Dfx User Guide - Tiffen.com

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290 Day for Night • DAY FOR NIGHT Description Day for Night simulates a technique used for shooting exteriors in daylight made to look like they were photographed at night. Typically, it involves underexposing by two to two-and-a-half stops and using a filter to provide a tint, that is often a lavender-blue, as it mimics twilight and appears to emulate the mood of moonlight. Before After Go to the Day for Night Tutorial on page 79 to see how the filter works. Category Special Effects. Controls Diffusion Blur Sets how much the image is diffused. Opacity Copyright © 2008--www.iofoto.com Sets the amount of diffusion mixed into the original image. The higher the setting, the more the image is blurred. Dfx User Guide •
Moonlight Color The Color parameter sets the color of the moonlight through the use of a standard color picker. The default color is blue. Opacity Sets the opacity of the moonlight color. Preserve Highlights Preserves the white areas of the image. Color Correct Go to the Color Correct filter on page 277 to see how the Color Correct controls work. Day for Night 291 • Dfx User Guide •
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Dfx User Guide
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ABOUT US About Us 3 • Tiffen has
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Books Click on a closed book to exp
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Apple Aperture 1 Install Dfx using
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To deactivate Dfx: 1 Select License
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Points, Pro-Mist®, Rack Focus, Rad
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HFX Diffusion 1 Black Diffusion/FX
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Lens 1 Blur 2 Chromatic Aberration
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GENERAL TUTORIALS General Tutorials
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3 Click on one of the categories in
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General Tutorials 21 • 5 Click on
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General Tutorials 23 • 6 Click th
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Viewing and Comparing Layers In add
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You can now compare the before and
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View One Layer while Editing Anothe
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3 Click on a parameter name in the
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Select a filter and preset that cha
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Applying a Selection Mask to a Laye
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Position 100, Range 25 Original Pos
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Applying a Path Mask to a Layer A P
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Applying a Snap Mask to a Layer The
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General Tutorials 43 • 6 Alternat
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General Tutorials 45 • 9 Click th
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Applying a EZ Mask to a Layer EZ Ma
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The strokes should be near the boun
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General Tutorials 51 • 9 If you s
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When drawing a filled trimap, the b
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The area inside of the blue, unknow
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General Tutorials 57 • 13 If ther
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General Tutorials 59 • 5 Resize t
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To change how the active mask is co
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General Tutorials 63 • 2 Click an
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FILTER TUTORIALS Filter Tutorials 6
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Black Diffusion/FX® / Gold Diffusi
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Bleach Bypass Bleach Bypass is a fi
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Center Spot Center Spot diffuses an
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Close-Up Lens Simulates close-up le
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Color-Grad® Color-Grad® can trans
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Color Spot Tints the image using pr
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Day for Night Day for Night simulat
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Defringe Purple or blue fringing ar
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Go to the Grad section of Common Fi
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11 You can also use the Texture > D
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In some of the filters, a selection
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Edge Glow Edge Glow isolates lines
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Eye Light Creates a targeted light
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11 Change your View to Output to se
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12 Change your View to Output to se
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Flag / Dot Flags and Dots are recta
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Gels Photographers, cinematographer
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In the case of a person’s face, a
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Gold / Silver Reflector Gold and Si
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Filter Tutorials 105 • 8 Adjust t
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Haze / Sky Haze Reduces excessive b
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In the case of a person’s face, a
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The Selection > Range parameter has
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Ice Halos Ice halos are created whe
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Infrared Infrared simulates infrare
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Kelvin Degrees Kelvin is the standa
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Lens Distortion Lens Distortion cor
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The default selection settings are
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12 Click the Done button to apply t
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ND-Grad The ND or Neutral Density G
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10 Increase the Selection > Range c
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Old Photo Images are treated to loo
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Ozone The Ozone filter allows you t
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Pencil Pencil converts your image t
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Polarizer The Polarizer creates a d
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Pro-Mist® This popular motion pict
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12 Click the Done button to apply t
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Rainbow Recreates arced rainbows of
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10 Change the View selector from Se
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Selective Saturation The saturation
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Smoque® Mechanical smoke generator
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Soft/FX® / Warm Soft/FX® Softens
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Split Field Split Field splits the
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Star Six point star patterns are ge
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Strip Grad Strip Grad colors only a
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Three Strip / Two Strip Three Strip
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Tint Tints the entire image with a
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Vari-Star Variable multi-point star
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Vignette A vignette, or soft fade,
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14 Increase the Selection > Blur pa
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X-Ray Simulates the look of X-Ray i
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Viewer The Viewer is where images a
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Parameters When the Parameters tab
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Effect The Effect window shows all
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Toolbar The Toolbar contains variou
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Sashes By clicking and dragging the
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Combo Box Adjustment Combo boxes al
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Edit Preview Size Dfx works at a ma
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Default Layout The interface is con
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VIEWER Viewer 185 • The Viewer is
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The View/Compare icon in the Effect
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Horizontal Split Comparison Compare
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Magnifier When the Magnifier is sel
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Viewer Keyboard Shortcuts Viewer 19
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Wrap Filters Certain filter categor
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Presets for most filters have been
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Preset Pop-up Menu Right-click over
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Reset to Defaults Resets all of the
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Ranges, Toggles, and Color paramete
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EFFECT Effect 205 • The Effect wi
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Clicking on the image thumbnail in
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Drag and Drop Layers The ordering o
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Drag and Drop Masks Masks can be co
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Adjusting Toolbar Controls When cer
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Add Mask Using the Add Mask icon in
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Outer Blur The path is blurred outw
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On-Screen Controls Corner Points Th
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On-Screen Controls Radius The un-bl
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Create a Path Create a path by clic
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Point Editing Pop-up Menu Right-cli
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Workflow Using a coarse to fine edi
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Mark Foreground Click the Mark Fore
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Add additional FG and BG lines as n
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Once a stroke has been drawn, Snap
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EZ Mask EZ Mask is an easy to use i
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• The strokes should be near the
Page 239 and 240: Brushes Paint Foreground Click the
Page 241 and 242: To set the paint overlay opacity: 1
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Page 245 and 246: Cyan A selection is created based o
Page 247 and 248: Black Clip Blacks in the selection
Page 249 and 250: To set the brush size: 1 Click on t
Page 251 and 252: COMMON FILTER CONTROLS Common Filte
Page 253 and 254: Scale Scale X The horizontal scale.
Page 255 and 256: Position Selects the values to be i
Page 257 and 258: Falloff Radius The blurred edge rad
Page 259 and 260: Color Sets the color of the light t
Page 261 and 262: Contrast Adjusts the contrast of th
Page 263 and 264: Controls Black Diffusion/FX®, Gold
Page 265 and 266: Contrast Adjusts the contrast of th
Page 267 and 268: Gaussian A slower, higher quality g
Page 269 and 270: Center Spot / Warm Center Spot 269
Page 271 and 272: CHROMATIC ABERRATION Chromatic Aber
Page 273 and 274: CLOSE-UP LENS Close-Up Lens 273 •
Page 275 and 276: COLOR CORRECTORS Color Correctors 2
Page 277 and 278: adjustments will affect only those
Page 279 and 280: Green Exposure Adds or subtracts gr
Page 281 and 282: Brightness Adjusts the brightness o
Page 283 and 284: Color The Color parameter sets the
Page 285 and 286: Hue Adjusts the hue in any non-blue
Page 289: Mode Print to Slide Simulates the e
Page 293 and 294: a greater amount of fog being remov
Page 295 and 296: Range Increases or decreases the ra
Page 297 and 298: Grad Use a gradient for the depth s
Page 299 and 300: Brightness Sets the intensity of th
Page 301 and 302: DOUBLE FOG Double Fog 301 • Descr
Page 303 and 304: Add The glow is added to your image
Page 307 and 308: Screen The edge glow is combined wi
Page 309 and 310: Selection Presets A selection is cr
Page 311 and 312: Blur Sets the softness of the light
Page 313 and 314: Screen The mist is combined with th
Page 317 and 318: FLAG / DOT Flag / Dot 317 • Descr
Page 319 and 320: FOG Fog 319 • Description The Fog
Page 321 and 322: GELS Gels 321 • Description Photo
Page 323 and 324: GamColor CineFilters CineFilters ch
Page 325 and 326: Grad Gels can optionally use a grad
Page 327 and 328: Glimmerglass®, Bronze Glimmerglass
Page 329 and 330: Screen The glow is combined with th
Page 333 and 334: Size The Size parameters control th
Page 335 and 336: HALO Halo 335 • Description Halo
Page 337 and 338: Sky Reduces UV light, haze and is p
Page 339 and 340: HDTV/FX® HDTV/FX® 339 • Descrip
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HFX® STAR HFX® Star 341 • Descr
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North Star HFX® Star 343 • Vecto
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HIGH CONTRAST High Contrast 345 •
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Brightness Sets the intensity of th
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INFRARED Infrared 349 • Descripti
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KELVIN Kelvin 351 • Description D
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LENS DISTORTION Lens Distortion 353
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LIGHT / GOBO Light / Gobo 355 • D
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Rosco Gobos The Rosco range present
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Displacement Displaces the gobo by
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Gobos Category The gobos are organi
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Blur Sets the softness of the gobo.
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Category Special Effects. Looks: Bl
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Modules fields. Each of these field
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Post Color Correct Post Color Corre
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HiCon 1 A high contrast black and w
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Basic A simple film look that doesn
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Faux Film Faux Film attempts to giv
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LOW CONTRAST Low Contrast 377 • D
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MONO TINT Mono Tint 379 • Descrip
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ND-GRAD ND-Grad 381 • Description
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NIGHT VISION Night Vision 383 • D
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Additional Controls Grain Grain Siz
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Color The Color parameter sets the
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Kallitype A silver-iron method for
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HSV The HSV (Hue, Saturation, Value
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OZONE Ozone 393 • Description The
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Hue Zones are created using the ima
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Gamma Adjusts the gamma of the zone
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PENCIL Pencil 399 • Description P
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Light Balancing Light Balancing fil
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POLARIZER / WARM POLARIZER Polarize
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Contrast Adjusts the contrast of th
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PRO-MIST® Pro-Mist® 407 • Descr
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Warm Black Pro-Mist® Same as Black
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RACK FOCUS Rack Focus 411 • Descr
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Selection A selection is used to cr
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Spot A radial gradient is used to l
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Normal The rainbow is added to the
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RELIGHT ReLight 419 • Description
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Light Source Blend The light source
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Saturation Adjusts the saturation o
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Average A selection is created base
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Range Increases or decreases the ra
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Blur Blurs the selection. No Blur B
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Midtones Saturation Adjusts the sat
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Controls Color Amount Determines th
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Screen The smoke is combined with t
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Range Controls the range of values
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Category HFX Diffusion. Blur Sets t
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Brightness Sets the intensity of th
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Position There is an on-screen cont
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Range Controls the range of values
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STAR Star 447 • Description Six p
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STREAKS Streaks 449 • Description
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STRIP GRAD Strip Grad 451 • Descr
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SUNSET/TWILIGHT Sunset/Twilight 453
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THREE STRIP / TWO STRIP Three Strip
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Red Smooth Blurs the red selection
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Tint Mode Sets the color model that
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Position Selects the shadow values
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Blend Determines the blend mode to
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VIGNETTE Vignette 465 • Descripti
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WATER DROPLETS Water Droplets 467
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Type Corona A corona has a bright c
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Selection A selection can be used t
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X-RAY X-Ray 473 • Description Sim
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BLEND MODES Blend Modes 475 • Ble
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Lighten Compares two images and tak
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Path Mask Point Editing Shortcuts K
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