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CULTURE<br />

zecin’s Michał Dobrzyński is among 13 youthful<br />

talents taking part in the program, as is Marcin<br />

Gumiela, and both were students of the late Prof.<br />

Jasiński. <strong>The</strong> program also is supported by the<br />

Polish Composers’ Union, the French Embassy,<br />

villa Decius Association and Polish Audiovisual<br />

Publishers.<br />

Penderecki director Adrianna Poniecka-<br />

Piekutowska sees cooperation as a lynchpin in<br />

accomplishing the center’s objective of carrying<br />

the artist and the work through the successive<br />

phases of promotion. During the <strong>University</strong> Concerts<br />

in Szczecin series, listeners were treated to<br />

a sampling of works by Penderecki students, including<br />

Oneiros by Dariusz Przybylski, Secretary<br />

of the Polish Composers’ Union youth Circle; and<br />

the Concerto for Clarinet and Chamber Orchestra<br />

by Sławomir Zamaszko, assistant professor at the<br />

Chair of Composition of the G. and K. Bacewicz<br />

Academy of Music in Łódź. Along with Wojciech<br />

Kilar’s Orawa, which draws on themes of Polish<br />

folklore, the country’s musical future appears secure<br />

well into the 21 st century.<br />

Christmas Concert<br />

Szczecin <strong>University</strong>’s 25th anniversary<br />

provided Prof. Jasiński with an<br />

opportunity to display his ample talents in<br />

a December 12 performance that drew on<br />

inspirational music written over the last<br />

three centuries, with Prof. Boguszewski<br />

leading the Academia Chamber Orchestra.<br />

Also performing were choirs from Szczecin<br />

<strong>University</strong> and from Berlin’s Herz-Jesu-Kirche –<br />

where the program was performed on December<br />

19 – with featured as soloists Sarah Behrendt<br />

(soprano), Sylwia Tazberik (mezzo-soprano), henriette<br />

Nietzke (tenor), and Johannes G. Schmidt<br />

(bass-baritone).<br />

Jasiński beautiful, touching and subtle Christmas<br />

carol Mizerna cicha [Poor and Quiet] was mated<br />

with Tomaso Albinoni’s (1671-1750) Adagio in<br />

G minor for organ and string chamber orchestra.<br />

<strong>The</strong> program also featured the organ fantasy<br />

Boże Narodzenie w prastarym kościele Mariackim<br />

w Krakowie op. 34 no. 3 [Christmas in the Age-old<br />

St. Mary’s Basilica in Cracow], performed by organ<br />

virtuoso Andrzej Mielewczyk from Berlin, and Oratorio<br />

de Noel op. 12 by the French eclectic composer<br />

Charles Camille Saint-Saëns (1835–1921).<br />

<strong>University</strong> officials present at the concert included<br />

rectors Józef Perenc, Andrzej Witkowski<br />

and Edward Włodarczyk, and the chancellor,<br />

Eugeniusz Kisiel, who remarked on the quality<br />

of the entertainment on offer and its appropriateness<br />

for both the holiday and the long winter<br />

ahead. <br />

Concert in the Cathedral<br />

Basilica of St. James the<br />

Apostle in Szczecin, from<br />

the left: Sarah Behrendt –<br />

soprano, Sylvia Tazberik<br />

– mezzo-soprano, Henriette<br />

Godde – alto, Volker<br />

Nietzke – tenor, Johannes<br />

G. Schmidt (behind the<br />

conductor) – bass-baritone,<br />

prof. Bohdan Boguszewski<br />

– conductor<br />

Photo: Michał Kulik<br />

28

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