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CULTURE<br />

An Autumn<br />

of Musical Inspiration<br />

Mikołaj Szczęsny, PhD<br />

assistant professor<br />

at the Department of Music<br />

(Chair of Arts Education)<br />

Henryk Tritt –<br />

concertmaster and soloist<br />

of the “Academia” Chamber<br />

Orchestra<br />

Photo: Magdalena<br />

Seredyńska<br />

International Music Festival in Trzęsacz<br />

<strong>The</strong> Fifth Jubilee International Music<br />

Festival in Trzęsacz launched a season of<br />

performances by <strong>University</strong> of Szczecin<br />

faculty and student musicians, along with<br />

a wide array of talent from around the<br />

country and around the world.<br />

Music fans eager to get an early start on the<br />

region’s chamber and chorale concert calendar<br />

needed only to journey to the seaside resort of<br />

Trzęsacz, where the fifth edition of the international<br />

Music Festival Sacrum Non Profanum took<br />

place during the week of 8-15 August, 2009.<br />

held each year at the austere Church of Divine<br />

Mercy, the event has found a permanent place<br />

in the West Pomeranian concert landscape and<br />

in 2008 was awarded a ‘Gold Sextant’. Though<br />

the international festival of chamber and chorale<br />

music is one of Poland’s youngest, its roots date<br />

to a twelve-year-old series of concerts called<br />

Through Music to a World of Values and initiated<br />

by Szczecin <strong>University</strong> music director Prof. Bohdan<br />

Boguszewski.<br />

Polish-born organist Karol Gołębiowski<br />

opened the 2009 event along with helsinki-based<br />

Ukranian pianist Wiaczesław Nowikow, who interpreted<br />

the compositions of Frédéric Chopin<br />

in a nod to Poland’s year-long Chopin Year 2010<br />

concert series. in addition to a repertory of pipe<br />

organ music, the 2009 festival offered the opportunity<br />

to hear new music, composed by Dariusz<br />

Przybylski’s Schübler Choräle (first performance),<br />

thanks to the participation of engagement of the<br />

European Penderecki Centre for Music, which<br />

presents the newest works of young Polish composers.<br />

This part of the Festival program turned<br />

out to be most interesting and valuable.<br />

Accordion also featured in the series, with<br />

Paweł Kos-Nowicki conducting the debut performance<br />

of Chordalians & Chordaliens for accordion<br />

and orchestra. After rendering the complicated<br />

solo from Per aspera… and <strong>The</strong> Switching<br />

Faces for string orchestra, accordion virtuoso<br />

Michał Moc recalled composer henryk Czyż’s<br />

message that …the devil is not so black as he is<br />

painted, after which he played Hommage a Piazzola<br />

in tribute to bandoneonist and master of<br />

nuevo tango Astor Piazzola.<br />

A premiere of the late composer Marek<br />

Jasiński’s Domine Deus Salutis Meae for a capella<br />

Agata Szymczewska<br />

– 1 st prize winner and<br />

laureate of the TVP<br />

Kultura Audience Award<br />

(XIII International Henryk<br />

Wieniawski Violin<br />

Competition in Poznań) –<br />

during the opening concert<br />

Photo: Magdalena<br />

Seredyńska<br />

26<br />

mixed choir served as a centerpiece of the series.<br />

Performed by Chreszczatyk, a professional<br />

mixed choir from Kiev conducted by Pavlo Struts,

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