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Making Better Movies with Moviestorm Vol 3: Sound and Light

Making Better Movies with Moviestorm Vol 3: Sound and Light

Making Better Movies with Moviestorm Vol 3: Sound and Light

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LIGHTING<br />

<strong>Movies</strong> have often been described as “painting <strong>with</strong> light”. It doesn’t take long to realize that the lighting for a scene<br />

is critical to setting the mood for the entire piece, as well as the composition. You can completely change what you<br />

see simply by changing the lighting. The color sets the tone for the piece, the brightness sets the intensity, <strong>and</strong> the<br />

positioning can completely change the shape of the objects on the screen <strong>and</strong> the visual composition of the shot.<br />

<strong>Light</strong>ing is a slow, painstaking process, as you’ll find when you get on a shoot. It usually means the entire cast <strong>and</strong><br />

crew st<strong>and</strong>ing around while the lights are set up, <strong>and</strong> there’s often a lot of trial <strong>and</strong> error before the DoP <strong>and</strong> director<br />

are both happy. The sooner you can give your lighting team a good idea of what you want your scene to look like,<br />

the better. That saves everyone’s time, <strong>and</strong> on a live action shoot, can make a real difference to how much you can<br />

shoot in a day.<br />

Using <strong>Movies</strong>torm to practice lighting skills offers several advantages. If you’re shooting exteriors, you don’t have to<br />

contend <strong>with</strong> changing environmental conditions: the sun won’t suddenly go behind a cloud, <strong>and</strong> you won’t see the<br />

shadow of a tree creep gradually across the set as the shoot goes on. You can even eliminate shadows altogether<br />

<strong>with</strong> just a single click. You can decide what time of day it is, <strong>and</strong> film at twilight, dawn, or midday to compare the<br />

different lights <strong>and</strong> how it affects your scene. You can film in bright California sunshine, or on a grey English winter<br />

morning, all <strong>with</strong>out leaving your sofa.<br />

Soft, gentle lighting in this scene immediately suggests it's part of a romance or a mystery - or perhaps a touch<br />

of both? The choice of lighting often defines the mood, regardless of the actors' performances, the script, or<br />

the music.<br />

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