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Making Better Movies with Moviestorm Vol 3: Sound and Light

Making Better Movies with Moviestorm Vol 3: Sound and Light

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USING SOUND TO BRIDGE A SCENE<br />

Technique<br />

When cutting between two scenes, use a sound to provide continuity, even when the scenes<br />

are disconnected in the narrative.<br />

You can make two scenes flow together effectively by carrying a sound across from one scene to the next. You can<br />

do this in several ways; you can establish the sound of an object, <strong>and</strong> then have that same object in the next scene,<br />

even if it’s in a different location. For example, we hear the hero clicking his pen as he walks. As we cut to the next<br />

scene, the pen clicking continues.<br />

If the object is in the same location, you can use sound to bridge a passage of time. We hear a gr<strong>and</strong>father clock<br />

ticking. It continues to tick as we cut from summer to winter. You can use different objects that make the same<br />

sound to form the bridge; you can cut from the sound of one car engine to a different car in the next scene.<br />

If you’re skilful, you can use similar sounds from very different objects to bridge between two scenes: for example an<br />

air raid siren <strong>and</strong> a baby’s scream. You need to know before you start shooting how this bridge will work so that you<br />

know to film the right things: they need not be part of the narrative or even in the script.<br />

End one scene on a shot of a woman crying in a park, <strong>and</strong> have the bird squawking as it flies off. The next<br />

scene starts <strong>with</strong> more birds squawking, <strong>and</strong> we look down into a street. We can then cut to a closer shot on<br />

the man in the street. The shot on the bird is optional, though it does help to provide additional continuity.<br />

Take any two consecutive scenes from a screenplay. They can be in different<br />

locations or the same location.<br />

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