Making Better Movies with Moviestorm Vol 3: Sound and Light
Making Better Movies with Moviestorm Vol 3: Sound and Light
Making Better Movies with Moviestorm Vol 3: Sound and Light
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REALISTIC AMBIENCE<br />
Technique<br />
Create a scene <strong>with</strong> the sound as much like real life as possible.<br />
For some types of movie, particularly 70s-style movies such as The French Connection, the sound design calls for the<br />
scene to be depicted as realistically as possible, as if the film-maker simply captured all the on-set ambient noise. For<br />
an outdoor scene, this means including all the traffic noises, airplanes, dogs, passers-by, <strong>and</strong> everything else. You<br />
then mix the dialog down so that it appears to be at the right level compared to the background sound.<br />
This is very different to a normal sound mix where the dialog is artificially made louder to make it easier to hear. As a<br />
result, you may need to film the scene differently to make it comprehensible to viewers.<br />
This scene is set in a busy street, <strong>with</strong> traffic noise <strong>and</strong> other urban sounds. In real life, it could be hard to hear<br />
what the characters are saying, particularly when cars or trucks pass close by. In a longer shot, you might<br />
expect to hear the background sounds, although it's not necessary. When you cut to the closer shot, you can<br />
lower the volume of the background, as if you were st<strong>and</strong>ing closer to the characters, or you can keep it noisy<br />
as if it were recorded in the street <strong>and</strong> add atmosphere.<br />
Choose a scene in a busy location – either interior or exterior. Ideally, it should<br />
be 1-2 minutes long, including 2 or more main characters <strong>and</strong> extras, <strong>and</strong> include<br />
dialog.<br />
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