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CULTURE<br />
An Autumn<br />
of Musical Inspiration<br />
Mikołaj Szczęsny, PhD<br />
assistant professor<br />
at the Department of Music<br />
(Chair of Arts Education)<br />
Henryk Tritt –<br />
concertmaster and soloist<br />
of the “Academia” Chamber<br />
Orchestra<br />
Photo: Magdalena<br />
Seredyńska<br />
International Music Festival in Trzęsacz<br />
<strong>The</strong> Fifth Jubilee International Music<br />
Festival in Trzęsacz launched a season of<br />
performances by <strong>University</strong> of Szczecin<br />
faculty and student musicians, along with<br />
a wide array of talent from around the<br />
country and around the world.<br />
Music fans eager to get an early start on the<br />
region’s chamber and chorale concert calendar<br />
needed only to journey to the seaside resort of<br />
Trzęsacz, where the fifth edition of the international<br />
Music Festival Sacrum Non Profanum took<br />
place during the week of 8-15 August, 2009.<br />
held each year at the austere Church of Divine<br />
Mercy, the event has found a permanent place<br />
in the West Pomeranian concert landscape and<br />
in 2008 was awarded a ‘Gold Sextant’. Though<br />
the international festival of chamber and chorale<br />
music is one of Poland’s youngest, its roots date<br />
to a twelve-year-old series of concerts called<br />
Through Music to a World of Values and initiated<br />
by Szczecin <strong>University</strong> music director Prof. Bohdan<br />
Boguszewski.<br />
Polish-born organist Karol Gołębiowski<br />
opened the 2009 event along with helsinki-based<br />
Ukranian pianist Wiaczesław Nowikow, who interpreted<br />
the compositions of Frédéric Chopin<br />
in a nod to Poland’s year-long Chopin Year 2010<br />
concert series. in addition to a repertory of pipe<br />
organ music, the 2009 festival offered the opportunity<br />
to hear new music, composed by Dariusz<br />
Przybylski’s Schübler Choräle (first performance),<br />
thanks to the participation of engagement of the<br />
European Penderecki Centre for Music, which<br />
presents the newest works of young Polish composers.<br />
This part of the Festival program turned<br />
out to be most interesting and valuable.<br />
Accordion also featured in the series, with<br />
Paweł Kos-Nowicki conducting the debut performance<br />
of Chordalians & Chordaliens for accordion<br />
and orchestra. After rendering the complicated<br />
solo from Per aspera… and <strong>The</strong> Switching<br />
Faces for string orchestra, accordion virtuoso<br />
Michał Moc recalled composer henryk Czyż’s<br />
message that …the devil is not so black as he is<br />
painted, after which he played Hommage a Piazzola<br />
in tribute to bandoneonist and master of<br />
nuevo tango Astor Piazzola.<br />
A premiere of the late composer Marek<br />
Jasiński’s Domine Deus Salutis Meae for a capella<br />
Agata Szymczewska<br />
– 1 st prize winner and<br />
laureate of the TVP<br />
Kultura Audience Award<br />
(XIII International Henryk<br />
Wieniawski Violin<br />
Competition in Poznań) –<br />
during the opening concert<br />
Photo: Magdalena<br />
Seredyńska<br />
26<br />
mixed choir served as a centerpiece of the series.<br />
Performed by Chreszczatyk, a professional<br />
mixed choir from Kiev conducted by Pavlo Struts,