Dfx User Guide - Tiffen.com

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400 Photographic Filters • Description PHOTOGRAPHIC FILTERS The most complete line of Kodak® filters for photographic uses is available in the form of gelatin films and are known as Wratten® Gelatin Filters. Photographic Filters are digital equivalents of the Wratten set and were created using the spectral transmission curves for each optical filter. The Color Conversion, Light Balancing and Color Compensating filters are subsets of Photographic Filters. Before After Copyright © 2008--www.iofoto.com Go to the Photographic Filters Tutorial on page 134 to see how the filter works. Photographic Digital versions of the complete line of Kodak® Wratten® Gelatin Filters. Color Conversion Color Conversion filters correct for significant differences in color temperature between your light source and recording media. Dfx User Guide •
Light Balancing Light Balancing filters correct for minor differences in color temperature between your light source and recording media. Color Compensating Color Compensating filters control color by attenuating specific parts of the spectrum. They can be used to make changes in color balance or compensate for deficiencies in the image’s spectral quality. Category Photographic. Filters Presets Select one of the filters from the pop-up list. Color The Color parameter sets the color of the filter through the use of a standard color picker. Note: The Color picker allows you to treat the image with a custom color, but is only active when the Custom option has been selected in the Presets pop-up menu. Opacity Sets the opacity of the color filter. Preserve Highlights Preserves the white areas of the image. Exposure Compensation Exposure Compensation adds back the brightness loss as a result of the filter application. Photographic Filters 401 • Dfx User Guide •
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Dfx User Guide
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ABOUT US About Us 3 • Tiffen has
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Books Click on a closed book to exp
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Apple Aperture 1 Install Dfx using
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To deactivate Dfx: 1 Select License
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Points, Pro-Mist®, Rack Focus, Rad
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HFX Diffusion 1 Black Diffusion/FX
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Lens 1 Blur 2 Chromatic Aberration
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GENERAL TUTORIALS General Tutorials
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3 Click on one of the categories in
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General Tutorials 21 • 5 Click on
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General Tutorials 23 • 6 Click th
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Viewing and Comparing Layers In add
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You can now compare the before and
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View One Layer while Editing Anothe
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3 Click on a parameter name in the
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Select a filter and preset that cha
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Applying a Selection Mask to a Laye
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Position 100, Range 25 Original Pos
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Applying a Path Mask to a Layer A P
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Applying a Snap Mask to a Layer The
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General Tutorials 43 • 6 Alternat
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General Tutorials 45 • 9 Click th
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Applying a EZ Mask to a Layer EZ Ma
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The strokes should be near the boun
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General Tutorials 51 • 9 If you s
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When drawing a filled trimap, the b
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The area inside of the blue, unknow
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General Tutorials 57 • 13 If ther
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General Tutorials 59 • 5 Resize t
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To change how the active mask is co
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General Tutorials 63 • 2 Click an
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FILTER TUTORIALS Filter Tutorials 6
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Black Diffusion/FX® / Gold Diffusi
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Bleach Bypass Bleach Bypass is a fi
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Center Spot Center Spot diffuses an
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Close-Up Lens Simulates close-up le
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Color-Grad® Color-Grad® can trans
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Color Spot Tints the image using pr
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Day for Night Day for Night simulat
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Defringe Purple or blue fringing ar
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Go to the Grad section of Common Fi
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11 You can also use the Texture > D
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In some of the filters, a selection
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Edge Glow Edge Glow isolates lines
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Eye Light Creates a targeted light
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11 Change your View to Output to se
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12 Change your View to Output to se
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Flag / Dot Flags and Dots are recta
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Gels Photographers, cinematographer
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In the case of a person’s face, a
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Gold / Silver Reflector Gold and Si
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Filter Tutorials 105 • 8 Adjust t
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Haze / Sky Haze Reduces excessive b
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In the case of a person’s face, a
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The Selection > Range parameter has
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Ice Halos Ice halos are created whe
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Infrared Infrared simulates infrare
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Kelvin Degrees Kelvin is the standa
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Lens Distortion Lens Distortion cor
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The default selection settings are
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12 Click the Done button to apply t
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ND-Grad The ND or Neutral Density G
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10 Increase the Selection > Range c
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Old Photo Images are treated to loo
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Ozone The Ozone filter allows you t
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Pencil Pencil converts your image t
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Polarizer The Polarizer creates a d
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Pro-Mist® This popular motion pict
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12 Click the Done button to apply t
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Rainbow Recreates arced rainbows of
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10 Change the View selector from Se
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Selective Saturation The saturation
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Smoque® Mechanical smoke generator
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Soft/FX® / Warm Soft/FX® Softens
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Split Field Split Field splits the
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Star Six point star patterns are ge
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Strip Grad Strip Grad colors only a
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Three Strip / Two Strip Three Strip
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Tint Tints the entire image with a
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Vari-Star Variable multi-point star
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Vignette A vignette, or soft fade,
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14 Increase the Selection > Blur pa
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X-Ray Simulates the look of X-Ray i
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Viewer The Viewer is where images a
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Parameters When the Parameters tab
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Effect The Effect window shows all
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Toolbar The Toolbar contains variou
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Sashes By clicking and dragging the
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Combo Box Adjustment Combo boxes al
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Edit Preview Size Dfx works at a ma
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Default Layout The interface is con
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VIEWER Viewer 185 • The Viewer is
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The View/Compare icon in the Effect
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Horizontal Split Comparison Compare
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Magnifier When the Magnifier is sel
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Viewer Keyboard Shortcuts Viewer 19
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Wrap Filters Certain filter categor
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Presets for most filters have been
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Preset Pop-up Menu Right-click over
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Reset to Defaults Resets all of the
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Ranges, Toggles, and Color paramete
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EFFECT Effect 205 • The Effect wi
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Clicking on the image thumbnail in
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Drag and Drop Layers The ordering o
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Drag and Drop Masks Masks can be co
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Adjusting Toolbar Controls When cer
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Add Mask Using the Add Mask icon in
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Outer Blur The path is blurred outw
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On-Screen Controls Corner Points Th
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On-Screen Controls Radius The un-bl
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Create a Path Create a path by clic
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Point Editing Pop-up Menu Right-cli
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Workflow Using a coarse to fine edi
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Mark Foreground Click the Mark Fore
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Add additional FG and BG lines as n
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Once a stroke has been drawn, Snap
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EZ Mask EZ Mask is an easy to use i
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• The strokes should be near the
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Brushes Paint Foreground Click the
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To set the paint overlay opacity: 1
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Selection Mask Selection masks can
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Cyan A selection is created based o
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Black Clip Blacks in the selection
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To set the brush size: 1 Click on t
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COMMON FILTER CONTROLS Common Filte
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Scale Scale X The horizontal scale.
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Position Selects the values to be i
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Falloff Radius The blurred edge rad
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Color Sets the color of the light t
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Contrast Adjusts the contrast of th
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Controls Black Diffusion/FX®, Gold
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Contrast Adjusts the contrast of th
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Gaussian A slower, higher quality g
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Center Spot / Warm Center Spot 269
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CHROMATIC ABERRATION Chromatic Aber
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CLOSE-UP LENS Close-Up Lens 273 •
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COLOR CORRECTORS Color Correctors 2
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adjustments will affect only those
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Green Exposure Adds or subtracts gr
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Brightness Adjusts the brightness o
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Color The Color parameter sets the
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Hue Adjusts the hue in any non-blue
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Mode Print to Slide Simulates the e
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Moonlight Color The Color parameter
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a greater amount of fog being remov
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Range Increases or decreases the ra
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Grad Use a gradient for the depth s
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Brightness Sets the intensity of th
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DOUBLE FOG Double Fog 301 • Descr
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Add The glow is added to your image
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Screen The edge glow is combined wi
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Selection Presets A selection is cr
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Blur Sets the softness of the light
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Screen The mist is combined with th
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FLAG / DOT Flag / Dot 317 • Descr
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FOG Fog 319 • Description The Fog
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GELS Gels 321 • Description Photo
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GamColor CineFilters CineFilters ch
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Grad Gels can optionally use a grad
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Glimmerglass®, Bronze Glimmerglass
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Screen The glow is combined with th
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Size The Size parameters control th
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HALO Halo 335 • Description Halo
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Sky Reduces UV light, haze and is p
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HDTV/FX® HDTV/FX® 339 • Descrip
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HFX® STAR HFX® Star 341 • Descr
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North Star HFX® Star 343 • Vecto
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HIGH CONTRAST High Contrast 345 •
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Brightness Sets the intensity of th
Page 349 and 350: INFRARED Infrared 349 • Descripti
Page 351 and 352: KELVIN Kelvin 351 • Description D
Page 353 and 354: LENS DISTORTION Lens Distortion 353
Page 355 and 356: LIGHT / GOBO Light / Gobo 355 • D
Page 357 and 358: Rosco Gobos The Rosco range present
Page 359 and 360: Displacement Displaces the gobo by
Page 361 and 362: Gobos Category The gobos are organi
Page 363 and 364: Blur Sets the softness of the gobo.
Page 365 and 366: Category Special Effects. Looks: Bl
Page 367 and 368: Modules fields. Each of these field
Page 369 and 370: Post Color Correct Post Color Corre
Page 371 and 372: HiCon 1 A high contrast black and w
Page 373 and 374: Basic A simple film look that doesn
Page 375 and 376: Faux Film Faux Film attempts to giv
Page 377 and 378: LOW CONTRAST Low Contrast 377 • D
Page 379 and 380: MONO TINT Mono Tint 379 • Descrip
Page 381 and 382: ND-GRAD ND-Grad 381 • Description
Page 383 and 384: NIGHT VISION Night Vision 383 • D
Page 385 and 386: Additional Controls Grain Grain Siz
Page 387 and 388: Color The Color parameter sets the
Page 389 and 390: Kallitype A silver-iron method for
Page 391 and 392: HSV The HSV (Hue, Saturation, Value
Page 393 and 394: OZONE Ozone 393 • Description The
Page 395 and 396: Hue Zones are created using the ima
Page 397 and 398: Gamma Adjusts the gamma of the zone
Page 399: PENCIL Pencil 399 • Description P
Page 403 and 404: POLARIZER / WARM POLARIZER Polarize
Page 405 and 406: Contrast Adjusts the contrast of th
Page 407 and 408: PRO-MIST® Pro-Mist® 407 • Descr
Page 409 and 410: Warm Black Pro-Mist® Same as Black
Page 411 and 412: RACK FOCUS Rack Focus 411 • Descr
Page 413 and 414: Selection A selection is used to cr
Page 415 and 416: Spot A radial gradient is used to l
Page 417 and 418: Normal The rainbow is added to the
Page 419 and 420: RELIGHT ReLight 419 • Description
Page 421 and 422: Light Source Blend The light source
Page 423 and 424: Saturation Adjusts the saturation o
Page 425 and 426: Average A selection is created base
Page 427 and 428: Range Increases or decreases the ra
Page 429 and 430: Blur Blurs the selection. No Blur B
Page 431 and 432: Midtones Saturation Adjusts the sat
Page 433 and 434: Controls Color Amount Determines th
Page 435 and 436: Screen The smoke is combined with t
Page 437 and 438: Range Controls the range of values
Page 439 and 440: Category HFX Diffusion. Blur Sets t
Page 441 and 442: Brightness Sets the intensity of th
Page 443 and 444: Position There is an on-screen cont
Page 445 and 446: Range Controls the range of values
Page 447 and 448: STAR Star 447 • Description Six p
Page 449 and 450: STREAKS Streaks 449 • Description
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STRIP GRAD Strip Grad 451 • Descr
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SUNSET/TWILIGHT Sunset/Twilight 453
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THREE STRIP / TWO STRIP Three Strip
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Red Smooth Blurs the red selection
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Tint Mode Sets the color model that
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Position Selects the shadow values
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Blend Determines the blend mode to
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VIGNETTE Vignette 465 • Descripti
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WATER DROPLETS Water Droplets 467
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Type Corona A corona has a bright c
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Selection A selection can be used t
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X-RAY X-Ray 473 • Description Sim
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BLEND MODES Blend Modes 475 • Ble
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Lighten Compares two images and tak
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Path Mask Point Editing Shortcuts K
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