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CUNY Master Plan 2012-2016

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THE <strong>CUNY</strong> MASTER PLAN <strong>2012</strong>-<strong>2016</strong><br />

• Mentoring: in which a theatre professional mentors a group of <strong>CUNY</strong> students through a creditbearing<br />

course that combines theatre-going with academic work in a specific discipline;<br />

• Internships: <strong>CUNY</strong> students participate in for-credit internships in their field of study at TDF and<br />

throughout the theatre industry; and,<br />

• Ticketing: each school has a group participate in TDF’s “New Audiences of New York,” a program<br />

that introduces theatre, through attendance and education, to underserved groups across the five<br />

boroughs. Students from each campus attend theatre performances and participate in pre- and<br />

post-performance discussions.<br />

TDF is also offering discounted annual TDF memberships for students, faculty, and staff at the eight<br />

participating campuses.<br />

Creative Writing MFA Consortium<br />

In the fall of 2007, the Office of Academic Affairs supported an initiative to coordinate projects among<br />

the four <strong>CUNY</strong> MFA programs in creative writing. This initiative led to the formation of an affiliation<br />

group, comprising representative members from Brooklyn, City, Hunter, and Queens Colleges. The<br />

group’s first collaborative effort was major sponsorship in the 2008 Association of Writers and Writing<br />

Programs (AWP) annual conference. Since its initial successful launch at the conference, the group has<br />

continued to meet to initiate further collaborative projects, including: the annual Turnstyle Reading<br />

Series (a mixer for graduate MFA students and writing faculty) and the Celebration of the Chapbook (an<br />

annual chapbook festival featuring prominent chapbook presses from around the country). Last year, the<br />

group added to its initiatives a commitment to secure tuition funding for the <strong>CUNY</strong> MFA students in creative<br />

writing because “low tuition does not equal zero,” especially in New York City. The top-ranking creative<br />

writing programs in the country all offer full support. Offering tuition abatement to students is<br />

crucial to staying competitive (as well as aligning with the group’s vision of the arts). Toward this end, the<br />

representatives have been meeting with the University Dean for Institutional Advancement to create a<br />

tuition abatement prospectus and strategy to approach funders. In <strong>2012</strong>-<strong>2016</strong>, <strong>CUNY</strong> will continue and<br />

build projects that benefit both the students and faculty of the four <strong>CUNY</strong> MFA programs in creative<br />

writing, and launch a campaign for full tuition abatement.<br />

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