Dfx User Guide - Tiffen.com

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26 General Tutorials • Horizontal images are stacked vertically and vertical images are placed side by side. 2 Click the Vertical Split Comparison mode icon. Dfx User Guide •
You can now compare the before and after image using a vertical split. General Tutorials 27 • 3 Move your cursor into the image area over the split line and when the cursor changes to a double-arrow, click and drag to move the split. Depending on the filter used, the split line may not be obvious, so triangular sashes on the outside of the image help you find it. If you drag the sash all the way around, it will swap directions. 4 Click the A/B Comparison icon repeatedly to compare the active layer with the original image. 5 Turn off A/B Comparison mode when done. Dfx User Guide •
Page 1 and 2: Dfx User Guide
Page 3 and 4: ABOUT US About Us 3 • Tiffen has
Page 5 and 6: Books Click on a closed book to exp
Page 7 and 8: Apple Aperture 1 Install Dfx using
Page 9 and 10: To deactivate Dfx: 1 Select License
Page 11 and 12: Points, Pro-Mist®, Rack Focus, Rad
Page 13 and 14: HFX Diffusion 1 Black Diffusion/FX
Page 15 and 16: Lens 1 Blur 2 Chromatic Aberration
Page 17 and 18: GENERAL TUTORIALS General Tutorials
Page 19 and 20: 3 Click on one of the categories in
Page 21 and 22: General Tutorials 21 • 5 Click on
Page 23 and 24: General Tutorials 23 • 6 Click th
Page 25: Viewing and Comparing Layers In add
Page 29 and 30: View One Layer while Editing Anothe
Page 31 and 32: 3 Click on a parameter name in the
Page 33 and 34: Select a filter and preset that cha
Page 35 and 36: Applying a Selection Mask to a Laye
Page 37 and 38: Position 100, Range 25 Original Pos
Page 39 and 40: Applying a Path Mask to a Layer A P
Page 41 and 42: Applying a Snap Mask to a Layer The
Page 43 and 44: General Tutorials 43 • 6 Alternat
Page 45 and 46: General Tutorials 45 • 9 Click th
Page 47 and 48: Applying a EZ Mask to a Layer EZ Ma
Page 49 and 50: The strokes should be near the boun
Page 51 and 52: General Tutorials 51 • 9 If you s
Page 53 and 54: When drawing a filled trimap, the b
Page 55 and 56: The area inside of the blue, unknow
Page 57 and 58: General Tutorials 57 • 13 If ther
Page 59 and 60: General Tutorials 59 • 5 Resize t
Page 61 and 62: To change how the active mask is co
Page 63 and 64: General Tutorials 63 • 2 Click an
Page 65 and 66: FILTER TUTORIALS Filter Tutorials 6
Page 67 and 68: Black Diffusion/FX® / Gold Diffusi
Page 69 and 70: Bleach Bypass Bleach Bypass is a fi
Page 71 and 72: Center Spot Center Spot diffuses an
Page 73 and 74: Close-Up Lens Simulates close-up le
Page 75 and 76: Color-Grad® Color-Grad® can trans
Page 77 and 78:
Color Spot Tints the image using pr
Page 79 and 80:
Day for Night Day for Night simulat
Page 81 and 82:
Defringe Purple or blue fringing ar
Page 83 and 84:
Go to the Grad section of Common Fi
Page 85 and 86:
11 You can also use the Texture > D
Page 87 and 88:
In some of the filters, a selection
Page 89 and 90:
Edge Glow Edge Glow isolates lines
Page 91 and 92:
Eye Light Creates a targeted light
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11 Change your View to Output to se
Page 95 and 96:
12 Change your View to Output to se
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Flag / Dot Flags and Dots are recta
Page 99 and 100:
Gels Photographers, cinematographer
Page 101 and 102:
In the case of a person’s face, a
Page 103 and 104:
Gold / Silver Reflector Gold and Si
Page 105 and 106:
Filter Tutorials 105 • 8 Adjust t
Page 107 and 108:
Haze / Sky Haze Reduces excessive b
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In the case of a person’s face, a
Page 111 and 112:
The Selection > Range parameter has
Page 113 and 114:
Ice Halos Ice halos are created whe
Page 115 and 116:
Infrared Infrared simulates infrare
Page 117 and 118:
Kelvin Degrees Kelvin is the standa
Page 119 and 120:
Lens Distortion Lens Distortion cor
Page 121 and 122:
The default selection settings are
Page 123 and 124:
12 Click the Done button to apply t
Page 125 and 126:
ND-Grad The ND or Neutral Density G
Page 127 and 128:
10 Increase the Selection > Range c
Page 129 and 130:
Old Photo Images are treated to loo
Page 131 and 132:
Ozone The Ozone filter allows you t
Page 133 and 134:
Pencil Pencil converts your image t
Page 135 and 136:
Polarizer The Polarizer creates a d
Page 137 and 138:
Pro-Mist® This popular motion pict
Page 139 and 140:
12 Click the Done button to apply t
Page 141 and 142:
Rainbow Recreates arced rainbows of
Page 143 and 144:
10 Change the View selector from Se
Page 145 and 146:
Selective Saturation The saturation
Page 147 and 148:
Smoque® Mechanical smoke generator
Page 149 and 150:
Soft/FX® / Warm Soft/FX® Softens
Page 151 and 152:
Split Field Split Field splits the
Page 153 and 154:
Star Six point star patterns are ge
Page 155 and 156:
Strip Grad Strip Grad colors only a
Page 157 and 158:
Three Strip / Two Strip Three Strip
Page 159 and 160:
Tint Tints the entire image with a
Page 161 and 162:
Vari-Star Variable multi-point star
Page 163 and 164:
Vignette A vignette, or soft fade,
Page 165 and 166:
14 Increase the Selection > Blur pa
Page 167 and 168:
X-Ray Simulates the look of X-Ray i
Page 169 and 170:
Viewer The Viewer is where images a
Page 171 and 172:
Parameters When the Parameters tab
Page 173 and 174:
Effect The Effect window shows all
Page 175 and 176:
Toolbar The Toolbar contains variou
Page 177 and 178:
Sashes By clicking and dragging the
Page 179 and 180:
Combo Box Adjustment Combo boxes al
Page 181 and 182:
Edit Preview Size Dfx works at a ma
Page 183 and 184:
Default Layout The interface is con
Page 185 and 186:
VIEWER Viewer 185 • The Viewer is
Page 187 and 188:
The View/Compare icon in the Effect
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Horizontal Split Comparison Compare
Page 191 and 192:
Magnifier When the Magnifier is sel
Page 193 and 194:
Viewer Keyboard Shortcuts Viewer 19
Page 195 and 196:
Wrap Filters Certain filter categor
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Presets for most filters have been
Page 199 and 200:
Preset Pop-up Menu Right-click over
Page 201 and 202:
Reset to Defaults Resets all of the
Page 203 and 204:
Ranges, Toggles, and Color paramete
Page 205 and 206:
EFFECT Effect 205 • The Effect wi
Page 207 and 208:
Clicking on the image thumbnail in
Page 209 and 210:
Drag and Drop Layers The ordering o
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Drag and Drop Masks Masks can be co
Page 213 and 214:
Adjusting Toolbar Controls When cer
Page 215 and 216:
Add Mask Using the Add Mask icon in
Page 217 and 218:
Outer Blur The path is blurred outw
Page 219 and 220:
On-Screen Controls Corner Points Th
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On-Screen Controls Radius The un-bl
Page 223 and 224:
Create a Path Create a path by clic
Page 225 and 226:
Point Editing Pop-up Menu Right-cli
Page 227 and 228:
Workflow Using a coarse to fine edi
Page 229 and 230:
Mark Foreground Click the Mark Fore
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Add additional FG and BG lines as n
Page 233 and 234:
Once a stroke has been drawn, Snap
Page 235 and 236:
EZ Mask EZ Mask is an easy to use i
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• The strokes should be near the
Page 239 and 240:
Brushes Paint Foreground Click the
Page 241 and 242:
To set the paint overlay opacity: 1
Page 243 and 244:
Selection Mask Selection masks can
Page 245 and 246:
Cyan A selection is created based o
Page 247 and 248:
Black Clip Blacks in the selection
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To set the brush size: 1 Click on t
Page 251 and 252:
COMMON FILTER CONTROLS Common Filte
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Scale Scale X The horizontal scale.
Page 255 and 256:
Position Selects the values to be i
Page 257 and 258:
Falloff Radius The blurred edge rad
Page 259 and 260:
Color Sets the color of the light t
Page 261 and 262:
Contrast Adjusts the contrast of th
Page 263 and 264:
Controls Black Diffusion/FX®, Gold
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Page 267 and 268:
Gaussian A slower, higher quality g
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Center Spot / Warm Center Spot 269
Page 271 and 272:
CHROMATIC ABERRATION Chromatic Aber
Page 273 and 274:
CLOSE-UP LENS Close-Up Lens 273 •
Page 275 and 276:
COLOR CORRECTORS Color Correctors 2
Page 277 and 278:
adjustments will affect only those
Page 279 and 280:
Green Exposure Adds or subtracts gr
Page 281 and 282:
Brightness Adjusts the brightness o
Page 283 and 284:
Color The Color parameter sets the
Page 285 and 286:
Hue Adjusts the hue in any non-blue
Page 287 and 288:
Page 289 and 290:
Mode Print to Slide Simulates the e
Page 291 and 292:
Moonlight Color The Color parameter
Page 293 and 294:
a greater amount of fog being remov
Page 295 and 296:
Range Increases or decreases the ra
Page 297 and 298:
Grad Use a gradient for the depth s
Page 299 and 300:
Brightness Sets the intensity of th
Page 301 and 302:
DOUBLE FOG Double Fog 301 • Descr
Page 303 and 304:
Add The glow is added to your image
Page 305 and 306:
Page 307 and 308:
Screen The edge glow is combined wi
Page 309 and 310:
Selection Presets A selection is cr
Page 311 and 312:
Blur Sets the softness of the light
Page 313 and 314:
Screen The mist is combined with th
Page 315 and 316:
Page 317 and 318:
FLAG / DOT Flag / Dot 317 • Descr
Page 319 and 320:
FOG Fog 319 • Description The Fog
Page 321 and 322:
GELS Gels 321 • Description Photo
Page 323 and 324:
GamColor CineFilters CineFilters ch
Page 325 and 326:
Grad Gels can optionally use a grad
Page 327 and 328:
Glimmerglass®, Bronze Glimmerglass
Page 329 and 330:
Screen The glow is combined with th
Page 331 and 332:
Page 333 and 334:
Size The Size parameters control th
Page 335 and 336:
HALO Halo 335 • Description Halo
Page 337 and 338:
Sky Reduces UV light, haze and is p
Page 339 and 340:
HDTV/FX® HDTV/FX® 339 • Descrip
Page 341 and 342:
HFX® STAR HFX® Star 341 • Descr
Page 343 and 344:
North Star HFX® Star 343 • Vecto
Page 345 and 346:
HIGH CONTRAST High Contrast 345 •
Page 347 and 348:
Page 349 and 350:
INFRARED Infrared 349 • Descripti
Page 351 and 352:
KELVIN Kelvin 351 • Description D
Page 353 and 354:
LENS DISTORTION Lens Distortion 353
Page 355 and 356:
LIGHT / GOBO Light / Gobo 355 • D
Page 357 and 358:
Rosco Gobos The Rosco range present
Page 359 and 360:
Displacement Displaces the gobo by
Page 361 and 362:
Gobos Category The gobos are organi
Page 363 and 364:
Blur Sets the softness of the gobo.
Page 365 and 366:
Category Special Effects. Looks: Bl
Page 367 and 368:
Modules fields. Each of these field
Page 369 and 370:
Post Color Correct Post Color Corre
Page 371 and 372:
HiCon 1 A high contrast black and w
Page 373 and 374:
Basic A simple film look that doesn
Page 375 and 376:
Faux Film Faux Film attempts to giv
Page 377 and 378:
LOW CONTRAST Low Contrast 377 • D
Page 379 and 380:
MONO TINT Mono Tint 379 • Descrip
Page 381 and 382:
ND-GRAD ND-Grad 381 • Description
Page 383 and 384:
NIGHT VISION Night Vision 383 • D
Page 385 and 386:
Additional Controls Grain Grain Siz
Page 387 and 388:
Page 389 and 390:
Kallitype A silver-iron method for
Page 391 and 392:
HSV The HSV (Hue, Saturation, Value
Page 393 and 394:
OZONE Ozone 393 • Description The
Page 395 and 396:
Hue Zones are created using the ima
Page 397 and 398:
Gamma Adjusts the gamma of the zone
Page 399 and 400:
PENCIL Pencil 399 • Description P
Page 401 and 402:
Light Balancing Light Balancing fil
Page 403 and 404:
POLARIZER / WARM POLARIZER Polarize
Page 405 and 406:
Page 407 and 408:
PRO-MIST® Pro-Mist® 407 • Descr
Page 409 and 410:
Warm Black Pro-Mist® Same as Black
Page 411 and 412:
RACK FOCUS Rack Focus 411 • Descr
Page 413 and 414:
Selection A selection is used to cr
Page 415 and 416:
Spot A radial gradient is used to l
Page 417 and 418:
Normal The rainbow is added to the
Page 419 and 420:
RELIGHT ReLight 419 • Description
Page 421 and 422:
Light Source Blend The light source
Page 423 and 424:
Saturation Adjusts the saturation o
Page 425 and 426:
Average A selection is created base
Page 427 and 428:
Range Increases or decreases the ra
Page 429 and 430:
Blur Blurs the selection. No Blur B
Page 431 and 432:
Midtones Saturation Adjusts the sat
Page 433 and 434:
Controls Color Amount Determines th
Page 435 and 436:
Screen The smoke is combined with t
Page 437 and 438:
Range Controls the range of values
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Category HFX Diffusion. Blur Sets t
Page 441 and 442:
Page 443 and 444:
Position There is an on-screen cont
Page 445 and 446:
Range Controls the range of values
Page 447 and 448:
STAR Star 447 • Description Six p
Page 449 and 450:
STREAKS Streaks 449 • Description
Page 451 and 452:
STRIP GRAD Strip Grad 451 • Descr
Page 453 and 454:
SUNSET/TWILIGHT Sunset/Twilight 453
Page 455 and 456:
THREE STRIP / TWO STRIP Three Strip
Page 457 and 458:
Red Smooth Blurs the red selection
Page 459 and 460:
Tint Mode Sets the color model that
Page 461 and 462:
Position Selects the shadow values
Page 463 and 464:
Blend Determines the blend mode to
Page 465 and 466:
VIGNETTE Vignette 465 • Descripti
Page 467 and 468:
WATER DROPLETS Water Droplets 467
Page 469 and 470:
Type Corona A corona has a bright c
Page 471 and 472:
Selection A selection can be used t
Page 473 and 474:
X-RAY X-Ray 473 • Description Sim
Page 475 and 476:
BLEND MODES Blend Modes 475 • Ble
Page 477 and 478:
Lighten Compares two images and tak
Page 479 and 480:
Path Mask Point Editing Shortcuts K
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