. Once Snap is selected, the effect of the filter in the Viewer can no longer be seen until a mask is created. 4 Define the area to be isolated by drawing a foreground line with the left mouse button. The Mark Foreground icon is selected by default when you apply a Snap mask and that is why you can just start drawing with the left mouse button. 5 Define background areas by drawing lines with the right mouse button. or Dfx User Guide •
General Tutorials 43 • 6 Alternatively, you could select the Mark Background icon and draw with the left mouse button. As soon as the first background line is drawn, Snap calculates a boundary curve that is displayed as a black and white dashed line around the object. 7 Draw additional foreground and background lines as needed until the object that you’d like to isolate is roughly surrounded by a boundary. Dfx User Guide •
Page 1 and 2: Dfx User Guide
Page 3 and 4: ABOUT US About Us 3 • Tiffen has
Page 5 and 6: Books Click on a closed book to exp
Page 7 and 8: Apple Aperture 1 Install Dfx using
Page 9 and 10: To deactivate Dfx: 1 Select License
Page 11 and 12: Points, Pro-Mist®, Rack Focus, Rad
Page 13 and 14: HFX Diffusion 1 Black Diffusion/FX
Page 15 and 16: Lens 1 Blur 2 Chromatic Aberration
Page 17 and 18: GENERAL TUTORIALS General Tutorials
Page 19 and 20: 3 Click on one of the categories in
Page 21 and 22: General Tutorials 21 • 5 Click on
Page 23 and 24: General Tutorials 23 • 6 Click th
Page 25 and 26: Viewing and Comparing Layers In add
Page 27 and 28: You can now compare the before and
Page 29 and 30: View One Layer while Editing Anothe
Page 31 and 32: 3 Click on a parameter name in the
Page 33 and 34: Select a filter and preset that cha
Page 35 and 36: Applying a Selection Mask to a Laye
Page 37 and 38: Position 100, Range 25 Original Pos
Page 39 and 40: Applying a Path Mask to a Layer A P
Page 41: Applying a Snap Mask to a Layer The
Page 45 and 46: General Tutorials 45 • 9 Click th
Page 47 and 48: Applying a EZ Mask to a Layer EZ Ma
Page 49 and 50: The strokes should be near the boun
Page 51 and 52: General Tutorials 51 • 9 If you s
Page 53 and 54: When drawing a filled trimap, the b
Page 55 and 56: The area inside of the blue, unknow
Page 57 and 58: General Tutorials 57 • 13 If ther
Page 59 and 60: General Tutorials 59 • 5 Resize t
Page 61 and 62: To change how the active mask is co
Page 63 and 64: General Tutorials 63 • 2 Click an
Page 65 and 66: FILTER TUTORIALS Filter Tutorials 6
Page 67 and 68: Black Diffusion/FX® / Gold Diffusi
Page 69 and 70: Bleach Bypass Bleach Bypass is a fi
Page 71 and 72: Center Spot Center Spot diffuses an
Page 73 and 74: Close-Up Lens Simulates close-up le
Page 75 and 76: Color-Grad® Color-Grad® can trans
Page 77 and 78: Color Spot Tints the image using pr
Page 79 and 80: Day for Night Day for Night simulat
Page 81 and 82: Defringe Purple or blue fringing ar
Page 83 and 84: Go to the Grad section of Common Fi
Page 85 and 86: 11 You can also use the Texture > D
Page 87 and 88: In some of the filters, a selection
Page 89 and 90: Edge Glow Edge Glow isolates lines
Page 91 and 92: Eye Light Creates a targeted light
Page 93 and 94:
11 Change your View to Output to se
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12 Change your View to Output to se
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Flag / Dot Flags and Dots are recta
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Gels Photographers, cinematographer
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In the case of a person’s face, a
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Gold / Silver Reflector Gold and Si
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Filter Tutorials 105 • 8 Adjust t
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Haze / Sky Haze Reduces excessive b
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In the case of a person’s face, a
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The Selection > Range parameter has
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Ice Halos Ice halos are created whe
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Infrared Infrared simulates infrare
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Kelvin Degrees Kelvin is the standa
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Lens Distortion Lens Distortion cor
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The default selection settings are
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12 Click the Done button to apply t
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ND-Grad The ND or Neutral Density G
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10 Increase the Selection > Range c
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Old Photo Images are treated to loo
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Ozone The Ozone filter allows you t
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Pencil Pencil converts your image t
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Polarizer The Polarizer creates a d
Page 137 and 138:
Pro-Mist® This popular motion pict
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12 Click the Done button to apply t
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Rainbow Recreates arced rainbows of
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10 Change the View selector from Se
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Selective Saturation The saturation
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Smoque® Mechanical smoke generator
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Soft/FX® / Warm Soft/FX® Softens
Page 151 and 152:
Split Field Split Field splits the
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Star Six point star patterns are ge
Page 155 and 156:
Strip Grad Strip Grad colors only a
Page 157 and 158:
Three Strip / Two Strip Three Strip
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Tint Tints the entire image with a
Page 161 and 162:
Vari-Star Variable multi-point star
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Vignette A vignette, or soft fade,
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14 Increase the Selection > Blur pa
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X-Ray Simulates the look of X-Ray i
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Viewer The Viewer is where images a
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Parameters When the Parameters tab
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Effect The Effect window shows all
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Toolbar The Toolbar contains variou
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Sashes By clicking and dragging the
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Combo Box Adjustment Combo boxes al
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Edit Preview Size Dfx works at a ma
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Default Layout The interface is con
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VIEWER Viewer 185 • The Viewer is
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The View/Compare icon in the Effect
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Horizontal Split Comparison Compare
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Magnifier When the Magnifier is sel
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Viewer Keyboard Shortcuts Viewer 19
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Wrap Filters Certain filter categor
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Presets for most filters have been
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Preset Pop-up Menu Right-click over
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Reset to Defaults Resets all of the
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Ranges, Toggles, and Color paramete
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EFFECT Effect 205 • The Effect wi
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Clicking on the image thumbnail in
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Drag and Drop Layers The ordering o
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Drag and Drop Masks Masks can be co
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Adjusting Toolbar Controls When cer
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Add Mask Using the Add Mask icon in
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Outer Blur The path is blurred outw
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On-Screen Controls Corner Points Th
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On-Screen Controls Radius The un-bl
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Create a Path Create a path by clic
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Point Editing Pop-up Menu Right-cli
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Workflow Using a coarse to fine edi
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Mark Foreground Click the Mark Fore
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Add additional FG and BG lines as n
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Once a stroke has been drawn, Snap
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EZ Mask EZ Mask is an easy to use i
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• The strokes should be near the
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Brushes Paint Foreground Click the
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To set the paint overlay opacity: 1
Page 243 and 244:
Selection Mask Selection masks can
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Cyan A selection is created based o
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Black Clip Blacks in the selection
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To set the brush size: 1 Click on t
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COMMON FILTER CONTROLS Common Filte
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Scale Scale X The horizontal scale.
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Position Selects the values to be i
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Falloff Radius The blurred edge rad
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Color Sets the color of the light t
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Contrast Adjusts the contrast of th
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Controls Black Diffusion/FX®, Gold
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Page 267 and 268:
Gaussian A slower, higher quality g
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Center Spot / Warm Center Spot 269
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CHROMATIC ABERRATION Chromatic Aber
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CLOSE-UP LENS Close-Up Lens 273 •
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COLOR CORRECTORS Color Correctors 2
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adjustments will affect only those
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Green Exposure Adds or subtracts gr
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Brightness Adjusts the brightness o
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Color The Color parameter sets the
Page 285 and 286:
Hue Adjusts the hue in any non-blue
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Page 289 and 290:
Mode Print to Slide Simulates the e
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Moonlight Color The Color parameter
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a greater amount of fog being remov
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Range Increases or decreases the ra
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Grad Use a gradient for the depth s
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Brightness Sets the intensity of th
Page 301 and 302:
DOUBLE FOG Double Fog 301 • Descr
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Add The glow is added to your image
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Page 307 and 308:
Screen The edge glow is combined wi
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Selection Presets A selection is cr
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Blur Sets the softness of the light
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Screen The mist is combined with th
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Page 317 and 318:
FLAG / DOT Flag / Dot 317 • Descr
Page 319 and 320:
FOG Fog 319 • Description The Fog
Page 321 and 322:
GELS Gels 321 • Description Photo
Page 323 and 324:
GamColor CineFilters CineFilters ch
Page 325 and 326:
Grad Gels can optionally use a grad
Page 327 and 328:
Glimmerglass®, Bronze Glimmerglass
Page 329 and 330:
Screen The glow is combined with th
Page 331 and 332:
Page 333 and 334:
Size The Size parameters control th
Page 335 and 336:
HALO Halo 335 • Description Halo
Page 337 and 338:
Sky Reduces UV light, haze and is p
Page 339 and 340:
HDTV/FX® HDTV/FX® 339 • Descrip
Page 341 and 342:
HFX® STAR HFX® Star 341 • Descr
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North Star HFX® Star 343 • Vecto
Page 345 and 346:
HIGH CONTRAST High Contrast 345 •
Page 347 and 348:
Page 349 and 350:
INFRARED Infrared 349 • Descripti
Page 351 and 352:
KELVIN Kelvin 351 • Description D
Page 353 and 354:
LENS DISTORTION Lens Distortion 353
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LIGHT / GOBO Light / Gobo 355 • D
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Rosco Gobos The Rosco range present
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Displacement Displaces the gobo by
Page 361 and 362:
Gobos Category The gobos are organi
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Blur Sets the softness of the gobo.
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Category Special Effects. Looks: Bl
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Modules fields. Each of these field
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Post Color Correct Post Color Corre
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HiCon 1 A high contrast black and w
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Basic A simple film look that doesn
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Faux Film Faux Film attempts to giv
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LOW CONTRAST Low Contrast 377 • D
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MONO TINT Mono Tint 379 • Descrip
Page 381 and 382:
ND-GRAD ND-Grad 381 • Description
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NIGHT VISION Night Vision 383 • D
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Additional Controls Grain Grain Siz
Page 387 and 388:
Page 389 and 390:
Kallitype A silver-iron method for
Page 391 and 392:
HSV The HSV (Hue, Saturation, Value
Page 393 and 394:
OZONE Ozone 393 • Description The
Page 395 and 396:
Hue Zones are created using the ima
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Gamma Adjusts the gamma of the zone
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PENCIL Pencil 399 • Description P
Page 401 and 402:
Light Balancing Light Balancing fil
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POLARIZER / WARM POLARIZER Polarize
Page 405 and 406:
Page 407 and 408:
PRO-MIST® Pro-Mist® 407 • Descr
Page 409 and 410:
Warm Black Pro-Mist® Same as Black
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RACK FOCUS Rack Focus 411 • Descr
Page 413 and 414:
Selection A selection is used to cr
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Spot A radial gradient is used to l
Page 417 and 418:
Normal The rainbow is added to the
Page 419 and 420:
RELIGHT ReLight 419 • Description
Page 421 and 422:
Light Source Blend The light source
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Saturation Adjusts the saturation o
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Average A selection is created base
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Range Increases or decreases the ra
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Blur Blurs the selection. No Blur B
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Midtones Saturation Adjusts the sat
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Controls Color Amount Determines th
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Screen The smoke is combined with t
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Range Controls the range of values
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Category HFX Diffusion. Blur Sets t
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Position There is an on-screen cont
Page 445 and 446:
Range Controls the range of values
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STAR Star 447 • Description Six p
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STREAKS Streaks 449 • Description
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STRIP GRAD Strip Grad 451 • Descr
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SUNSET/TWILIGHT Sunset/Twilight 453
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THREE STRIP / TWO STRIP Three Strip
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Red Smooth Blurs the red selection
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Tint Mode Sets the color model that
Page 461 and 462:
Position Selects the shadow values
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Blend Determines the blend mode to
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VIGNETTE Vignette 465 • Descripti
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WATER DROPLETS Water Droplets 467
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Type Corona A corona has a bright c
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Selection A selection can be used t
Page 473 and 474:
X-RAY X-Ray 473 • Description Sim
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BLEND MODES Blend Modes 475 • Ble
Page 477 and 478:
Lighten Compares two images and tak
Page 479 and 480:
Path Mask Point Editing Shortcuts K
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