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Music as a Tool for Social Inclusion (PDF) - Cork City Council

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Section 6:<br />

Conclusion and<br />

Recommendations<br />

6.1. Conclusion<br />

The sustainability of community music groups and organisations is tenuous because<br />

funding is provided on an annual b<strong>as</strong>is, and is fragmented and limited. The support<br />

that they receive is mainly from adult education and employment schemes and<br />

initiatives, which are then supplemented through their fundraising and voluntary ef<strong>for</strong>ts.<br />

The present economic downturn could adversely affect the already limited supports<br />

they receive and this puts their sustainability further in question.<br />

The community music groups and organisations featured in this report offer different<br />

types of music provision. Some have survived <strong>for</strong> many years, others were founded<br />

more recently. They have had valuable experience and success in involving children and<br />

adults, young people and adults at risk, and people with disabilities. This offers huge<br />

potential if all their skills were used to provide a service that h<strong>as</strong> access and tackling<br />

social exclusion <strong>as</strong> its main focus.<br />

The need <strong>for</strong> these services is crucial if the disadvantages in the city are to be tackled.<br />

The groups agree that it is their community b<strong>as</strong>ed approach that provides the space<br />

<strong>for</strong> people’s personal, educational and cultural development. They agree that it is the<br />

b<strong>as</strong>ic human approach that provides the key to their success. This approach works<br />

face to face with the needs of the person, making people feel valued, included and<br />

respected. It h<strong>as</strong> been shown by a large volume of international research that music can<br />

improve school per<strong>for</strong>mance, personal development and help in tackling poverty and<br />

social exclusion.<br />

In 2006 the <strong>Cork</strong> <strong>Music</strong> Works pilot­project which <strong>for</strong>med part of a PhD multiple c<strong>as</strong>e­study<br />

52<br />

dissertation by Evelyn Grant showed the undisputed gains made by people with<br />

disabilities through involvement in music but little evidence of systemic change or<br />

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