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2010 - Jefferson Scholars Foundation

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jefferson scholars foundation <strong>2010</strong><br />

York City poetic avant-garde and<br />

a fixture in the Arensberg Circle,<br />

in Loy’s largely autobiographical<br />

long-poem “Anglo-Mongrels<br />

and the Rose” (1923-1925). In<br />

particular, these new analyses<br />

cast Fountain as a study in liminality<br />

due to the piece’s ability to<br />

reveal the murky interstices that<br />

lurk at the edges of distinct artistic,<br />

cultural, and social spheres.<br />

Taking up Fountain’s torch, in<br />

“Anglo-Mongrels and the Rose,”<br />

Loy also uses human excreta in<br />

order to champion a mongrelized<br />

voice constituted of physical,<br />

material, and ideological defecathe<br />

eighth annual jefferson fellows symposium<br />

Held Friday, February 19, <strong>2010</strong>, at the Rotunda and in various Pavilions across the Lawn, the<br />

symposium featured ten presentations from current <strong>Jefferson</strong> Fellows. The symposium’s methodology<br />

is simple: provide an opportunity for <strong>Jefferson</strong> Fellows to engage with members of the University<br />

community to discuss aspects of their current research. The preparation, and then the presentation<br />

itself, allows the Fellows to hone their research and teaching skills and gain valuable feedback.<br />

william<br />

dirienzo<br />

Stellar Nurseries: Recent<br />

progress and problems in<br />

Star Formation Research<br />

Stars are the most fundamental<br />

astronomical objects. They were<br />

the focus of astronomy long<br />

before humans had any detailed<br />

information about their nature.<br />

One of the first questions we<br />

often ask about a novel object<br />

or phenomenon is “Where<br />

did it come from?” Indeed, astronomers<br />

ponder the origin<br />

of anything they see through<br />

a telescope; however, despite<br />

all our years of observational<br />

and theoretical work, many of<br />

the fine but important aspects<br />

of star formation are not fully<br />

understood. In particular, the<br />

mechanism by which massive<br />

stars form is difficult to describe<br />

in detail. I will begin with a<br />

review of our current body of<br />

knowledge along with what<br />

we think we know about star<br />

formation. Then I will proceed<br />

to outline the unresolved issues<br />

and current research designed to<br />

address these points, including<br />

my own search for examples of<br />

triggered star formation within<br />

the Milky Way.<br />

upon Marcel Duchamp’s contemporaries<br />

and the generations<br />

that followed, attempts to situate<br />

this scatological readymade<br />

within the context of the literary<br />

arts have left scholars responding<br />

largely as they claim poets<br />

did when confronted with the<br />

piece: scratching their heads. Yet<br />

recent scholarship that recuperates<br />

Fountain’s homoerotic and<br />

racial overtones by focusing upon<br />

contemporary fears of queer<br />

activity in public toilets suggests<br />

the debate Fountain sparked<br />

proved pivotal for Mina Loy, a<br />

prominent member of the New<br />

laura<br />

goldblatt<br />

An Abjective Art: The<br />

Interstitial Aesthetic<br />

of marcel Duchamp’s<br />

“Fountain” and mina Loy’s<br />

“Anglo-mongrels and the<br />

Rose”<br />

Despite prolific critical examinations<br />

of Fountain’s influence<br />

Laura Goldblatt, the John F. Lillard Fellow (English), discusses the Language of<br />

Cultural Abjection.<br />

114

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