Dfx User Guide - Tiffen.com

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40 General Tutorials • 5 When done, click on the first point that was added to close the path. The filter now appears only in the area contained within the path. To change the shape of the path, move the controls points. 6 Click on one point to select it or click and drag a box around a group of points. 7 Click and drag on one of the selected points to move them. If needed, you can add new points by Alt-clicking on the path between two points. Points are deleted by selecting them and hitting the Delete key. 8 Create as many paths as you’d like. When paths overlap, a hole in the mask occurs. See Path Mask on page 222 for more information. Dfx User Guide •
Applying a Snap Mask to a Layer The Snap masking tool provides instant visual feedback by snapping an editable curve to an object's boundary even if it has vague or low contrast edges. This is made possible by utilizing unique graph-cutting and segmentation algorithms. General Tutorials 41 • Boundary BG Mark BG Mark FG Mark Photo © THINKSTOCK LLC--www.thinkstock.com 1 Apply Dfx to an image. 2 Select a filter and preset that changes the image in an obvious way. Dfx User Guide •
Page 1 and 2: Dfx User Guide
Page 3 and 4: ABOUT US About Us 3 • Tiffen has
Page 5 and 6: Books Click on a closed book to exp
Page 7 and 8: Apple Aperture 1 Install Dfx using
Page 9 and 10: To deactivate Dfx: 1 Select License
Page 11 and 12: Points, Pro-Mist®, Rack Focus, Rad
Page 13 and 14: HFX Diffusion 1 Black Diffusion/FX
Page 15 and 16: Lens 1 Blur 2 Chromatic Aberration
Page 17 and 18: GENERAL TUTORIALS General Tutorials
Page 19 and 20: 3 Click on one of the categories in
Page 21 and 22: General Tutorials 21 • 5 Click on
Page 23 and 24: General Tutorials 23 • 6 Click th
Page 25 and 26: Viewing and Comparing Layers In add
Page 27 and 28: You can now compare the before and
Page 29 and 30: View One Layer while Editing Anothe
Page 31 and 32: 3 Click on a parameter name in the
Page 33 and 34: Select a filter and preset that cha
Page 35 and 36: Applying a Selection Mask to a Laye
Page 37 and 38: Position 100, Range 25 Original Pos
Page 39: Applying a Path Mask to a Layer A P
Page 43 and 44: General Tutorials 43 • 6 Alternat
Page 45 and 46: General Tutorials 45 • 9 Click th
Page 47 and 48: Applying a EZ Mask to a Layer EZ Ma
Page 49 and 50: The strokes should be near the boun
Page 51 and 52: General Tutorials 51 • 9 If you s
Page 53 and 54: When drawing a filled trimap, the b
Page 55 and 56: The area inside of the blue, unknow
Page 57 and 58: General Tutorials 57 • 13 If ther
Page 59 and 60: General Tutorials 59 • 5 Resize t
Page 61 and 62: To change how the active mask is co
Page 63 and 64: General Tutorials 63 • 2 Click an
Page 65 and 66: FILTER TUTORIALS Filter Tutorials 6
Page 67 and 68: Black Diffusion/FX® / Gold Diffusi
Page 69 and 70: Bleach Bypass Bleach Bypass is a fi
Page 71 and 72: Center Spot Center Spot diffuses an
Page 73 and 74: Close-Up Lens Simulates close-up le
Page 75 and 76: Color-Grad® Color-Grad® can trans
Page 77 and 78: Color Spot Tints the image using pr
Page 79 and 80: Day for Night Day for Night simulat
Page 81 and 82: Defringe Purple or blue fringing ar
Page 83 and 84: Go to the Grad section of Common Fi
Page 85 and 86: 11 You can also use the Texture > D
Page 87 and 88: In some of the filters, a selection
Page 89 and 90: Edge Glow Edge Glow isolates lines
Page 91 and 92:
Eye Light Creates a targeted light
Page 93 and 94:
11 Change your View to Output to se
Page 95 and 96:
12 Change your View to Output to se
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Flag / Dot Flags and Dots are recta
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Gels Photographers, cinematographer
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In the case of a person’s face, a
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Gold / Silver Reflector Gold and Si
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Filter Tutorials 105 • 8 Adjust t
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Haze / Sky Haze Reduces excessive b
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In the case of a person’s face, a
Page 111 and 112:
The Selection > Range parameter has
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Ice Halos Ice halos are created whe
Page 115 and 116:
Infrared Infrared simulates infrare
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Kelvin Degrees Kelvin is the standa
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Lens Distortion Lens Distortion cor
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The default selection settings are
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12 Click the Done button to apply t
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ND-Grad The ND or Neutral Density G
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10 Increase the Selection > Range c
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Old Photo Images are treated to loo
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Ozone The Ozone filter allows you t
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Pencil Pencil converts your image t
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Polarizer The Polarizer creates a d
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Pro-Mist® This popular motion pict
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12 Click the Done button to apply t
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Rainbow Recreates arced rainbows of
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10 Change the View selector from Se
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Selective Saturation The saturation
Page 147 and 148:
Smoque® Mechanical smoke generator
Page 149 and 150:
Soft/FX® / Warm Soft/FX® Softens
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Split Field Split Field splits the
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Star Six point star patterns are ge
Page 155 and 156:
Strip Grad Strip Grad colors only a
Page 157 and 158:
Three Strip / Two Strip Three Strip
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Tint Tints the entire image with a
Page 161 and 162:
Vari-Star Variable multi-point star
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Vignette A vignette, or soft fade,
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14 Increase the Selection > Blur pa
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X-Ray Simulates the look of X-Ray i
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Viewer The Viewer is where images a
Page 171 and 172:
Parameters When the Parameters tab
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Effect The Effect window shows all
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Toolbar The Toolbar contains variou
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Sashes By clicking and dragging the
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Combo Box Adjustment Combo boxes al
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Edit Preview Size Dfx works at a ma
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Default Layout The interface is con
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VIEWER Viewer 185 • The Viewer is
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The View/Compare icon in the Effect
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Horizontal Split Comparison Compare
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Magnifier When the Magnifier is sel
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Viewer Keyboard Shortcuts Viewer 19
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Wrap Filters Certain filter categor
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Presets for most filters have been
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Preset Pop-up Menu Right-click over
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Reset to Defaults Resets all of the
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Ranges, Toggles, and Color paramete
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EFFECT Effect 205 • The Effect wi
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Clicking on the image thumbnail in
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Drag and Drop Layers The ordering o
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Drag and Drop Masks Masks can be co
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Adjusting Toolbar Controls When cer
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Add Mask Using the Add Mask icon in
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Outer Blur The path is blurred outw
Page 219 and 220:
On-Screen Controls Corner Points Th
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On-Screen Controls Radius The un-bl
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Create a Path Create a path by clic
Page 225 and 226:
Point Editing Pop-up Menu Right-cli
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Workflow Using a coarse to fine edi
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Mark Foreground Click the Mark Fore
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Add additional FG and BG lines as n
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Once a stroke has been drawn, Snap
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EZ Mask EZ Mask is an easy to use i
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• The strokes should be near the
Page 239 and 240:
Brushes Paint Foreground Click the
Page 241 and 242:
To set the paint overlay opacity: 1
Page 243 and 244:
Selection Mask Selection masks can
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Cyan A selection is created based o
Page 247 and 248:
Black Clip Blacks in the selection
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To set the brush size: 1 Click on t
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COMMON FILTER CONTROLS Common Filte
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Scale Scale X The horizontal scale.
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Position Selects the values to be i
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Falloff Radius The blurred edge rad
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Color Sets the color of the light t
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Contrast Adjusts the contrast of th
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Controls Black Diffusion/FX®, Gold
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Page 267 and 268:
Gaussian A slower, higher quality g
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Center Spot / Warm Center Spot 269
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CHROMATIC ABERRATION Chromatic Aber
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CLOSE-UP LENS Close-Up Lens 273 •
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COLOR CORRECTORS Color Correctors 2
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adjustments will affect only those
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Green Exposure Adds or subtracts gr
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Brightness Adjusts the brightness o
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Color The Color parameter sets the
Page 285 and 286:
Hue Adjusts the hue in any non-blue
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Page 289 and 290:
Mode Print to Slide Simulates the e
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Moonlight Color The Color parameter
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a greater amount of fog being remov
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Range Increases or decreases the ra
Page 297 and 298:
Grad Use a gradient for the depth s
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Brightness Sets the intensity of th
Page 301 and 302:
DOUBLE FOG Double Fog 301 • Descr
Page 303 and 304:
Add The glow is added to your image
Page 305 and 306:
Page 307 and 308:
Screen The edge glow is combined wi
Page 309 and 310:
Selection Presets A selection is cr
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Blur Sets the softness of the light
Page 313 and 314:
Screen The mist is combined with th
Page 315 and 316:
Page 317 and 318:
FLAG / DOT Flag / Dot 317 • Descr
Page 319 and 320:
FOG Fog 319 • Description The Fog
Page 321 and 322:
GELS Gels 321 • Description Photo
Page 323 and 324:
GamColor CineFilters CineFilters ch
Page 325 and 326:
Grad Gels can optionally use a grad
Page 327 and 328:
Glimmerglass®, Bronze Glimmerglass
Page 329 and 330:
Screen The glow is combined with th
Page 331 and 332:
Page 333 and 334:
Size The Size parameters control th
Page 335 and 336:
HALO Halo 335 • Description Halo
Page 337 and 338:
Sky Reduces UV light, haze and is p
Page 339 and 340:
HDTV/FX® HDTV/FX® 339 • Descrip
Page 341 and 342:
HFX® STAR HFX® Star 341 • Descr
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North Star HFX® Star 343 • Vecto
Page 345 and 346:
HIGH CONTRAST High Contrast 345 •
Page 347 and 348:
Page 349 and 350:
INFRARED Infrared 349 • Descripti
Page 351 and 352:
KELVIN Kelvin 351 • Description D
Page 353 and 354:
LENS DISTORTION Lens Distortion 353
Page 355 and 356:
LIGHT / GOBO Light / Gobo 355 • D
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Rosco Gobos The Rosco range present
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Displacement Displaces the gobo by
Page 361 and 362:
Gobos Category The gobos are organi
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Blur Sets the softness of the gobo.
Page 365 and 366:
Category Special Effects. Looks: Bl
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Modules fields. Each of these field
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Post Color Correct Post Color Corre
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HiCon 1 A high contrast black and w
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Basic A simple film look that doesn
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Faux Film Faux Film attempts to giv
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LOW CONTRAST Low Contrast 377 • D
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MONO TINT Mono Tint 379 • Descrip
Page 381 and 382:
ND-GRAD ND-Grad 381 • Description
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NIGHT VISION Night Vision 383 • D
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Additional Controls Grain Grain Siz
Page 387 and 388:
Page 389 and 390:
Kallitype A silver-iron method for
Page 391 and 392:
HSV The HSV (Hue, Saturation, Value
Page 393 and 394:
OZONE Ozone 393 • Description The
Page 395 and 396:
Hue Zones are created using the ima
Page 397 and 398:
Gamma Adjusts the gamma of the zone
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PENCIL Pencil 399 • Description P
Page 401 and 402:
Light Balancing Light Balancing fil
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POLARIZER / WARM POLARIZER Polarize
Page 405 and 406:
Page 407 and 408:
PRO-MIST® Pro-Mist® 407 • Descr
Page 409 and 410:
Warm Black Pro-Mist® Same as Black
Page 411 and 412:
RACK FOCUS Rack Focus 411 • Descr
Page 413 and 414:
Selection A selection is used to cr
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Spot A radial gradient is used to l
Page 417 and 418:
Normal The rainbow is added to the
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RELIGHT ReLight 419 • Description
Page 421 and 422:
Light Source Blend The light source
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Saturation Adjusts the saturation o
Page 425 and 426:
Average A selection is created base
Page 427 and 428:
Range Increases or decreases the ra
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Blur Blurs the selection. No Blur B
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Midtones Saturation Adjusts the sat
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Controls Color Amount Determines th
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Screen The smoke is combined with t
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Range Controls the range of values
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Category HFX Diffusion. Blur Sets t
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Position There is an on-screen cont
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Range Controls the range of values
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STAR Star 447 • Description Six p
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STREAKS Streaks 449 • Description
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STRIP GRAD Strip Grad 451 • Descr
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SUNSET/TWILIGHT Sunset/Twilight 453
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THREE STRIP / TWO STRIP Three Strip
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Red Smooth Blurs the red selection
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Tint Mode Sets the color model that
Page 461 and 462:
Position Selects the shadow values
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Blend Determines the blend mode to
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VIGNETTE Vignette 465 • Descripti
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WATER DROPLETS Water Droplets 467
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Type Corona A corona has a bright c
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Selection A selection can be used t
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X-RAY X-Ray 473 • Description Sim
Page 475 and 476:
BLEND MODES Blend Modes 475 • Ble
Page 477 and 478:
Lighten Compares two images and tak
Page 479 and 480:
Path Mask Point Editing Shortcuts K
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